Hollywood Vampires – Gig Review

Hollywood Vampires + The Darkness + The Damned

Sunday 17th June 2017

Manchester Arena

It was a rare, but welcome night out for Mrs Platinum Al and myself in good old Manchester.  Tickets were booked and we were off to see the big rock show.  It promised to be an exciting evening, but I was unsure whether our expectations would be met.

First off the bat, our old chums The Damned!  This was a real bonus for me, though the handbrake is also a fan after all these years of putting up with me playing their records.  However I was a tad nervous, wondering how these esteemed gentlemen would go down with what appeared to be a more traditional rock crowd.  And in such a huge venue.

Now I know I’m biased, but we were both impressed by The Damned’s performance.  The band didn’t shy away from the large stage; they actually looked quite comfortable up there.  I was quite a way away, mind – I think our seats were in Stockport.

Opener “Street of Dreams” was a moody yet raucous number that’s become a bit of a live favourite of mine over the years.  Follow that with classic “Neat Neat Neat” and you’re off to a hell blazing start.  Just as the stars align and every single person in the huge arena is going “Oooh, they’re quite good, aren’t they?” we get a minor mishap with Captain Sensible’s guitar packing in and the moment seems lost…

Not to worry, before you can say “is he the bloke  who sang Shaddup You Face?” the band, old troopers that they are, are back in the game.  Dave Vanian steers the ship over stormy waters and is in fine, confident voice all through.

The icing on the cake – for me, at least – is the return of Paul Gray, a sight I’ve not witnessed since Sheffield, 1991!  Paul’s bass rumbles and sounds triumphant, particularly in the “Love Song” intro.  Fantastic.  There’s just a drop in volume during “Ignite”, other than that, Paul is a ninja master.

Pinch’s drums are perfect, you can hear Monty (and see him bouncing about); so other than a couple of technical issues The Damned performed superbly.  The set is far too short of course, but I was relieved that they seemed to go down well.  From where I was sat, the arena seemed mostly full, so they didn’t suffer from support-band-empty-hall syndrome either.

I felt like I was watching my child in the school play; happily no-one forgot  their lines and The Damned get a gold star.

You can certainly say that I got value for money for this gig, what with three bands on.  However I was feeling a little short changed after The Darkness performed.  Admittedly, I am biased in favour of The Damned.  Yet I’ve seen The Darkness before, at Download festival a couple of years ago, and was much more impressed.

Not that the Hawkins boys don’t give it a fair shot; a short tight set is delivered in inimitable style with splurges of Justin’s trademark wit and swagger.  Perhaps it’s just that the set is lacking some bigger numbers in the first half; following “Growing On Me” with “Love is Only a Feeling” as the third song is too much of a comedown so early on.

The crowd don’t seem to mind though, it all goes down very well.  Let’s be honest, most of ’em are happy because they’ve heard of The Darkness and haven’t got a clue who The Damned are.  Or, shock horror, don’t like punk rock.  For me, with no “Black Shuck” in the set, and a mediocre version of “Barbarians”, it’s good but not great from the Darkness.

I still can’t bring myself to dislike ’em, regardless.  At least The Darkness tried to bring loud, exuberant British guitar rock into the 21st century, and aren’t a wanky indie band.

There followed some musical chairs for Mrs Platinum Al and me, as we secured seats much nearer the front.  This pleased the other half immensely, she would now have a much better view of the headliners (or one of them, at any rate).

And so the Hollywood Vampires took the stage, and the Big Rock Show was in it’s final phase.  The air of tense expectation was only mildly subdued by the band’s arrival, as the audience were keen to experience what they could serve up.  Would this be a vanity project for ageing rock stars and their pirate actor buddy?  Or could they deliver something tangibly worth their collective prowess?

Led by the preposterously cool Mr Alice Cooper, the Vamps rattle through a few of their own original numbers at first, as if to prove a point.  Yes, they can play – and they can write, too.  It’s super confident and great fun – every song gets a chance to shine on it’s own merits.

