Tag Archives: virtual hot tub

Syncolima – Move Mountains Album Review

Posted on by
Reply

Syncolima – Move Mountains

Self-released

Release date: 05/09/2025

Running time: 38 mins

Review by: Alun Jones

9/10

OK kids: listen up, and listen up good. There’s a new release from those revved up, lightning charged Derbyshire hell-riders known as Syncolima, and we need to talk business. The three piece, consisting of Josh on guitar/vocals, Stoff on bass duties and drums courtesy of he-who-shall-be-known-as Harry, have gone full warp speed ahead and dropped their third full album release. I’ve been checking it out like an eager little monkey and here’s what I have to share.

“Move Mountains” plays to Syncolima’s considerable strengths, and delivers a tasty, chewy platter that’s a step up from previous. Launching with the furious and interestingly titled ‘Gluten Free Toast’, there’s an immediate declaration of Metal intent. Loaded with a sneering disdain, this full-on rocker sets the tone for the album in uncompromising fashion. ‘Shipwrecked’ bounces out of the speakers like a runaway galleon on a stormy sea, and ‘Kill All the Billionaires’ bursts at the seams with obvious contempt. If they put this song title on a t-shirt, I’ll be front of the queue for one.

Aggression isn’t the only trick in the bag though, as Syncolima nimbly intertwine other shades and shifts in pace. This is particularly evident in what I consider the album highlight, ‘Mistakes Were Made’. Here, the band meld angst driven riffs, mellow sections and a blinding melody. ‘Ouroboros’ also delves into the band’s Grunge influences with an ear friendly marriage of tuneful musicality and chugging Rock.

Syncolima’s exploration of different genres, from groovy Stoner to nasty Metal and on to gritty Grunge helps to elevate their songcraft to higher levels. Rather than cherry pick in an obvious manner, they’re mature and clever enough to absorb influences rather than merely ape them. Which is why songs like ‘The House We Build’ can stand on their own, rather than sound derivative. And it’s why “Move Mountains” is more than a satisfying release, it’s essential. Quality of a very high order.

Check out Syncolima on Facebook, Instagram and Spotify.

This review is brought to you by Platinum Al in association with Ever Metal.

North West Doom Fest III 

Posted on by
Reply

North West Doom Fest III 

10th – 11th April 2026 

G21 at The Saddle, Chester 

And lo, there shall come a time when the barbarians shall storm the gates of the fortress city, and congregate within its ancient walls in search of enlightenment.  Great would be the merry making, for the barbarians will come not with weapons of war, but with musical instruments and tales of hard-won valour.   

That time came, and it was known as:  North West Doom Fest III. 

Yes, after the runaway success of previous events, Chester’s premier/only Rock pub The Saddle was host to another weekend of the heaviest, the Doomiest, the Sludgiest of bands from around the UK.  Such was the demand, the event was sold out well in advance.  Personally, I was really looking forward to NWD Fest and very thankful to be there! 

Friday 10th April 2026 

The first band of the entire weekend was Ghozer, who are a four piece band from the Midlands.  Sadly, they don’t appear to be Ghostbusters fans, as that Gozer is spelt differently.  They are, however, a mighty and hugely impressive Alternative Metal band, with solid, catchy riffs and crazy, psychedelic lead guitar working nimbly through captivating, proggy epics.  They reminded me of a sludgy High On Fire with wild Hendrix lead.  A perfect start to the weekend, I was massively impressed.    

https://www.facebook.com/GhozerUK

Up next were Bristol’s Froglord, one of my personal favourites and a band I was excited to see again.  I’d seen these guys previously at the same venue, for the Warlockhunt album launch gig.  I immediately fell in love with their swampy, psyche Doom with its perfect riffs and incessant grooves.  Froglord really put on a show too, there’s nothing in their approach that hasn’t been meticulously prepared – swamp noises between songs?  Masks?  These amphibious Dark Masters are a true revelation, and I seriously urge readers to check them out soon! 

https://www.facebook.com/Froglordband

Friday night’s headliners were Cardiff based Atmospheric Doom band, Pantheist.  This band enraptured the audience with an almost symphonic take on Doom, complete with ethereal, operatic female vocals.  They’re obviously exquisite musicians and put on a great performance.  However, it was too symphonic and operatic for my tastes – like Katherine Jenkins singing along to Ghost in her bedroom.  What do I know, though?!  Everyone else – and I mean absolutely everyone else – loved Pantheist, so you should ignore me and check them out. 

