Liverpool Comic Con 2021

Exhibition Centre, Liverpool

13/14 November 2021

How long is it since the last time I went to a Comic Con? Any Comic Con? It must be pretty much exactly two years. The pandemic ruled out mass gatherings of this type completely over that time. Now, we’re back – a long overdue visit to the wonderful city of Liverpool and it’s excellent convention.

Our only initial bad luck was arriving to find massive queues snaking back for what seemed like miles. We had purchased early bird tickets for a 9am start, however arriving on schedule at nine left us in a long line with hundreds of other punters. It took an hour before we were finally inside the exhibition centre, which wasn’t a great start.

This was a case of Queue Hard, with several sequels including Queue Hard 2: Queue Harder – and finally, Queue Hard with a Vengeance.

When we were in the building, however, all was swiftly forgiven. I think we can accept some teething troubles in getting this event back up and running. It was great to finally be indoors at a Comic Con, and we gleefully threw ourselves into the experience with enthusiasm.

There were many guests signing on the day, but none that were of particular interest to myself. So, I braved the throngs of convention goers to view the treasures on sale at the stalls, purveying all type of nerdy goodness. As always at Comic Cons, there was far too much merch for me to buy it all – though I made some fine purchases, there were oodles more a timely lottery win would’ve made mine.

I picked up a couple of Star Wars The Vintage Collection figures that I needed, and a Mego Wolfman action figure that I couldn’t resist. Plus, the Christmas shopping commenced with some unusual items I wouldn’t have been able to pick up elsewhere. The only disappointment was a total lack of ReAction figures.

Of course, the main highlight of the day was the varied and spectacular costumes worn the attendees. Cosplay was alive and well, which was great to see. Hopefully these photos will give you some idea of the skill and splendour that was on show.

Despite a dodgy start, Liverpool Comic Con was a great day out. We came, we saw, we took photos and bought tat – a fine time was had by all. I’d recommend this convention as one to visit, and I’ll definitely be back.

Have a look at the Liverpool Comic Con webnet here.

The Plague of Halloween Horror Fest

Halloween may be over, but Platinum Al’s still got a couple of movie reviews for ya! Well, I didn’t get time to write ’em up before bed time on the 31st – so here they are!

The Plague of the Zombies (1966)

In a small, remote village in Cornwall, a series of deaths from a strange disease has baffled local doctor Peter Thompson (Brook Williams). He requests assistance from his mentor, Sir James Forbes (Andre Morell), who is accompanied on his journey by his daughter Sylvia (Diane Clare).

When exhuming the plague victims graves reveals a lack of bodies, the doctors are stumped even further. Adding further complication is the tragic and mysterious death of Peter’s wife, Alice (Jacqueline Pearce). Soon, it becomes clear that the local Squire Hamilton (John Carson) – and his band of hedonistic goons – are mixed up in proceedings; with a mixture of voodoo and black magic…

Fans of the Walking Dead, or other modern zombie movies, may find this Hammer production somewhat tame by today’s standards, but there’s a lot to enjoy. The Plague of the Zombies takes a more traditional path with its tale rooted in voodoo, with a clever script that veers away from the usual Gothic creatures employed by Hammer.

Neither Lee or Cushing make an appearance, sadly – but the acting is particularly good never the less, with Andre Morell shining. The Plague of the Zombies is successful entertainment and shows Hammer trying to be innovative with it’s output.

8/10

The Crow (1994)

Our final film for this year’s Halloween Horror Fest is a 1990s classic that made a massive impression on me, when I first viewed it in the cinema.

In a city overrun with crime, musician Eric Draven (Brandon Lee) and his fiancée are ruthlessly murdered by a criminal gang. One year later, Eric is revived through the spirit magic of a crow, to enact revenge on the killers. One by one, the perpetrators meet brutal ends, but the complicated web of crime continuously unravels, leading Eric to the gangster overlord, Top Dollar (Michael Wincott).

The Crow is a magnificently macabre, dark tale – a violent, action-packed revenge story with gothic supernatural elements. It may not be pure horror, but this twisted superhero drama is definitely pure Halloween. Brandon Lee is the soul of the movie, he’s both prefect and unforgettable in the role of Eric. Sadly, his accidental death during filming adds a haunting tone to the film. Even so, The Crow is a fine testament to Lee.

Visually stunning on the screen, the soundtrack is also fantastic: one of the greatest soundtrack albums ever compiled, it’s a classic of it’s time.

