Brown Acid: the Ninth Trip – Album Review

Various Artists – Brown Acid: The Ninth Trip

Riding Easy Records

Release date: 31/10/2019

Running time: 36 mins

Review by: Alun Jones

7.5/10 

Archaeologists of rock from Riding Easy Records have once again delved into the depths of the forgotten to present this, the ninth instalment of their “Brown Acid” series.  They have unearthed yet more obscure gems from the past, in order to entertain and enlighten those obsessives who love to investigate the DNA of rock.

Call it heavy rock, proto metal, garage rock – whatever, these Brown Acid compilations offer a wealth of hard to find material.

The songs may be long lost relics, but they sure ain’t amateur.  In fact, it’s surprising how well they’ve cleaned up – and how well produced some of them were in the first place.  Take the first track, White Lightning’s “Prelude to Opus IV”, which is surprisingly grand and opulent.

I won’t play favourites, but Peacepipe’s “The Sun Won’t Shine Forever” has an almost Stooges like sound, filtered through Californian psychedelia.  Magi’s “Win or Lose” sounds like Grand Funk playing an MC5 song, while Stonewall’s “Outer Spaced” holds the most outrageous riff of the set, with perhaps a touch of Hendrix.

Elsewhere, the fantastically named Fibreglass Vegetables offer up a more laid back, groovy but still heavy song with “Pain”.  “Rebel Woman” by Erik (a simpler name, but that’s cool) is another superb rocker that demonstrates some real song writing and arranging talent.

Not as bluesy as Zeppelin or as heavy as Sabbath, the songs on offer are a fine example of rock’n’roll of the time.  It doesn’t take much to imagine the guys from Fu Manchu listening to these pre-stoner rock goodies, sat in their van waiting for the cry of “surf’s up”.

This 9th edition of the Brown Acid compilation offers retro quality, never kitsch or silly, with tons of infectious music.  It’s easy to wonder why some of these bands never became more famous.  At least Riding Easy have done the hard work for us, dusting off the artefacts and preserving them for all to enjoy.

Track list:

  1. White Lightning – “Prelude to Opus IV”
  2. Peacepipe – “The Sun Won’t Shine Forever”
  3. Magi – “Win or Lose”
  4. Fibreglass Vegetables – “Pain”
  5. Erik – “Rebel Woman”
  6. Stonewall – “Outer Spaced”
  7. Ice – “Running High”
  8. Spacerock – “Going Down the Road”
  9. Buckshot – “Barstar”
  10. 9 – “Paradiddle Blues”

Visit Riding Easy records on the interweb here, they also have a Bandcamp page.

You can also find them on Facebook, Twitter, Instagram and YouTube.

And don’t forget to check out Ever Metal, which is where this review originally appeared.

Duel – Valley of Shadows Album Review

Duel – Valley of Shadows

Heavy Psych Sounds (Purple Sage PR)

Release date: 17/05/2019

Running Time: 38 mins

Review by: Alun Jones

8/10

 

Duel have been on my radar for quite a while.  Despite hearing a few tracks via the band’s social media, I’d never sat down, ear goggles locked in place, to listen to a full album.   So, I was pretty stoked to have the opportunity to review their latest album: “Valley of Shadows”, released recently by Heavy Psych Sounds.

Hailing from Austin, Texas, these four fiends are responsible for an almighty stoner doom racket; full on heavy rifferama with psychedelic and classic metal references.  In case that description alone doesn’t grab you like a graveyard ghoul on the way to an unholy shindig, their whole aesthetic is tripped out in the sort of late-night, B-movie gore that’s lurid enough to make your eyes pop.

It’s like Dracula Has Risen from the Grave soundtracked by a bunch of longhair ne’er-do-wells, and that’s just how I like it.

“Black Magic Summer” opens up the proceedings with some appropriate rain-soaked sound effects, before launching into the heavy-as-a-crypt-door attack.  There’s a brilliantly melodic middle section too, adding some light to the gloom.

Second track “Red Moon Forming” has a direct, driving pace that’s infectious and purposely concocted to inspire the raising of horns.  “Drifting Alone” has a real classic desert rock vibe, with a cool head shaker riff.

“Strike and Disappear” comes on like the vampire Western that Tarantino needs to make.  A slower, bluesy pace with a dusty feel, it’s the first taste we get of a very different – and effective – approach. It melts into a ferocious, face pummelling section that screams blood and violence.

