Brown Acid: the Ninth Trip – Album Review

Various Artists – Brown Acid: The Ninth Trip

Riding Easy Records

Release date: 31/10/2019

Running time: 36 mins

Review by: Alun Jones

7.5/10 

Archaeologists of rock from Riding Easy Records have once again delved into the depths of the forgotten to present this, the ninth instalment of their “Brown Acid” series.  They have unearthed yet more obscure gems from the past, in order to entertain and enlighten those obsessives who love to investigate the DNA of rock.

Call it heavy rock, proto metal, garage rock – whatever, these Brown Acid compilations offer a wealth of hard to find material.

The songs may be long lost relics, but they sure ain’t amateur.  In fact, it’s surprising how well they’ve cleaned up – and how well produced some of them were in the first place.  Take the first track, White Lightning’s “Prelude to Opus IV”, which is surprisingly grand and opulent.

I won’t play favourites, but Peacepipe’s “The Sun Won’t Shine Forever” has an almost Stooges like sound, filtered through Californian psychedelia.  Magi’s “Win or Lose” sounds like Grand Funk playing an MC5 song, while Stonewall’s “Outer Spaced” holds the most outrageous riff of the set, with perhaps a touch of Hendrix.

Elsewhere, the fantastically named Fibreglass Vegetables offer up a more laid back, groovy but still heavy song with “Pain”.  “Rebel Woman” by Erik (a simpler name, but that’s cool) is another superb rocker that demonstrates some real song writing and arranging talent.

Not as bluesy as Zeppelin or as heavy as Sabbath, the songs on offer are a fine example of rock’n’roll of the time.  It doesn’t take much to imagine the guys from Fu Manchu listening to these pre-stoner rock goodies, sat in their van waiting for the cry of “surf’s up”.

This 9th edition of the Brown Acid compilation offers retro quality, never kitsch or silly, with tons of infectious music.  It’s easy to wonder why some of these bands never became more famous.  At least Riding Easy have done the hard work for us, dusting off the artefacts and preserving them for all to enjoy.

Track list:

  1. White Lightning – “Prelude to Opus IV”
  2. Peacepipe – “The Sun Won’t Shine Forever”
  3. Magi – “Win or Lose”
  4. Fibreglass Vegetables – “Pain”
  5. Erik – “Rebel Woman”
  6. Stonewall – “Outer Spaced”
  7. Ice – “Running High”
  8. Spacerock – “Going Down the Road”
  9. Buckshot – “Barstar”
  10. 9 – “Paradiddle Blues”

Visit Riding Easy records on the interweb here, they also have a Bandcamp page.

You can also find them on Facebook, Twitter, Instagram and YouTube.

And don’t forget to check out Ever Metal, which is where this review originally appeared.

Duel – Valley of Shadows Album Review

Duel – Valley of Shadows

Heavy Psych Sounds (Purple Sage PR)

Release date: 17/05/2019

Running Time: 38 mins

Review by: Alun Jones

8/10

 

Duel have been on my radar for quite a while.  Despite hearing a few tracks via the band’s social media, I’d never sat down, ear goggles locked in place, to listen to a full album.   So, I was pretty stoked to have the opportunity to review their latest album: “Valley of Shadows”, released recently by Heavy Psych Sounds.

Hailing from Austin, Texas, these four fiends are responsible for an almighty stoner doom racket; full on heavy rifferama with psychedelic and classic metal references.  In case that description alone doesn’t grab you like a graveyard ghoul on the way to an unholy shindig, their whole aesthetic is tripped out in the sort of late-night, B-movie gore that’s lurid enough to make your eyes pop.

It’s like Dracula Has Risen from the Grave soundtracked by a bunch of longhair ne’er-do-wells, and that’s just how I like it.

“Black Magic Summer” opens up the proceedings with some appropriate rain-soaked sound effects, before launching into the heavy-as-a-crypt-door attack.  There’s a brilliantly melodic middle section too, adding some light to the gloom.

