Tag Archives: horror

Comic Con Midlands 2026

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Comic Con Midlands

Saturday 11th and Sunday 12th July 2026

NEC, Birmingham

Much time has passed since I last attended a Comic Con at Birmingham NEC. However my good buddy, Adam, and I decided to venture back to the cavernous halls of this huge venue, to visit Comic Con Midlands, organised by the Monopoly group. These same guys run the huge Liverpool convention that I’ve been to several times recently.

The reason for our trip was because Adam had convinced me to go halves with him on a photo with a celebrity. This is not usually my kinda thing. I’ve queued up for signed autographs from actors etc in the past, and often (though not always) been very underwhelmed by the experience. For a big cash outlay I’ve been left with a colour pic and heaps of embarrassment. It would take something major to drag me out of my celeb-meeting retirement.

Something big would be the cast of cult 90’s comedy Mallrats, including Jason Lee, Renee Humphrey and Ethan Suplee. The cultured amongst you will know that Lee and Suplee also starred in legendary comedy series My Name is Earl, of which I am also a huge fan. Of course, the really hip cats out there will also know that Jason Lee is also an ex-professional skateboarder – one of the greatest to ever do it and a living legend.

So it didn’t take too much persuasion to sign me up for the My Name is Earl duo photo with Jason and Ethan.

Doors opened at 9am, and we were there bang on time. That meant a very early start for me on a Saturday morning, which is NOT a good thing. Waking up at 6.30am at the weekend? That’s pure criminality. Never mind, there would be plenty to keep us occupied till our photo op at 3.15pm.

Well, you would assume so. Usually these events (and certainly based on previous experience at the NEC) have hours worth of merch stalls to wander round. Merch stalls there were, but not enough – we’d completed a circuit by 10.30am. What??! Absolutely crazy. I mean, OK – I picked up a few comic books for my collection. Action figures were a scarcity, however (this would’ve been unbelievable in the past) – so it was relatively slim pickings on the merch front.

With hours to kill, we did some more circuits of the merch and explored outside the events hall to find refreshment. It was like a ghost town out there – even the Wetherspoons was shut.

Eventually it was time for the Mallrats Q&A session, featuring all three of the guests. The panel was very entertaining and informative, each of the cast members came across very well. They all seemed relaxed, happy to be there and divulged some interesting and funny stories. I later decided to quickly say hello to Jason Lee at his signing station. We had a really quick chat about skateboarding and I got a fist bump from the master. A very cool and memorable experience.

Later (much later) it was time for the photo op. Adam and I waited in line on our best behaviour, and soon enough were ushered in to have our photos taken with Lee and Suplee. Both stars were friendly, greeting us warmly with handshakes. The assistants barked orders at us and the photo was taken, then milliseconds later the same assistants barked at us to get out.

I was left feeling embarrassed and as if I’d been rude to two of my heroes. But the assistants were just doing their job, Jason and Ethan were lovely and I got a cool photo of us all together.

After that, it was time for the journey home. It had been a successful day – my experience of the Mallrats/My Name is Earl stars was very positive and I got a bunch of Marvel comic books. In future though, a later start wouldn’t hurt. I learned to my cost that no one needs to be in Birmingham at 9am.

Zombina & The Skeletones – Album Review

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Zombina and the Skeletones – In Sinistereo

9×9 Records

Release date: 31/10/2025

Running time: 42 mins approx

Review by: Alun Jones

9/10

Yes, they’re back! Liverpool’s finest Rock’n’Roll revenants, Zombina and the Skeletones, have returned – the stake has been removed, and their hellbound hearts beat once more! But you probably already knew that, right? Their spellbinding comeback, “The Call of Zombina”, was released last year – and made Top 3 in my Ever Metal end of year favourites for 2024, as I’m sure you’ll recall…

So what’s going on here, then? Well, the songs on “In Sinistereo” were originally released as four separate EPs some ten years ago, as a digital only deal. But they’re not just being re-released here: the songs have been remixed and remastered, sure – but many are also enhanced with additional keyboards, horns and vocals that were previously absent. Songs have been edited longer or shorter, meaning that we have a whole new creature, reimagined Frankenstein-like from its previous form.