https://www.facebook.com/Pantheistuk

Saturday 11th April 2026 

Some of us kind of over did it on Friday night, socialising with other North West Doom Fest attendees and enjoying the karaoke in the main bar of the Saddle.  Well, it was Frank’s (from North East Wales Metal Productions) birthday, so no excuses needed.  Happily, I managed to make it back for the start of Day Two of the fest on time and with no trouble, which is highly unusual. 

Warming things up for Day Two were Warlockhunt, festival organisers Mark and Lorraine’s Doom Pop band.  Their dual lead bass sound was now augmented with a new drummer, who had the unenviable task of filling out the sound with apocalyptic, post punk tribal rhythms.  Drums are front and centre in this band, right up there with the bass and dreamy vocals – so there’s nowhere to hide.  The sound was meticulous, no need to worry – an accomplished start to the day’s proceedings. 

https://www.facebook.com/warlockhunt/?locale=en_GB

One of the amazing things about this festival is the sheer variety of music evident within the genre of Doom.  Cruel Mother was a great example: they looked at first like people LARPing Robin of Sherwood, but they delivered a magnificent set of Doom based on Olde English (and Scottish) folk songs.  Brilliantly performed and utterly captivating.  I would’ve loved a lyric sheet to read along and explore the stories and themes!  They’re London based, if Cruel Mother are playing near you – go see them and enjoy the magick.  The outfits were cool, by the way. 

https://cruelmother.bandcamp.com/music

Helve were up next – a five piece from Leeds who unleashed a set of very heavy, sludgy Doom metal.  The performance was intense and unforgiving, with harsh, growled vocals over crushing riffs and huge soundscapes.  They reminded me a little of last year’s headliners (and one of my fanboy faves), Son of Boar.  Absolutely no complaints from me, a winning set from a great band. 

https://www.facebook.com/Helveband

I had no expectations at all regarding Sleeping Mountain, and so I was very pleasantly surprised to witness a superb band that I can add to the favourites list!  They’re a three piece, London based, and extremely effective at creating enormous Stoner Rock grooves with psychedelic and progressive overtones.  There’s some classic 70s inspiration here, with a foot planted firmly in the now, as well.  Like a grinding, cinematic early Monster Magnet.  I loved them, and made sure I picked up a copy of their excellent self-titled album on vinyl. 

https://www.facebook.com/sleepingmountainband

When Goat Major were announced on this bill, I practically shit my shoes off in excitement.  I’m already a massive fan, having reviewed their debut album, “Ritual”, for Ever Metal a while back – awarding it a solid 9/10 score.  Getting the chance to see them live was a big draw for me in attending NW Doom Fest.  And Goat Major did not disappoint, their awesome Occult Doom dripped thunderous and powerful riffage with eerie, spectral undercurrents.  Absolutely unmissable and a true highlight of the weekend! 

https://www.facebook.com/goatmajorband/?locale=en_GB

And then we had Goblin Smoker, another band I was really enthused to experience firsthand!  With releases on Sludgelord and APF Records, these guys have a quality pedigree.  Their music is classic Sabbath based Doom, with raspy, Death Metal vocals that set them apart from other bands this weekend.  This was an epic, brutalising set, taking the intensity of Death Metal into slower and fuzzier realms.  I’m just glad I was there. 

https://www.facebook.com/Goblinsmoker

Mage are a band I’ve seen live previously, they played Pentre Fest a while back.  They were amazing last time I saw them and they were even better this time around.  Seriously, Mage are the perfect Stoner/Doom Metal band, as far as I’m concerned: they cover it all, from in-you-face rockers to tripped out psyche-athons.  They remind me of a British Corrosion of Conformity, and I can think of no higher praise than that.  Their performance was riveting, even in the restricted space of the G21.  If you’re not following this band like a hungry dog, you need to be. 