The bulk of the set is a succession of expertly reproduced cover songs, each dedicated with respect to a fallen rock comrade.  Songs range from The Doors, to Motorhead, to AC/DC – with my favourite being a great version of The Who’s “Baba O’Riley”.

Joe Perry delivers a spine tingling “Sweet Emotion” complete with the extended intro that builds magnificently.  It’s a master class in rock star awesomeness, though Joe seems very much enjoying himself in a humble manner.

Despite the attention thrust upon him by a vast number of fans in attendance, Johnny Depp manages to not only look the embodiment of cool, but actually performs brilliantly.  He appears very much in his element as part of this massive spectacle, indeed his rendition of Bowie’s “Heroes” is one of the highlights of the night.

It’s one of several moments that manages to evoke the ghosts of heroes past, as  accompanying images are shown on the screen onstage.  It’s not altogether subtle, but rock’n’roll rarely is.  Instead the audience cheer their appreciation and nod sagely as our heroes are exhumed for us to behold.

Finally, Alice declares “School’s Out” yet again, as the whole show reaches it’s climax.  Cooper is an absolute delight, the demented circus master and ring leader of this crazy gang.  He is unbelievably cool and amazing at what he does: a true legend.

In the end, despite any doubts, it’s been a hell of a ride.  Despite whatever misgivings anyone may have had regarding authenticity, the Hollywood Vampires delivered an excellent, well performed show that was pure fun.  It was so much more than just athe world’s biggest covers band.  Abandon your cynicism, this was rock’n’roll for the sheer joy of it.  Which is what it’s all about, right?

Pentre Fest 2018

Pentre Fest

Friday 23rd – Saturday 24th February 2018

McClean’s Pub, Pentre, Deeside

And lo, the marauding hordes converged once more, reconvening from their travels far and wide.  In the Great Hall they would gather, trading tales of daring and adventure, as they caroused with rebellious abandon.  Much ale would be drunk, for tomorrow many a skull would be split asunder.

So began the revelry of Pentre Fest, wherein the brave and mighty warriors celebrated their many victories and remembered comrades long fallen.

The first of the tribes to address the throng were The Forgotten Age, young but mighty in their conviction.  Hailing from the Western Shores of Bangor, their stories were exciting yet accomplished, embellished with some fine melodies.  An exceptional and heartening start to the evening’s merriment.

Next to command the stage were Obey, who were indeed a revelation to behold.  Their immense riffs were sheer brutality, heeding no compromise as they delivered tales of destruction.  Obey were champions of the event to my ears; voraciously did I consume their merchandise (CD and patch!).  May the wind fill their sails and carry them to successful conquests aplenty.

Our next heroes were Torqued, a merciless crew who had engaged in a gruelling voyage from the far kingdom of Devon to regale us with their musical fables.  The clash of metal was devastating, the battle cries rousing.  A superb performance.  Safe voyage home, brothers – for ye shall be missed for now and welcomed warmly again.

The night’s final victors were the relentless, uncompromising Foetal Juice.  Looming over all with a malevolent thunder, the band decimated all in their path.  With grim intent they vanquished the unworthy, leaving only the gratefully redeemed in their wake.

Thus was the first part of Pentre Fest concluded.  Sadly I would embark on a personal quest of my own the next day; therefore being unable to rejoin the ceremony.

Regardless, though our warriors’ hearts were sated, for yet more metal majesty do we crave.  Till the next Pentre Fest, my brothers (and sisters) – stay strong and may your adventures be praised in Valhalla.

The McClean’s Pub Live FB page is here

Bring Your Own Vinyl Night #9

Bring Your Own Vinyl Night

Queen’s Head, Mold

Friday 4th November 2016

It was great to be back in Mold for another Bring Your Own Vinyl Night.  It’s been a long time since the last evening in the Queen’s Head, with summer holidays and whatnot getting in the way – so it was good to see the familiar faces and crank out some tunes.

The usual rules applied: each person got 15 minutes on the decks to play whatever they liked, genre free – vinyl only!

