Greetings, friends! Welcome to my abode. Don’t be afraid, open the door wide and step inside. It’s cold outside, the rain is lashing down and the wind is howling – come sit by my fire and warm your chilled bones. Pour a drink and relax. I have many stories to tell you this Halloween. Listen closely…
Here we go again with Platinum Al’s traditional Halloween Horror Fest, where I’ll be watching spooky movies and sharing my fetid thoughts on my viewing. I’m sure you’ll enjoy it. Here are the first of this year’s celluloid nightmares…
Driller Killer (1979)
Starting off, something different from my usual preferences – an infamous “video nasty”. Here we meet Reno, a troubled artist, struggling to create a masterpiece whilst living in poverty. As the stresses pile up in his everyday life, he resorts to viciously murdering local vagrants as his mental health suffers.
I’m no fan of “slasher” movies, and didn’t expect much from this film – other than being able to tick it off the list. It’s low budget and dated, but rather than a predictable slasher fest, the movie takes it’s time to develop the main character and examine his descent into murderous madness. This slow burn at least demonstrates the film makers grander ambitions, though on the other hand it does slow the movie down.
A surprising approach then, but this art house wannabe doesn’t really achieve much more. “Driller Killer” is worth a watch to – well, yeah – tick it off the list.
Nosferatu: A Symphony of Horror (1922)
One hundred undead years old this year, FW Murnau’s Dracula “homage” should need no introduction. Certainly, the appearance of Count Orlok – this film’s Drac substitute – has been magnificently influential, not to mention the many other magical innovations on screen.
The plot is almost directly cloned from Stoker’s novel (indeed my copy even uses the original character names) – a problem which led to the writer’s heirs suing over the unauthorised adaptation. As a result, all copies were to be destroyed. Thankfully, not all prints were extinguished.
Here, our Jonathon Harker (or Hutter) travels to meet Count Orlok (Dracula, obvs) in order to procure property for the nobleman. Orlok is of course a vampire, and after sidestepping Harker/Hutter, travels back to the hero’s home town via a pleasant cruise on a ship called the Demeter.
You don’t really need to know any more. Put it this way, if you’ve never seen this film – you need to watch it. Yes, it’s a silent movie and obviously that dates the picture considerably, but there’s still so much to enjoy. Cinematic vampire lore is being built before our eyes, as well as the language of cinema being explored and developed. These experiments don’t always work, but it’s always fascinating.
Max Schreck as Orlok is still one of the creepiest sights in movies, ever. The rat-like visage, the menacing shadow climbing the stairs – still truly ghastly, all these years later. I doubt this vampire will ever die.