Songs like “Tyrant on the Throne” have a classic metal, almost (gasp!) Iron Maiden feel to them.  Otherwise, the sound explores more of the head-banging, smoke induced groove of bands like Trouble and The Obsessed.

But just like the best stoner metal movers and shakers, there’s always room for some ZZ Top-style boogie, which particularly comes to the fore in the final track, “The Bleeding Heart”.

As always, my sound comparisons are only meant as genuine compliments.  Duel manage to create an album full of their own spirit and character, and it’s one hell of a fun ride.  At turns hypnotic, fist pummelling, and sombre; “Valley of the Shadows” pulls the stake out of the stoner doom corpse and brings it back to bloody life again.

The last time I actually was involved in a duel, it was a case of duelling banjos.  I was on a canoeing trip with some buddies out in the Appalachian back country.  We ran into some unsavoury redkneck types, one of whom challenged me to a banjo showdown.  Of course, I threw in some licks that my old mentor Jimi Hendrix had shown me, and the creepy little weirdo had no chance: I was victorious.

Unfortunately, the locals weren’t too happy and we had a bit of a run-in of sorts with ‘em later.  It was all fun and games really, and we were on our way home soon enough.  But I tell you: just whatever you do, don’t mention piggies to my buddy Bobby.

This review originally appeared on the Ever Metal website, please pay them a visit!

Duel are on Facebook here.

The Duel Bandcamp page is here.

Visit the Heavy Psych Sounds website here.

Heavy Psych Sounds are on Facebook here.

Heavy Psych Sounds are on Bandcamp here.

Brown Acid: The Eighth Trip – Album Review

Various Artists – Brown Acid: The Eighth Trip

Riding Easy Records

Release date: 20/04/2019

Running time: 29 mins

Review by: Alun Jones

7/10

 

Back in ’68, I believe it was, though a lot of my memory remains hazy.  It was a small London jazz club, in Chelsea I think, and Hendrix spontaneously got up to jam.  Moon was on drums, John Paul Jones picked up the bass, and Clapton and Pagey jumped up to run through a few blues numbers.  I was in the audience, somewhat refreshed, with a quality geezer who worked as a roadie for Hendrix.  His name was Ian, though everyone called him “Lemmy”.

Anyway, I might have overindulged in something or other, but it was a fantastic night.  I mean, musicians of that calibre sharing the same stage!  Incredible.  Until, that was, Jagger decided he wanted to join in on vocals.  Brian Jones decided to bring his bandmate down a peg or two, and lobbed a huge quiche at old rubber lips.  Bosh, hit him straight in the mush.  Jagger was not happy.  The next thing you know, Moon chucks his sticks at Mickey Dolenz and all hell breaks loose.

There was cake and vol-au-vents everywhere.  It took me days to clean the sausage rolls out of Pagey’s pick-ups.  But that was the sixties, you know?  All good fun.

Brown Acid: The Eighth Trip does a great job of bringing back the vibes from that time.  Compiled by Riding Easy Records, it consists of ten rare shots of proto-metal and stoner rock from the late 60s and early seventies.  These tracks are so long lost, whoever raided the tombs they were in probably received an ancient curse for disturbing them.

The songs on offer aren’t really of the sheer riff heavy variety that Black Sabbath would perfect, but if you’re interested in hearing how rock’n’roll was deep fried in LSD and pushed to the limit, there are some fine nuggets here.

The first track, “School Daze” by Attack!, has a real MC5 hell-for-leather rock’n’roll feel.  That greasy, take-no-prisoners Detroit approach serves them well.  Up next is White Rock with “Please Don’t Run Away”, a glorious fuzzed out, scuzzy rocker.  The brilliantly named Luke and the Apostles give us “Not Far Off”, featuring fabulous throaty vocals over a dynamite slab of blues rock.

There’s plenty more psychedelic, acid drenched fare that will resonate with fans of Hendrix, Cream, Mountain and even early Alice Cooper.  “I Need My Music” by the Tourists is another highlight, along with Moloch’s “Cocaine Katy”.  There’s a reassuring low-fi sound to the whole thing, with occasional faint vinyl crackles even, that gives the enterprise some charm.

Of the two covers on offer here, Inside Experience’s “Tales of Brave Ulysses” is fine but doesn’t challenge the original.  On the other hand, the wonderfully named Grump take the King’s “Heartbreak Hotel” out on a glorious, whiskey fuelled Leo Sayer and don’t hand it back till it’s puked it’s kebab up in the back of the taxi.

