Desert Storm – Omens Album Review

Time for another album review: as originally published by Ever Metal, now here for your enjoyment too…

Desert Storm – Omens

APF Records

Release date: 01/05/2020

Running time: 40 mins

Review by: Alun Jones

9.5/10

Put your feet up, relax – pour yourself a drink and take the weight off your feet.  All you need to do is chill – I’ve already done the hard work.  I’ve found your new favourite band: they’re called Desert Storm, and their latest album has just been released by APF records.

If you’re new to the name, Desert Storm are from merry old Oxford; and since forming in 2007, have been building their following formidably.  They’ve appeared at major rock festivals; plus supported and toured with some personal heroes of mine (Corrosion of Conformity, The Atomic Bitchwax amongst others).  I saw Desert Storm a few years ago supporting the mighty Karma to Burn; they managed to steal the show from the headliners, as far as I was concerned.

Opening with a sombre, haunting spoken word piece, Omens proceeds to take the listener on a journey that is powerful, yet also introspective.  It’s an otherworldly trip that’s both visceral and immediate, but also demands greater exploration.

“Black Bile” demonstrates the strategy perfectly: heavy, grinding and relentless – with moments of melody that blend into the whole without jarring.  In absolute basics, this is the sludge of Down combined with the aspirational progressiveness of Mastodon.  Thudding, head banging riffs adorn “Vengeful Gods”, but there’s also an almost Morricone-like cinematic sensation as the song develops and grows.

At times anthemic, there are also magnificently effective sections of the songs that contrast beautifully with the hard driving doom metal.  “Pain, Grief and Suffering” features an extended mid-section that is beguilingly serene.  When the heavy re-enters, it’s all the more neck-breakingly persuasive.  Throw in a captivating solo and you’re on to a highlight.

“The Path of Most Resistance” builds from humble beginnings to a massive groove riff of Sabbathian splendour; whilst “Lockjaw” is short and brutal.  This leads us to the final track, “Rebirth”: a masterpiece that is heavy only in sentiment.  What a song.  Despite a medieval vibe, it’s the ideal soundtrack to spin whilst driving through the desert in a stolen Dodge Challenger as the sun sets, with Smokey on your tail.

Every song on Omens can be enjoyed on its own merits, but as a whole plays as a genuine compendium that the listener can enjoy from start to finish.  I knew Desert Storm were good, but I didn’t expect them to have grown so much.  Or deliver a new album with so much scope.  Here’s a British band that could step up into national – and then international – consciousness.  They just need your support.  Do it.  I’m off to buy the vinyl version.

Talking about deserts – did I tell you about that infamous escapade on one of my legendary soul-searching soirees into the Mojave?  I crept into my usual cave to seek shelter, only to encounter Jim bloody Morrison hogging it.   He was out of his gourd on peyote and mumbling about Aldous Huxley or some such.  There was no way I could meditate with that loon around, so I threw him out.  Break through that to the other side, Jimbo!  My Yaqui shaman and I needed the space to contact Atlantis.

STOP PRESS: Putting my money where my mouth is, I stumped up hard earned cash for a vinyl copy of this album.  I am very glad that I did!

Find Desert Storm on Facebook.

Buy their stuff on Bandcamp.

Find the band on Twitter and Instagram.

For APF records, check out their expertly crafted website here.

Ir find them on Facebook and Bandcamp, you won;t regret it.

Helligators – Hell III Album Review

Helligators – Hell III

Sliptrick Records/Grand Sounds Promotion

Release date: 04/06/2019

Running Time: 1 hour

Review by: Alun Jones

8.5/10

 

Listening to Hell III – the new Helligators release – and you can almost smell the Cajun cookin’ and moonshine brewing.  This is greasy, crazy biker rock from the southern states.  No doubt Helligators have fine-tuned their art in a roadhouse shack just off some dusty highway, the sounds of the bayou just inches away.  The heat and the trees, the swamp and the…

What?  They’re from where?  Like Rome, Florida or something?  What, actual Rome?  In Italy?  Oh.  Well ya could’a fooled me!

