Confusion Master – Gig Review

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Confusion Master + Endure + Warlockhunt

Tuesday 15th September 2026

G21 at The Saddle, Chester

Luckily for me, I’d already booked the week off work to indulge in some skateboarding and record crate-digging, so a Tuesday night out wasn’t automatically dismissed. Instead of staying in on a school night, I was free for another evening at The Saddle in Chester for some crushingly heavy Doom Metal.

First up were gig organisers Mark and Lorraine and their band Warlockhunt. The new line-up is gelling really well – those post punk, tribal beats both drier and warmer – laying down a crisp foundation for the twin-bass assault. The contrast between sombre melody and the gloomiest, doomiest of bass guitar lines is working better than ever – Warlockhunt seemed confident and overjoyed to be out playing.

Endure were on next, and despite consisting of another trio, this was a very different approach. They created epic, soundtrack-like pieces with the use of keyboards, though the harsh, growled vocals kept them grounded in Metal. I think there were two songs performed (maybe three?), it was hard to tell as the music blended from one to another like one huge, experimental symphony. Occasional furious guitar riffs punctuated the atmosphere, keeping the audience on their toes. Endure gave us cerebral yet brutal music that was fierce and enlightening.

Confusion Master hail from Germany, and are over in the UK on a short tour, spreading their gospel of fuzzed out, sludgy Doom. With songs ranging from mammoth, occult driven skull crushers to faster, nimble rock-outs, the set impressed with its variety of pace and texture. Featuring vocal samples and psychedelic excursions, Confusion Master’s songs cover a number of styles, resembling a mash up of Electric Wizard and Saint Vitus, but drenched in their own grand character.

That was a real treat for a Tuesday school night – all three bands left us feeling that we’d been very lucky to be in attendance. And I hadn’t even done my homework. Told the teacher Cthulhu ate it.

Confusion Master on Facebook.

Endure on Facebook.

Warlockhunt on Facebook.

New Skateboard – Death Dan Cates Killer Clown II

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Who remembers the Killer Clown panic that went round a few years back at Halloween time? When there were all these stories of people getting attacked by creepy weirdos dressed as clowns? Kids were scared silly about it and it was all just urban japes and bants created by the internet.

Anyway, I decided I need a new cruiser board to replace my Santa Cruz Street Creep re-issue. The main reason being, that the Street Creep is worth a few quid and it should be up on the wall as a decoration. Or DECK-oration, haha!! Sorry.

I also really miss the big, old shaped decks of yore, and thought that this would be a good shape to aid in my goal of getting better at slappy tricks.

I’d had my eyes on the Death Dan Cates deck for a while, and finally decided to go for it. Regular readers will know I’m a bit of a Death Skateboard fanboy, and this Cates deck looked perfect – great shape and graphic. Dan Cates is a talented skater who I’ve watched many video parts of. Plus it was within my meagre budget, so I bought it from Native Skate Store online.

The wheels are Powell Peralta Dragons 56mm and 93A, which I got from a contact in a Facebook group for a very good price. The only problem was the trucks: i re-purposed the Indy trucks I had on the Street Creep, but they’re actually not wide enough – wider trucks will be sourced asap.

So far, the whole set up rides amazing: the deck has a really nice concave and overall feel, plus the wheels are unbelievably smooth. I’ve just rolled around the carpark so far, but hope to take a trip to a pump track soon. And maybe do some more old school 80’s street skating…

As usual, here are the specs for posterity:

  • Death Skateboards Dan Cates Killer Clown II 9.375″ (free griptape)
  • Independent trucks (to be replaced)
  • Powell Peralta Dragon wheels 56mm 93A
  • Independent bolts
  • ABEC 5 Bearings

Check out Death Skateboards here.

Check out Native Skate Store here.

Bad Earth – Trigger Point Single Review

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Bad Earth – Trigger Point

Self released

Release date: 18/09/2026

Review by: Alun Jones

8.5/10

Question: what’s got six legs, has played Bloodstock Festival three times, and can rock like a totally unhinged mega bastard? If you answered Bad Earth: you’re correct, you go to the top of the class. Yes, I’m talking about these North Wales Rockcore legends, who are no strangers to these pages, and they’re about to release a new single.