https://www.facebook.com/Mageband/?locale=en_GB

And finally, then – our Saturday headliners, Old Horn Tooth: a three piece proudly representing the London Doom Collective.  Musically, this power trio deliver slow and heavy yet mesmerising Doom metal, unhurried in their approach they create something not far removed from a soundtrack to a supernatural, occult thriller.  When the riffs crash in, they are utterly devastating – and the whole experience is pulverising, yet hypnotic.  Thrilling stuff and a fitting end to a weekend of pure, definitive Doom Metal.    

https://www.facebook.com/oldhorntooth/?locale=en_GB

Well done to Lorraine and Mark, and thanks to the staff of G21/The Saddle for a spectacular festival.  There’s a one dayer planned for this summer, so keep your eyes peeled – otherwise, I’ll see you at Noth West Doom Fest IV!   

https://www.facebook.com/Thesaddleinnchester/?locale=en_GB           

Singles Night at the Virtual Hot Tub #42

Posted on by
Reply

KABOOM! ZAP! POW! If you thought that was exciting, just wait till you read this latest Singles Night vinyl playlist! Yes indeed, Platinum Al’s Virtual Hot Tub is ready to blow the roof off with another evening of 7 inch singles.

Wait, you have questions? I can explain. Singles Night involves playing through a stack of as yet unplayed 45 rpm discs, of any genre, and just going along with whatever happens. There can be anything in here, good or bad, so just go with the flow.

Pour yourself a drink and let’s get started:

  1. Nirvana – “Smells Like Teen Spirit” / “Drain You”
  2. Simon & Garfunkel – “Bridge Over Troubled Water” / “Keep the Customer Satisfied”
  3. Dave Rose & His Orchestra – “The Stripper” / “Ebb Tide”
  4. Creedence Clearwater Revival – “Travellin’ Band” / “Who’ll Stop the Rain”
  5. The Rolling Stones – “Paint It, Black” / “Long Long While”
  6. Nirvana – “Come As You Are” / “Endless Nameless”
  7. The Troggs – “Night of the Long Grass” / “Girl in Black”
  8. Ramones – “Baby I Love You” / “High Risk Insurance”
  9. Buzzcocks – “Everybody’s Happy Nowadays” / “Why Can’t I Touch It?”
  10. The Sweet – “Blockbuster!” / “Need a Lot of Lovin'”
  11. Squeeze – “Up the Junction” / “It’s So Dirty”
  12. Debbie Harry – “Backfired” / “Military Rap”
  13. Twisted Sister – “You Can’t Stop Rock’n’Roll” / “Let The Good Times Roll” / “Feel So Fine”
  14. Rose Tattoo – “Rock’n’Roll Outlaw” / “Remedy”
  15. Doug E Fresh & The Get Fresh Crew – “The Show (Edit)” / “La Di Da Di”
  16. Kerbdog – “Dummy Crusher” / “Too Much Too Young”
  17. Reef – “Weird” / “Acoustic One”
  18. Skids – “The Saints Are Coming” / “Of One Skin” / “Night and Day” / “Confusion”
  19. U2 – “The Fly” / “Alex Descends Into Hell for a Bottle of Milk/Korova”
  20. Generation X – “Valley of the Dolls” / “Shakin’ All Over”
  21. Joan Jett Interview Disc

And what a mighty fine playlist that is! A really fun night with some top quality tunes from various genres and decades. Quite a few punk rock/new wave classics throughout that list, with a generous helping of rock’n’roll and more too. Sixties classics, glam rock, Hip Hop, 90’s alternative rock – one of the best nights yet.

More Singles Nights coming soon, stay tuned!

Notes:

Two Nirvana singles were recent finds (at a very good price) – unfortunately, I didn’t pick these up back n the day. Best of all, the “Come As You Are” B-side, “Endless Nameless”, was a hidden track on some random CD versions of ‘Nevermind’ only. My original vinyl copy of that album didn’t have it, obviously, though the CD I bought later did. Now I have it on vinyl at last.

Yes, that Dave Rose track is the classic “Stripper” theme, so that makes an interesting addition to the collection…

The Reef and Generation X singles are both coloured vinyl. Meanwhile, the 21st record is an interview picture disc with Joan Jett, no music. Gotta love Joan.

STYLE: The Aquabats Outfit

Posted on by
Reply

STYLE. It is for the bold. Never be afraid to be different when it comes to STYLE.