The tracks compiled for Brown Acid: The Eighth Trip may not change your life, but there’s plenty to enjoy.  If you’re not already a fan of rock music from this period, then think of this as a history lesson and indulge yourself.  Just be careful what you indulge yourself in, eh?

Right then, gin and tonic, anyone?

Track List

  1. Attack! – “School Daze”
  2. White Rock – “Please Don’t Run Away”
  3. River Side – “Wayfarer”
  4. Luke and the Apostles – “Not Far Off”
  5. Tourists – “I Need My Music”
  6. Bartos Brothers Band – “Gambler”
  7. Inside Experience – “Tales of Brave Ulysses”
  8. Karma – “New Mexico”
  9. Moloch – “Cocaine Katy”
  10. Grump – “Heartbreak Hotel”

 

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Dogtown and Z-Boys Playlist

I went skateboarding this morning, but the fun was cut short by rain.  So instead I decided to finally write up this playlist based on the soundtrack for the Dogtown and Z-Boys movie.

Anyone with even the slightest interest in skateboarding should have seen this film by now.  It’s a documentary covering the rise of the original renegade street kids, the Z-Boys, and how they changed skating forever.

Directed by Stacey Peralta, and featuring footage and interviews with the Zephyr team, it’s a superb film.  I’ve seen it dozens of times now, and it always gets me stoked.

This playlist is based on the soundtrack for the movie.  I’ve attempted to add as many songs as I own into the one list, and it features many more songs than are on the commercially available album.  Not all the songs are here though, as I don’t have them in my collection.

The music reflects the sounds of the time, and is heavy on 1970’s classic rock – Jimi, Sabbath, Zeppelin, Iggy, Alice and Bowie.  That’s fine with me.

It also introduced me to a few artists I wasn’t into, such as Herb Alpert.  I also discovered that Rod Stewart made some cool music in the seventies!

There’s almost two and half hours of great music to play through here, ideal to listen to while skateboarding.  Although I won’t being able to walk after a skate session that long. 

  1. Jimi Hendrix – “Ezy Rider”
  2. Joe Walsh – “Rocky Mountain Way”
  3. Black Sabbath – “Paranoid”
  4. James Gang – “Funk #49”
  5. David Bowie – “Rebel Rebel”
  6. Black Sabbath – “Into the Void”
  7. Herb Alpert – “A Taste of Honey”
  8. Blue Oyster Cult – “Godzilla”
  9. Led Zeppelin – “Achilles Last Stand”
  10. Iggy and the Stooges – “Gimme Danger”
  11. The Lively Ones – “Surf Rider”
  12. Jan & Dean – “Sidewalk Surfin'”
  13. Rod Stewart – “Maggie May”
  14. ZZ Top – “La Grange”
  15. David Bowie – “Aladdin Sane (1913-1938-197?)”
  16. Alice Cooper – “Generation Landslide”
  17. Aerosmith – “Seasons of Wither”
  18. Ted Nugent – “Cat Scratch Fever”
  19. Pink Floyd – “Us and Them”
  20. Herb Alpert – “Lollipops and Roses”
  21. The Stooges – “I Wanna be Your Dog”
  22. T.Rex – “Children of the Revolution”
  23. Jimi Hendrix Experience – “Foxy Lady”
  24. Thin Lizzy – “Bad Reputation”
  25. The Trammps – “Disco Inferno”
  26. Massive Attack – “Exchange”
  27. The Allman Brothers Band – “One Way Out”
  28. Neil Young – “Old Man”
  29. Jimi Hendrix – “Freedom”
  30. Led Zeppelin – “Hots On for Nowhere”
  31. Jimi Hendrix Experience – “Bold As Love”
  32. Aerosmith – “Toys in the Attic”
  33. Ted Nugent – “Motor City Madhouse”
  34. Devo – “Gut Feeling”

Bonus Track: Santana – “Jingo” (DVD menu screen)

Now grab your board, and go skate!  If it’s not raining.

Songs of the Week 31.07.2016

Dozens of songs listened to, here are five that stood out:

  1. AC/DC – Highway to Hell
  2. Melvins – I Want to Tell You
  3. The Beatles – I Want to Tell You
  4. Jimi Hendrix Experience – The Wind Cries Mary
  5. Beach Boys – Feel Flows

Songs of the Week 10.07.2016

Here are five more tunes that stood out from my listening over the last week. Enjoy!

