Happy Halloween, everybody! Here’s a little more Horror Fest for you…
Plan 9 From Outer Space (1957)
Flying saucers made from hub caps, and you can see the strings! Wobbly gravestones! Incomprehensible dialogue and wooden acting! Not to mention an incoherent plot. Yes indeed, this legendary movie from Ed Wood has it all. Or does it? The reputation of Plan 9 From Outer Space as the worst film ever made might have some truth in it, but not all of these claims are based in fact..
The plot is indeed bizarre. Aliens (who look very human) are keen to cause chaos and make the populace of Earth open their eyes to our potentially destructive ways. After several failures, they settle on their ninth plan – resurrecting the dead – as the best way to accomplish their goals. The dead come back to life (well, three of them do) and proceed to scare the locals and the police force silly.
Something like that, anyway. The story doesn’t really matter that much. You’ll want to see this film to witness the last scenes shot of Bela Lugosi, who died before the film was completed. And the stand in used to complete his scenes who looks nothing like him. And, of course, you’ll want to see the captivating horror host and pop culture legend Vampira (Maila Nurmi). Not to mention, to behold the wonder of Swedish wrestler Tor Johnson as a police inspector turned ghoul.
It’s kitsch, silly and thoroughly inept, but Plan 9 from Outer Space is also hugely entertaining, camp fun. You’ll witness a film so bad, it’s impossible not to love. I mean, The Damned and The Misfits have both been inspired by it, along with many others. So is it really all that bad? I’d say Plan 9 From Outer Space is the perfect Halloween film.
Are you feeling brave? Let’s explore some more spooky movies for Halloween…
Ginger Snaps (2000)
A mad dog is on the loose in the town of Bailey Downs, Ontario (that’s in Canada!). Two residents, sisters Brigitte (Emily Perkins) and Ginger (Katharine Isabelle), are local school misfits and morbidly obsessed. One night, Ginger is attacked by the dog, but guess what? That’s right, it ain’t a dog…
Ginger begins to change, both physically and in her demeanour. It becomes obvious to her sister that she’s becoming a werewolf. As the two negotiate how to manage the situation, their lives inevitably become more complicated and things get lethal.
Ginger Snaps is a very. very clever film that puts a new spin on the old werewolf folklore. By concentrating on two young female lead characters, it serves as an ingenious deviation from the norm and a well observed look at the young girl’s lives. It’s like Twilight with teeth. Or should that be – with fangs?
8/10
House of Dracula (1945)
This is what we want! Universal monsters – not one, not two, but three of the classics! A black & white monster movie, we get to see Dracula, the Wolfman and Frankenstein’s monster – together!
In this follow up to House of Frankenstein, which also featured the three horror icons, Dracula (John Carradine) is visiting Dr Edelman (Onslow Stevens) to cure his vampirism. Similarly, Larry Talbot (Lon Chaney Jr.) – the Wolfman – is also seeking out the same doctor for assistance in finding a cure for himself. Throw into the mix a revived Frankenstein’s monster (Glenn Strange) and you’ve got a triple threat creature showdowwn!
It’s all a bit contrived and silly really, too many odd coincidences occur to engineer the creatures being in the same place at the same time. But if you can conveniently ignore that, House of Dracula is good fun. There are some great special effects and makeup, and Carradine and Lon Chaney Jr are good value for money.
7/10
Train to Busan (2016)
Zombies, zombies, zombies. Seems like my household like to watch a lot of zombie movies. And television programmes. So, I nearly passed on watching this South Korean entry into the genre out of sheer fatigue. I’m so glad I didn’t, as this is one of the best horror movies (zombie or otherwise) I’ve seen in a long while.
It follows a workaholic father taking his young daughter to visit her mother in Busan on her birthday. They take the train, and as bizarre, gruesome events spiral, they’re soon trapped in a zombie apocalypse.
The plot doesn’t really need much more explanation than that, and I don’t want to give the slightest thing away. But Train to Busan is one of the most intense, edge-of-the-seat frighteners going, filled with interesting characters, disastrous consequences and heart-breaking twists. Unmissable!
It’s time for more mini horror film reviews, as we celebrate spooky month! What have we got tonight?
The Evil of Frankenstein (1964)
What we have here is the first Hammer Horror for this years Festival of Fear! This is the third film in the Hammer series, again starring the legendary Peter Cushing as Baron Frankenstein.
This time around, the Baron and his assistant Hans (Sandor Eles) are on the run following some dastardly grave robbing antics, so they decide to go back to his hometown of Karlstaad, despite being banished. There they hope to use valuables from the old Frankenstein castle to fund more research. Instead, the Baron finds that his old home has been looted – by, it turns out – the local authorities.