We return to the world of STYLE with what is a work in progress. If you’re up to date with everything at Platinum Al’s Virtual Hot Tub, you’ll have seen my review last week of The Aquabats gig I went to in Wrexham. At this gig, I picked up some awesome merch that has enabled me to follow a path long desired.

But first: a brief re-cap. The Aquabats, for anyone not familiar, are a musical punk/ska band from California. And yet they are more than this: they are also superpowered crimefighters, dedicated to saving the world from the dastardly deeds of villains such as ManAnt, Uberchaun and Cobra Man. Their TV programme, The Aquabats! Super Show is a crazy, funny and absurd masterpiece and Platinum Al has become a huge fan.

To join the ranks of The Aquabats, at the gig I purchased an Anti-Negativity Helmet and goggles. They weren’t cheap, but are worth every penny. I’m now working on acquiring an official blue rash guard (that’s the top, kids) to complete my outfit. Soon I aim to be the clad in full Aquabat uniform.

STYLE: it’s what you make it.

The Donnas – The Atlantic Years 2002 –2005 Album Review

Posted on by
Reply

The Donnas – The Atlantic Years 2002 –2005 

Cherry Red Records 

Release date: 30/05/2025 

Running time: Well it’s 3 CDs of Rock’n’Roll goodness, so it’s good vfm 

Review by: Alun Jones 

9/10 

Hey all you Rock’n’Rollers, you are in for a well deserved treat!  Cherry Red records have compiled all of the output from legendary Bad Girls of Rock, The Donnas, into one neat and sweet boxed set.  Between 2002 and 2005, The Donnas were signed to major label Atlantic, and their star was on the rise like a comet – the label marketing the band in movies, games ad infinitum.  Surely The Donnas would conquer the world? 

The first disc in the set covers the absolute must-have “Spend the Night” album.  Take it from me, “Spend the Night” is a total Rock’n’Roll classic – one of the greatest guitar Rock albums of the 21st century.  The perfect collision of supersonic, Ramones and Runaways pop punk power with AC/DC riffology – this is a 10 out of 10 timeless wonder that anyone who loves Rock’n’Roll should treasure.   

I mean. ‘It’s on the Rocks’, ‘Take it off’, ‘Who Inviited You’ – the rockin’ starts and it just doesn’t stop.  And when you’re invited to a Donnas shindig, you’d better be prepared – these girls know how to party.  With songs about drinking, partying, staying up all night and peer group alienation, The Donnas are total, unfiltered ROCK STARS.  There’s not a bad song here, it’s diamond class all the way, cheekily witty lyrics included.  Two bonus tracks add to the fun, and with songs like “Too Bad About Your Girl” you’re gonna annoy the hell out of the neighbours till ‘5 O’clock in the Morning’! 

Hopes were high for the follow up album, “Gold Medal”, but sadly this doesn’t quite hit the same heights.  The sound was augmented with acoustic guitars and a wider ranging approach to songwriting, which is to be applauded.  For the most part this works well, and nothing has changed that much really.  Overall, the thrill isn’t quite the same, however. 

With songs like ‘I Don’t Want to Know (If You Don’t Want Me)’ and ‘Don’t Break Me Down’ we’re in familiar Donnas territory, and the lyrics are sharpened up and more mature.  ‘Fall Behind Me’ is the justifiable stand out song here, rolling along as The Donnas snarl defiantly in what is one of the best songs in the entire compilation.  With a bonus track tagged on, it’s a solid collection – but it’s a house-trained version of its predecessor. 

Disc 3 cobbles together everything else that was left in the Atlantic catacombs.  There’s a handful of great but not excellent unreleased tracks, some acoustic versions of songs from “Gold Medal”, a batch of pretty bloody electrifying live tracks and a fun cover of Billy Idol’s ‘Dancing With Myself’.  Nothing completely indispensable, but a fine way to complete the collection for the die hards. 

And that’s about it for The Donnas.  They released one more album – “Bitchin’” – on their own label, and called it a day.  The Donnas will never reform.  They’ve all moved on to other things.  But for a short while in the early part of this century, they were perfection.  This release testifies to that.  If nothing else, you need “Spend the Night” – you’ll never party the same without it.  You’ll love it, like I do, and you’ll want as much other music by The Donnas as you can find.  Start here. 