Adam went for it first, here’s an over view of his varied and very enjoyable set:

  • Voice of the Beehive – I Think I Love You
  • Grandmaster Flash – Whitelines
  • Queen – One Vision
  • Willie Nelson – On the Road Again

I am so jealous of that Willie Nelson single!

Halloween had just been and gone a few days earlier, so I was still in a spooky mood.  This time, my set went like this:

Monster Magnet – See You in Hell

One of the many stand out tracks from Monster Magnet’s classic “Powertrip” album, this is acid drenched stoner rock at its finest.  The retro sound is augmented by a churning organ that whirls around as the bass chugs.  Psychedelic wonderment from Monster Magnet that sounds like a forgotten late 60’s gem.  I’ve owned the “Powertrip” album for many years on CD, but recently acquired the new vinyl re-issue.  Money well spent.  A truly great, under appreciated band.

Donovan – Season of the Witch

This fantastic song was featured in the Tim Burton movie Dark Shadows, a film I’m a huge fan of (though it appears not many other people are).  Whilst the previous song sounds like something from the sixties, this one is.  It’s a mellow groover that manages to wander out of hippy territory and sound somewhat sinister… Love this track, I felt it was a suitable jam for a Halloween inspired set.

The Damned – Plan 9 Channel 7

Ah, the Damned!  Where would a Halloween themed set be, without a tune from these punk rock proto-Goths?  One of my favourite bands, one of my favourite songs – from the indispensable “Machine Gun Etiquette” album.  Every home should own this!  The song is, of course, written about a viewing of Ed Wood‘s infamous “worst film ever made” – Plan 9 From Outer Space – on American horror channel 9.  Vampira, James Dean, Hollywood after dark – it’s all here in a perfect slice of rampaging pop punk.

The Misfits – American Nightmare

Finally, more horror punk from the masters themselves – the one and only Misfits.  On this track, Danzig and pals abandon the usual Ramones inspired turbo punk and offer up a ridiculously catchy rockabilly number.  Complete with handclaps and Danzig crooning more like Elvis than ever, this track sounds like a lost piece of 50’s nostalgia.  Classic stuff.

There we have it ladies and gentlemen – another great night in Mold!  Thanks to the guys from Halcyon Dreams and VOD music – and Dylan who helped out with an extra turntable!  More soon…

The Halcyon Dreams blogspot is here.

The Halcyon Dreams mixcloud page is here.

The Halcyon Dreams Facebook page is here.

The VOD music website is here.

Bring Your Own Vinyl Night #4

Bring Your Own Vinyl Night

Queen’s Head, Mold

Friday 2nd October 2015

For this month’s Bring Your Own Vinyl Night, I decided to have a theme for my set.  Although it was only early in the month of October, I decided to opt for a Halloween theme.  My music choices would have a horror element, or something dark and macabre.

If you’re not familiar with vinyl night, here’s the basic outline:

  • Hosted in the Queen’s Head pub in Mold, turn up and play a fifteen minute set of songs – vinyl only, no CD’s, mp3s, tapes or anything else.
  • Put your name on the list and wait your turn, have a few drinks, listen to the collection of tunes played by other vinyl fans.
  • There are two turntables plus mixing equipment to play your set, plus assistance if you need technical help.

Adam was first up tonight, his set list went as follows:

  • Amen Corner – (If Paradise is) Half As Nice
  • Los Lobos – C’mon Let’s Go
  • Jim Steinman – Surf’s Up
  • Guns’n’Roses – You Could Be Mine

Then it was my turn…

Bobby “Boris” PIckett and the Crypt-Kickers – Monster Mash

What better way to start than with this ghoulish classic?  I found this album a few months ago in a charity shop, and couldn’t believe my luck.  It was only a couple of quid, and worth the investment even though I don’t usually spend more than a pound!  This is of course the sixties gem that sound checks various monsters, with Pickett impersonating Karloff (and Lugosi too).  It’s great fun and essential for any Halloween party!