Lend a pointed ear, and the listener will also find a cauldron-full of the signature ZATS sound: a bubbling mixture of Punk, Rock’n’Roll, Psychobilly and glorious pop that revels in a B-movie graveyard of monsters, ghouls, murderers and broken hearts. With the sweet yet deadly voice of Zombina masterminding the whole crazy shindig along with partner in crime Doc Horror on vocals and guitar, this party never stops.

Opening song ‘(All I Wanna Do Is) Decompose (With You)’ is a fast paced Punk rocker and an ideal way to wake the dead. Chugging guitar and circus keys devolve into a spooky, theremin laced outro. ‘Phantom with the X-Ray Mind’ adds some skronky keyboards to a Devo/B-52s style mash up, whilst the jangly guitar of ‘Witch Mountain’ evokes early 80’s Damned.

The Skeletones add touches of 60’s girl groups with ‘Haunted House of Love’ and ‘Whatever You Do, Don’t Fall in Love’. Elsewhere they bring in a cheeky, Madness-does-The Addams Family-with-horns style stomper with ‘The Stakeout’. ‘Kill!!!!’ adds a synth pop sheen and is the least convincing track here, but don’t worry, there’s plenty of raucous tracks like ‘Ramon’, ‘The Wild’ and ‘You Swallow Spiders in Your Sleep’ to keep you bouncing like the Devil’s on your tail!

The production is warm and clean, with all of the musical parts seeping through perfectly. ‘In Sinistereo’ is rejuvenated as a vibrant and varied experience, a Tim Burton movie-like album with the songs dancing their way out of the crypt. Zombina and the Skeletones are without doubt the perfect band for Halloween. Trust me, this is all treat, no trick.

Check out Zombina and the Skeletones on Faceboo, Instagrot, ChewTube, Spookify and Badcamp.

This review is brought to you by Platinum Al in association with Ever Metal.

Torso – Annihilation Day Album Review

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Torso – Annihilation Day 

APF Records 

Release date: 29/08/2025 

Running time: 35 mins 

Review by: Alun Jones 

9/10 

You can run, but you can’t hide!  It’s January 1st, 1984, and there’s a psycho killer on the loose in this small-town University campus.  Can Rita and Christine expose the killer?  More importantly – can they SURVIVE? 

Are you ready for another blood-soaked album of Grindhouse Garage Metal from Torso?  Of course you are.  Released by those gallant gents at APF Records, “Annihilation Day” has been created as a soundtrack for a (sadly) imaginary, low budget VHS horror flick.  The kind of movie we used to rent out and watch in the summer hols – curtains drawn in daylight.  The sort of flick that was so scary, you’d shit your shoes off.       

Press play, let’s get things started.  First track ‘The Halls Run Red’ begins with an eerie, electronic pulse, and provides some exposition for this gritty video nasty.  Soon enough the guitars burst in, like a pub punch up between Fudge Tunnel and Carcass.  The resulting splatter fest has a relentless pace as it incorporates three movements, the refrain ‘Dorm of the Dead’ doing more narrative work.  Throwing in some brutal Thrash and spacey keys, it effectively conjures the right mood for a 1980’s murderthon. 

‘Satanic Nirvana’ begins with some tribal, Killing Joke style drums, followed by a chainsaw guitar summoning the ghost of Hillbilly Death Grunge titans Tad.  There’s melody here too, in both the vocals and lead, not dissimilar to early Nirvana (nicely coincidental).  It’s powerful and more infectious than a radioactive zombie plague. 

After a brief intermission, the audience reaches part two of the presentation with an atmospheric keyboard intro.  Then ‘Blast Furnace’ explodes with an unstoppable, lo-fi Murder Thrash riff.  Torso do a great job here of melding that ferocity with the symphony-like keyboard.   

Finally, ‘Show Your Face’ has a thundering rhythm part that oozes with an almost Industrial groove.  It’s a bludgeoning track that seems to have some Revolting Cocks inspiration in there, that again deftly slips some melody in the back door.  Eventually, the track boils over into a cacophony of glorious noise, but by then it’s too late – the story is over.  Or is it?     