Find out more about The Donnas on Facebook, YouTube, Instagram and Spotify.

This review is brought to you by Platinum Al in association with Ever Metal.

Singles Night at the Virtual Hot Tub #41

Posted on by
Reply

What’s that I hear? Those loyal Hot Tubbers have been going ape for my Singles Night vinyl playlists? They want more, more, MORE?! Then it shall be so, my friends! With great humility I shall acquiesce to your rabid response – here we go again for another Singles Night at the Virtual Hot Tub!

For the stragglers at the back, this playlist includes a bunch of 45 rpm singles that have ended up in my treasured collection. I spend an evening playing them – both sides – and with the aid of a little alcohol, have a fine old time.

Join me again for another evening enjoying playing 7 inch records of all genres…

  1. The Kinks – “Dead End Street” / “Big Black Snake”
  2. The Steve Miller Band – “Abracadabra” / “Never Say No”
  3. Status Quo – “What You’re Proposing” / “A. B. Blues”
  4. Prince – “When Doves Cry” / “17 Days”
  5. Madness – “Grey Day” / “Memories”
  6. Kate Robbins – “The Real Me” / “Photo Fit”
  7. Ron Grainer – “Tales of the Unexpected” / “Malice Afterthought”
  8. Belinda Carlisle – “Big Scary Animal” / “Windows of the World”
  9. Bananarama – “Love in the First Degree” / “Mr Sleaze”
  10. Kate Bush – “Wuthering Heights” / “Kite”
  11. Paul McCartney – “Spies Like Us” / “My Carnival”
  12. Buzzcocks – “Orgasm Addict” / “What Ever Happened To?”
  13. The Presidents of the United States of America – “Lump” / “Wake Up”
  14. Ramones – “She’s the One” / “I Wanna Be Sedated”
  15. X-Ray Spex – “Identity” / “Lets Submerge”
  16. Wolfmother – “Dimension”
  17. Horrorpops – “Miss Take” / “Where They Wander”
  18. Captain Sensible – “Glad It’s All Over” / “Damned on 45”
  19. Black Lace – “Agadoo” / “Fiddling”
  20. ABBA – “I Have a Dream” / “Take a Chance On Me (Live)”
  21. The Sweet – “Teenage Rampage” / “Own Up, Take a Look At Yourself”
  22. Bucks Fizz – “One of Those Nights” / “Always Thinking of You”
  23. B. Bumble & The Stingers – “Nut Rocker” / “Bumble Boogie” / “Boogie Woogie”
  24. Bachman Turner Overdrive – “You AIn’t Seen Nothing Yet” / “Free Wheelin'”
  25. Barry White – “You’re the First, the Last, My Everything” / “More Than Anything, You’re My Everything”

Yes, you read that right: Agadoo by Black Lace is now in my vinyl collection. Well, you never know – it might be useful to entertain somebody one day.

Well, I certainly must’ve enjoyed myself on this particular night – 25 songs in one go is a record of a different type. I think. And what a killer collection of tunes! Classic tracks from The Kinks, Quo, Kate Bush and ABBA elevated the playlist nicely. Plus a quality punk rock section with Ramones, Buzzcocks and X-Ray Spex – and some more pop hits from Madness, Barry White and many more.

Enjoy the tunes Hot Tubbers, I won’t keep you waiting long for more!

Notes:

The Wolfmother record is single with a blank B side, which I didn’t realise when I bought it.  The Horrorpops single is a picture disc, as is the POTUSA vinyl. Pretty stylish stuff.

Oh and yes, that’s the legendary theme tune from the Tales of the Unexpected television programme.  Pretty cool to have that.

Stiff Little Fingers – The Singles 1978-1983 Album Review

Posted on by
Reply

Stiff Little Fingers – The Singles 1978-1983 

Cherry Red Records 

Release date: 09/05/2025 

Running time: 30 tracks on 2 CDs, you work it out 

Review by: Alun Jones 

9/10 

Welcome back to Platinum Al’s Punk Rock Corner, here at Ever Metal HQ!  Where yet again, I’ll be taking a detour from our more traditional hard rock/metal path and into the wonderful world of Punk Rock!  This time, a 2 CD collection of classics from Northern Ireland legendary rockers, the one and only Stiff Little Fingers.  These guys should need no introduction, but if you need a place to start, this compendium from Cherry Red Records is a good enough place to begin. 