The Damned – Nasty

The first time I ever heard the Damned was when “Eloise” got to number 3 in the charts.  The second time was this fast paced, tongue in cheek ode to horror movies, on the brilliant Young Ones horror spoof episode “Nasty”.  The Damned appear and play this song in the Young Ones’ kitchen.  I was hooked straight away, saved up some money and bought an album with both tracks on it.  Given the exposure this song had, it constantly amazes me that “Nasty” was relegated to a B-side and hardly ever shows up on Damned compilation albums.  I’ve seen the band live more times than any other, but only saw this song performed for the first time a few weeks ago!  Anyway, the Damned are another essential for a Halloween theme.  Still a great song.

Danzig – Sistinas

Although not a horror related song as such, I couldn’t resist the chance to play something by the Dark Lord of rock himself, Danzig.  Instead of a more obvious bone rattling heavy rock number, I chose this incredible ballad that was hidden away on Danzig III: How the Gods Kill.  Glenn shows off his great vocal abilities here on a song that is more Roy Orbison than Black Sabbath.  Appropriately dark and wind swept, this is a morose beauty of a song.

The Misfits – Vampira

To be honest, I was spoiled for choices for a horror theme, there are tons of songs I could’ve played.  Despite risking a Glenn Danzig overdose, I just had to spin a Misfits song.  This band took the horror punk template established by the Damned, the Ramones and the Cramps and ran with it, off into a creepy cemetery populated by every 1950’s B-movie monster ever.  “Walk Among Us” is one of my favourite albums ever, and this short sharp song dedicated to proto Goth babe Vampira is one of their best.

So there you have it – another triumphant evening for Bring Your Own Vinyl Night.  There were old songs, new songs, obscure and obvious songs.  There’s always something to make you go away and research another band, that’s the beauty of these nights.  My personal favourite was hearing “Gut Feeling” by Devo!  Already looking forward to the next one.  A theme?  We’ll see…

The Halcyon Dreams blog is here, where you can find listed (very helpfully) all of the songs played on the night.

The Halcyon Dreams Facebook page is here.

Lordi Gig Review

Lordi + Hollywood Groupies + Dirty Passion

Friday 3rd April 2015

The Live Rooms, Chester

One thing’s for sure: when the Live Rooms say “doors open at 7pm”, make sure you get in there on time.  I was having a cheeky pint in Kash up the road, so missed the start of the first set tonight.  I arrived about 7.20pm and the first band were already on.

Dirty Passion were that first band, and I’m happy to report that they were pretty damn good.  Hailing from Sweden, this gang of greasy deviants sounded somewhere between Motorhead and Sonic Temple-era Cult.  A confident start to the night.

Next up on our international smorgasbord of rock was Hollywood Groupies, all the way from Italy.  The fact that there were two females in the band (one on vocals, one guitar) is one reason why this band stood out.  Female equality is all very good, and not a novelty in this case – the whole band threw out a quality set.  Again it’s straight up rock’n’roll, and I sensed a slight Danzig influence with big, sing along choruses in abundance.  Nice work. LORDI_on_Tour_Force_One_2015_Masters_of_Rock_CZ

Finally, our main course tonight is a Finnish dish – the Eurovision slaying Monsters of Rock known as Lordi.  I’ll never forget watching the Eurovision song contest in 2006, and the moment when Finland’s entry appeared on stage.  Fully kitted out in monster outifts, the band made jaws drop across the world and rightfully stole the event.

Tonight at the Live Rooms isn’t much different – Lordi appear on stage and drag the audience in to their bizarre horror rock world.  Complete with lights, foam guns, confetti, additional (monster mask wearing) dancers and more, it’s an unrelenting show that is pure, spectacular fun.

I have a couple of Lordi albums, but know only about a quarter of the songs played tonight.  No matter – I was quite surprised even the songs I wasn’t familiar with were listenable, catchy, enjoyable.  “Hard Rock Hallelujah” is played third song in, but there’s no indication of Lordi giving away their ace card too soon, there’s plenty of thrills to be served up.