Yes, Helligators are from Rome, Italy – though my first listen to this album had me thinking of something far more Corrosion of Conformity in origin.  Hell III is powerful, dirty hard rock with just a hint of a stoner metal, big melodies and southern charm.  But not southern USA charm, apparently…

Anyway, this third album from the band blows the doors off with the huge, raucous rampage of “Rebellion” – a great start to the album.  It reeks of attitude and speeds out of the gates in a Motorhead fashion.

Following tracks “Here to Stay” and “Bleeding” apply the brakes slightly, but are just as crushingly relentless.  This is big chunky guitar territory, guitars courtesy of Kamo and El Santo are head bangingly infectious and also intricate when called for.

There’s a definite change of pace with the almost bluesy “Where I Belong” – but by Jupiter, the chorus is monstrous. The skilled vocals of Simone “Dude” have a versatility that keep everything together and has class enough to avoid a parmesan power ballad stench.

Helligators are certainly stretching their creativity with this album.  “The Prison (Confession Pt 1)” and “Gone (Confession Pt 2)” demonstrate an ability to develop an epic suite of music.  Meanwhile, the instrumental “Bassthard Session” also shows the rhythm section – Alex (drums) and Pinna (Bass) to full effect.

But it’s the fast, super charged rock’n’roll of total bangers like “Born Again” and “Pedal to the Metal” that are the great prize here.  Hard rock that’s loud and fun – Helligators came, saw and conquered all.

Did I tell you about the time I was in Italy with Ozzy, on tour in 81?  I took him and the band to a restaurant after the gig for some quality Italian grub.  Ozzy was off his tits and thought the spaghetti was worms, and tried to snort them.  It ended with food everywhere and Ozzy pissing up the walls.  I had a right job apologising to the manager and sorting everything out.  Ozzy – lovely bloke; absolute liability.

Helligators website is here.

Helligators YouTube site is here.

Visit Helligators on the Sliptrick Records site here.

This review originally on the Ever Metal website – don’t forget to pay them a visit!

Obey – Swallow the Sun Album Review

Obey – Swallow the Sun

Self-released, Enso Music Management

Release date: 05/04/2019

Running Time: 37 mins

Review by: Alun Jones

8.5/10

 

OBEY!  CONSUME!  CONFORM!  Have you seen John Carpenter’s masterpiece of paranoid sci-fi, “They Live”?  It’s out standing.  Rowdy Roddy Piper puts on some special sunglasses and is able to see the aliens living amongst us, brainwashing and controlling society.  With the constant subliminal media messages exposed, Rod and his mates attempt to destroy the conspiracy and free the human race from subjugation.

I don’t know if Obey – the band – have ever seen this awesome movie, but these guys have definitely (to paraphrase Roddy) come here to chew bubblegum and kick ass…  And they’re all out of bubblegum.

“Swallow the Sun” is the fourth album from Obey and it doesn’t disappoint.  The listener gets more thunderous, rhythmic riffing that bridges across hard rock and metal, courtesy of Steve Pickin (guitar/vocals), Dan Ryder (guitar/bass) and Ryan Gillespie (Drums).  Add in a progressive, exploratory approach that’s open to wide influences, and what we have here is an album full of ideas that constantly reveals new depths with repeated listens.

Take bombastic opening track “Back Home”: it starts out in familiar crunching guitar riff territory, but unleashes a huge chorus that’s catchier than Velcro underpants.  I wasn’t convinced on first listen, but this melody works so hard that despite being a surprise it’s a winner.

“Drive” offers more of the brutal riffing that Obey are known for, but with lush, melodic moments – not to mention a total classic rock lead.

Midway through the album is “Esmeralda and the Dam Blues”, a track that begins with a mellower, supernatural sound – giving way to a massive, chunky chorus.  These songs are extremely well constructed, taking the listener on a stellar journey that’s refreshing and far from obvious cliché.

Some of Obey’s influences appear to froth to the surface with the album’s title track, which has a feel of Mastodon about it.  Mix in some vintage Prong rifferama and the melodic tendencies of Alice in Chains and you’re a tiny step closer to understanding which star system the planet Obey revolves in.

