Halloween Horror Fest, Vampire

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Pull up a chair, settle down, here’s the next batch of scary movie reviews…

Count Yorga, Vampire (1970)

Now this is more like it! Late 60s/early 70s vampire film on a budget, Count Yorga, Vampire is something of a cult classic. Just the sort of nonsense I love! Set in California, we meet Bulgarian aristocrat Count Yorga (Robert Quarry) as he conducts a seance for a bunch of groovy kids.

Afterward, a couple of the groovy kids, Erica and Paul, give the Count a lift home to his foreboding estate. On the way back, their van gets stuck in the mud, and they’re attacked by the Count in full vampire mode. The next day, they remember nothing, though Erica has lost blood and is examined by a doctor friend.

Erica succumbs to vampirism, and is whisked away by Count Yorga. The race is then on to rescue her and destroy the Count and his minions.

It’s a simple film, but effectively breathes new life into the old vampire legend. Quarry is enigmatic and powerful as Yorga, looking part Terence Stamp and part Christopher Lee. Count Yorga, Vampire is low budget, dated, and rambles on a bit, but it’s perfect for anyone who wants to explore the kitsch and uncanny.

8/10

Child’s Play (1988)

On the other hand, whilst retro cheapo vampire movies are always to my taste, Child’s Play was never something that appealed to me. I’ve never really had much interest in the more modern American horror/slasher movie. However, I’m often proved wrong in this regard, and Child’s Play proved me wrong again.

Serial killer Charles Lee Ray is reincarnated by Voodoo spells as Chucky, an innocent looking Good Guy doll. Young Andy is desperate for one of these dolls for his birthday, and his mother manages to scrape together some cash to buy a dodgy one. This of course is Chucky, and he’s out for revenge on his former partner and anyone else who gets in his way.

Murder ensues, and of course none of the adults believe Andy when he claims Chucky is to blame. Yet slowly, his mother (Catherine Hicks) begins to suspect the truth. The lead detective on the case (Chris Sarandon) eventually comes to realise what’s going on, too. They need to keep Andy out of harms way and stop Chucky from becoming human again…

After all this time, I finally watched Child’s Play a few years ago, and wouldn’t you just know it – old Chucky grew on me. It’s actually quite a fun, engaging supernatural horror with lots going on, and some neat observations on the furor caused by toys like Cabbage Patch Dolls. Forget your incredulity and enjoy!

8.5/10

The Evil of Halloween Horror Fest

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It’s time for more mini horror film reviews, as we celebrate spooky month! What have we got tonight?

The Evil of Frankenstein (1964)

What we have here is the first Hammer Horror for this years Festival of Fear! This is the third film in the Hammer series, again starring the legendary Peter Cushing as Baron Frankenstein.

This time around, the Baron and his assistant Hans (Sandor Eles) are on the run following some dastardly grave robbing antics, so they decide to go back to his hometown of Karlstaad, despite being banished. There they hope to use valuables from the old Frankenstein castle to fund more research. Instead, the Baron finds that his old home has been looted – by, it turns out – the local authorities.

On the run again, they’re aided by a local deaf-mute girl, and hide in the mountains. The Baron discovers his old creature, frozen in ice. After rescuing the creature, they’re unable to bring it back to life fully, so decide to seek the help of a carnival hypnotist, Zoltan (Peter Woodthorpe). Zoltan is successful, but jeopardises everything by using the creature to enact his own cruel revenge…

It’s a funny old hodgepodge of a film, this one. The first Hammer movie, Curse of Frankenstein, is recapped but reimagined – it’s re-done and is very different this time round. The whole thing feels like different elements thrown together to see if they stick. Although the creature, this time played by Kiwi Kingston not Christopher Lee, looks more like the classic Karloff version, the makeup looks strange and false. The excellent sets and another great performance from Cushing help save The Evil of Frankenstein from failure.

7/10

Twilight (2008)

Hey, it was my teenage daughter’s choice – so what?! We take turns to pick something to watch, and Daughtertron is very into this Twilight stuff at the moment. So fair’s fair, we gave it a go.

Twilight is about a young woman named Bella Swan (Kristen Stewart), who relocates from Arizona to the very different state of Washington, to live with her father. She attends the local school, makes some friends but gradually becomes intrigued by another classmate, Edward Cullen (Robert Pattinson).