With the four tracks on “Annihilation Day” each comprising three mini movements, the soundtrack feel of the whole endeavour is apparent.  Well produced but beautifully abrasive, the songs may be long, but each retains its own vibe and the listener’s interest.  It would be nice to see this approach explored further in later Torso recordings with greater musical contrast, but for now there’s enough blood, guts and mayhem to make this an unmissable release.  Torso have provided another highlight for 2025.   

Don’t hide behind the sofa – you cannot afford to miss this!  

Check out Torso on Facebook, Instagram, Spotify and Bandcamp.

This review is brought to you by Platinum Al in association with Ever Metal.

The Halloween Horror Fest Must Die

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Happy Halloween, folks! Here are a few more spooky movie reviews, hope you enjoy!

The Beast Must Die (1974)

A departure from the more familiar horror anthology tales produced by Amicus, The Beast Must Die is an interesting curiosity. We meet a millionaire big game hunter, keen to bag himself the prize of a lifetime: a werewolf. Hence he invites a group of guests, all of whom could be suspected to be a lycanthrope, to his sprawling mansion with its high security.

Only one of them is a werewolf – can you guess which one in the “Werewolf Break”?

The break is a thirty second countdown, allowing a brief pause for the audience to decide for themselves which of the guests is the werewolf, before all is revealed. And yes, it actually appears in the film. An odd gimmick, but there you go.

The film actually plays more like a detective story, or episode of a 1970s television thriller. As such, there are plenty of opportunities for some real suspense and jumpy horror that are squandered. But with a great cast including Peter Cushing, Charles Gray and Michael Gambon, this is still worth checking out. The Beast Must Die is a definite watch for any fan of 70’s British horror, like me.

8/10

Wolf Creek (2005)

Now if the snakes, spiders, sharks and God knows what else aren’t enough to put you off visiting Australia, then there’s always the deranged Outback serial killers.

In Wolf Creek, some typically annoying young studenty backpackers are travelling across the mundane wasteland when they run into some psycho called Mick Taylor (John Jarratt). Although he promises to help them with a broken down car, turns out Mick isn’t really very nice. What follows is a shocking and disturbing account of what can only be termed torture porn, as the kids try desperately to escape the clutches of the cork hat maniac.

Wolf Creek is actually a well made film, featuring some very good performances. It’s extremely tense and downright nasty. If you can deal with that, this film is definitely worth a watch. The viewer can’t help but empathise with the kids and imagine themselves being in such a horrific situation. But the plot is kinda obvious and unfulfilling in the end, a bit like an episode of Neighbours.

So, what’s the moral of this particular story? Don’t go to Australia.

7.5/10

The Fly (1958)

Not the crappy David Cronenberg remake, this is the original 1958 classic sci-fi horror starring the legendary Vincent Price. The story unfolds of Price’s brother, Andre (David Hedison), a scientific genius, and his sadly disastrous experiment with matter transferral.

After some initial success, Andre eventually goes too far in his explorations, as a rogue house fly enters the matter transmitter with him. The result is a gruesome hybrid of the human being and a fly, and the race is on to try to reverse the process before the scientist loses all trace of humanity.

This brilliantly clever film is also very touching, as the brilliant scientist and his family are subjected to terrible events that they cannot escape. Great performances, of course, and a bizarre twist in the tale make this first version of The Fly the definitive version. Absolutely unmissable.

9.5/10

Halloween Horror Fest of Frankenstein

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Groovy title, eh?  I know “Son of Halloween Horror Fest” would’ve made more sense, but I’ve used that title already.  I could’ve gone with “Son of Halloween Horror Fest 2025”, but that’s boring.  So we are where we are.  Here are the reviews…

Son of Frankenstein (1939)

Classic Universal horror, and what a cast!  Following on from Bride of Frankenstein, in this story the studio attempt to spin the franchise out with another sequel.

Wolf von Frankenstein (Basil Rathbone), son of the legendary baron and obsessed scientist, returns with his family to their ancestral home after years in exile.  The locals give them a somewhat frosty reception, as the memory of the carnage wrought by the elder Frankenstein’s creature (Boris Karloff) still haunts them.