Like seeing Alice Cooper, there’s a sense of theatrics with Lordi’s show.  It all adds up to a visual treat as well as a musical one.  Highly entertaining, and very hard rocking.  Hallelujah!!!

The Live Rooms website is here.  Keep an eye open for more great gigs coming soon!

The Lordi website is here.

Bizarre Magazine Playlist

The most recent issue of that misfit of British publications, Bizarre magazine, was sadly the last.

Over the years, Bizarre magazine featured articles that astounded, amazed, and entertained as it explored the fringes of popular culture.  Sometimes gross, sometimes weird, always entertaining – each issue offered content that would never be published elsewhere. Biz

Amongst the counter culture oddness and thought provoking investigations, I found many an interesting film to track down in their review pages.

Bizarre also covered many musicians/bands that strayed from the familiar paths.  Whether in the regular monthly review section or in the excellent “Bizarre Albums” features, I found a few favourites and some new treasures.

This playlist is comprised of just some of the bands featured in the magazine over the years, in some form or other.  As a sort of tribute (hell, I’ve even got the first issue lurking around in the garage…).

Bizarre Magazine Playlist

  1. Christopher Lee – “The Impossible Dream (The Quest)”
  2. Fantomas – “One Step Beyond”
  3. The Moog Cookbook – “Basket Case”
  4. Mr Bungle – “Chemical Marriage”
  5. Jean Jacques Perry – “E.V.A.”
  6. Lord Sitar – “I Can See For Miles”
  7. Alice In Chains – “Heaven Beside You”
  8. Yma Sumac – “Malambo #1”
  9. Spike Jones – “Power House”
  10. Hanna-Barbera – “Tra La La Song (Banana Splits Theme)”
  11. Christopher Lee – “Act V: Starlight”
  12. Zombina and the Skeletones – “Punk Rock Vampires Destroy!”
  13. Electric Eel Shock – “Goodbye Peach”
  14. Ween – “Spinal Meningitis (Got Me Down)”
  15. Nick Cave & The Bad Seeds – “Stagger Lee”

There are tons more bands I could add to this list.  Many more covered by the magazine can be found in the catacombs of my iPod.  But this will do nicely for now.

Thanks and goodbye Bizarre magazine.  In particular for the wonder of Christopher Lee’s albums; not to mention Zombina and the Skeletones and Electric Eel Shock – two of the best live bands I’ve ever seen!

The Circus of Horrors

The Circus of Horrors

Saturday 29th November 2014

Venue Cymru, Llandudno

Are you prepared for a spectacle unlike any other?  For a night of the bizarre, the strange and the wickedly beautiful?  Are you ready for the Night of the Zombie?

That’s exactly what we got when the Circus of Horrors visited Llandudno recently.

Mrs Platinum Al and I had witnessed this macabre event a couple of years previously.  This would be our second show, and at the same venue – as part of an early Christmas present for Mrs PA. 10428001_852015048175960_3585830705782720595_n

The Circus of Horrors is a mutation of live music, daredevil performers, freak show and burlesque.  This touring Frankenstein regularly travels across the UK bringing a touch of good old fashioned weirdness to many an unsuspecting, sedate town.

Dr Haze is the ring master, and his duties as compere are augmented by leading the live rock band through their pretty much non stop attack.  It’s a full on, guitar driven heavy rock attack that features both original numbers and some covers.  All delivered by a well honed band  who constantly deliver an energetic set.

The acts themselves are varied, including awe inspiring trapeze work and gravity defying gymnastics.  The Kenyan Warriors leap about, creating shapes with a precision that seems unbelievable.  There’s a girl in a bottle (who reveals herself as a saucy nun on this occasion); performers hanging and twisting from ropes without any net what so ever; fire eating and (my personal favourite) knife throwing.

Hannibal Helmurto is a mohawked sword swallower, amazing the audience with his skills.  Of course, the good Doktor Haze barks out his commentary, explaining how Hannibal will attempt the impossible.  I found myself not believing that Helmurto would be able to accomplish what he did; and I was relieved when he succeeded without slicing himself open.  There are some moments when the audience really doubt that the acts will be able to accomplish their feats – making the whole experience more vivid.