On the run again, they’re aided by a local deaf-mute girl, and hide in the mountains. The Baron discovers his old creature, frozen in ice. After rescuing the creature, they’re unable to bring it back to life fully, so decide to seek the help of a carnival hypnotist, Zoltan (Peter Woodthorpe). Zoltan is successful, but jeopardises everything by using the creature to enact his own cruel revenge…
It’s a funny old hodgepodge of a film, this one. The first Hammer movie, Curse of Frankenstein, is recapped but reimagined – it’s re-done and is very different this time round. The whole thing feels like different elements thrown together to see if they stick. Although the creature, this time played by Kiwi Kingston not Christopher Lee, looks more like the classic Karloff version, the makeup looks strange and false. The excellent sets and another great performance from Cushing help save The Evil of Frankenstein from failure.
7/10
Twilight (2008)
Hey, it was my teenage daughter’s choice – so what?! We take turns to pick something to watch, and Daughtertron is very into this Twilight stuff at the moment. So fair’s fair, we gave it a go.
Twilight is about a young woman named Bella Swan (Kristen Stewart), who relocates from Arizona to the very different state of Washington, to live with her father. She attends the local school, makes some friends but gradually becomes intrigued by another classmate, Edward Cullen (Robert Pattinson).
After a frosty start, the two are slowly pulled together, and Bella discovers that Edward and his “family” are vampires. All is going well in a teen love story fashion, till a separate, wandering group of vampires happen upon the Cullen clan – and Bella – and there’s a big fall out during a baseball game.
Despite some bizarre ideas such as sparkling vampires and vampires playing baseball, the film wasn’t too bad. Twenty minutes too long and far too soppy, Twilight was still fairly watchable, even though I’m not the target audience. I’ve seen worse. I mean, it was better than Harry bloody Potter.
Happy Halloween, folks! Here are a few more spooky movie reviews, hope you enjoy!
The Beast Must Die (1974)
A departure from the more familiar horror anthology tales produced by Amicus, The Beast Must Die is an interesting curiosity. We meet a millionaire big game hunter, keen to bag himself the prize of a lifetime: a werewolf. Hence he invites a group of guests, all of whom could be suspected to be a lycanthrope, to his sprawling mansion with its high security.
Only one of them is a werewolf – can you guess which one in the “Werewolf Break”?
The break is a thirty second countdown, allowing a brief pause for the audience to decide for themselves which of the guests is the werewolf, before all is revealed. And yes, it actually appears in the film. An odd gimmick, but there you go.
The film actually plays more like a detective story, or episode of a 1970s television thriller. As such, there are plenty of opportunities for some real suspense and jumpy horror that are squandered. But with a great cast including Peter Cushing, Charles Gray and Michael Gambon, this is still worth checking out. The Beast Must Die is a definite watch for any fan of 70’s British horror, like me.
8/10
Wolf Creek (2005)
Now if the snakes, spiders, sharks and God knows what else aren’t enough to put you off visiting Australia, then there’s always the deranged Outback serial killers.
In Wolf Creek, some typically annoying young studenty backpackers are travelling across the mundane wasteland when they run into some psycho called Mick Taylor (John Jarratt). Although he promises to help them with a broken down car, turns out Mick isn’t really very nice. What follows is a shocking and disturbing account of what can only be termed torture porn, as the kids try desperately to escape the clutches of the cork hat maniac.
Wolf Creek is actually a well made film, featuring some very good performances. It’s extremely tense and downright nasty. If you can deal with that, this film is definitely worth a watch. The viewer can’t help but empathise with the kids and imagine themselves being in such a horrific situation. But the plot is kinda obvious and unfulfilling in the end, a bit like an episode of Neighbours.
So, what’s the moral of this particular story? Don’t go to Australia.
7.5/10
The Fly (1958)
Not the crappy David Cronenberg remake, this is the original 1958 classic sci-fi horror starring the legendary Vincent Price. The story unfolds of Price’s brother, Andre (David Hedison), a scientific genius, and his sadly disastrous experiment with matter transferral.
After some initial success, Andre eventually goes too far in his explorations, as a rogue house fly enters the matter transmitter with him. The result is a gruesome hybrid of the human being and a fly, and the race is on to try to reverse the process before the scientist loses all trace of humanity.
This brilliantly clever film is also very touching, as the brilliant scientist and his family are subjected to terrible events that they cannot escape. Great performances, of course, and a bizarre twist in the tale make this first version of The Flythe definitive version. Absolutely unmissable.