After a frosty start, the two are slowly pulled together, and Bella discovers that Edward and his “family” are vampires. All is going well in a teen love story fashion, till a separate, wandering group of vampires happen upon the Cullen clan – and Bella – and there’s a big fall out during a baseball game.

Despite some bizarre ideas such as sparkling vampires and vampires playing baseball, the film wasn’t too bad. Twenty minutes too long and far too soppy, Twilight was still fairly watchable, even though I’m not the target audience. I’ve seen worse. I mean, it was better than Harry bloody Potter.

5/10

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Vault of Halloween Horror Fest

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Welcome back, horror fiends! Let’s take a look at a couple more spooky movies for Halloween Horror Fest…

Vault of Horror (1973)

For our first film tonight, we’ll venture into the Vault of Horror, a portmanteau film from Amicus. Like its predecessor Tales from the Crypt, the five short stories that compose Vault of Horror are inspired by the classic, notorious EC Comics of the same title.

In this movie, we journey to a vampire café, witness an obsessively neat bully get his comeuppance, and see a nasty stage magician mess with forces he should’ve left well alone. Then there’s the tale of an insurance scam gone wrong with the protagonist buried alive, and an impoverished artist resorting to voodoo to enact his revenge.

The stories vary in their effectiveness, but all have a charm and entertainment value. My favourite segment is probably the first, the bistro of the undead – but the last two have the more chilling narrative. Great performances from a cast including Terry-Thomas, Glynis Johns and Tom Baker keep everything on track.

Obviously I’m a huge fan of both the old EC Comics and Amicus films in general, so I enjoyed every second of Vault of Horror. It may be dated, but class like this never goes out of style.

8/10

Rec (2007)

Rec is a Spanish horror movie in the found footage genre. It follows a TV reporter and her cameraman filming a local crew of firefighters, who end up trapped in a residential block. They’re effectively quarantined inside the building with several residents, while an outbreak of some unknown disease starts to spread and the infected attack and kill survivors.

As the situation intensifies, Rec does a fine job of keeping the viewer on the edge, ramping up the scares as we go. The found footage approach works excellently to give a sense of realism and immerses the viewer in the confined surroundings.

Rec was remade in the US (as they do) as Quarantine, though I’ve never seen it. Don’t let the subtitles in this version put you off – if anything, it’s another effective way to make the viewer feel isolated. Like Blair Witch does 28 Days Later, Rec is a harrowing, unnerving film. Rec-ommended! Hahaha!

8/10

Halloween Horror Fest 2026

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Glowing strings of moonlight break softly through the canopy of trees above. The forest is otherwise almost completely dark. The call of an owl rings out through the night as you tread carefully in the shadows, eyes working hard to glimpse something, anything, that seems familiar. You try not to stumble, shuffling slowly to avoid perils littering the forest floor.

And then, from behind you, you hear something. A low, menacing growl…

Don’t worry kids, it’s just another Halloween Horror Fest at Platinum Al’s Virtual Hot tub! You know we dig the spooky movies round here, and every October we dial that appreciation right up with out our own festival of frightful films.

So let’s dive right in with our first film of the year…

Sinners (2025)

Our first film of 2026 is right up to date, with this highly regarded modern take on the vampire legend. Set in the Southern USA in 1932, the film focuses on two twin brothers, ex-gangsters who have retuned to their hometown to set up their own juke joint in the midst of the local black community.

Smoke and Stack (both played brilliantly by Michael B Jordan) gather their friends and family members around them as they work to create their dream. Recruiting staff and noted blues musicians, the venue appears to be on its way to a glorious first night. But they – and the bar patrons – are unaware of a supernatural evil that threatens everything.

Much has been made of the success of Sinners, and it’s not hard to see why. It won four Oscars at the Academy Awards including a well deserved Best Actor for Jordan – it took me a while to realise that the same actor was playing a dual role. And of course it’s highly unusual for a horror film to be recognised in this way, at all.

Sinners is a fantastic movie, that starts slowly and recreates an authentic time and place, before it races off in a very different direction. It is indeed a scary film, but not at the cost of character and world building. Beyond the visceral horror element, other themes of race and culture are explored by writer/director Ryan Coogler, providing the viewer with a pretty unique combination of thrills and food for thought. Oh, and the music – by Ludwig Goransson – is great.

