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Vault of Halloween Horror Fest

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Welcome back, horror fiends! Let’s take a look at a couple more spooky movies for Halloween Horror Fest…

Vault of Horror (1973)

For our first film tonight, we’ll venture into the Vault of Horror, a portmanteau film from Amicus. Like its predecessor Tales from the Crypt, the five short stories that compose Vault of Horror are inspired by the classic, notorious EC Comics of the same title.

In this movie, we journey to a vampire café, witness an obsessively neat bully get his comeuppance, and see a nasty stage magician mess with forces he should’ve left well alone. Then there’s the tale of an insurance scam gone wrong with the protagonist buried alive, and an impoverished artist resorting to voodoo to enact his revenge.

The stories vary in their effectiveness, but all have a charm and entertainment value. My favourite segment is probably the first, the bistro of the undead – but the last two have the more chilling narrative. Great performances from a cast including Terry-Thomas, Glynis Johns and Tom Baker keep everything on track.

Obviously I’m a huge fan of both the old EC Comics and Amicus films in general, so I enjoyed every second of Vault of Horror. It may be dated, but class like this never goes out of style.

8/10

Rec (2007)

Rec is a Spanish horror movie in the found footage genre. It follows a TV reporter and her cameraman filming a local crew of firefighters, who end up trapped in a residential block. They’re effectively quarantined inside the building with several residents, while an outbreak of some unknown disease starts to spread and the infected attack and kill survivors.

As the situation intensifies, Rec does a fine job of keeping the viewer on the edge, ramping up the scares as we go. The found footage approach works excellently to give a sense of realism and immerses the viewer in the confined surroundings.

Rec was remade in the US (as they do) as Quarantine, though I’ve never seen it. Don’t let the subtitles in this version put you off – if anything, it’s another effective way to make the viewer feel isolated. Like Blair Witch does 28 Days Later, Rec is a harrowing, unnerving film. Rec-ommended! Hahaha!

8/10

Halloween Horror Fest 2026

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Glowing strings of moonlight break softly through the canopy of trees above. The forest is otherwise almost completely dark. The call of an owl rings out through the night as you tread carefully in the shadows, eyes working hard to glimpse something, anything, that seems familiar. You try not to stumble, shuffling slowly to avoid perils littering the forest floor.

And then, from behind you, you hear something. A low, menacing growl…

Don’t worry kids, it’s just another Halloween Horror Fest at Platinum Al’s Virtual Hot tub! You know we dig the spooky movies round here, and every October we dial that appreciation right up with out our own festival of frightful films.

So let’s dive right in with our first film of the year…

Sinners (2025)

Our first film of 2026 is right up to date, with this highly regarded modern take on the vampire legend. Set in the Southern USA in 1932, the film focuses on two twin brothers, ex-gangsters who have retuned to their hometown to set up their own juke joint in the midst of the local black community.

Smoke and Stack (both played brilliantly by Michael B Jordan) gather their friends and family members around them as they work to create their dream. Recruiting staff and noted blues musicians, the venue appears to be on its way to a glorious first night. But they – and the bar patrons – are unaware of a supernatural evil that threatens everything.

Much has been made of the success of Sinners, and it’s not hard to see why. It won four Oscars at the Academy Awards including a well deserved Best Actor for Jordan – it took me a while to realise that the same actor was playing a dual role. And of course it’s highly unusual for a horror film to be recognised in this way, at all.

Sinners is a fantastic movie, that starts slowly and recreates an authentic time and place, before it races off in a very different direction. It is indeed a scary film, but not at the cost of character and world building. Beyond the visceral horror element, other themes of race and culture are explored by writer/director Ryan Coogler, providing the viewer with a pretty unique combination of thrills and food for thought. Oh, and the music – by Ludwig Goransson – is great.

Vampire films never die, they just keep coming back – and Sinners is a modern classic of the genre.

9/10

Confusion Master – Gig Review

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Confusion Master + Endure + Warlockhunt

Tuesday 15th September 2026

G21 at The Saddle, Chester

Luckily for me, I’d already booked the week off work to indulge in some skateboarding and record crate-digging, so a Tuesday night out wasn’t automatically dismissed. Instead of staying in on a school night, I was free for another evening at The Saddle in Chester for some crushingly heavy Doom Metal.