Delivering another deadly double dose of Halloween Horror Fest, can you take it??!
Saw (2004)
Saw is a very clever twist on the serial killer tale. Here, two dudes – strangers to each other – wake up in a grotty bathroom, chained up, not knowing how they got there, or why. Clue: they’re not on a stag night. One is Dr Lawrence Gordon (Cary Elwes), and both men are trapped, taunted by the Jigsaw Killer with a series of clues. Jigsaw is a killer who likes to test his victims tenacity – their very will to survive – in a series of “games”.
It’s very difficult to explain the plot of Saw without giving too much away. Suffice to say that the back story is revealed through glimpses, as slowly the narrative falls into place – like a jigsaw – and the mysteries of circumstances and survival are resolved.
Usually I like my horror supernatural, but I’m not adverse to a good old psycho killer story. Saw is an ingenious film, with twists and turns coming from everywhere, as the viewer pieces everything together. It’s gruesome, it’s harrowing, but over all Saw is absolutely enthralling. If you’ve not seen it, make sure you see Saw.
Everyone does the ‘see saw’ gag, right?
Note: I met Cary Elwes once, and he was one of the nicest, most down to earth people you could meet. A genuine gentleman.
8.5/10
Son of Dracula (1943)
Although the 1930s are often considered the golden days of Universal horror, the studio was still delivering classics in the 40s, as far as I’m concerned. Only the third in Universal’s Dracula series, there’s no Bela Lugosi here, but it’s a well plotted and inventive film.
The vampire of the title is played here by Lon Chaney Jr. He plays Count Alucard, an Eastern European nobleman visiting the United States as a guest of Katherine Caldwell (Louise Allbritton). Katherine, a keen student of the occult, is engaged to Frank Stanley (Robert Paige), though obviously captivated by the Count.
Following the unexpected death of their father, Katherine and her sister Claire (Evelyn Ankers) are his benefactors. Katherine opts to take just their mansion “Dark Oaks”, after which she marries Alucard and rejects Frank. The local doctor, aiding Frank, has become suspicious. Eventually they conclude that Alucard is a vampire, and decide to deal with the situation appropriately…
Chaney’s casting isn’t quite right for this role, but he makes a fair attempt. What makes Son of Dracula an intriguing watch cunning plot twists, and how cleverly the story creates a new spin on an old tale, evading the obvious. I really enjoyed this film and happily recommend it.
Two horror reviews for you this time, friends! Read on, if you dare…
The Revenge of Frankenstein (1958)
The second instalment in a series of Frankenstein films produced by Hammer, The Revenge of Frankenstein followed hot on the heels of its predecessor. The Curse of Frankenstein had been released the previous year, and was such a hit that a sequel was demanded. Despite, of course, the fact that the evil Baron had been executed at the finale last time.
No matter, Baron Victor Frankenstein (Peter Cushing, of course) is saved from death with a fairly sneaky twist, and is soon practicing medicine in a far off town. Going by the name of Doctor Stein (no one’s gonna figure that out, right?), the doc sets up a successful practice for wealthy patients, whilst also looking after the poor at a hospital.
Joined by a younger doctor, Hans Kleve (Francis Matthews) – who learns Dr Stein’s true identity and wants to learn from him – Frankenstein is soon up to his old tricks. This time around, his creation (Michael Gwynn) at least looks normal, if only at first. It isn’t long before the inevitable happens and everything goes downhill, big time.
The production looks quality and performances are great, in particular Cushing who brilliantly darts between menace and a steely charm. Some gory surgery provides the bloody horror required and The Revenge of Frankenstein admirably fulfils its role as gruesome entertainment. We just know that another sequel will be along soon!
8/10
The Return of the Living Dead (1985)
So this is the film that establishes the concept of zombies eating brains, yeah? OK. One thing is for sure, this comedy-horror is not a sequel to Romero’s brilliant Night of the Living Dead. The Return of The living Dead is a very different beast, though still in a cult league of its own as a horror punk classic.
At a medical supply warehouse, two employees accidentally release a load of toxic gas which reanimates a cadaver and causes all kinds of health and safety high jinks. The morgue over the road has a crematorium, which seems ideal for permanently destroying the undead evidence. Until the escaping gas contaminates the clouds above, and rainfall on the nearby cemetery causes the dead to rise…
Oh, did I mention the gang of punks in the cemetery, waiting for their friend to finish work at the medical supply place? No? Well they are, and you can guess the rest.