Vampire films never die, they just keep coming back – and Sinners is a modern classic of the genre.

9/10

STYLE: Motorhead Poncho

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About a year ago, a mysterious package arrived at the door. It was a few days before my birthday, though it’s rare for me to receive many presents these days. And it wasn’t something I had ordered or was expecting. It was addressed to me, but there were no details of the sender. No name, no location.

Inside, however, was an amazing gift: a truly spectacular garment.

A Motorhead poncho.

The legendary Snaggletooth logo of the band is emblazoned on the poncho. It’s a smooth, comfortable material in shades of brown, reminiscent of the one worn by Clint Eastwood in The Good, The Bad and The Ugly. Draped over the shoulder, rather than poking your head through a hole in the centre, this is an authentic and truly wonderful item of clothing.

A combination of The Man With No Name and my old friend Lemmy, what could be better? The iconic cover of the Ace of Spades album was brought to life, in a way.

Who had sent it? And why? It would have to be someone who knew of my love of both Motorhead and Sergio Leone Spaghetti Western films. I had my suspicions, and eventually I would be proven right – but I won’t divulge that identity here, though my gratitude is eternal.

Instead, gaze upon the magnificent Poncho – and revel in its glory. It is the epitome of comfort and STYLE.

Confusion Master – Gig Review

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Confusion Master + Endure + Warlockhunt

Tuesday 15th September 2026

G21 at The Saddle, Chester

Luckily for me, I’d already booked the week off work to indulge in some skateboarding and record crate-digging, so a Tuesday night out wasn’t automatically dismissed. Instead of staying in on a school night, I was free for another evening at The Saddle in Chester for some crushingly heavy Doom Metal.

First up were gig organisers Mark and Lorraine and their band Warlockhunt. The new line-up is gelling really well – those post punk, tribal beats both drier and warmer – laying down a crisp foundation for the twin-bass assault. The contrast between sombre melody and the gloomiest, doomiest of bass guitar lines is working better than ever – Warlockhunt seemed confident and overjoyed to be out playing.

Endure were on next, and despite consisting of another trio, this was a very different approach. They created epic, soundtrack-like pieces with the use of keyboards, though the harsh, growled vocals kept them grounded in Metal. I think there were two songs performed (maybe three?), it was hard to tell as the music blended from one to another like one huge, experimental symphony. Occasional furious guitar riffs punctuated the atmosphere, keeping the audience on their toes. Endure gave us cerebral yet brutal music that was fierce and enlightening.

Confusion Master hail from Germany, and are over in the UK on a short tour, spreading their gospel of fuzzed out, sludgy Doom. With songs ranging from mammoth, occult driven skull crushers to faster, nimble rock-outs, the set impressed with its variety of pace and texture. Featuring vocal samples and psychedelic excursions, Confusion Master’s songs cover a number of styles, resembling a mash up of Electric Wizard and Saint Vitus, but drenched in their own grand character.

That was a real treat for a Tuesday school night – all three bands left us feeling that we’d been very lucky to be in attendance. And I hadn’t even done my homework. Told the teacher Cthulhu ate it.

Confusion Master on Facebook.

Endure on Facebook.

Warlockhunt on Facebook.

New Skateboard – Death Dan Cates Killer Clown II

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Who remembers the Killer Clown panic that went round a few years back at Halloween time? When there were all these stories of people getting attacked by creepy weirdos dressed as clowns? Kids were scared silly about it and it was all just urban japes and bants created by the internet.

Anyway, I decided I need a new cruiser board to replace my Santa Cruz Street Creep re-issue. The main reason being, that the Street Creep is worth a few quid and it should be up on the wall as a decoration. Or DECK-oration, haha!! Sorry.

I also really miss the big, old shaped decks of yore, and thought that this would be a good shape to aid in my goal of getting better at slappy tricks.

I’d had my eyes on the Death Dan Cates deck for a while, and finally decided to go for it. Regular readers will know I’m a bit of a Death Skateboard fanboy, and this Cates deck looked perfect – great shape and graphic. Dan Cates is a talented skater who I’ve watched many video parts of. Plus it was within my meagre budget, so I bought it from Native Skate Store online.

