Pentre Fest 2020

Pentre Fest 2020

McLean’s Pub, Pentre Deeside

21st & 22nd February 2020

I’m sure everyone who was there will agree that this year’s Pentre Fest was the best yet.  The bands were fantastic; the were more people; the vibe was magnificent.

Held at McLean’s in Pentre, Deeside, North Wales, this festival features underground, unsigned rock and metal from near and far.

I attended the full two days this year, and saw most of the acts performing.  I only wrote up a few though, so if you want to read the full review, visit the Ever Metal website here.

There were many highlights.  Witchtripper had been on my “must see” list for a while – they didn’t disappoint.  Old favourites Impavidus and Lullaby for a Unicorn were superb as always.  Cry for Mercy, Stormrider and Womenowar were some of the newly viewed bands that I was very impressed by.

The whole weekend was unmissable and I was genuinely sad when it was all over.  A brilliant, positive experience – well done to Fozzy, Beany, Frank and all the McLean’s staff.

You have to be there next year!

Ryuko

Ryuko presented a couple of surprises on Friday night’s acoustic stage.  First off, they were fully plugged in and electric.  Second, they play more of an alternative rock sound, which was something of a contrast to the majority of other Pentre Fest bands.  Readers may not be aware, though, that I am in fact King of Grunge, with my 90’s credentials well proven.  Ryuko’s set included some melody and even jangly pop along with heavier riffs, which was an enjoyable diversion in a Dinosaur Jr/Nirvana style.  Well performed, Ryuko just need to test their audience further and throw in additional surprises in either a “Negative Creep” or “About a Girl” vein.

Rhiannon and Rachel

Sadly Pentre Fest suffered a few casualties this year.  One such example was on the acoustic stage, where half of duo Rhiannon and Rachel was hospitalised and (obviously) unable to perform.  But the show must go on: and Rhiannon performed a short but enjoyable set on the acoustic stage.  Admittedly out of her comfort zone, playing guitar as well as singing, she soldiered on and won plaudits for her effort.  Only a few minor mistakes were noticed – and easily forgiven.  A beautiful singing voice that even managed to add a ghostly, ethereal sheen to a cover of Michael Jackson’s “Bad” – making it sound good for the first time ever.

Mike West

If the connection between metal and outlaw country isn’t obvious to any readers, I can only pity you.  I’ve never witnessed Mike West before, but his amalgamation of southern rock, dusty country and swampy blues was a delight to my old whiskey-soaked soul.  Mike delivers his songs with a hard rockin’ swagger, as if he’s just busted out of Tombstone jail and is riding across the plains, lamenting women and fortunes lost.  A great voice and an outstanding presence, Mike is one to catch when you can.  Has anyone done a “Wild West” gag yet?  If not, there’s a headline for us there!

OMV

On the main stage, OMV entered dressed like a bunch of West Coast gangsters in masks and bandanas.  Introduced as “hardcore street metal”, these guys definitely showed some great musical skills and energy.  Somewhere between Bodycount, Suicidal Tendencies and Biohazard is where I’d stack them.  Either way, OMV delivered some brutal songs and bounced around with massive crossover riffs.  OMV were very entertaining, although hugely confrontational onstage – I wasn’t sure if they actually were going to pistol whip the audience into submission.  The music has enough intensity and power to speak for itself.

Luke Appleton

A really fantastic set was delivered by Mr Luke Appleton on the acoustic stage.  In truth, this was a duo performance with Rishi Mehta (of Babylon Fire) playing too, and it was a genuine highlight of Pentre Fest 2020.  Dubbed “acoustic metal”, the songs were both suitably laidback, yet delivered with a metal edge.  Expertly performed, we had tunes from Luke’s solo “Snake Eyes” project, plus of course some Iced Earth and Absolva numbers.  Not to mention a bit of Dio and Tenacious D for good measure!  A real class act in every sense of the word, and both very talented and down-to-earth gentlemen.

Son of Boar

They have a cool name, and they looked pretty cool on stage in matching denim battle-vests.  And from the very first notes of the bass rumbling on the very first song, I had a feeling that Son of Boar would be something special.  I wasn’t wrong.  These Bradford bruisers have everything in spades: they’re unfeasibly heavy; they have slow, doomy riffs with a Sabbath-like infectiousness; they have a sludgy, swampy groove that can pack an aggressive punk punch.  The best band of Pentre Fest 2020 as far as I was concerned, Son of Boar were superb.  I even bought a t-shirt.

Pentre Fest on Facebook.

N.E.W Metal Productions on Facebook.

Goodfor Audio Entertainment on Facebook

Mcleans Pub Live on Facebook.

Platinum Al’s Top 10 Rock/Metal Albums of 2019

2019 has been an exceptional year for new music.  It started off slowly, but by the end of the year I was struggling to keep up.

As per last year, Ever Metal asked me to produce a Top Ten of my favourite rock and metal albums of the year.  So here we go:

  1. Mammoth Weed Wizard Bastard – Yn Ol I Annwn
  2. Speedealer – Blue Days Black Nights
  3. Obey – Swallow The Sun
  4. Acid Reign – The Age of Entitlement
  5. Sunn O))) – Life Metal
  6. Earth – Full Upon Her Burning Lips
  7. Admiral Sir Cloudesley Shovel – Very Uncertain Times
  8. Giant Dwarf – Giant Dwarf
  9. Monolord – No Comfort
  10. Crobot – Motherbrain

All fantastic records.  Honorable mentions this time to Kadavar, Firebreather, L7, Wizard Rifle and Duel.