  1. Johnny Cash – Bigfoot
  2. Ramones – Psycho Therapy
  3. Jimi Hendrix Experience – Stone Free
  4. Public Enemy – 911 is a Joke
  5. The Presidents of the United States of America – Lump

R.I.P. Lemmy

Lemmy

Ian “Lemmy” Kilmister

24.12.1945 – 28.12.2015

A huge part of growing up is buying your first Motorhead album.  For me it was the compilation album “No Remorse”, which I wanted because it had “Ace of Spades” and “Killed By Death” on it.  With that purchase, I took a step into a bigger world.  Motorhead were a gang, not just a band – and with buying that record I was subscribing to a whole new way of life.

The first time I encountered the rabid monster that was Motorhead was when they performed the legendary “Ace of Spades” on the Young Ones episode “Bambi”.  Lemmy was there front and centre, a living icon in mirror shades, mutton chop whiskers, and thunderous bass guitar; bellowing into a mic that was stretched to the ceiling.

Motorhead’s music was a raucous, fast burst of adrenaline and I played that album every Monday morning before school.  It was the best way to get into the zone and face the start of the week.  Total take no prisoners, take on the world music.  Of course, real life wasn’t so harsh, but Motorhead made you feel like you could do anything.

Lemmy himself was always the uncompromising rock’n’roll figurehead.  His gruff demeanour and his reputation for fast living only cemented his status.  And Motorhead were always cool.  When I developed a taste for punk rock, Motorhead were still cool.  Lemmy and Motorhead straddled the otherwise impossible crevasse between punk and metal.  He had roots going back to early rock’n’roll and the classics of the 60’s with the Beatles and Hendrix.  Lemmy was part of rock’s DNA.

Over the years I collected their albums, bought the t-shirt and Lemmy’s autobiography, and saw them live.  I even met the guy once.  One day I’ll write up the story of that night, which I was always going to call “The Greatest Night Out of My Life”.  Suffice to say that I met Lemmy in a strip club in Liverpool after a Motorhead gig, totally by chance.  I hung out with him all night.  He was extremely gracious and funny.  He was tolerant of drunk fans because he knew how much the music meant to us.

As much a gentleman as a warrior, the world has lost a real original with the passing of Lemmy Kilmister.  He was a pioneer, an innovator.  We knew he’d go one day, but it’s still unbelievable.  I’ll miss Motorhead.  Raise a glass to the great man and yell:

“You know I’m born to lose, and gambling’s for fools, but that’s the way I like it baby, I don’t wanna live forever!”

Bring Your Own Vinyl Night #3

Bring Your Own Vinyl Night

Queen’s Head, Mold

Friday 21st August 2015

And we’re back spinning wax in the Queen’s Head pub in Mold.  The crew and I made the trip, armed with stacks of vinyl, for our fifteen minutes of fame playing records.  The premise is simple:

  • Two turntables and all the equipment to spin your discs, plus PA
  • A 15 minute slot to play whatever you like, so long as it’s vinyl

Plus there’s a bar for drinkies, which helps if you need a bit of dutch courage to get up and get your DJ on.

The crew and I – Adam, Greeny and Ben the Swede – made sure we got there early this time.  Good job we did, as the throng of vinyl faithful had grown and the list of would be DJs was growing.  Nice to see this event gaining popularity – the cult of vinyl grows ever stronger.

Here’s my set:

Killing Joke – Pandemonium

The title track from Killing Joke’s classic 1994 disc of the same name, this tune boasts a devastating bass and rhythmic rumble.  “Pandemonium” erupted from the speakers and announced the start of my set in crushing style!

The Stooges – I Wanna Be Your Dog

This slice of messed up Detroit proto punk is a Stooges classic.  Ron Ashetons wah-wah guitar and Iggy’s snarl show just how great this band were.  I first investigated the Stooges as other bands I was a fan off (Sex Pistols, The Damned) had covered their songs – so I picked up this compilation to learn more.  I was instantly smitten by this dirty racket and never looked back.