Wolf is concerned with saving the family reputation, but when he stumbles across Ygor (Bela Lugosi), a revenge crazed outcast, things can only go downhill.  Old Ygor knows where the creature is, and despite clashing objectives, he and Wolf will attempt to revive the creature again…

Although the narrative is becoming very obvious by this point in the series, this sequel is watchable for many reasons.  It looks fantastic in black and white, the shadowy sets full of secrets and menace.  And the cast are superb, though Karloff’s creature is outshone by Lugosi in a very memorable roll.

Not a patch on it’s predecessor, Son of Frankenstein is still a thoroughly enjoyable old school horror yarn.

8.5/10

Casper (1995)

More family friendly fun now, but this film really is a stinker.  Based on the old comic strip about a friendly ghost and his three horrible uncles, it starts off as well intentioned before going off the tracks.

An obnoxious, rich brat has been left a rundown, haunted mansion in her father’s will.  It’s the haunted mansion occupied by Casper and chums, obvs.  A “paranormal therapist” played by Bill Pullman is eventually tasked with sorting out the spooks, so that the vile new owner can claim some lost treasure that’s apparently hidden away there.

Bill brings along his daughter Kat, played by Christina Ricci.  Both of them have unaddressed issues following the death of Kat’s mother.  Casper has a crush on Kat (of course) and hilarity ensues (not) as they try to tame the spooks, and other stuff.

The CGI animated Casper looks really cute, and there are some amusing moments occasionally (Eric Idle, in a supporting role, is great).  But the tone is ruined by some truly ghastly additions like a machine that brings spirits back to life, and a completely unnecessary back story for Casper.

The attitude to death in this film is just plain weird, and distasteful.  Don’t worry kids, people die and become ghosts, then become people again!  This mash up of cutesy characters and flippant attitude is both odd and disrespectful.

3/10

Halloween Horror Fest Out of Space

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More Halloween friendly movies for your enjoyment – here’s Part 2 of our 2025 reviews!

Color Out Of Space (2019)

Based on the H.P. Lovecraft short story The Color Out of Space, this film attempts to create an authentic retelling in modern times. While it’s not totally derived from the source material, it makes a decent job of reimagining it for a new audience.

Nicholas Cage plays Nathan Gardner, who has relocated with his family from the city to his father’s farm in a remote New England area.  One night, a mysterious meteorite falls from the sky, bathing everything in a strange, indescribable colour. 

Very soon afterwards, things start to get weird for the Gardner family.  Unusual plants and insects begin to appear, electronic devices go haywire, and the family begin to lose the plot.  And with daughter Lavinia playing around with the dreaded book, the Necronomicon, things can only get worse…

I can’t decide if Color Out of Space is just “good” or really excellent.  As events spiral out of control, the film goes from unsettling to downright grotesque.  Cage’s performance is vintage Cage, crashing into an unhinged state.

But the sound design, music score and glorious photography make this film an unnerving experience.  Add in some nods to Lovecraft’s existential cosmic horror and you get a very disturbing, nihilistic film.  You’ll either love this film or be completely unmoved by it.  I loved it.

8.5/10

Scooby Doo (2002)

After the warped intensity of Lovecraft, it’s time for a change of pace!  And what could be better than some Scooby Doo?  The old Hanna  Barbera cartoon was a childhood gateway to all things spooky for me and many, many others – so Scoob and the gang are totally appropriate Halloween viewing.

This live action film sees the animation come vividly to life.  Though the human characters are actors, Scooby Doo is CGI so everything feels like the cartoon transposed into the real world.

Tensions are high within Mystery Inc, leading to the gang going their separate ways.  Shaggy (perfectly played by Matthew Lillard) is still paired with Scoob, and they find themselves invited to a tropical resort to solve a mystery.  Their erstwhile comrades have also been asked to attend, so slowly Fred (Freddie Prinze Jr.), Daphne (Sarah Michelle Gellar) and Velma (Linda Cardellini) find themselves working together again.