All of the band’s singles – A side plus B side – between the years 1978 to 1983 are contained herein, and in chronological order, natch.  Thus, we start with the original Rigid Digits recording of ‘Suspect Device’ c/w ‘Wasted Life’ – and what a way to start.  Urgent, in-your-face and literally bounding from the speakers, both songs have a frantic yet melodic purpose with huge choruses.   

Those tracks are followed by another bona fide classic (and possibly their best song?): ‘Alternative Ulster’.  Jake Burns barks out the vocals to make this ode to boredom seem anything but boring.  You’ve probably heard this track before, and if you haven’t you’re a.) in for a right old treat and b.) you’ll swear you HAVE heard it before after just one play, because it’s that flaming good. 

Other blinding tracks on the first disc include ‘Gotta Getaway’, ‘Nobody’s Hero’, ‘At the Edge’ (I’ve got the 7” single of that one!) and of course the furious, growling ‘Straw Dogs’ – the first SLF song I ever heard, fact fans!  The songs are a mighty combination of Punk Rock acidity and catchy choruses, with the odd reggae influence creeping in and adding some variety (such as on ‘Mr Fire Coal Man’).  A couple of the B sides are more for completists – though I admit that the live cover of ‘White Christmas’ gets a habitual playing in my house every festive season.       

Disc 2 blasts out more of the same, starting with ‘Just Fade Away’ with its brutally brilliant melody and rousing pace.  ‘Go For It’ has been the instrumental live intro for SLF for absolute donkey’s years – and it’s another ear tickler that stays in the memory.  Indeed, the second disc shows the Fingers stretching their musical muscles ever further: the reggae swing of ‘Doesn’t Make it Alright’ and ‘Safe As Houses’ are truly irresistible whilst ‘Silver Lining’ boasts a glittering brass section with joyous results. 

Stiff Little Fingers manage to introduce some socio-political subject matter into their material – they did, after all, form at the height of the troubles – but this is only part of the story.  With the usual Punk topics of teenage boredom and frustration, along with some tracks that are just plain old good fun, their songs aren’t preachy – but there is usually a message.       

As Disc 2 progresses, the songs become more accomplished, but not necessarily more commercial.  Certainly not in the vein of “selling out”.  ‘Bits of Kids’ and ‘Touch and Go’ still retain that essential Punk Rock bite, even as the band develop.  That early venom and energy is still discernible, but tempered with a greater grasp of songwriting craftsmanship. 

This singles collection does a fine job of replacing my ancient vinyl copy of “All the Best”, the Stiff Little Fingers comp from the 80’s that covered the same material.  It updates that old album very nicely, with a damn fine inner booklet covering info on all the releases.  Ideal for the completist fans, covering all the essentials, it’s also a handy jumping on point for curious new listeners – though you’re gonna want the studio albums, too! 

Check out Stiff Little Fingers on their website, Facebook, Instagram and Spotify.

This review is brought to you by Platinum Al in association with Ever Metal.

Singles Night at the Virtual Hot Tub #40

Posted on by
Reply

Singles Night! Singles Night! At the Virtual Hot Tub, yeah!!! Yes it’s that time again, hot tubbers – grab yourself a drink and let’s enjoy the latest Singles Night playlist!

If you’re not sure what’s going down, it’s like this: your Old pal Platinum Al has a big pile of unplayed, sexy 7 inch vinyl records – and they need to be played. So we’ll spin ’em, A side then B side, one after the other, and have the rad time while we do it.