First up were gig organisers Mark and Lorraine and their band Warlockhunt. The new line-up is gelling really well – those post punk, tribal beats both drier and warmer – laying down a crisp foundation for the twin-bass assault. The contrast between sombre melody and the gloomiest, doomiest of bass guitar lines is working better than ever – Warlockhunt seemed confident and overjoyed to be out playing.

Endure were on next, and despite consisting of another trio, this was a very different approach. They created epic, soundtrack-like pieces with the use of keyboards, though the harsh, growled vocals kept them grounded in Metal. I think there were two songs performed (maybe three?), it was hard to tell as the music blended from one to another like one huge, experimental symphony. Occasional furious guitar riffs punctuated the atmosphere, keeping the audience on their toes. Endure gave us cerebral yet brutal music that was fierce and enlightening.

Confusion Master hail from Germany, and are over in the UK on a short tour, spreading their gospel of fuzzed out, sludgy Doom. With songs ranging from mammoth, occult driven skull crushers to faster, nimble rock-outs, the set impressed with its variety of pace and texture. Featuring vocal samples and psychedelic excursions, Confusion Master’s songs cover a number of styles, resembling a mash up of Electric Wizard and Saint Vitus, but drenched in their own grand character.

That was a real treat for a Tuesday school night – all three bands left us feeling that we’d been very lucky to be in attendance. And I hadn’t even done my homework. Told the teacher Cthulhu ate it.

Confusion Master on Facebook.

Endure on Facebook.

Warlockhunt on Facebook.

Bad Earth – Trigger Point Single Review

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Bad Earth – Trigger Point

Self released

Release date: 18/09/2026

Review by: Alun Jones

8.5/10

Question: what’s got six legs, has played Bloodstock Festival three times, and can rock like a totally unhinged mega bastard? If you answered Bad Earth: you’re correct, you go to the top of the class. Yes, I’m talking about these North Wales Rockcore legends, who are no strangers to these pages, and they’re about to release a new single.

The single is called ‘Trigger Point’, and it features exactly the kind of volume-gauge wrecking, no-nonsense Rock’n’Roll that we’ve come to expect. Like a mix of Metallica and Mastodon with the reliable grit of Motorhead, ‘Triger Point’ is a relentless attack right from the off. The guitars are exquisitely crunchy, but the bass rolls and grooves with the drums to keep the street smart Rock at the heart of the song. The production is clear but still raw, and it’s great to hear the dual vocals roaring through.

‘Trigger Point’ is an early warning of the forthcoming new album from Bad Earth, due later this year. Keep your ears lively for that: if this song is a true indication, the new material should see Bad Earth unleashing some lethal artillery.

Check out Bad Earth on Facebook, Spotify, and Instagram.

Ritual Arcana – Album Review

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Ritual Arcana – Ritual Arcana 

Heavy Psych Sounds 

Release date: 23/01/2026 

Review by: Alun Jones 

8.5/10 

2026 is here, and here also is my first review of the year.  Finally.  Now, now – enough with the “late as usual” bants!  I’ve been busy doing something.  I’m sure I have an excuse somewhere, I’ll get back to you…  Anyway, this is an excellent place to start for the new year – the debut album from Occult Doom Rockers, Ritual Arcana. 

A new band, but with an impressive pedigree, Ritual Arcana consist of SharLee LuckyFree on bass and vocals (ex Moth), Oakley Munson on Drums (The Black Lips) and underground Stoner/Doom legend, the one and only Scott “Wino” Weinrich (of The Obsessed, Saint Vitus, Spirit Caravan etc etc) on guitar.  Slap all that on a release from Heavy Psych Sounds and you just know something serious is going down. 

In the fabled land of Stoner/Doom, The Riff is King.  And with Wino on board, the kingdom is in safe hands.  The slow, throbbing title track opens the ceremonial space, throbbing with a medieval menace.  ‘Occluded’ picks up the pace, a charging head banger that’s more infectious than an outbreak of witchcraft in New England.  That guitar tone is absolutely monolithic throughout, witness the crushing ‘Berkana’ for more evidence.   

The rest of the band ain’t taking a day off, either.  Munson’s drums rattle and crash throughout the ritual with tribal precision, and on ‘Subtle Fruits’ revs up the rhythm to thrilling heights.  And of course there’s the formidable presence of cosmic High Priestess LuckyFree, a solid, warm bass player who’s voice genuinely adds character to all the songs here.  Taking centre stage with glee and authority, LuckyFree leads the throng and particularly shines on ‘Wake the Goddess’. 