Second track “Red Moon Forming” has a direct, driving pace that’s infectious and purposely concocted to inspire the raising of horns.  “Drifting Alone” has a real classic desert rock vibe, with a cool head shaker riff.

“Strike and Disappear” comes on like the vampire Western that Tarantino needs to make.  A slower, bluesy pace with a dusty feel, it’s the first taste we get of a very different – and effective – approach. It melts into a ferocious, face pummelling section that screams blood and violence.

Songs like “Tyrant on the Throne” have a classic metal, almost (gasp!) Iron Maiden feel to them.  Otherwise, the sound explores more of the head-banging, smoke induced groove of bands like Trouble and The Obsessed.

But just like the best stoner metal movers and shakers, there’s always room for some ZZ Top-style boogie, which particularly comes to the fore in the final track, “The Bleeding Heart”.

As always, my sound comparisons are only meant as genuine compliments.  Duel manage to create an album full of their own spirit and character, and it’s one hell of a fun ride.  At turns hypnotic, fist pummelling, and sombre; “Valley of the Shadows” pulls the stake out of the stoner doom corpse and brings it back to bloody life again.

The last time I actually was involved in a duel, it was a case of duelling banjos.  I was on a canoeing trip with some buddies out in the Appalachian back country.  We ran into some unsavoury redkneck types, one of whom challenged me to a banjo showdown.  Of course, I threw in some licks that my old mentor Jimi Hendrix had shown me, and the creepy little weirdo had no chance: I was victorious.

Unfortunately, the locals weren’t too happy and we had a bit of a run-in of sorts with ‘em later.  It was all fun and games really, and we were on our way home soon enough.  But I tell you: just whatever you do, don’t mention piggies to my buddy Bobby.

This review originally appeared on the Ever Metal website, please pay them a visit!

Duel are on Facebook here.

The Duel Bandcamp page is here.

Visit the Heavy Psych Sounds website here.

Heavy Psych Sounds are on Facebook here.

Heavy Psych Sounds are on Bandcamp here.

Brown Acid: The Eighth Trip – Album Review

Various Artists – Brown Acid: The Eighth Trip

Riding Easy Records

Release date: 20/04/2019

Running time: 29 mins

Review by: Alun Jones

7/10

 

Back in ’68, I believe it was, though a lot of my memory remains hazy.  It was a small London jazz club, in Chelsea I think, and Hendrix spontaneously got up to jam.  Moon was on drums, John Paul Jones picked up the bass, and Clapton and Pagey jumped up to run through a few blues numbers.  I was in the audience, somewhat refreshed, with a quality geezer who worked as a roadie for Hendrix.  His name was Ian, though everyone called him “Lemmy”.

Anyway, I might have overindulged in something or other, but it was a fantastic night.  I mean, musicians of that calibre sharing the same stage!  Incredible.  Until, that was, Jagger decided he wanted to join in on vocals.  Brian Jones decided to bring his bandmate down a peg or two, and lobbed a huge quiche at old rubber lips.  Bosh, hit him straight in the mush.  Jagger was not happy.  The next thing you know, Moon chucks his sticks at Mickey Dolenz and all hell breaks loose.

There was cake and vol-au-vents everywhere.  It took me days to clean the sausage rolls out of Pagey’s pick-ups.  But that was the sixties, you know?  All good fun.

Brown Acid: The Eighth Trip does a great job of bringing back the vibes from that time.  Compiled by Riding Easy Records, it consists of ten rare shots of proto-metal and stoner rock from the late 60s and early seventies.  These tracks are so long lost, whoever raided the tombs they were in probably received an ancient curse for disturbing them.

The songs on offer aren’t really of the sheer riff heavy variety that Black Sabbath would perfect, but if you’re interested in hearing how rock’n’roll was deep fried in LSD and pushed to the limit, there are some fine nuggets here.