Sound like fun? Ok, here we go…

  1. The Stylistics – “You Make Me Feel Brand New” / “Only For The Children”
  2. Scott McKenzie – “San Francisco (Be Sure to Wear Some Flowers in Your Hair)” / “What’s the Difference”
  3. Sylvester – “You Make Me Feel (Mighty Real)” / “Was it Something I Said”
  4. Nik Kershaw – “Don Quixote” / “Don’t Lie”
  5. The Mighty Wah! – “Come Back” / “The Devil in Miss Jones”
  6. Blondie – “Dreaming” / “Sound Asleep”
  7. Bryan Adams – “Can’t Stop This This We Started” / “It’s Only Love (Live)”
  8. Muddy Waters – “Mannish Boy” / “I’m Your Hoochie Coochie Man”
  9. The Creatures – “Mad Eyed Screamer” / “So Unreal” / “But Not Them”
  10. Los Lobos – “La Bamba” / “Charlena”
  11. Kate Robbins – “Run Wild” / “Cassie’s Song”
  12. Kim WIlde – “I Can’t Say Goodbye” / “Sanjazz Megamix”
  13. Crystal Gayle – “When I Dream” / “Someday Soon”
  14. Samantha Fox – “Aim to Win” / “Holding”
  15. Billy Ray Cyrus – “Achy Breaky Heart” / “I’m So Miserable”
  16. Boney M. – “Gotta Go Home” / “El Lute”
  17. Nina Simone – “My Baby Just Cares For Me” / “Love Me or Leave Me”
  18. The Monks – “Nice Legs, Shame About Her Face” / “You’ll Be The Death of Me”
  19. Transvision Vamp – “Baby I Don’t Care” / “Time For Change” / “Strings of My Heart”
  20. Sinitta – “love on a Mountain Top” / “Don’t Tell Me Not to Cry”
  21. The Alarm – “Unsafe Building” / “Up For Murder”

Now that’s a pretty eclectic playlist. Covering all manner of genres from pop, soul/disco, rock, punk, country, blues and more.

The absolute cream of the crop is the Muddy Waters single – “Mannish Boy” is one of the greatest songs ever written. This version came from a late 80s Levis commercial, always a handy way to pick up reissued classic songs. Similar with the equally awesome Nina Simone record.

The Stylistics are one of my Dad’s favourite bands and something I grew up with. Any Disco records on these lists are a result of upbringing

Sinitta crops up again, due to the fact that I always had a crush on her. Likewise Sam Fox, Kim Wilde and Crystal Gayle and of course Debbie Harry. Though I never fancied Wendy James of Transvision Vamp. Good track, though.

No absolute stinkers this time round, either. “Achy Breaky Heart” is a kitsch classic and I love it – stoked to find that one in a charity shop!

And we’re done. Another pile of 45 rpm goodies played – stay tuned for more, very soon!

Master Charger – Posthumous Resurrection Album Review

Posted on by
Reply

Master Charger – Posthumous Resurrection 

Octopus Rising/Argonauta Records 

Release date: 02/05/2025 

Running time: 55 mins approx 

Review by: Alun Jones 

9/10 

This is a tough review to write.  It’s tough, because I need to write around 400 words about this release – but all I need to say, really, is something like “do not miss this awesome new album by Master Charger, it’s great”.  There’s nothing else that needs to be said.  So, let’s see if I can pad that out for another few hundred words, shall we? 

Yes indeed, the new release from Midlands, UK based Doom Lords, the one and only Master Charger.  I’ve been anxiously waiting for this to drop, as I became a convert to their cause when I saw these filth hounds live at Pentre Fest a while back.  Superb band.  An unholy amalgamation of Sludgey Doom and fuzzy Stoner with a heart-warming affection for Blues based Rock’n’Roll, I’m proud to wear the T-shirt and be an advocate for this three-piece from hell. 

We start with the rumbling, echoey drums of ‘Thy Kingdom Polluted’, which is quickly adorned by dirty, fuzzy guitars and trippy wah-wah lead.  The riifs have groove and it’s easy to get dragged along and nod that head.  ‘Only My Eyes See, Empires Rust’ follows this with a colossal doom riff that fries your brain, then it’s off on a ten minute plus odyssey with the title track.  Passing through different sections, this monster is the evil offspring of Sabbath and Cathedral. 

After all that full on Doom Metal savagery, even I could do with a little break.  And that respite is gifted to us in the form of ‘Fallen Angel Painted Doll’, an instrumental track that begins with some quite beautiful acoustic guitar.  Starting just like those genius Tony Iommi mellow moments on the early Sabbath albums, though this grows into full band folky ramble complete with harmonica.  Perfect. 