For more rock reviews, interviews and top tens, head over to Ever Metal.

Happy New Year everybody – wishing you a very healthy and prosperous 2020!

And thanks for vising Platinum Al’s Virtual Hot Tub!  Make sure you come back next year, and if you’ve got any requests or suggestions, please get in touch.

Duel – Valley of Shadows Album Review

Duel – Valley of Shadows

Heavy Psych Sounds (Purple Sage PR)

Release date: 17/05/2019

Running Time: 38 mins

Review by: Alun Jones

8/10

 

Duel have been on my radar for quite a while.  Despite hearing a few tracks via the band’s social media, I’d never sat down, ear goggles locked in place, to listen to a full album.   So, I was pretty stoked to have the opportunity to review their latest album: “Valley of Shadows”, released recently by Heavy Psych Sounds.

Hailing from Austin, Texas, these four fiends are responsible for an almighty stoner doom racket; full on heavy rifferama with psychedelic and classic metal references.  In case that description alone doesn’t grab you like a graveyard ghoul on the way to an unholy shindig, their whole aesthetic is tripped out in the sort of late-night, B-movie gore that’s lurid enough to make your eyes pop.

It’s like Dracula Has Risen from the Grave soundtracked by a bunch of longhair ne’er-do-wells, and that’s just how I like it.

“Black Magic Summer” opens up the proceedings with some appropriate rain-soaked sound effects, before launching into the heavy-as-a-crypt-door attack.  There’s a brilliantly melodic middle section too, adding some light to the gloom.

Second track “Red Moon Forming” has a direct, driving pace that’s infectious and purposely concocted to inspire the raising of horns.  “Drifting Alone” has a real classic desert rock vibe, with a cool head shaker riff.

“Strike and Disappear” comes on like the vampire Western that Tarantino needs to make.  A slower, bluesy pace with a dusty feel, it’s the first taste we get of a very different – and effective – approach. It melts into a ferocious, face pummelling section that screams blood and violence.

Songs like “Tyrant on the Throne” have a classic metal, almost (gasp!) Iron Maiden feel to them.  Otherwise, the sound explores more of the head-banging, smoke induced groove of bands like Trouble and The Obsessed.

But just like the best stoner metal movers and shakers, there’s always room for some ZZ Top-style boogie, which particularly comes to the fore in the final track, “The Bleeding Heart”.

As always, my sound comparisons are only meant as genuine compliments.  Duel manage to create an album full of their own spirit and character, and it’s one hell of a fun ride.  At turns hypnotic, fist pummelling, and sombre; “Valley of the Shadows” pulls the stake out of the stoner doom corpse and brings it back to bloody life again.

The last time I actually was involved in a duel, it was a case of duelling banjos.  I was on a canoeing trip with some buddies out in the Appalachian back country.  We ran into some unsavoury redkneck types, one of whom challenged me to a banjo showdown.  Of course, I threw in some licks that my old mentor Jimi Hendrix had shown me, and the creepy little weirdo had no chance: I was victorious.

Unfortunately, the locals weren’t too happy and we had a bit of a run-in of sorts with ‘em later.  It was all fun and games really, and we were on our way home soon enough.  But I tell you: just whatever you do, don’t mention piggies to my buddy Bobby.

This review originally appeared on the Ever Metal website, please pay them a visit!

Duel are on Facebook here.

The Duel Bandcamp page is here.

Visit the Heavy Psych Sounds website here.

Heavy Psych Sounds are on Facebook here.

Heavy Psych Sounds are on Bandcamp here.

1968 – Gig Review

1968

Friday 12th May 2017

Telfords Warehouse, Chester

The road to Telfords Warehouse was littered with walking corpses, stumbling clumsily with clothes falling from their limbs.  The zombified masses were yet again evacuating Chester Races, bumbling along in a drunken stupor.  I was on my way to Telfords to witness something far more intriguing – local band 1968 playing live, in a safe haven away from the riders of the apocalypse outside.

Telfords Warehouse is always a great place to visit, though it’s not famed for showcasing music like we were looking forward to tonight.  I’ve enjoyed music from other genres at the venue, but it was good to be expecting some noisy rock.  I met up with old buddy Dan and waited for the sonic attack to begin.

As you’d expect with a name like 1968, this band has Sabbath, Mountain, Blue Cheer and others of that ilk in their DNA.  It’s heavy, stoner rock with a reverence for the originals, proudly worn on their sleeves like old sewn on patches.  The bass chugs, the drums pound, the guitars wail and the vocals soar – all classic stuff.

It’s not just about the originators in this sonic stew though.  I could hear hints of epic Soundgarden, crunchy Kyuss riffs and even some COC style southern groove.

Enough of the band comparisons.  1968 are taking their influences and weaving new landscapes, using their own talents to create something energetic and new.  The band present a crushing presence on stage, performing their material with a killer confidence.

There’s even a progressive, experimental edge to some songs, with short instrumental sections lowering the volume and creating a mellower vibe.  If anything, I’d like to hear more of this develop in the songs – if only to provide a psychedlic contrast before the guitars thunder in again.

Any race goers who had wandered into Telfords soon left, slain by the merciless onslaught of 1968.  A superb band, I can’t wait to see them live again.  They have the riffs, the power and the vision to take them far.

It’s 1968.  The revolution is now.

Visit the 1968 Bandcamp page and download their awesome “Fortuna Havana” EP here.

1968 are on Facebook here.

The Telfords Warehouse website is here.