There are beautiful women on stage, not just as set dressing but belting out lead vocals or performing incredibly nimble contortions.  Then of course there’s the Mongolian Laughing Boy, occupying the opposite end of the eye candy spectrum, bringing gross out humour to the proceedings.

There are many acts, far too many to list here.  Suffice to say that though this is the second time I’ve seen the Circus of Horrors, there has been more than enough variety (and different acts) to keep the viewer intrigued (or shocked!).

My only criticism this time would be that the Night of the Zombie theme could’ve been fleshed out (!) a little more, but this didn’t distract from the show.

A fantastic evening – full of amazement, laughs and chills.  You literally won’t believe your eyes.  Keep those peepers peeled though, the Circus of Horrors picks up the tour again in the New Year – and you really don’t want to miss it!

Now I’m off to practice my knife throwing skills…

Dark Shadows Playlist

Dark Shadows Soundtrack – Playlist

Recently I posted my Hallowe’en Horror Fest mini-review of the film Dark Shadows.  It’s a great film from Tim Burton, in my opinion.  One of the best things about that movie is the soundtrack.

The film is set in 1972, so the soundtrack consists of songs from that era.  Contrasting heavy rock, pop and a bit of soul, there are a few cuts that fit the Gothic mood; and others that are just cool.

I put together this playlist – utilising songs from my collection – meaning I didn’t need to buy the soundtrack album…

1. The Moody Blues – “Nights in White Satin”

This classic soundtracks the opening of Dark Shadows, chronicling Victoria’s journey to Collinwood Manor.  Sets up a moody(!) atmosphere.

2. Iggy Pop & The Stooges – “I’m Sick Of You”

I love it when Iggy gets some respect.  Cool tune, as heard in Carolyn’s room.

3. Donovan – “Season of the Witch”

Carolyn Stoddard plays this on vinyl.  Wish I had this on wax.  A Hallowe’en necessity.

4. Deep Purple – “Highway Star”

I can’t remember where this song appears in the movie.  It’s in there though, apparently.  One of the must-have Deep Purple tracks, find it on “Machine Head”.  Or any “Best of”, for that matter.

5. Curtis Mayfield – “Superfly”

Barnabas takes a walk through Collinsport, soundtracked with this mighty slab of Mayfield funk.  Not an obvious vampire tune, but so right for the era.

6. The Carpenters – “Top of the World”

“Reveal yourself, tiny songstress!”

7. Elton John – “Crocodile Rock”

Off to the pub we go, we might bump into Christopher Lee…

8. Black Sabbath – “Paranoid”

It’s the early 70’s.  It’s a dark film.  It needs, no – demands – Sabbath.  Timeless genius from the originators of all that is dark and heavy.  On “Paranoid”, of course.

9. Barry White – “You’re the First, the Last, My Everything”

The Love Machine’s tune is an apt choice for the scene it appears in.  What a song!

10. T.Rex – “Get It On”

So evocative of the time, a welcome airing for this track in the movie.

11. Alice Cooper – “No More Mr Nice Guy”

12. Alice Cooper – “The Ballad of Dwight Fry”

A special mention here for Alice Cooper, who has a cameo role as himself in 1972.  Two classic Coop songs are on this soundtrack.  “The Ballad of Dwight Fry” is possibly my favourite song ever from Alice, so it was great to hear it in the movie.

There you go, twelve songs and 54 minutes of music.  If Tim Burton chose these songs, he has great taste.  Except for that awful Killers song on the end credits.

I guess I’m a bit obsessed with this this film…

You can read my review here.

The Misfits – Gig Review

The Misfits

Thursday 26th July 2014

The Live Rooms, Chester

Way back in 1988, as a young skateboarding rapscallion, I bought a vinyl copy of The Misfits album “Walk Among Us“.  I’d heard Metallica’s cover of “Last Caress” and decided to invest in some tunes by the group.  It was a gamble – I had no idea what the rest of their music sounded like.  Neither “Last Caress” nor “Green Hell” were featured on that particular platter.  Nevertheless, I decided to hand over my saved up dinner money to try it out, after some deliberation.