Before long we’re back in real business though: ‘When Hell Rode In’ and ‘Head Into The Sun’ sound like a Satanic ZZ Top jamming Venom songs.  Freaky acid tipped wah-wah heralds the start of ‘The Awakening’, which grows into another filthy groover.  ‘Mass Produced Mass Destroyed’ keeps on bringing the heavy, a brutal track that conjures ideas of both legendary Black bands, Sabbath and Flag. 

Finally, ‘Upon Roads Less Travelled’ cools things down – a short but classy instrumental that is the calm after the storm.  “Posthumous Resurrection” reaches its finale, and what a ride it’s been.  Visceral, muscley Doom Metal with outrageous riffs, thoughtfully composed variations – all the promises are delivered on, tenfold.  The only slight issue here is the lack of a vinyl release, which is patently criminal with an album this good.  But Master Charger have given us a killer album – another one for the end of year Best Of list.  Go buy it, NOW. 

There you go, over 500 words – no problem.  Reviews are easy when the music is this good. 

Check out Master Charger on Facebook, Instagram, Bandcamp and Spotify.

This review is brought to you by Platinum Al in association with Ever Metal.

Platinum Al’s Top 10 Rock & Metal Albums of 2025

Posted on by
Reply

Well 2025 certainly delivered the goods for new music. As in previous years, Ever Metal asked me to compile a list of my Top Ten albums from the worlds of Rock and Metal, so I did. The list has already been published over on EM, but I’ve reproduced it here for anyone who missed it…

You know what?  It would be easier to pick my All Time Top 20 Albums than a Top 10 for the year.  I know I say this every year, but 2025 has been a really strong one for new releases.  Whatever the genre, there have been some beauties.  So here are ten of my favourites, listed from one to ten, but to be honest – the ranking between these exemplary specimens doesn’t mean that much.   

10. Pigs Pigs Pigs Pigs Pigs Pigs Pigs – “Death Hilarious” 

Admittedly, I was late on the bandwagon with this band, but I don’t care.   Pigs x7 dropped this Stoner Metal monster and I shamelessly joined the admiring throng.  “Death Hilarious” is crazy riffage for a good time.  

9. Warlockhunt – “Prey” 

This album of dreamy Doom Pop has been played relentlessly chez moi since its release.  Mournful bass, crashing drums and reflective vocals create an otherworldly tapestry. 

8. Spider Kitten – “The Truth is Caustic to Love” 

A beguiling soundtrack for a strange world, Spider Kitten knit the heaviest of sludgy riffs, avant garde Doom and Spaghetti Western music into something truly original and unforgettable. 

7. Froglord – “Metamorphosis” 

I saw Froglord live and immediately fell in love with their sludgy, amphibious grooves.  “Metamorphosis” is a masterclass in swampy riffage and it has constantly cheered me up since it oozed into my possession. 

6. Syncolima – Move Mountains 

This band go from strength to strength, and their “Move Mountains” album became one of my most played albums of the year.  A full-on Stoner Rock, Grunge and Metal hybrid that always drags you back for another listen. 

5. Black Spiders – “Cvrses” 

Sheffield’s finest returned with another high-speed dose of Rock’n’Roll that might just help me stop missing Motorhead so much.  Awesome fun. 

4. Torso – “Annihilation Day” 

Grindhouse Garage Metal soundtracking an imaginary VHS Video Nasty, Torso deliver another prime slab of horrifying, lo-fi brutality. 

3. King Kraken = “March of the Gods” 

The second album from King Kraken builds on the triumphs of its predecessor, but adds an even tougher, uncompromising Metal edge and daring new textures.

2. Master Charger – “Posthumous Resurrection” 

The absolute Overlords of fuzzy Doom Boogie, Master Charger’s 2025 masterpiece delivers everything that you could ask for, plus more.  Extremely infectious in every good way.  Essential! 

1. 1968 – “Royal Bastards” 

Right from the first spin, I knew this glorious album would be a contender for the best of the year list.  A stunning album that isn’t afraid to branch out in new directions, whilst staying true to the core of what 1968 do.

And there you go, ten superb albums that I’ve loved this year.  Honourable mentions go to Supersuckers, Melvins, Toranaga and Jonathan Hultén for releasing top quality music that nearly made the cut.   

Happy New Year all – here’s to the new sounds of 2026!

Don’t forget to keep visiting Ever Metal – and Platinum Al’s Virtual Hot Tub – for the best music!