“Ritual Arcana” delivers exactly what one would expect, and does it confidently.  A little more variety in song writing would’ve propelled this album to even greater heights – some swampy blues?  An Iommi style mellow piece?  But we can leave that for album number two.  For now, this debut weaves reliably thunderous Hard Rock with a gloomy, supernatural air for an enticing experience. 

Find out more about Ritual Arcana on their website, Facebook and Instagram pages.

This review is brought to you by Platinum Al in association with Ever Metal.

That time I was in RAD magazine

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Back in the late 80s and early 90s, RAD magazine – or Read and Destroy to give it its full title – was the absolute bible of UK skateboarding. 

Covering all the news and events across the British skate scene, from competitions, info on pros and amateurs, trick tips, locations and more, RAD was an essential publication. 

Don’t forget, there was no Internet or social media to immediately grasp the latest developments, nationally or internationally.  All we had were occasional video productions and dedicated monthly magazines.

So RAD was a big deal.  A trusted source for everything in skateboarding within its hallowed pages.

And in one issue, there was a photo of me in it.

Well, sort of.  Issue number 79, from September 1989, had a feature about the Hot Tuna sponsored Skate Masters at Morfa Stadium, Swansea – and I had been there on the day. We were on a family holiday in mid Wales and I begged my parents to take me the rest of the distance to attend the competition.

So, on the first page of the published feature, I can be spotted in the audience, watching the vert competition.  That’s me, sat down wearing my yellow Thrasher Puszone t-shirt.  Not exactly a mind blowing photo of me landing one of my many incredible tricks (ahem…), but technically I was in a photo in RAD magazine.

When the mag was out, I don’t think my vague, tiny appearance impressed anybody.  I thought it was kind of fun, though.

As I remember it, all these years later, the competition was a great event.  Top professionals from across the UK were there, plus some from further afield.  There were street and freestyle events as well as vert, so I was able to see some great skateboarding.

So there you go.  I appeared (sort of) in a legendary skate mag.  Well I didn’t, but this old publication brings back some happy memories.

I have plenty more old magazines in my skateboard museum, I’ll feature some more if there’s any demand (and it’s not illegal to do so…).

Brown Acid: The Twenty-First Trip – Album Review

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Various Artists – Brown Acid: The Twenty-First Trip 

RidingEasy Records 

Release date: 31/10/2026 

Review by: Alun Jones 

7.5/10 

Verily, pilgrims, ‘tis time for another feast of forgotten Rock’n’Roll fun, curated by the esteemed veterans at RidingEasy Records.  This is the twenty-first edition of their Brown Acid series (in case you didn’t read the headline) – a series that continues to run and run.  As with previous albums, herein lie ten hard rock songs that despite their brilliance, never blossomed into the classics they could-a (should-a) been.  The RidiingEasy boffins have dug ‘em up and are now re-presenting these tracks for our shared enjoyment. 

There’s a wide range of styles on display this time round, probably more so than usual.  We get things rolling with Opus Est and ‘Maggie Johnsons’, a short and furious proto punk number that has some ‘Communication Breakdown’ in its DNA.  A brief but great way to start.  Freedom North feature some very welcome female vocals on their song ‘Losing You’, a thumping psychedelic rocker with a deadly lead guitar.  ‘Friendly Stranger’ by Accents has a galloping rhythm, fuzzy guitar and brash organ that resembles Steppenwolf.   

And what’s this?  The Rolling Stones on a Brown Acid comp??  No, it’s Brother Love with ‘Rock N’ Roll Band’ – though that fuzzy riff sounds very like a certain legendary song by Mick, Keith and the other three.  Still, it’s a fun tune with decent lyrics and a catchy chorus.  Side One rounds out with ‘Bike Writer’ by River Styx, a solid, fast paced acid rock song with squealing lead. 

Some nice wah-wah warms up Side Two and we’re off again, this time with Maxx.  Their song ‘200 Years’ has a Stooges-like groove.  Pump are next, and despite that terrible band name, their ‘Kinda Like’ is a highlight of this collection – featuring more skronky organ and fierce guitar.  29.9 (much better band name) then unleash their version of ‘You Got Me Floating’, which despite being an authentic rendition, is still only a cover of a Hendrix tune that most people forget. 