The first track, “School Daze” by Attack!, has a real MC5 hell-for-leather rock’n’roll feel.  That greasy, take-no-prisoners Detroit approach serves them well.  Up next is White Rock with “Please Don’t Run Away”, a glorious fuzzed out, scuzzy rocker.  The brilliantly named Luke and the Apostles give us “Not Far Off”, featuring fabulous throaty vocals over a dynamite slab of blues rock.

There’s plenty more psychedelic, acid drenched fare that will resonate with fans of Hendrix, Cream, Mountain and even early Alice Cooper.  “I Need My Music” by the Tourists is another highlight, along with Moloch’s “Cocaine Katy”.  There’s a reassuring low-fi sound to the whole thing, with occasional faint vinyl crackles even, that gives the enterprise some charm.

Of the two covers on offer here, Inside Experience’s “Tales of Brave Ulysses” is fine but doesn’t challenge the original.  On the other hand, the wonderfully named Grump take the King’s “Heartbreak Hotel” out on a glorious, whiskey fuelled Leo Sayer and don’t hand it back till it’s puked it’s kebab up in the back of the taxi.

The tracks compiled for Brown Acid: The Eighth Trip may not change your life, but there’s plenty to enjoy.  If you’re not already a fan of rock music from this period, then think of this as a history lesson and indulge yourself.  Just be careful what you indulge yourself in, eh?

Right then, gin and tonic, anyone?

Track List

  1. Attack! – “School Daze”
  2. White Rock – “Please Don’t Run Away”
  3. River Side – “Wayfarer”
  4. Luke and the Apostles – “Not Far Off”
  5. Tourists – “I Need My Music”
  6. Bartos Brothers Band – “Gambler”
  7. Inside Experience – “Tales of Brave Ulysses”
  8. Karma – “New Mexico”
  9. Moloch – “Cocaine Katy”
  10. Grump – “Heartbreak Hotel”

 

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Dogtown and Z-Boys Playlist

I went skateboarding this morning, but the fun was cut short by rain.  So instead I decided to finally write up this playlist based on the soundtrack for the Dogtown and Z-Boys movie.

Anyone with even the slightest interest in skateboarding should have seen this film by now.  It’s a documentary covering the rise of the original renegade street kids, the Z-Boys, and how they changed skating forever.

Directed by Stacey Peralta, and featuring footage and interviews with the Zephyr team, it’s a superb film.  I’ve seen it dozens of times now, and it always gets me stoked.

This playlist is based on the soundtrack for the movie.  I’ve attempted to add as many songs as I own into the one list, and it features many more songs than are on the commercially available album.  Not all the songs are here though, as I don’t have them in my collection.

The music reflects the sounds of the time, and is heavy on 1970’s classic rock – Jimi, Sabbath, Zeppelin, Iggy, Alice and Bowie.  That’s fine with me.

It also introduced me to a few artists I wasn’t into, such as Herb Alpert.  I also discovered that Rod Stewart made some cool music in the seventies!

There’s almost two and half hours of great music to play through here, ideal to listen to while skateboarding.  Although I won’t being able to walk after a skate session that long. 

  1. Jimi Hendrix – “Ezy Rider”
  2. Joe Walsh – “Rocky Mountain Way”
  3. Black Sabbath – “Paranoid”
  4. James Gang – “Funk #49”
  5. David Bowie – “Rebel Rebel”
  6. Black Sabbath – “Into the Void”
  7. Herb Alpert – “A Taste of Honey”
  8. Blue Oyster Cult – “Godzilla”
  9. Led Zeppelin – “Achilles Last Stand”
  10. Iggy and the Stooges – “Gimme Danger”
  11. The Lively Ones – “Surf Rider”
  12. Jan & Dean – “Sidewalk Surfin'”
  13. Rod Stewart – “Maggie May”
  14. ZZ Top – “La Grange”
  15. David Bowie – “Aladdin Sane (1913-1938-197?)”
  16. Alice Cooper – “Generation Landslide”
  17. Aerosmith – “Seasons of Wither”
  18. Ted Nugent – “Cat Scratch Fever”
  19. Pink Floyd – “Us and Them”
  20. Herb Alpert – “Lollipops and Roses”
  21. The Stooges – “I Wanna be Your Dog”
  22. T.Rex – “Children of the Revolution”
  23. Jimi Hendrix Experience – “Foxy Lady”
  24. Thin Lizzy – “Bad Reputation”
  25. The Trammps – “Disco Inferno”
  26. Massive Attack – “Exchange”
  27. The Allman Brothers Band – “One Way Out”
  28. Neil Young – “Old Man”
  29. Jimi Hendrix – “Freedom”
  30. Led Zeppelin – “Hots On for Nowhere”
  31. Jimi Hendrix Experience – “Bold As Love”
  32. Aerosmith – “Toys in the Attic”
  33. Ted Nugent – “Motor City Madhouse”
  34. Devo – “Gut Feeling”