Obey’s ability to meld face smashing heavy with unexpectedly tuneful moments gives this album it’s unique identity.  “Swallow the Sun” is the kind of album that you can rock out to (can’t wait to see these guys live again), or take your time and listen on headphones to savour the detail.

If anything, I’d like to see further experimentation from Obey as the band grows.  “Star Crusher” is an obscenely huge yet groovy COC style track, but sadly lasts less than a minute.  More experimentation with different interludes and variations of pace and intensity can only add more colour to their cosmic palate.

There’s very little to grumble about with “Swallow the Sun” though.  What we have is an intricately created collection of songs with maximum power and thoughtful embellishments.  Obey are a British band with real talent and ambition – check them out and lend them your support.

And beware of those ugly, skull faced aliens.  They want to keep you in line and be part of the system.  Get yourself some sunglasses and see what’s going on.  Open your eyes and fight!

This review appeared on the Ever Metal website and is reproduced here for your enjoyment.  Click here to visit the Ever Metal website.

www.facebook.com/obeyuk
www.youtube.com/obeyuk
www.instagram.com/obey_ bandpage
obeyuk.bandcamp.com 

Platinum Al’s Top 10 Rock/Metal Albums of 2018

2018 was a great year for music.  So much so, that I struggled condensing all those tasty new tunes into a top ten – and I’m still not sure I’ve got it right.  There are several other albums that could have featured in an annual top ten, but for reason or other didn’t make the cut.

Anyway, those cool folks at Ever Metal asked me to put together a list of my ten favourite rock and metal releases for the year.  I did so, Ever Metal posted it, and I thought I’d share with my Virtual Hot tub readers too.

So here we go, in reverse order:

  1. Ghost – “Prequelle”
  2. Gama Bomb – “Speed Between the Lines”
  3. Orange Goblin – “The Wolf Bites Back”
  4. Earthless – “Black Heaven”
  5. 1968 – “Ballads of the Godless”
  6. Uncle Acid & The Deadbeats – “Wasteland”
  7. Monster Magnet – “Mindfucker”
  8. Corrosion of Conformity – “No Cross No Crown”
  9. Fu Manchu – “Clone of the Universe”
  10. Clutch – “Book of Bad Decisions”

Hope you did a Smashy and Nicey voice in your head whilst you counted that down.

Some classic albums there, in my opinion at least.  Honorable mentions are due for Sleep, High on Fire and Satan’s Satyrs (amongst others) who just missed out.  Who knows, next week I might have changed my mind.

Finally, a big thanks to the Ever Metal team for having me on board.  It’s a real honour to be part of the team, and writing for the site has been one of my highlights of last year. Here’s to contributing more in 2019.  Cheers!

Visit the Ever Metal site here and check out some cool music!

Gym Playlist #1

Have you been hitting the gym since the start of the year?  Punishing yourself with cardio and weights as you fight to shed those extra pounds that attached themselves limpet-like over the festive season?

I’ve been slaughtering the gym since the start of the year, but then I always do.  Not that it seems to do any good.

Whilst I’m there, pummelling away at the flab in a vain attempt to get in shape, I need some tunes to motivate me.  The music in the gym is usually dancey disco stuff, which is fine if you’re dancing, but when I’m working out I need something a bit more aggressive.

Albums by various bands get a regular spin, but I also made this iPod playlist to help me focus like a Viking ransacking a monastery.  Sometimes I’m so amped I feel like I could run through the wall, rather than just plodding on the treadmill.

You could do worse than to listen to this cacophony yourself.

  1. Rocket From The Crypt – “Pushed”
  2. Audioslave – “Cochise”
  3. Big Chief – “Lion’s Mouth”
  4. Metallica – “Die Die My Darling”
  5. Foo Fighters – “The Pretender”
  6. Rage Against the Machine – “Guerrilla Radio”
  7. Anthrax – “Only”
  8. Corrosion of Conformity – “Heaven’s Not Overflowing”
  9. Pantera – “Fucking Hostile”
  10. The Cult – “Rise”
  11. Probot – “Shake Your Blood”
  12. Suicidal Tendencies – “War Inside My Head”
  13. Beastie Boys – “Sabotage”

There you go: 47 minutes of energetic, in your face music to psyche you up and get you in the mood to destroy. GO!!!