This mid eighties movie is not something I’d usually watch. In fact, the main reason I wanted to watch this film is because of the legendary soundtrack, which features a load of awesome horror related punk bands like The Cramps, The Damned and TSOL. A vinyl copy has been on my shopping list for a long time, but I wanted to see the film first so I didn’t feel like too much of a fraud.
The film is pretty good fun, though. It’s fairly dumb and only occasionally does the black humour raise a smile, but The Return of the Living Dead was certainly worth a watch. It’s over the top – unapologetically so – but that’s part of it’s success. Disengage brain and go for it. The soundtrack is bloody great, by the way. I’ve got it on clear with red blood splattered vinyl. AT LAST!!!
All aboard! Take your seats please, ladies and gentlemen, for a ride of the Horror Express! This early seventies sci-fi horror features a familiar plot and a fine cast, so jump onboard and have your tickets ready…
It’s 1906, and British anthropologist/explorer Professor Saxton (Christopher Lee) is making his way back to Europe via the Trans Siberian Express from Shanghai to Moscow. Saxton has discovered the remains of an ancient missing link, frozen in the snow. A rival, Dr Wells (Peter Cushing) is also on the journey – and he’s curious just what Saxton has locked up in a huge wooden crate.
The humanoid begins to defrost and returns to life, escapes, and starts a murderous campaign aboard the train. The creature is a host for an extra-terrestrial intelligence, frozen for millions of years, but now keen to return to the stars. To accomplish this, the creature kills and absorbs the knowledge of it’s victims, taking on their appearance as well.
Wells, Saxton and other passengers deduce the nature of the creature’s plans, but can they destroy something that can assume the identity of its victims?
Horror Express is based on the novella Who Goes There? by John W Campbell, as was The Thing from Another World and of course, John Carpenter’s The Thing. Though not a patch on the later Carpenter film, Horror Express is a fascinating variation on the story, and manages to raise the tension capably. Telly Savalas is seen only fleetingly as a brutal Cossack, sadly, but the two leads are as dependable as ever.
A great film in it’s own right, and recommended for any fan who can’t get enough of Carpenter’s masterpiece.
You can’t go wrong with some good old fashioned Hammer Horror! Here we have Twins of Evil, the third and final part of Hammer’s Karnstein Trilogy, based on Carmilla by Sheridan Le Fanu. We’ve already viewed the preceding movies – The Vampire Lovers and Lust For A Vampire – during previous Halloween Horror Fests, so let’s finish off the series.
Mary and Madeleine Collinson play two identical twin sisters, who are sent to live with their uncle and aunt after they become orphaned. Uncle Gustav – played with menace by the one and only Peter Cushing – is a puritanical zealot, keen on burning local young women at the stake. Gusatv’s stern attitude alienates both sisters, but Frieda in particular is keen to break away. She falls in with local wicked aristocrat Count Karnstein (Damien Thomas), who has become a vampire through his dabbling in black magic.
Soon Frieda follows the Count’s descent into vampirism. Will the witch hunting Brotherhood be able to destroy this evil? Will anyone be able to tell good sister from bad?
Regular readers will know I’m a huge Hammer fan. Whilst Twins of Evil is, for me, the weakest of the Karnstein Trilogy, it’s still great. The witch hunting angle lends a new and particularly horrific edge here (sad to see Judy Matheson exit so quickly) and Cushing is formidable in this role. Vampires, sorcery and some cheeky decolletage tick all the necessary boxes, and despite a rushed (but gruesome) ending, this is another Hammer triumph.
What’s For the Love of Horror all about, then? Well readers, it’s basically a Horror themed convention that takes in all manner of frightful pop culture, be it movies, television, comic books and everything else you can imagine. If you’ve been to a Comic Con – or read one of my previous blogs about the ones I’ve visited – then you’ll know what to expect.
Except of course, that For the Love of Horror really is concentrated on all things horrific!
As you’d expect, there are numerous actors to meet, have photos with or autographs from. And you can listen to their Q&A sessions, ask questions, and gain insight into the real world behind the fantasy.
There are dozens of stalls with traders selling wondrous merchandise, for all your spooky needs (whether for you or someone else). There are also props and set displays for cleverly placed photo ops.
Not forgetting the guests themselves, a large number of whom dress as their favourite genre characters (or clever interpretations of). Yes, the Cosplayers here at For the Love of Horror are truly amazing – check out the pics on this blog for evidence! Halloween outfits never go out of style here!
It was a family day out for us, and we arrived early at the exhibition centre to get straight in and crack on. After getting an idea of our surroundings, we were happy to explore and wander round the trade stalls for a start.