The single is called ‘Trigger Point’, and it features exactly the kind of volume-gauge wrecking, no-nonsense Rock’n’Roll that we’ve come to expect. Like a mix of Metallica and Mastodon with the reliable grit of Motorhead, ‘Triger Point’ is a relentless attack right from the off. The guitars are exquisitely crunchy, but the bass rolls and grooves with the drums to keep the street smart Rock at the heart of the song. The production is clear but still raw, and it’s great to hear the dual vocals roaring through.

‘Trigger Point’ is an early warning of the forthcoming new album from Bad Earth, due later this year. Keep your ears lively for that: if this song is a true indication, the new material should see Bad Earth unleashing some lethal artillery.

Check out Bad Earth on Facebook, Spotify, and Instagram.

Ritual Arcana – Album Review

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Ritual Arcana – Ritual Arcana 

Heavy Psych Sounds 

Release date: 23/01/2026 

Review by: Alun Jones 

8.5/10 

2026 is here, and here also is my first review of the year.  Finally.  Now, now – enough with the “late as usual” bants!  I’ve been busy doing something.  I’m sure I have an excuse somewhere, I’ll get back to you…  Anyway, this is an excellent place to start for the new year – the debut album from Occult Doom Rockers, Ritual Arcana. 

A new band, but with an impressive pedigree, Ritual Arcana consist of SharLee LuckyFree on bass and vocals (ex Moth), Oakley Munson on Drums (The Black Lips) and underground Stoner/Doom legend, the one and only Scott “Wino” Weinrich (of The Obsessed, Saint Vitus, Spirit Caravan etc etc) on guitar.  Slap all that on a release from Heavy Psych Sounds and you just know something serious is going down. 

In the fabled land of Stoner/Doom, The Riff is King.  And with Wino on board, the kingdom is in safe hands.  The slow, throbbing title track opens the ceremonial space, throbbing with a medieval menace.  ‘Occluded’ picks up the pace, a charging head banger that’s more infectious than an outbreak of witchcraft in New England.  That guitar tone is absolutely monolithic throughout, witness the crushing ‘Berkana’ for more evidence.   

The rest of the band ain’t taking a day off, either.  Munson’s drums rattle and crash throughout the ritual with tribal precision, and on ‘Subtle Fruits’ revs up the rhythm to thrilling heights.  And of course there’s the formidable presence of cosmic High Priestess LuckyFree, a solid, warm bass player who’s voice genuinely adds character to all the songs here.  Taking centre stage with glee and authority, LuckyFree leads the throng and particularly shines on ‘Wake the Goddess’. 

“Ritual Arcana” delivers exactly what one would expect, and does it confidently.  A little more variety in song writing would’ve propelled this album to even greater heights – some swampy blues?  An Iommi style mellow piece?  But we can leave that for album number two.  For now, this debut weaves reliably thunderous Hard Rock with a gloomy, supernatural air for an enticing experience. 

Find out more about Ritual Arcana on their website, Facebook and Instagram pages.

This review is brought to you by Platinum Al in association with Ever Metal.

Cocktail Time: Sailor Jerry Rum

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Whether sat on a sun-kissed beach as the crystal waves break on the beach, or lounged in a dimly lit cocktail bar absorbing the ambience, Sailor Jerry rum has a classic vibe that’s both bold and smooth. The bottles are unmistakable: adorned by the traditional tattoo work of Norman “Sailor Jerry” Collins – and the taste of the rum is pretty unforgettable too.

I was first aware of Sailor Jerry rum when it was a regular prize for the star letter in Bizarre magazine. The brand cultivated something of a counter culture feel, assisted by that classic artwork. When I first tasted the drink, I was instantly smitten by the taste.

There are dozens of ways to enjoy your Sailor Jerry rum, but this is my favourite: mixing with cola. For me, it has to be full fat Coca Cola, other brands or diet versions just don’t cut it.

To prepare, simply add 2 measures of rum (1 if you prefer) to a highball glass and add ice. Then top up with the coke, and enjoy.