Bonus Track: Santana – “Jingo” (DVD menu screen)

Now grab your board, and go skate!  If it’s not raining.

Songs of the Week 31.07.2016

Dozens of songs listened to, here are five that stood out:

  1. AC/DC – Highway to Hell
  2. Melvins – I Want to Tell You
  3. The Beatles – I Want to Tell You
  4. Jimi Hendrix Experience – The Wind Cries Mary
  5. Beach Boys – Feel Flows

Songs of the Week 10.07.2016

Here are five more tunes that stood out from my listening over the last week. Enjoy!

  1. Johnny Cash – Bigfoot
  2. Ramones – Psycho Therapy
  3. Jimi Hendrix Experience – Stone Free
  4. Public Enemy – 911 is a Joke
  5. The Presidents of the United States of America – Lump

R.I.P. Lemmy

Lemmy

Ian “Lemmy” Kilmister

24.12.1945 – 28.12.2015

A huge part of growing up is buying your first Motorhead album.  For me it was the compilation album “No Remorse”, which I wanted because it had “Ace of Spades” and “Killed By Death” on it.  With that purchase, I took a step into a bigger world.  Motorhead were a gang, not just a band – and with buying that record I was subscribing to a whole new way of life.

The first time I encountered the rabid monster that was Motorhead was when they performed the legendary “Ace of Spades” on the Young Ones episode “Bambi”.  Lemmy was there front and centre, a living icon in mirror shades, mutton chop whiskers, and thunderous bass guitar; bellowing into a mic that was stretched to the ceiling.

Motorhead’s music was a raucous, fast burst of adrenaline and I played that album every Monday morning before school.  It was the best way to get into the zone and face the start of the week.  Total take no prisoners, take on the world music.  Of course, real life wasn’t so harsh, but Motorhead made you feel like you could do anything.

Lemmy himself was always the uncompromising rock’n’roll figurehead.  His gruff demeanour and his reputation for fast living only cemented his status.  And Motorhead were always cool.  When I developed a taste for punk rock, Motorhead were still cool.  Lemmy and Motorhead straddled the otherwise impossible crevasse between punk and metal.  He had roots going back to early rock’n’roll and the classics of the 60’s with the Beatles and Hendrix.  Lemmy was part of rock’s DNA.

Over the years I collected their albums, bought the t-shirt and Lemmy’s autobiography, and saw them live.  I even met the guy once.  One day I’ll write up the story of that night, which I was always going to call “The Greatest Night Out of My Life”.  Suffice to say that I met Lemmy in a strip club in Liverpool after a Motorhead gig, totally by chance.  I hung out with him all night.  He was extremely gracious and funny.  He was tolerant of drunk fans because he knew how much the music meant to us.

As much a gentleman as a warrior, the world has lost a real original with the passing of Lemmy Kilmister.  He was a pioneer, an innovator.  We knew he’d go one day, but it’s still unbelievable.  I’ll miss Motorhead.  Raise a glass to the great man and yell:

“You know I’m born to lose, and gambling’s for fools, but that’s the way I like it baby, I don’t wanna live forever!”