The Gates of Slumber – Album Review

The Gates of Slumber – Live at Tempe Arizona

Self-Released (Against PR)

Release date: 28/02/2020

Running time: 37 minutes

Review by: Alun Jones

8/10

Right then, who’s up for some big, fat riffs played at a crawling, slow pace?  You know I am.  Never more ready.  So let’s plunge in and have a listen of this live opus from The Gates of Slumber!  I can promise you that TGOS not only have one of the best band names ever invented – they also do magnificently heavy, Sabbath influenced doom.

This gig was recorded live at the Clubhouse, in Tempe, Arizona – back in 2011, supporting the mighty Orange Goblin.  You can almost feel the heat and smell the beer at the venue on this recording.

Starting out with “Bastards Born”, the riff is slow and menacing, with mournful vocals.  Second track “Ice Worm” ups the tempo a little, with a chugging groove.  The highlight of the album is possibly the gloomy “Day of Farwell”, which is allowed to breathe and sprawl, featuring some spellbinding guitar.  “Coven of Cain” rocks out, before the band slow down to a monolithic pace for “The Wretch”.  Moving those stones from South Wales to Salisbury to create Stonehenge was probably faster.  Finally, the band are at their most Sabbath with the crunching “The Jury”.

Audience reaction is very low in the mix, and the sound is very clear, with no studio or soundboard trickery.  What the listener is left with is a very honest representation of Gates of Slumber – those guitars and drums are free to go straight for the jugular.  It might not be the sort of album that will blow the mind of the casual listener, but for anyone who’s schooled in the melancholy beauty of Saint Vitus and The Obsessed, this is a short but sweet treat.

Will that do for the review, guys?  I’m knackered myself after last night.  I wasn’t partying with Ozzy and Slash again, honest.  I was up all night with Brian May, going on about his bloody astronomy.  “Really Brian?  That is fascinating.  You don’t say?  Yawn.”  Didn’t get a wink of sleep.

You can check out The Gates of Slumber on Bandcamp, Spotify and YouTube.

Also, witness their social media mastery on Facebook, Instagram and Twitter.

This review has been brought to you by Platinum Al in association with Ever Metal.

Black Sabbath – The End

bs

Black Sabbath + Rival Sons

Saturday 4th February 2017

Genting Arena Birmingham

The mighty Black Sabbath.  They created down tuned, dirty, doom laden heavy metal aeons ago.  Wrote songs that defined an entire genre and inspired millions of people.  Lived the rock’n’roll lifestyle to legendary excess, managing to survive through some miraculous method or other.  Black Sabbath are musical titans.

And this was The End – their last ever gig.  At least as far as we know at this point in time, and taking into consideration the band members current situations.

This was The End – Black Sabbath’s last live performance, ever – in their home city of Birmingham.

Through a result of pure luck I was able to blag myself on a trip to witness the event.  Sabbath are one of those bands that I’ve long been obsessed with, going on nearly thirty years now.  They’ve created fantastic albums that I’ve listened to again and again, so it was great to be able to catch this gig, before it was all over.

The support band were Rival Sons, a younger band that’s regarded very positively by fans and press alike.  I’m only familiar with one album or so worth of songs, but can safely say that they put on a very impressive performance.  Their music is rooted in the classic rock of yore, so it was an apt choice to support.  I didn’t recognise any of the material, but then Rival Sons are a band that definitely require some homework on my part.

A confident and popular support act, Rival Sons coped with the huge arena well.  They merit further investigation – I’m sure that classic song to get me hooked is tucked away on an album somewhere.

And so to the headliners, the incredible but sadly not immortal, Black Sabbath.  Of course they opened with the legendary “Black Sabbath” – what else? – the eerie three note, devil’s tritone that heralded the birth of metal years since.  A perfect start to the evening, Black Sabbath then proceeded to entertain with two hours of solid classics.

From my vantage point, standing in the massive arena hall near the sound desk, I couldn’t see great deal.  In fact, I could see more of Kelly and Sharon Osbourne, in the nearby VIP area,  than I could of Ozzy.  The sound however was superb and the set loaded with classics.  Plus I don’t think Ozzy (or Tony or Geezer) did much running around the stage anyway. bs1

Most of the songs were from the first four albums, which was cool by me.  Highlights were “Into the Void”, “Snowblind”, “Children of the Grave” and an unexpected showing of “Hand of Doom”.  Brilliant bass from Geezer Butler on “N.I.B.” too.

My absolute favourite Sabbath track, “Supernaut”, was unfortunately relegated to being sandwiched in as part of a medley (along with “Sabbath Bloody Sabbath”, another fave) – and therefore sadly under exposed.  A shame that, I went mental when the opening riff started.  No “Sweet Leaf” either.

“Supernaut” should have been in the set, certainly it was preferable to “Dirty Women” which was hauled out of the cellar and into the light one more time.  Although not their best material, this song did give Tony Iommi a chance to shine, the final guitar solo was absolutely explosive.

There were sadly no extra special moments, such as famous guests getting up to join in – maybe that would’ve diluted the spotlight on Sabbath.  It was nice to let them have their final moment of glory.  I think we were all hoping Bill Ward would make an appearance behind the drum kit for one last time though.

And finally, it was all over – with one last rendition of the genius song that is “Paranoid”.

Their final  gig was set to be emotional, set in their hometown for one last time.  In fact it was a hugely uplifting experience, rather than sombre – hundreds of the faithful showing their respect for all the music we love.  Not just Sabbath, but every metal band that’s followed in their sepulchral wake.

Black Sabbath – their legacy lives on.  They are the ultimate metal band and they leave us with a back catalogue beyond compare.  It’s never really The End.

The full setlist is here.