The casting is spot on for this film, though some of the character’s foibles have been exaggerated from the original cartoon depictions.  The Scooby Doo film is silly, but its great fun for kids of all ages – if the older “kids” can just go with the flow and enjoy it.

7/10

Halloween Horror Fest 2025

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Welcome, guys and ghouls, to another festival of frightful fun, with our annual Halloween Horror Fest!  I’ll pour you a Bloody Mary and you can put your hairy feet up, you’re just in time!

Now, I may enjoy viewing macabre movies all year round, but every October, we take things up a notch.  I like to watch some Halloween appropriate films, and share a review or two with my fiends. 

Let’s kick off 2025 with these two creations…

White Zombie (1932)

We’ll get things started with a bona fide, cult classic.  White Zombie is set in Haiti, and sees a reunited couple planning to be married, visiting a wealthy plantation owner.  The plantation owner also has designs on the bride-to-be, however – and arranges a local voodoo dude, Legendre (Bela Lugosi), to assist.

Legendre operates a sugar mill that is worked by zombies.  He agrees to use his evil magic to transform our bride-to-be into a zombie, and she soon appears to expire.  Not long after she is reanimated, but will her groom be able to discover what’s happened, and put things right?

White Zombie is possibly the very first full length zombie movie, and though it’s very dated, it’s still a great watch.  This is mostly due to Lugosi, resonating menace with his piercing eyes and forked goatee.  A sinister performance and iconic appearance.

I’ve wanted to see this film for years, and though it’s pretty basic, I really enjoyed White Zombie.  I mean, how can it not be cool if a 90s metal band was named after it?!

7.5/10

White Noise (2005)

A rich architect dude (Michael Keaton) with an annoyingly perfect life and house, is left distraught with the unexpected death of his wife.  Then this other dude shows up and claims he’s been receiving messages from Mike’s dead Mrs via electronic voice phenomena (static, in other words).

Turns out the fuzzy babble and images are on the money, and Mike becomes deeply involved in EVP communication from beyond.  He starts receiving recorded messages and decides to stick his foot into other people’s business.

I think that about sums things up, though there is some nonsense about a serial killer shoe-horned in.  Honestly, when I saw this film twenty years ago, it seemed to have a few creepy elements to it.  Watching again, the only creeply thing in White Noise was the sickly, mawkish forced air of grief and misery.  The story itself was far too obvious and contrived.

The White Noise DVD has gone to haunt the local charity shop.

3/10

Liverpool Comic Con May 2025 – Part 2

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Liverpool Comic Con

Saturday 3rd and Sunday 4th May 2025

Exhibition Centre, King’s Docks, Liverpool

In part 1 of my report from Liverpool Comic Con, we looked at the event overall and I shared some Cosplay photos. This time around, let’s take a look at the vehicles and props that were on display in the huge arena.

I’ll keep the words brief, as it’s the photos that tell the story. All I need to point out is the huge arena housed numerous vehicles, including some very cool cars from TV and Film (the Starsky & Hutch Gran Torino was probably my favourite).

There were also various props and sets for photo opportunities, including some great Star Wars items. The absolute highlight for me was the full scale AT-ST – otherwise known as a Scout Walker – towering over everything, including a mock up of the Imperial bunker on Endor.

Of course there were still plenty of attendees in costume wandering about, lots more stalls and even live bands on stage. Overall great entertainment and an action packed day out. Liverpool Comic Con must be the biggest convention in the country now? It certainly offers a fun filled event for all.

Torso – Brain Cells Album Review

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Torso – Brain Cells 

APF Records 

Release date: 13/09/2024 

Running time: 31 minutes 

Review by: Alun Jones 

9.5/10 

Friday night.  I’ve just been down to the local video shop, had a scan of the horror section, took my time deciding which film to rent.  If it’s good I’ll watch it at least three times before I bring it back tomorrow.  Go for the one with the craziest sounding name and the most gonzoid image on the cover.  Doesn’t matter who’s in it, I just want to know which offers the most brain destroying, off the wall, lurid descent into madness..  Pay up and leg it home, video tape in hand.  Urgently load the clunky VHS player and wait for the image on screen to stop crackling and reveal its gory beauty… 

‘Brain Cells’ by horror metal deviants Torso bursts forth with a frantic commotion.  This is album number two from ex-Possessor frontman/guitarist Graham Bywater in his new guise as the Dark Lord of Grindhouse Schlock Terror.  APF records haven’t so much released this album, as unlocked the gates, stood well back and unleashed it upon the world in a tidal wave of bloody fury. 