1968 – Gig Review

1968

Friday 12th May 2017

Telfords Warehouse, Chester

The road to Telfords Warehouse was littered with walking corpses, stumbling clumsily with clothes falling from their limbs.  The zombified masses were yet again evacuating Chester Races, bumbling along in a drunken stupor.  I was on my way to Telfords to witness something far more intriguing – local band 1968 playing live, in a safe haven away from the riders of the apocalypse outside.

Telfords Warehouse is always a great place to visit, though it’s not famed for showcasing music like we were looking forward to tonight.  I’ve enjoyed music from other genres at the venue, but it was good to be expecting some noisy rock.  I met up with old buddy Dan and waited for the sonic attack to begin.

As you’d expect with a name like 1968, this band has Sabbath, Mountain, Blue Cheer and others of that ilk in their DNA.  It’s heavy, stoner rock with a reverence for the originals, proudly worn on their sleeves like old sewn on patches.  The bass chugs, the drums pound, the guitars wail and the vocals soar – all classic stuff.

It’s not just about the originators in this sonic stew though.  I could hear hints of epic Soundgarden, crunchy Kyuss riffs and even some COC style southern groove.

Enough of the band comparisons.  1968 are taking their influences and weaving new landscapes, using their own talents to create something energetic and new.  The band present a crushing presence on stage, performing their material with a killer confidence.

There’s even a progressive, experimental edge to some songs, with short instrumental sections lowering the volume and creating a mellower vibe.  If anything, I’d like to hear more of this develop in the songs – if only to provide a psychedlic contrast before the guitars thunder in again.

Any race goers who had wandered into Telfords soon left, slain by the merciless onslaught of 1968.  A superb band, I can’t wait to see them live again.  They have the riffs, the power and the vision to take them far.

It’s 1968.  The revolution is now.

Visit the 1968 Bandcamp page and download their awesome “Fortuna Havana” EP here.

1968 are on Facebook here.

The Telfords Warehouse website is here. 

Vinylicious – Chester Vinyl Night #2

Vinylicious

The Lock Keeper, Chester

Friday 18th November 2016

And lo, for the second Vinyl Night in Chester, a name was bestowed upon the event: Vinylicious.

The Lock Keeper pub graciously invited the gang back for a second round of Bring Your Own Vinyl Night, held again in their upstairs function room.  The concept remained unchanged: bring along some records; play a 15 minute set; have a few drinkies.  As always, it was VINYL ONLY.

This time my set ran like this:

Dead Kennedys – Holiday in Cambodia

Just like last time, I messed up my first song.  I’d intended to play “California Uber Alles”, but neglected to check the running order on the sleeve.  Preferring to go from memory, I cued up “Holiday in Cambodia” by mistake.  As previous, this was no major catastrophe – both songs are brilliant (I just felt my original choice fitted better with my loose theme).  This fantastic piece of US punk can be found on the essential “Fresh Fruit for Rotting Vegetables” album, and if you don’t own it – you should.

Rage Against the Machine – Know Your Enemy

It wasn’t easy to pick just one song from the classic first RATM album.  I chose “Know Your Enemy” as it both fit the theme and rocks like a bastard.  I love all of the Rage Against the Machine albums, but the first one is legendary.  This song has a full fat riff; pounding rhythm; and aggressive lyrics.  Perfect.  Some mad guitar effects from Tom Morello too.

Public Enemy – Prophets of Rage

A nice link from RATM to PE: Prophets of Rage is the name of the new group featuring members of both (along with B-Real from Cypress Hill).  Plus this track, taken from the total master piece that is “It Takes a Nation of Millions to Hold Us Back”, is a total monster.  Chuck D rhymes with cool style over a hard beat, creating a song that is infectious and immediate.  Indispensable hip hop.