Descendents – Clean Sheets

I first heard the Descendents on an old Vision skateboarding video, soundtracking a fantastic Gonz section.  This was the late 80’s, and with no Soundhound I had to work out from the credits what I thought the song was.  I figured it was “Coolidge” by the Descendents.  A while later I found some Descendents albums in a Manchester record store, and took a punt on the “All” album as it contained the aforementioned track.  Luckily, I was right.  For this occassion though, I decided to play another piece of US pop punk genius from the same album, “Clean Sheets”.

Temple of the Dog – All Night Thing

To finish off the set, I brought the pace down with a mellow number from this Seatlle grunge super group.  Featuring members of Pearl Jam and Soundgarden, this LP really takes me back to the early 90’s.  A must have for any fan of alt rock from the period, you can read up online how this recording came to be.  Chris Cornell’s vocals are sublime here, showing to great effect how he would become the best vocalist of his generation.

Greeny hadn’t organised any vinyl (again), so it was Adam up next with another varied and entertaining set.  His was unfortunately cut short, due to the number of people who’d turned up necessitating a reduction in playing time.

  • Natalie Prass – Violently
  • David Bowie – Absolute Beginners
  • Otis Redding – (Sittin’ On) The Dock of theBay

I have to say, I’d forgotten how good that Bowie tune was.

Finally Ben the Swede took to the decks and span his tunes, with a “guess the odd one out” theme.  He played:

  • Jimi Hendrix Experience – Wait Till Tomorrow
  • Fleetwood Mac – Isn’t It Midnight
  • AC/DC – Girls Got Rhythm

I believe the last song Ben intended to play was A rainbow song, with Ronnie James Dio on vocals.  Can you guess the odd one out?  Answer below…

So another superb night of music at the Queen’s Head.  We heard some great music, made some new friends and went away to scout for more quality tunes.  Here’s to next time!

The Halcyon Dreams blog is here, where you can find listed (very helpfully) all the songs played on the night.

The Halcyon Dreams Facebook page is here.

Bring Your Own Vinyl Night #2

Bring Your Own Vinyl Night

Queen’s Head, Mold

Friday 29th May 2015

OK, you know the drill – it’s Bring Your Own Vinyl Night at the Queen’s Head pub in Mold.  It’s the same great deal as last time – everyone gets a fifteen minute slot to play whatever they want, as long as it’s vinyl.  Old or new, obvious or strange – any genre you like, bring along those wax platters and give them a spin.

As previous, it was a welcoming atmosphere in the pub, and it was great to hear the music played.  There’s always some old favourites, as well as a few that make you scratch your head, then go away determined to explore that sound more.

We missed the last Vinyl Night, the gang and me, but this time we came fully stocked and prepared.  So after a few beers, here’s what my set-list looked like:

Nirvana – Do You Love Me

This is a cover by the Seattle Grunge mega lords of a KISS tune, found on the Hard to Believe tribute album.  This record featured several then-underground, independent punk rock groups covering KISS songs.  Also on this disc you’ll hear such bands as the Melvins, All and the Hard-Ons (I love ’em all) – but it’s Kurt Cobain’s crew that are the novelty factor here.  Pre-dating Nevermind, this isn’t the best Nirvana song (not by a long way) but it’s kinda cool to hear them cover some classic glam rock.  I picked this up fairly recently at a Manchester jumble sale; I played it ‘cos it’s rare (apparently) and unexpected (very).

Butthole Surfers – The Wooden Song

No, I didn’t play this song because of the shock/comedy nature of the band’s name.  I played because the album Independent Worm Saloon, which birthed this tune, is a work of under-appreciated genius.  The album roams from full-on punk noise; to psychedelic eruptions; to folky, melodious charm.  The Wooden Song   fits in the last category, with a nice added dose of weird.

Jimi Hendrix Experience – The Stars That Play with Laughing Sam’s Dice

Taken from the Smash Hits album which I picked up on reissue around 1990.  This song was always a favourite, I chose to play it as it’s a different (and better) mix than the one found on the South Saturn Delta CD.  I love how the song’s funky little riff rolls on, as Jimi’s voice and a wall of guitar noise threaten to throw the whole thing overboard.  Beautiful chaos.

Black Sabbath – Planet Caravan

This is one of my late at night, chill-out jams.  You can find this track on Paranoid.  I chose it to showcase just how great Black Sabbath were, the variety and depth of composition going far beyond what the trendy elite give them credit for.  A mellow jazz trip into outer space, this song elegantly portrays the grandeur of the mighty Sabbath.  ALL HAIL SABBATH.