At the very first stall I visited on the day, I picked up a Vampira Reaction figure that I’d been hoping to find. Only just recently released in the USA, this was the first one I’d ever seen for sale in this country. Needless to say, I snapped Vampira up immediately. Not a bad start to the day, first stop and an item for the collection!
Mrs Platinum Al had booked to meet the one and only Chris Sarandon, alias Jack Skellington (amongst many other credits) and have a signed photo taken. Daughtertron accompanied her to meet Mr Sarandon, leaving me to take a few photos elsewhere.
We took some pics at the various set displays, including a Chucky box which I stood in – a kind couple let me borrow their life size Chucky doll for the photo!
The best display, however was The Lost Frog Comics – a replica of the Frog Brothers comic shop in The Lost Boys. The owner has meticulously curated a collection of comic books that appeared in the film, from stills and reference shots, utilising some amazing detective work. As a comic book collector I was fully geeked out, admiring all the titles on display. It’s an incredibly impressive labour of love that recreates one of my favourite scenes in the film.
Speaking of The Lost Boys, several of the cast were in attendance on the day, including Kiefer Sutherland, Jason Patric, Billy Wirth and Alex Winter. Did you hear me???! I said Alex Winter!!! Bill S Preston himself! Sorry, I know Bill isn’t a horror character, but come on. All three of us went up to get a signed photo from Alex, because you just have to do these things sometimes.
We also caught some Q&As where we could, including Brad and Fiona Dourif and Lou Diamond Phillips. All entertaining speakers, showing another side to their screen personas (often with hilarious results!).
There was plenty more shopping to be had – I picked up a Geeki Tiki mug in the shape of Elvira, Mistress of the Dark which I’d wanted forever. The family managed to go slightly crazy and blow the Christmas money on a range of freaky merch!
Of course the fantastic Cosplayers were the real stars of the show. My thanks to all the wonderful costumed people who let me take their photo for this blog – you’re all awesome! I’m not a professional photographer by any means, so my pics aren’t perfect – I’m just a fan who loves to see the creativity on display.
There was a quick visit to the outdoor fairground (in the spirit of the Santa Clara fair in The Lost Boys), and I had a cheeky pint in the bar upstairs, that’s themed after the Mos Eisley cantina in Star Wars. That was very cool. Eventually, it was time to make our way home, ull of the love of horror.
Our first Hammer Films production for Halloween Horror Fest 2023, and it’s a vampire classic. In this sequel to Hammer’s very successful Dracula, the titular Count doesn’t actually appear this time round – rather we’re thrust into the thick of vampire cults that still exist after Drac’s demise.
A young teacher, Marianne (Yvonne Monlaur) is on her way to her new position in a Transylvanian school when she finds herself abandoned in a small village. A local noble woman, Baroness Meinster, offers a place to stay for the night at her castle. There, Marianne meets the son of the Baroness, who is chained up as a prisoner. Marianne agrees to free the Baron, who is of course actually a vampire and takes his revenge on his mother.
Marianne flees, her memory hazy, and is helped by Doctor Van Helsing (Peter Cushing) when he finds her at the side of road. Van Helsing has been called to the area to investigate an outbreak of vampirism. Soon he, and Marianne, will encounter the Baron and his undead minions again…
Brides of Dracula is a fun escapade with plenty of chills and atmosphere, even with a substitute head vampire replacing Christopher Lee. The story is original but plays on all the standard folklore you’d expect, with Cushing fantastic in his role as the vampire slayer. It’s a nice effort from Hammer, to try and do something slighlty different with a sequel, and Peter Cushing keeps it all together brilliantly.
9/10
House of Usher (1960)
Purely by chance, another film from the same year. This version of the Edgar Allen Poe story, The Fall of the House of Usher, was the first in a series helmed by famed Director Roger Corman, most of which starred the legendary Vincent Price.
Philip Winthrop (Mark Damon) travels top meet his fiancée Madeline Usher (Myrna Fahey) at her home. The House of Usher is a gloomy, decrepit mansion and upon arrival, Madeline’s brother, Roderick (Price) initially refuses Winthrop and attempts to warn him away. The family Usher is cursed, he claims, and the line cannot be allowed to continue. Winthrop must help Madeline escape, he thinks – but is he too late?
It’s a long time since I read Poe’s original story, so I’ll let others decide how accurate an adaptation this is! Rather than worrying about that, simply revel in the wonderful sets and imagery, and allow Vincent Price to shine in this brilliant movie. House of Usher is a fantastically macabre Gothic tale with Corman and Price at their best.