Apparently, there was once a band called Wakefield, if you can believe that.  I can, ‘cos their song ‘Here I Am’ is on this compilation.  These guys seem to have Prog aspirations, with time changes and different sections, finishing with a glorious, melodic pop sing along for the last minute and a half.  But that’s not all folks – our last track is the psyche swamp blues of ‘Lazy River Blues’ by Peacepipe – a melancholy, sinister sail down the bayou. 

Volume Twenty-One of Brown Acid is another solid collection.  Not all the songs work, but they’re honestly all worthwhile – ‘Rock N’ Roll Band’ seems like a blatant rip off at first, but develops its own charm and style.  I felt a little short changed with a cover being included, but the overall quality doesn’t really suffer.  There’s still tons of acid-roasted, psychedelic fuzz on offer, and more variety than we’ve had previously. 

Next time, remind me to tell you the real story behind why the cover of “Beggars Banquet” was banned.  Clue: Mick still won’t speak to me and every Christmas, Keith sends me a gold toilet brush.

Visit the RidingEasy Records website here.

This review is presented by Platinum Al in association with Ever Metal.

Joan Jett & The Blackhearts – Gig Review

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Joan Jett & The Blackhearts + The Meffs

Saturday 4th July 2026

Manchester Academy

Another busy weekend for Daughtertron and I – last week Metallica in Cardiff, this week a shorter trip to Manchester to see Joan Jett & The Blackhearts. We’re both big fans of this Rock’n’Roll icon, and as this was the band’s first headline tour of the UK for many a year, the decision to attend didn’t take much mulling over.

Our support band tonight were The Meffs, and the Academy seemed fairly lively and busy for their slot. I’ve head of The Meffs, but knew nothing else – I was to learn that they’re from Essex and they’re a two piece band (vocals/guitar and drums) – all of which was news to me. I was aware that they are highly regarded though, and their short but energetic set was ample proof of that. Covers of ‘Breathe’ by The Prodigy and ‘Identity’ by X-Ray Spex nestled comfortably next to their own raucous tracks like ‘Stamp It Out’ and ‘Deathwish’. Great noisy fun, plenty of attitude and something to say – a superb set.

July 4th being Independence Day in the once mighty realm of the Orange Chimp had slipped my mind, but I guess Joan and her band probably weren’t bothered either. Instead the massive audience were amped up and ready to rock out with a genuine icon, celebrating 45 years since the release of Joan’s earliest solo recordings. Starting things off with the rowdy ‘Victim of Circumstance’ followed with a very welcome rendition of The Runaways’ ‘Cherry Bomb’ was a confident, bouncy, sing-along success.

After that, we got ‘Do You Wanna Touch Me (Oh Yeah)’ – a Gary Glitter cover that left me confused and a bit queasy. I know Joan’s been covering this song for years, but it still seems surprisingly tone deaf. I don’t even want to type that guy’s name in this review! We were soon back on track though with ‘You Drive Me Wild’ (another Runaways number), ‘The French Song’ and ‘Fake Friends’ – all diamonds that are often overlooked by the casual listener.

More recent output was showcased with ‘(Make The Music Go) Boom’ and ‘If You’re Blue’ the former being a real highlight. Predictably, it’s the final run of mega hits that lights up the entire performance. From ‘Everyday People’ the energy in the room rises, then explodes for the legendary anthem ‘I Love Rock’n’Roll’. But that’s not all, kids! With ‘Crimson and Clover’ (Daughtertron’s favourite), ‘I Hate Myself For Loving You’ and ‘Bad Reputation’, Joan Jett & The Blackhearts unleash a tsunami of powerful, unforgettable Rock that lifts spirits and moves the bodies of all those gathered.

The sound was also very impressive throughout: Joan’s rapport with the audience and unmistakeable voice, along with the band’s instruments – never seemed to waver. It was a solid performance, expertly put together by a bunch of total professionals. Joan Jett & The Blackhearts’ music was all the fireworks and all the party we needed in Manchester tonight. A legendary artist and a classic gig!

Warlockhunt – Prey Album Review

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Warlockhunt – Prey 

Pyrrhic Defeat Records 

Release date: 14/11/2025 

Running time: 

Review by: Alun Jones 

9/10 

Autumn in the UK seems like the ideal time of year for a new release from Warlockhunt.  The days are getting shorter and cooler, the leaves turning to orange and yellow and falling to the ground.  The veil between this world and the next is at its thinnest, and the dark melancholy of nature can be best observed. 