Corrosion of Conformity – Shallow Ground/Vote with a Bullet

Yes, I was a bit cheeky and played two songs!   I figured, what the hell.  Both tracks are from the fantastic “Blind” album, that announced the steady rise of COC to the top of the 90’s metal scene.  “Shallow Ground” is a really nice mellow number, quite uncharacteristic and providing contrast to the other album tracks.  It lulls the listener into a false sense of security…  The next track, “Vote with a Bullet”, is one of the greatest heavy riffs of all time.  It’s incessant and pounding, sounding like Thor’s hammer smashing a mountain to pieces.  Absolutely love it!

Did you guess the “loose” theme?  Well, with the shock result of the US presidential election, I couldn’t resist some aggressive politically driven tunes.  Nothing direct, but still to the point.

How did the night go?  Well there were plenty of punters who turned up to spin their records, about the same as last time.  However overall numbers were down, a huge disappointment considering the extensive promotion that was utilised.

The guys will regroup in the New Year and look at how to build this event bigger and better.  Vinylicious was still a great night though, some classic tunes were played.  Till next time, vinyl lovers!

The Chester Vinyl Night has a Facebook page, click here.

You can also find The Lock Keeper on Facebook hereunnamed

Download Festival

DL2015

Sunday 14th June 2015

Over the years I’ve been to Reading, Leeds and Rewind Festivals – even Chester Rocks.  Though I’ve never been to a full on outdoors Hard Rock/Metal festival, much to my regret.  Thus when the opportunity arose to get my rockin’ self to Download, the epicentre of all heavy rock fests, I seized the chance with gloved fist.  And then did the devil horn salute.

Due to time and financial constraints, it would only be a one day escapade with my buddies Ben the Swede and Coben.  Sadly this would mean missing such favourites as Faith No More, Clutch, Judas Priest, COC and many more.  But never mind – the gods of rock threw down their gauntlet and we would charge into the melee.

After a right old slog from the car to the main gates, we eventually entered the stadium like gladiators – ready for the first spectacle of the day.  The first band we saw were Tremonti, who I’d never heard of before.  Halfway through their set, the band were actually heavier than I thought and I enjoyed what I heard.  Worth further investigation.

At this point the heavens opened and the rain poured.  No matter – we were already making our way to the third stage to catch a “secret” set from The Darkness.  It was packed – everyone had the same idea, or at least decided this was better than drowning.  The set began with a monstrous riff that went on forever and did a good job of pumping the crowd up.  This intro enabled singer Justin Hawkins to make his way from the back to the stage, in true over the top style.  The Darkness then delivered a raucous set that roared at the sky – opener “Barbarian” accompanied by a load of Vikings on stage was great.  The hit singles “Growing on Me” and closer “I Believe in a Ting Called Love” were real crowd pleasers.  “Black Shuck” was my personal favourite, in a set that became the first true event of the day.  Not a secret, but surprisingly good. 2015-06-14 16.51.05

The next event was witnessing one of my all time heroes, the one and only Mr Billy Idol, live in concert for the first time.  I’ve been a fan of Billy for years.  In all honesty, many of his songs are too pop for this audience; so hits like “Hot in the City” and “Catch My Fall” (both personal faves) are sadly omitted.  However, with old pal Steve Stevens providing the guitar onslaught there’s plenty of rock to be had.  “Dancing with Myself”, “White Wedding” and “Rebel Yell” all provide quality entertainment and I have to admit that I was thrilled to see this old warrior in action.  A great warm up for the rest of the evening.

Now with four stages and dozens of acts spread across the Download field, the only down side is making tough choices on who to watch if bands clash.  Especially as “a quick trip across the field” becomes a gruelling endurance test when it’s uphill in a muddy hell.  The first major casualty of the day was Eagles of Death Metal, whom I love dearly and have never seen live.

2015-06-14 17.19.04But I made a choice to see L7 instead of Slash, and boy am I glad I did.  Recently reformed, the four grungettes of L7 played a fantastic set.  The sound was great on the second stage, perhaps because I was closer?  Either way, “Andres”, “Fuel My Fire” and “Shitlist” were truly great.  Though “Everglade” was absolutely bonkers.  The riff that kills!  L7 are heavy!  I smiled a lot.  “Pretend We’re Dead” wasn’t bad either.  Fuck it, band of the day!