That was one of the best decisions I have ever made.  “Walk Among Us” is, quite simply, one of the best records ever, of any genre.  Any initial trepidation I had was annihilated as soon as the furious pace and sing along vocals were heard.  My ears were opened.  It didn’t hurt that all the songs were about cheesy old B-movies, either.

So imagine my delight when I heard that The Misfits would be playing in Chester, only a few miles from home.  One of my favourite bands ever, so close – there was no way this gig was going to be missed.  I bought tickets immediately.

OK, so Jerry Only is the only (see what I did there?) original member performing under The Misfits name.  No Glenn Danzig, no Doyle.  Even though I’m a huge Danzig fan, I wasn’t going to be precious.  This was a momentous opportunity. images

Besides, there’s Dez Cadena on guitar, who has a fine punk rock pedigree from his time in Black Flag.

So disbelievers be damned, The Misfits gig was on!

I missed the support band though.  Sorry.

The Live Rooms was previously a comedy venue, now it’s showing bands.  It’s a cool venue and worth keeping an eye on to see who to expect.  On this night, the place was absolutely packed out with all manner of black clad loons, anticipating the arrival of the legendary Misfits.  I certainly felt excitement in the air.  Everyone seemed to be hyped up for this gig, me included.  After all, a band like The Misfits playing in these parts is pretty much unheard of.

So the band arrive on stage and are welcomed like all conquering heroes.  As I was stood there, I couldn’t really believe I was experiencing this in person.  The Misfits – here and now, churning out monster hit after hit.  I’m sure others felt the same.

They start with some great tracks from the most recent album, “The Devil’s Rain“.  We also get a smattering of songs from the 90’s era of the band, with “Scream!” a real stand out.  I dig these Graves era tunes, and most of them hold up really well, even against the old Danzig classics.  Only does a fine job of howling out the vocals whilst thundering along on the bass too.

Those old tracks certainly bring a smile though.  “She”, “Bullet” and “Where Eagles Dare” practically tear the roof of the place.  But when we get to gems from “Walk Among Us“, I’m as happy as Bela Lugosi on 31st October.  “Vampira” is probably my favourite Misfits song, so a treat to hear that.  We also get “Hatebreeders”, “Astro Zombies”, “20 Eyes” – the list goes on. Misfits-promo13c

In fact it’s amazing how much material the band get through.  They play a nearly two hour set, and bombard the audience with song after song.  There’s barely a breather between each track.  The Misfits play fast and intense.  All credit to drummer Eric Arce – the Devil knows how he keeps up the relentless pace.  The audience respond with slam dancing/mosh pit craziness like I’ve not witnesses for many a long year.  It will be interesting to see whether the management have second thoughts about booking similar bands in future…

Our only down side  this evening is the sound, which isn’t the best.  From Jerry’s side of the room, where I’m standing, the guitars at the opposite side are frequently lost.  Cadena’s vocals are largely inaudible.  There was a story going round that Dez was suffering with a throat infection, hence why we get a roadie singing the (very good) Black Flag cover.  When we can hear Dez, he’s great.  Still, seems to me like there was some issue sound wise here, though.

The Misfits are exactly what I expected, and that’s fine by me.  From the dry ice enveloped opening, through raucous punk rock and over the top delivery, this is what I paid my money for.  More than just delivering the goods though, The Misfits were genuinely exciting to see.  I’ve seen novelty bands before and while they were fun, they were nothing like this.  This isn’t a tribute band, it’s a well honed, obliterating machine.  It drags us through all eras of The Misfits’ revered history and leaves you grateful to have been a part of it.

Absolutely phenomenal.  Thank you Jerry, Dez and Eric.  Long live The Misfits!

Please check out the Live Rooms soon – if they’re going to support bands like this, you need to support them!

The Misfits web page is here.

The Live Rooms web page is here.