I was lucky enough to pick up some limited edition Sailor Jerry plastic tumblers to drink my rum from. Plus a while back, the bottles were packed with promotional posters. I even acquired a promotional CD a while back in my local, featuring some great Rockabilly and Punk bands. These items are ideal additions to any home tiki bar and have helped build my loyalty!

You can check out plenty more Sailor Jerry rum recipes at their website here.

Platinum Al’s Virtual Hot Tub urges you to drink responsibly.

Soundtrack: The Cramps, Reverend Horton Heat.

Singles Night at the Virtual Hot Tub #43

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Ah yes, the seven inch single. These small discs of joy were the cornerstone of the pop charts for years, weekly sales adding up to thousands and thousands in their heyday. Nowadays it’s streaming that appears to power music sales. But many of us still have mucho love for the 45rpm record.

Many such as myself – I’ve got a huge pile of them, and it’s only slowly going down. What I do, you see, is spend a night playing 7″ vinyl – A side and B side – and going on a musical journey that can take me all over the place.

Sometimes that journey is a bit weird, or even disappointing – but it’s never dull. Pour yourself a drink and let’s have a look at the latest Singles night playlist…

  1. The D4 – “Come On!” / “Santa Claus”
  2. The D4 – “Get Loose” / “John Rock”
  3. Roberto Mann Orchestra & Chorus – “Love Theme From Witchfinder General” / “Both Sides Now”
  4. Adam & The Ants – “Kings of the Wild Frontier” / “Press Darlings”
  5. Jo Boxers – “Boxerbeat” / “Let’s Talk About Love”
  6. Brian Spence – “Back Door” / Chris Sutton – “Know It All” / Velvet Underground “Stephanie Says” / Smiley Culture – “Here Comes the Style”
  7. Bow Wow Wow – “Louis Quatorze” / “Blue Soldier”
  8. Sam Brown – “Stop!” / “Blue Soldier”
  9. Big Country – “King of Emotion” / “The Travellers”
  10. The B-52s – “Good Stuff” / “Bad Influence”
  11. The Beatles – “Long Tall Sally” / “I Call Your Name” / “Slow Down” / “Matchbox”
  12. The Barron Knights – “Merry Gentle Pops Part 1” / “Merry Gentle Pops Part 2”
  13. L7 – “Pretend We’re Dead” / “Shitlist”
  14. Rainmakers – “Let My People Go-Go” / “Nobody Knows”
  15. Wax – “Building a Bridge to Your Heart” / “Heaven in Her Bed”
  16. AC/DC – “Highway to Hell” / “If You Want Blood (You’ve Got It)”
  17. AC/DC – “You Shook Me All Night Long” / “Have a Drink On Me”
  18. The Stylistics – “Can’t Give You Anything (but My Love)” / “I’d Rather Be Hurt By You (Than Loved By Somebody Else)”
  19. Kipp Lennon – “Song From ‘Buck Rogers’ (Suspension)” / “Something Kinda Funky”
  20. Girlschool – “Hit & Run” / “Tonight”

See what I mean? That was a great night of music – well, for the most part! The only dud amongst the bunch was the horrendous Barron Knights single. I remember that group in the late 70s and early 80s, and thought they were funny. These two songs, both from earlier in the career, haven’t stood the test of time.

Other than that, an awesome mix of rock, punk, alternative, pop, disco and even a couple of wild soundtrack items. In contrast to the Barron Knights, I was pleasantly surprised by Rainmakers and I’d forgotten how great that Wax song is.

That’s all for this time, groove hunters – more soon.

Notes:

The D4 were a great rock band from New Zealand, fast and punky in a similar vein to The Hives. I saw them around 2001 supporting Fu Manchu, they were rad. Picked these singles up a while ago as I can’t find their excellent album anywhere.

There are two soundtrack songs in this latest playlist. I was very lucky to find the song from Witchfinder General for mere pence in a charity shop – as a big Horror and Vincent Price fan, it’s a cool curio to own. Also, yes – that is the classic theme tune from the Buck Rogers TV show of the early 80s. Even better, the B side is from when Buck is trying to teach the 25th century squares how to be groovy.

Always loved that Jo Boxers song since I heard it on Tiswas. Finally got the single.