I caught the last four and a half songs by Slash.  He was pretty cool, but no L7.  “Anastasia” is a great song, and I have to say that Myles Kennedy has an awesome voice.  “Sweet Child O’ Mine” and “Paradise City” were both better with Kennedy and without Axl’s screeching.  Can I count this as having seen Guns’n’Roses live, as there’s only Axl left in that band?  Why the hell not!

Next up on the main stage was Motley Crue.  I wasn’t a fan of the Crue back in their heyday, other than one or two songs.  I’ve grown to appreciate them over the last fifteen years or so, much like I’ve grown to love Priest and Maiden.  Now on their final tour, the show promised to be big.  Motley Crue didn’t disappoint, delivering a punch in the face set that was one of the best of the day.  They played their cards right, delivering all the hits: “Wildside”, “Primal Scream”, “Dr. Feelgood” and “Shout at the Devil” were superb.  The only less than impressive moment was an unnecessary, but well intentioned, cover of “Anarchy in the UK”. 2015-06-14 20.21.35

There was spectacle in abundance – sexy backing singers in tiny shorts; flames that were hot enough to give me a Hollywood sun tan from a hundred feet away; dear old Vince Neil looking less than svelte.  “Girls Girls Girls” and “Kick Start My Heart” both built the set to a red hot climax.  “Home Sweet Home” was a fitting encore, ending a triumphant appearance.

And so last up we have head-liners Kiss. A band I’ve loved ever since I fist saw adverts for their t-shirts in old 1970’s Marvel comics – though I had no idea if they were rock stars, superheroes, or what.  I’d never seen Kiss before so this was something to look forward to.  Full make up, all the pyro – I was hungry for the experience.

Kiss explode into “Detroit Rock City” and “Deuce” – songs that lesser bands would have saved for the encore.  The show is a visual feast; lights, huge screens, explosions all attack the senses and create Las Vegas in the English Midlands.  I get to hear my two absolute total favourite Kiss songs ever – “I Love It Loud” and “Calling Dr. Love”.  That was me happy right there. 2015-06-14 21.14.07

The Kiss set did wander a little bit though.  Obviously gearing their songs to a heavier crowd, we get three songs in a row from “Creatures of the Night” – their heaviest album.  The songs “Creatures of the Night” and “War Machine” are great, but not top of the Kiss list.  Plus there’s newer numbers “Psycho Circus” and “Hell or Hallelujah” which are just OK.

A little too much solo spot indulgence was my cue to take a comfort break.  On the way back, I dived in to catch Suicidal Tendencies on the smallest stage.  I only saw five songs, but ST were incredible.  “I Shot the Devil” and “War Inside My Head” tore the place apart.  I couldn’t make out all of Mike Muir’s between song banter, but he was fired up and intense as hell.  Hearing “Possessed to Skate” was an unforgettable moment.  Muir dedicated to everyone who skates – thanks Mike – and it took me back to loving ST back in my early skate days.  Absolutely mental punk thrash, I need to see Suicidal Tendencies again.

Returning to the main stage area, I caught the last few Kiss songs and was very impressed with what I’d seen.  Minor gripes aside, it was a privilege to see the band and experience a Kiss show first hand.

So there you have it.  Download 2015 was hampered by bad weather, and a poor layout that abandoned stupid amusement rides in the middle where the bar (and another toilet) should have been.  Yet despite being forced mercilessly to choose between too many bands, I got to see some great rock’n’roll and enjoyed a cool, fun atmosphere.  Oh yeah, and the festival staff were pleasant and friendly.  On the whole a good job.

Corrosion of Conformity Gig Review

Corrosion of Conformity

Saturday 7th March 2015

Manchester Academy 2

I’ve been a Corrosion of Conformity fan for a long time.  Starting with a cassette copy of their hardcore punk/thrash crossover Eye For An Eye back in my early skateboarding days; through their major label success as a stoner metal band; and on.  Never seen them live, though.  Ridiculous, no?