So that was it from me.  I thoroughly enjoyed myself, hope others liked it too.  I was more confident this time with the turntables and felt that the whole experience was a step up from my previous effort.

Next up was Adam, with some gems from his ever expanding vinyl collection.  It was Adam’s first tenure on the decks, he mastered it like a pro:

  • Guns’n’Roses – Bad Obsession
  • Prodigy – Poison
  • Beach Boys – God Only Knows

The final member of our crew was Ben the Swede, who travelled from far off Chester with his lady Janice to play some vinyl.  Ben went for a Ritchie Blackmore theme with his choices, and damn fine they were:

  • Rainbow – Jealous Lover
  • Glen Hughes and Chad Smith – Maybe I’m a Leo
  • Deep Purple – You Can’t Do It Right By The One You Love

Thank you and good night – till the next Bring Your Own Vinyl Night!

The Halcyon Dreams blog is here, where you can find listed (very helpfully) all the songs played on the night.

The Halcyon Dreams Facebook page is herevinyl3

Classic Albums

The first in an ongoing series, where I will be discussing some of the best records ever made.  These are the “classics” of my record collection, that no-one should be without.

1. The Cult – “Love”

Released in 1985, The Cult’s album Love still sounds fantastic to this day.  It’s a potent cocktail of resurrected blues-rock riffs, screaming psychedelia and murky atmosphere that transcended music of the time.  Listening to it now, it seems unbelievable that the record was created in the mid eighties.  And yet it has enough power – and melodic charm – to still sound great.

In late 1988 I had become obsessed with Electric, the full-on rock monster that the Cult had released a year earlier.  A friend lent me a copy of Love, promising that the songs contained therein were the best the band had recorded.  cult-love

At this point I had explored some rock, metal and punk.  Love was to be a bridge between these genres in many ways.  Happily it was (what would become) “alternative” rock – though it worshipped at the altar of Hendrix, The Doors and Led Zeppelin, it was birthed from the fire of punk rock.

Opening track “Nirvana” kicks things off in blazing style.  It has a fast pace and contains a euphoric instrumental section.  Both “Big Neon Glitter” and the title track “Love” offer up the Big Zep riffs and allow guitarist Billy Duffy to add a psychedelic shimmer.  Then “Brother Wolf, Sister Moon” provides a quieter moment.  If the earlier tracks were ideal for blasting out the windows of a 1970 Dodge Challenger, this track is more singer Ian Astbury sitting on a pony surveying the prairie.  As the song ends, rumbling clouds herald the next track: “Rain”.  One of the best songs the Cult have ever recorded, “Rain” has a truly classic riff that is instantly recognisable and never forgotten.

Side Two (!) opens with “Phoenix”.  This track, unashamedly adorned with Hendrix inspired acid rock guitar, hints at the heavier sounds to come in later chapters of the bands story.  “Hollow Man” provides more driving bass (Jamie Stewart) and a simpler, melodic lead guitar.  Astbury has the chance to really shine on ballad “Revolution”, with a calmer moment that harks back to the bands Goth post-punk phase.

Next we have the mother of all Cult songs – “She Sells Sanctuary”.  A vaguely Eastern sounding intro leads into a stomping rhythm as the song grabs the listener and drags them along for the sheer hell of it.  This song became an instant favourite and still has an impact all these years later.  Final track, “Black Angel”, is a sombre Velvet Underground do Spaghetti Western affair that again adds some darkness to the proceedings.

The band received a lot of criticism for having a somewhat “hippie-ish” element to their sound, and look, on this album.  There are a few moments where the “peace and love” vibe wear a bit thin (see “Revolution”), however the overall sound of the record retains a dark edge to it – more decadent than naive.

The Cult would go on to fully embrace their heavy rock interests with Electric.  But for a kid who had never heard Zeppelin or Hendrix, Love was a monumental discovery.  Put it on and listen to it now, this record has a magic that is of it’s time and yet speaks of the past and future.

The Cult – Love

  1. Nirvana
  2. Big Neon Glitter
  3. Love
  4. Brother Wolf, Sister Moon
  5. Rain
  6. Phoenix
  7. Hollow Man
  8. Revolution
  9. She Sells Sanctuary
  10. Black Angel

Best tracks: Rain, She Sells Sanctuary, Nirvana, Brother Wolf, Sister Moon

Other cool points: great cover!

Buy this Classic Album here.