Son of Boar – Stoned Wail Single Review

Son of Boar – Stoned Wail

Self-released

Release date: 26/06/2020

Running time: 18 minutes

Review by: Alun Jones

9/10

 

Singles don’t often get reviewed here at Ever Metal, purely because there’s so damn many of them.  They just can’t compete with the album reviews.  But rules are made to be broken, and this release from Son of Boar demanded some attention.  Having witnessed the live onslaught of this band at Pentre Fest earlier this year, Son of Boar have risen on to my personal favourites list, and I’m damn near rabid for any new material.

Waves crash as a mesmeric bass begins to chime, creating a deceptively ambient vibe.  Guitars and drums warm the sound as the band slowly build momentum.  They’re in no rush, but when the main riff kicks in, it’s worth the wait.  Luke’s vocals roar and the song rises like a leviathan from the depths.  “Stoned Wail” is 9 minutes of powerful, groove laden doom rhythms: thundering bass, churning guitars and crashing drums.  This fisherman’s tale is indeed a whopper of humungous  proportions.

With two additional live tracks (“Outlet” and the boogie influenced “The Weekend”), this is a great introductory package to a band destined for big things.  “Stoned Wail” is taken from the forthcoming debut album, which, to be honest, I’m shitting my shoes off in anticipation for.  TUSKS UP!

Get yerself on over to witness Son of Boar at Bandcamp and Facebook, or maybe YouTube if you fancy it.

Twitter and Instagram are: @son_of_boar

Desert Storm – Omens Album Review

Time for another album review: as originally published by Ever Metal, now here for your enjoyment too…

Desert Storm – Omens

APF Records

Release date: 01/05/2020

Running time: 40 mins

Review by: Alun Jones

9.5/10

Put your feet up, relax – pour yourself a drink and take the weight off your feet.  All you need to do is chill – I’ve already done the hard work.  I’ve found your new favourite band: they’re called Desert Storm, and their latest album has just been released by APF records.

If you’re new to the name, Desert Storm are from merry old Oxford; and since forming in 2007, have been building their following formidably.  They’ve appeared at major rock festivals; plus supported and toured with some personal heroes of mine (Corrosion of Conformity, The Atomic Bitchwax amongst others).  I saw Desert Storm a few years ago supporting the mighty Karma to Burn; they managed to steal the show from the headliners, as far as I was concerned.

Opening with a sombre, haunting spoken word piece, Omens proceeds to take the listener on a journey that is powerful, yet also introspective.  It’s an otherworldly trip that’s both visceral and immediate, but also demands greater exploration.

“Black Bile” demonstrates the strategy perfectly: heavy, grinding and relentless – with moments of melody that blend into the whole without jarring.  In absolute basics, this is the sludge of Down combined with the aspirational progressiveness of Mastodon.  Thudding, head banging riffs adorn “Vengeful Gods”, but there’s also an almost Morricone-like cinematic sensation as the song develops and grows.

At times anthemic, there are also magnificently effective sections of the songs that contrast beautifully with the hard driving doom metal.  “Pain, Grief and Suffering” features an extended mid-section that is beguilingly serene.  When the heavy re-enters, it’s all the more neck-breakingly persuasive.  Throw in a captivating solo and you’re on to a highlight.

“The Path of Most Resistance” builds from humble beginnings to a massive groove riff of Sabbathian splendour; whilst “Lockjaw” is short and brutal.  This leads us to the final track, “Rebirth”: a masterpiece that is heavy only in sentiment.  What a song.  Despite a medieval vibe, it’s the ideal soundtrack to spin whilst driving through the desert in a stolen Dodge Challenger as the sun sets, with Smokey on your tail.

Every song on Omens can be enjoyed on its own merits, but as a whole plays as a genuine compendium that the listener can enjoy from start to finish.  I knew Desert Storm were good, but I didn’t expect them to have grown so much.  Or deliver a new album with so much scope.  Here’s a British band that could step up into national – and then international – consciousness.  They just need your support.  Do it.  I’m off to buy the vinyl version.

Talking about deserts – did I tell you about that infamous escapade on one of my legendary soul-searching soirees into the Mojave?  I crept into my usual cave to seek shelter, only to encounter Jim bloody Morrison hogging it.   He was out of his gourd on peyote and mumbling about Aldous Huxley or some such.  There was no way I could meditate with that loon around, so I threw him out.  Break through that to the other side, Jimbo!  My Yaqui shaman and I needed the space to contact Atlantis.

STOP PRESS: Putting my money where my mouth is, I stumped up hard earned cash for a vinyl copy of this album.  I am very glad that I did!

Find Desert Storm on Facebook.

Buy their stuff on Bandcamp.

Find the band on Twitter and Instagram.

For APF records, check out their expertly crafted website here.

Ir find them on Facebook and Bandcamp, you won;t regret it.

Singles Night at the Virtual Hot Tub #17

Hello there, reader!  Welcome to my Virtual Hot tub.  Grab a drink and chill out in the warm, comforting water – it’s time to play some more 7 inch vinyl records!

That’s right folks, I’m spinning more records and having a little drinkie.  First off the top of the pile, A side then B side, working my way through the vinyl I’ve not played yet.  No picking and choosing, just playing whatever’s next.

Here’s the latest batch:

  1. Madness – “Michael Caine” / “If You Think There’s Something”
  2. Elton John – “Goodbye Yellow Brick Road” / “Screw You”
  3. Sarah Vaughn – “Moonglow” / “So Long” / “Maria” / “Invitation”
  4. Oran “Juice” Jones – “The Rain” / “Your Song”
  5. Peter Howell & The BBC Radiophonic Workshop – “Doctor Who” / “The Astronauts”
  6. Madonna – “Into the Groove” / “Shoo-Bee-Doo”
  7. Faces – “Pool Hall Richard” / “I Wish It Would Rain”
  8. The Boomtown Rats – “I Don’t Like Mondays” / “It’s All the Rage”
  9. Los Lobos – “La Bamba” / “Charlena”
  10. Elton John – “Song for Guy” / “Lovesick”
  11. Cozy Powell – “Dance with the Devil” / “And Then There Was Skin”
  12. C+C Music Factory (ft. Freedom Williams – “Things That Make You Go Hmmm… (7” Remix) / “Things That Make You Go Hmmm… (LP Version)”
  13. Divinyls – “I Touch Myself” / “Follow Through”
  14. Marillion – “Kayleigh” / “Lady Nina”
  15. Glen Campbell & Rita Coolidge – “Somethin’ ‘Bout You Baby I Like” / “Late Night Confession”
  16. The Fun Boy Three with Bananarama – “T’Ain’t What You Do (It’s the Way That You Do It)” / “The Funarama Theme”
  17. Diana Ross – “Why Do Fools Fall in Love” / “Think I’m in Love”
  18. Duran Duran – “Union of the Snake” / “Secret Oktober”
  19. Kate Robbins – “More Than in Love” / “Now”
  20. Jan Hammer – “Crockett’s Theme” / “Miami Vice: New York Theme”
  21. Status Quo – “Caroline” / “Joanne”

Yes, that Glen Campbell/Rita Coolidge IS the same as the Quo classic!  Quite a few fun tunes in that session, including one of my favourite Madness songs ever, double for Elton, and a great Miami Vice theme.

Join me again soon for another Singles Night!