All that was about to change: I decided to get my act together and go see the band in Manchester for their latest tour.  The fact that vocalist/guitarist Pepper Keenan was back fronting the band, completing their Deliverance era line-up, was a nice little sweetener too.

The afternoon got off to a great start when, mere seconds from arriving in the car park next to the Academy, I spotted bass player Mike Dean walking along the road.  I greeted him and wished the band well in a brief, pleasant conversation.  I think I managed to remain cool and not look like a total weirdo.

A few beers were had in the early evening, before we made our way to the venue.  Unfortunately we were in Manchester Academy 2, not the nice big main Academy building.  The Academy 2 is the size of a sports hall and was too small for this band.  People were crammed in tighter than a glam rockers spandex pants; it was not cool.

I only caught the end of the support bands slot, so I will pass judgement on Hang the Bastard at this time. COC

When Corrosion of Conformity hit the stage, there’s a genuine sense of excitement in the (tiny) room.  They open with instrumental “These Shrouded Temples” from the Blind album, before charging into “Senor Limpio” and “King of the Rotten”.  There’s hardly a breather between songs, and minimal banter – it seems COC are on a mission to destroy.  Pepper leads the band confidently, like he’s never been away; whilst Woody throws down a barrage of guitar.

In keeping with the tour theme, there’s a healthy chunk of tracks from the devastating Deliverance album.  This is fine with me.  My sad fanboy credentials mean I love all their output, but Deliverance is the cream of the crop as far as I’m concerned.  A genuine metal/punk/stoner/doom/whatever classic, rated in the same bracket as Volume 4 and Master of Puppets.  “Albatross” and “My Grain” are highlights amongst a head crushing set, though the slower pace of “Seven Days” is my favourite from that era of the evening – forgot how great that song is.

There’s a pinch of tracks from across several albums, with “Long Whip/Big America” shining from Wiseblood.  “Thirteen Angels” (America’s Volume Dealer) and “Paranoid Opioid” (In the Arms of God) also stand out in a set filled with gems.  The band are well rehearsed – Reed’s drums and Mike’s bass sound tight and locked in.

COC return for their encore with “Broken Man”, before launching into the inevitable “Vote With a Bullet”.  This song is still an absolute monster, and is welcomed heartily by the audience.  “Clean My Wounds”, another Deliverance era stormer, finishes the night off with it’s awesome riff.

Despite being crowded in the tiny Manchester Academy 2, it’s a great night.  Corrosion of Conformity perform a powerful set, which I only wish could have been longer.  I got to tick a band off my “must see” list tonight, and I retire with obligatory tour t-shirt a very happy punter.

Another Random Bike Ride Playlist!

A cheeky little playlist from a few weeks back.  You know the score: hit shuffle, see what music provides the soundtrack for my bike ride.  This adventure was around fifteen miles.

  1. GBH – “Do What You Do”
  2. Revolution Mother – “Runaway Train”
  3. The B-52s – “Mesopotamia”
  4. Big Black – “Bad Penny”
  5. Jimmy Sabater – “La Flauta”
  6. Elton John – “Circle of Life”
  7. Big Chief – “Cop Kisser (Mack Fucks Up the Scene at the Freezer)”
  8. Kenny Rogers & The First Edition – “Heed the Call”
  9. Mudhoney – “In My Finest Suit”
  10. Queen – “Bijou”
  11. Machine Head – “Hallowed Be Thy Name”
  12. Ugly Duckling – “Smack”
  13. The Yardbirds – “Evil Hearted You”
  14. Audio Bullys – “Take You There”
  15. Ramones – “Poison Heart”
  16. PJ Harvey – “Down by the Water”
  17. Mikis Theodorakis – “Fragosiriani”
  18. Living Colour – “Ignorance is Bliss”
  19. Slash – “Doctor Alibi”
  20. GangStarr – “You Know My Steez (RMX)”
  21. Kiss – “Comin’ Home”
  22. Corrosion of Conformity – “Loss for Words”
  23. Iggy Pop & The Stooges – “Consolation Prizes”
  24. Public Enemy – “Can’t Truss It”
  25. Revolting Cocks – “Prune Tang”