The wheels are Powell Peralta Dragons 56mm and 93A, which I got from a contact in a Facebook group for a very good price. The only problem was the trucks: i re-purposed the Indy trucks I had on the Street Creep, but they’re actually not wide enough – wider trucks will be sourced asap.

So far, the whole set up rides amazing: the deck has a really nice concave and overall feel, plus the wheels are unbelievably smooth. I’ve just rolled around the carpark so far, but hope to take a trip to a pump track soon. And maybe do some more old school 80’s street skating…

As usual, here are the specs for posterity:

  • Death Skateboards Dan Cates Killer Clown II 9.375″ (free griptape)
  • Independent trucks (to be replaced)
  • Powell Peralta Dragon wheels 56mm 93A
  • Independent bolts
  • ABEC 5 Bearings

Check out Death Skateboards here.

Check out Native Skate Store here.

Bad Earth – Trigger Point Single Review

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Bad Earth – Trigger Point

Self released

Release date: 18/09/2026

Review by: Alun Jones

8.5/10

Question: what’s got six legs, has played Bloodstock Festival three times, and can rock like a totally unhinged mega bastard? If you answered Bad Earth: you’re correct, you go to the top of the class. Yes, I’m talking about these North Wales Rockcore legends, who are no strangers to these pages, and they’re about to release a new single.

The single is called ‘Trigger Point’, and it features exactly the kind of volume-gauge wrecking, no-nonsense Rock’n’Roll that we’ve come to expect. Like a mix of Metallica and Mastodon with the reliable grit of Motorhead, ‘Triger Point’ is a relentless attack right from the off. The guitars are exquisitely crunchy, but the bass rolls and grooves with the drums to keep the street smart Rock at the heart of the song. The production is clear but still raw, and it’s great to hear the dual vocals roaring through.

‘Trigger Point’ is an early warning of the forthcoming new album from Bad Earth, due later this year. Keep your ears lively for that: if this song is a true indication, the new material should see Bad Earth unleashing some lethal artillery.

Check out Bad Earth on Facebook, Spotify, and Instagram.

Ritual Arcana – Album Review

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Ritual Arcana – Ritual Arcana 

Heavy Psych Sounds 

Release date: 23/01/2026 

Review by: Alun Jones 

8.5/10 

2026 is here, and here also is my first review of the year.  Finally.  Now, now – enough with the “late as usual” bants!  I’ve been busy doing something.  I’m sure I have an excuse somewhere, I’ll get back to you…  Anyway, this is an excellent place to start for the new year – the debut album from Occult Doom Rockers, Ritual Arcana. 

A new band, but with an impressive pedigree, Ritual Arcana consist of SharLee LuckyFree on bass and vocals (ex Moth), Oakley Munson on Drums (The Black Lips) and underground Stoner/Doom legend, the one and only Scott “Wino” Weinrich (of The Obsessed, Saint Vitus, Spirit Caravan etc etc) on guitar.  Slap all that on a release from Heavy Psych Sounds and you just know something serious is going down. 

In the fabled land of Stoner/Doom, The Riff is King.  And with Wino on board, the kingdom is in safe hands.  The slow, throbbing title track opens the ceremonial space, throbbing with a medieval menace.  ‘Occluded’ picks up the pace, a charging head banger that’s more infectious than an outbreak of witchcraft in New England.  That guitar tone is absolutely monolithic throughout, witness the crushing ‘Berkana’ for more evidence.   

The rest of the band ain’t taking a day off, either.  Munson’s drums rattle and crash throughout the ritual with tribal precision, and on ‘Subtle Fruits’ revs up the rhythm to thrilling heights.  And of course there’s the formidable presence of cosmic High Priestess LuckyFree, a solid, warm bass player who’s voice genuinely adds character to all the songs here.  Taking centre stage with glee and authority, LuckyFree leads the throng and particularly shines on ‘Wake the Goddess’. 

“Ritual Arcana” delivers exactly what one would expect, and does it confidently.  A little more variety in song writing would’ve propelled this album to even greater heights – some swampy blues?  An Iommi style mellow piece?  But we can leave that for album number two.  For now, this debut weaves reliably thunderous Hard Rock with a gloomy, supernatural air for an enticing experience. 

Find out more about Ritual Arcana on their website, Facebook and Instagram pages.

This review is brought to you by Platinum Al in association with Ever Metal.