Disc 6 is a Sounds magazine/Polydor sampler that I picked up super cheap, purely for the Velvet Underground song. The first two tracks ar eprety bland.

The L7 single is a numbered, limited edition single on red vinyl.

The two AC/DC songs need no introduction. My favourite Bon Scott song and my favourite Brian Johnson song on consecutive records in my list.

That time I was in RAD magazine

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Back in the late 80s and early 90s, RAD magazine – or Read and Destroy to give it its full title – was the absolute bible of UK skateboarding. 

Covering all the news and events across the British skate scene, from competitions, info on pros and amateurs, trick tips, locations and more, RAD was an essential publication. 

Don’t forget, there was no Internet or social media to immediately grasp the latest developments, nationally or internationally.  All we had were occasional video productions and dedicated monthly magazines.

So RAD was a big deal.  A trusted source for everything in skateboarding within its hallowed pages.

And in one issue, there was a photo of me in it.

Well, sort of.  Issue number 79, from September 1989, had a feature about the Hot Tuna sponsored Skate Masters at Morfa Stadium, Swansea – and I had been there on the day. We were on a family holiday in mid Wales and I begged my parents to take me the rest of the distance to attend the competition.

So, on the first page of the published feature, I can be spotted in the audience, watching the vert competition.  That’s me, sat down wearing my yellow Thrasher Puszone t-shirt.  Not exactly a mind blowing photo of me landing one of my many incredible tricks (ahem…), but technically I was in a photo in RAD magazine.

When the mag was out, I don’t think my vague, tiny appearance impressed anybody.  I thought it was kind of fun, though.

As I remember it, all these years later, the competition was a great event.  Top professionals from across the UK were there, plus some from further afield.  There were street and freestyle events as well as vert, so I was able to see some great skateboarding.

So there you go.  I appeared (sort of) in a legendary skate mag.  Well I didn’t, but this old publication brings back some happy memories.

I have plenty more old magazines in my skateboard museum, I’ll feature some more if there’s any demand (and it’s not illegal to do so…).

Brown Acid: The Twenty-First Trip – Album Review

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Various Artists – Brown Acid: The Twenty-First Trip 

RidingEasy Records 

Release date: 31/10/2026 

Review by: Alun Jones 

7.5/10 

Verily, pilgrims, ‘tis time for another feast of forgotten Rock’n’Roll fun, curated by the esteemed veterans at RidingEasy Records.  This is the twenty-first edition of their Brown Acid series (in case you didn’t read the headline) – a series that continues to run and run.  As with previous albums, herein lie ten hard rock songs that despite their brilliance, never blossomed into the classics they could-a (should-a) been.  The RidiingEasy boffins have dug ‘em up and are now re-presenting these tracks for our shared enjoyment. 

There’s a wide range of styles on display this time round, probably more so than usual.  We get things rolling with Opus Est and ‘Maggie Johnsons’, a short and furious proto punk number that has some ‘Communication Breakdown’ in its DNA.  A brief but great way to start.  Freedom North feature some very welcome female vocals on their song ‘Losing You’, a thumping psychedelic rocker with a deadly lead guitar.  ‘Friendly Stranger’ by Accents has a galloping rhythm, fuzzy guitar and brash organ that resembles Steppenwolf.   

And what’s this?  The Rolling Stones on a Brown Acid comp??  No, it’s Brother Love with ‘Rock N’ Roll Band’ – though that fuzzy riff sounds very like a certain legendary song by Mick, Keith and the other three.  Still, it’s a fun tune with decent lyrics and a catchy chorus.  Side One rounds out with ‘Bike Writer’ by River Styx, a solid, fast paced acid rock song with squealing lead. 

Some nice wah-wah warms up Side Two and we’re off again, this time with Maxx.  Their song ‘200 Years’ has a Stooges-like groove.  Pump are next, and despite that terrible band name, their ‘Kinda Like’ is a highlight of this collection – featuring more skronky organ and fierce guitar.  29.9 (much better band name) then unleash their version of ‘You Got Me Floating’, which despite being an authentic rendition, is still only a cover of a Hendrix tune that most people forget. 