Starting with the intense thrash of ‘You Belong in Hell’, the lo-fi atmosphere is captured perfectly.  Not that the production is poor, but this whole album has the vibe of an ancient cassette that’s been used and re-used many times.  Probably starting with Huey Lewis, then taped over with some early Maiden, then repeatedly re-recorded on again until it features Carcass and Entombed.   

As before, songs are peppered with random movie samples (good luck tracking the sources down, I’m stumped already), though there’s noticeably less of the John Carpenter-inspired keyboard instrumentals this time around.  No matter, the drive-in B-movie atmosphere is ever present here – both ‘Savage Magic’ and ‘Brain Cells’, in particular, help see to that. 

Key highlights you won’t want to miss include ‘Deep Space Death Trap’ with its unforgiving, virulent chorus and raw, fuzzed up riffs; and ‘Hex Pest’, which roars along as if possessed by a filthy, NWOBHM-obsessed demon biker. 

“Brain Cells” is an underground garage-metal thrill ride from opening act to final curtain.  It’s glorious, murderous fun for all – you’ll want to rewind and go from the start again, as soon as it’s finished.  A nasty, blood splattered triumph for Torso and a Top Ten of 2024 album for me.   

Find out more about Torso on Bandcamp and their APF Records page.

This review is brought to you by Platinum Al and Ever Metal.

Son of Halloween Horror Fest 2024

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Delivering another deadly double dose of Halloween Horror Fest, can you take it??!

Saw (2004)

Saw is a very clever twist on the serial killer tale. Here, two dudes – strangers to each other – wake up in a grotty bathroom, chained up, not knowing how they got there, or why. Clue: they’re not on a stag night. One is Dr Lawrence Gordon (Cary Elwes), and both men are trapped, taunted by the Jigsaw Killer with a series of clues. Jigsaw is a killer who likes to test his victims tenacity – their very will to survive – in a series of “games”.

It’s very difficult to explain the plot of Saw without giving too much away. Suffice to say that the back story is revealed through glimpses, as slowly the narrative falls into place – like a jigsaw – and the mysteries of circumstances and survival are resolved.

Usually I like my horror supernatural, but I’m not adverse to a good old psycho killer story. Saw is an ingenious film, with twists and turns coming from everywhere, as the viewer pieces everything together. It’s gruesome, it’s harrowing, but over all Saw is absolutely enthralling. If you’ve not seen it, make sure you see Saw.

Everyone does the ‘see saw’ gag, right?

Note: I met Cary Elwes once, and he was one of the nicest, most down to earth people you could meet. A genuine gentleman.

8.5/10

Son of Dracula (1943)

Although the 1930s are often considered the golden days of Universal horror, the studio was still delivering classics in the 40s, as far as I’m concerned. Only the third in Universal’s Dracula series, there’s no Bela Lugosi here, but it’s a well plotted and inventive film.

The vampire of the title is played here by Lon Chaney Jr. He plays Count Alucard, an Eastern European nobleman visiting the United States as a guest of Katherine Caldwell (Louise Allbritton). Katherine, a keen student of the occult, is engaged to Frank Stanley (Robert Paige), though obviously captivated by the Count.

Following the unexpected death of their father, Katherine and her sister Claire (Evelyn Ankers) are his benefactors. Katherine opts to take just their mansion “Dark Oaks”, after which she marries Alucard and rejects Frank. The local doctor, aiding Frank, has become suspicious. Eventually they conclude that Alucard is a vampire, and decide to deal with the situation appropriately…

Chaney’s casting isn’t quite right for this role, but he makes a fair attempt. What makes Son of Dracula an intriguing watch cunning plot twists, and how cleverly the story creates a new spin on an old tale, evading the obvious. I really enjoyed this film and happily recommend it.

8.5/10