Warlockhunt is a three-piece band, consisting of Chris on drums, and two bass players: Mark and Lorraine (who also handles vocals).  This choice of instrumentation allows Warlockhunt to exist as something very different from the rest of the Doom Metal crowd.  The absence of crunching guitar allows the music to explore a more atmospheric, though no less heavy, landscape.   

The album begins with a lengthy intro of synthesised bass, which thaws out the beginning of ‘Turn Away’.  Slowly, a pulsing bass emerges, punctuated with stark, precise drumming.   The dreamlike female vocals blossom and float alongside the melody, rather than dominating it.  ‘Diary of Hate’ has a more direct but no less minimal approach, with a simple bass sound and thumping percussion creating a hypnotic ground for the vocals, till the pace increases for a frenzied finale.          

‘Mourn’ has an almost folky, medieval character, still prevalent when the drums crash in with a marching rhythm.  The tribal drumbeats have a Post Punk crispness that are as much a feature as that moody bass – see ‘Fake’ as a prime example.  On the title track, those drums reach Killing Joke-like intensity, leading the dark revelry as much as underpinning it.  And over all of that are the vocals, both sombre and enchanting.   

Warlockhunt have been called Doom Pop in the past (most notably by me, haha!) and the description still stands.  This is less the onslaught of Cathedral or Trouble, and more like Joy Division creating a soundtrack for a folk horror movie – with Nancy Sinatra singing.  “Prey” is an exercise in climate, in ambience – though still heavy with the air of dark melancholy.  Watch the sun go down and enjoy the darkness.  

Check out Warlockhunt on Facebook and Bandcamp.

This review is brought to you by Platinum Al in association with Ever Metal.

Zombina & The Skeletones – Album Review

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Zombina and the Skeletones – In Sinistereo

9×9 Records

Release date: 31/10/2025

Running time: 42 mins approx

Review by: Alun Jones

9/10

Yes, they’re back! Liverpool’s finest Rock’n’Roll revenants, Zombina and the Skeletones, have returned – the stake has been removed, and their hellbound hearts beat once more! But you probably already knew that, right? Their spellbinding comeback, “The Call of Zombina”, was released last year – and made Top 3 in my Ever Metal end of year favourites for 2024, as I’m sure you’ll recall…

So what’s going on here, then? Well, the songs on “In Sinistereo” were originally released as four separate EPs some ten years ago, as a digital only deal. But they’re not just being re-released here: the songs have been remixed and remastered, sure – but many are also enhanced with additional keyboards, horns and vocals that were previously absent. Songs have been edited longer or shorter, meaning that we have a whole new creature, reimagined Frankenstein-like from its previous form.

Lend a pointed ear, and the listener will also find a cauldron-full of the signature ZATS sound: a bubbling mixture of Punk, Rock’n’Roll, Psychobilly and glorious pop that revels in a B-movie graveyard of monsters, ghouls, murderers and broken hearts. With the sweet yet deadly voice of Zombina masterminding the whole crazy shindig along with partner in crime Doc Horror on vocals and guitar, this party never stops.

Opening song ‘(All I Wanna Do Is) Decompose (With You)’ is a fast paced Punk rocker and an ideal way to wake the dead. Chugging guitar and circus keys devolve into a spooky, theremin laced outro. ‘Phantom with the X-Ray Mind’ adds some skronky keyboards to a Devo/B-52s style mash up, whilst the jangly guitar of ‘Witch Mountain’ evokes early 80’s Damned.

The Skeletones add touches of 60’s girl groups with ‘Haunted House of Love’ and ‘Whatever You Do, Don’t Fall in Love’. Elsewhere they bring in a cheeky, Madness-does-The Addams Family-with-horns style stomper with ‘The Stakeout’. ‘Kill!!!!’ adds a synth pop sheen and is the least convincing track here, but don’t worry, there’s plenty of raucous tracks like ‘Ramon’, ‘The Wild’ and ‘You Swallow Spiders in Your Sleep’ to keep you bouncing like the Devil’s on your tail!

The production is warm and clean, with all of the musical parts seeping through perfectly. ‘In Sinistereo’ is rejuvenated as a vibrant and varied experience, a Tim Burton movie-like album with the songs dancing their way out of the crypt. Zombina and the Skeletones are without doubt the perfect band for Halloween. Trust me, this is all treat, no trick.

Check out Zombina and the Skeletones on Faceboo, Instagrot, ChewTube, Spookify and Badcamp.

This review is brought to you by Platinum Al in association with Ever Metal.