Apparently, there was once a band called Wakefield, if you can believe that.  I can, ‘cos their song ‘Here I Am’ is on this compilation.  These guys seem to have Prog aspirations, with time changes and different sections, finishing with a glorious, melodic pop sing along for the last minute and a half.  But that’s not all folks – our last track is the psyche swamp blues of ‘Lazy River Blues’ by Peacepipe – a melancholy, sinister sail down the bayou. 

Volume Twenty-One of Brown Acid is another solid collection.  Not all the songs work, but they’re honestly all worthwhile – ‘Rock N’ Roll Band’ seems like a blatant rip off at first, but develops its own charm and style.  I felt a little short changed with a cover being included, but the overall quality doesn’t really suffer.  There’s still tons of acid-roasted, psychedelic fuzz on offer, and more variety than we’ve had previously. 

Next time, remind me to tell you the real story behind why the cover of “Beggars Banquet” was banned.  Clue: Mick still won’t speak to me and every Christmas, Keith sends me a gold toilet brush.

Visit the RidingEasy Records website here.

This review is presented by Platinum Al in association with Ever Metal.

Comic Con Midlands 2026

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Comic Con Midlands

Saturday 11th and Sunday 12th July 2026

NEC, Birmingham

Much time has passed since I last attended a Comic Con at Birmingham NEC. However my good buddy, Adam, and I decided to venture back to the cavernous halls of this huge venue, to visit Comic Con Midlands, organised by the Monopoly group. These same guys run the huge Liverpool convention that I’ve been to several times recently.

The reason for our trip was because Adam had convinced me to go halves with him on a photo with a celebrity. This is not usually my kinda thing. I’ve queued up for signed autographs from actors etc in the past, and often (though not always) been very underwhelmed by the experience. For a big cash outlay I’ve been left with a colour pic and heaps of embarrassment. It would take something major to drag me out of my celeb-meeting retirement.

Something big would be the cast of cult 90’s comedy Mallrats, including Jason Lee, Renee Humphrey and Ethan Suplee. The cultured amongst you will know that Lee and Suplee also starred in legendary comedy series My Name is Earl, of which I am also a huge fan. Of course, the really hip cats out there will also know that Jason Lee is also an ex-professional skateboarder – one of the greatest to ever do it and a living legend.

So it didn’t take too much persuasion to sign me up for the My Name is Earl duo photo with Jason and Ethan.

Doors opened at 9am, and we were there bang on time. That meant a very early start for me on a Saturday morning, which is NOT a good thing. Waking up at 6.30am at the weekend? That’s pure criminality. Never mind, there would be plenty to keep us occupied till our photo op at 3.15pm.

Well, you would assume so. Usually these events (and certainly based on previous experience at the NEC) have hours worth of merch stalls to wander round. Merch stalls there were, but not enough – we’d completed a circuit by 10.30am. What??! Absolutely crazy. I mean, OK – I picked up a few comic books for my collection. Action figures were a scarcity, however (this would’ve been unbelievable in the past) – so it was relatively slim pickings on the merch front.

With hours to kill, we did some more circuits of the merch and explored outside the events hall to find refreshment. It was like a ghost town out there – even the Wetherspoons was shut.

Eventually it was time for the Mallrats Q&A session, featuring all three of the guests. The panel was very entertaining and informative, each of the cast members came across very well. They all seemed relaxed, happy to be there and divulged some interesting and funny stories. I later decided to quickly say hello to Jason Lee at his signing station. We had a really quick chat about skateboarding and I got a fist bump from the master. A very cool and memorable experience.

Later (much later) it was time for the photo op. Adam and I waited in line on our best behaviour, and soon enough were ushered in to have our photos taken with Lee and Suplee. Both stars were friendly, greeting us warmly with handshakes. The assistants barked orders at us and the photo was taken, then milliseconds later the same assistants barked at us to get out.

I was left feeling embarrassed and as if I’d been rude to two of my heroes. But the assistants were just doing their job, Jason and Ethan were lovely and I got a cool photo of us all together.

After that, it was time for the journey home. It had been a successful day – my experience of the Mallrats/My Name is Earl stars was very positive and I got a bunch of Marvel comic books. In future though, a later start wouldn’t hurt. I learned to my cost that no one needs to be in Birmingham at 9am.