The Crow still has an incredible emotional impact. It’s a simple, moralistic fable wrapped up in a bloody revenge movie – with a sympathetic anti-hero and melancholic tone. Absolute class.

R.I.P. Brandon Lee

10/10

A Halloween Horror Fest on Elm Street

A Nightmare on Elm Street (1984)

Now here’s a film that should need no introduction. Though to be honest, back in the 80s when A Nightmare on Elm Street – and it’s sequels – were hugely popular, I was never a fan. I’ve just never been really into “Slasher” movies – I was investigating the classic Gothic horror of Hammer and Universal at the time, and modern, contemporary films just didn’t grab me.

Never the less, I decided to give Wes Craven’s original another go, just in case I was missing something.

Brief recap: a bunch of kids on Elm Street suffer from terrifying dreams, featuring a crispy faced dude wearing a mask and possessing a gardening glove customised with lethal blades. Yes, it’s evil child murderer Freddy Krueger (Robert Englund), and he intends not only to provide the kids with some unforgettable nightmares, he also wants to bloodily murderise them.

Revisiting this film was actually a lot of fun, I was surprised how well A Nightmare on Elm Street stood up. Yes, it’s incredibly dated, and ridden with clichés, but hey – these were new, original ideas back in the day. It’s not Gothic horror, but the supernatural elements are well plotted and help create the Krueger mythos.

Englund is great, though he’s more restrained in this first instalment. It’s always great to see John Saxon, who plays a cop here; and there’s an interesting debut from a fresh faced Johnny Depp, playing teenager Glen (who was probably about 40 at the time of filming).

Yes, I have been proven wrong – A Nightmare on Elm Street is actually a pretty damn good movie, with a mix of scares, peril and gore that shows Craven knows what he’s doing. Not the best film eve made, but I’m beginning to see how the cult of Freddy became so formidable. I’ll definitely check out the sequels.

8/10

The Indestructible Man (1956)

Convicted criminal “Butcher” Benton (Lon Chaney Jr.) is going to the electric chair, and he refuses to tell his bank robbing colleagues where the loot is. After being executed, Benton is brought back to life in an experiment. He then commences to seek revenge on his former partners, and the police are left to put the clues together and stop the gruesome murders.

A strange mix of the Frankenstein tale and 1950s cop show, this movie hardly feels like horror, but does have an impressive body count. Chaney has few lines – he’s mute for some reason, when resurrected – and we usually see his intense emotion only in wacky, extreme close up.

No points for originality here, but the film benefits from scenes representing the streets, bars and Burlesque clubs of old Los Angeles. As a period piece, The Indestructible Man is fun – it’s typical drive-in B-movie fare. Ironic that a couple of key scenes actually take place in a drive-in theatre!

6/10

The Halloween Horror Fest Don’t Die

The Dead Don’t Die (2019)

Wow – what a cast! Bill Murray, Adam Driver, Tilda Swinton, Danny Glover, Iggy Pop, Tom Waits – amongst many others – star in this comedy horror from director Jim Jarmusch.

The Dead Don’t Die tells the story of a zombie apocalypse in a small US town, as we see events unfold from the point of view of two cops on patrol (Murray and Driver). Natural phenomena begins to go awry, and following the murder of two workers in the local diner, events escalate quickly. Soon enough, the police (together with Swinton’s samurai funeral director) scramble to retain control as hordes of zombies take over.

Although there are some wonderful performances in this film – Murray and Driver’s brilliantly understated cops being the best – this film doesn’t really succeed as a comedy or a horror film. The zombie arrival is very slow, and the conclusion seems rushed. The comedy is rarely laugh out loud hilarious, it’s mostly dry humour and deadpan delivery, and there’s a lot to enjoy in the approach that the movie takes.

The Dead Don’t Die follows it’s own path, avoiding the much more in-you-face approach of Zombieland. The film is an enjoyable and worthwhile watch, but it doesn’t quite achieve its potential. It’s more of an Indie arthouse spoof of the genre, but whilst it has it’s own peculiar charms, I was expecting much more. Maybe I should know more about Jim Jarmusch. Who is he, anyway?

7/10

The Mummy (1959)

Frankenstein? Check. Dracula? Check. Next on the horror hitlist for Hammer was The Mummy, and boy does it look great in splendid colour. Peter Cushing and Christopher Lee are, of course, on hand; as are Terence Fisher (director) and Jimmy Sangster (writer). You can’t go wrong.

It’s 1895, and an archaeological dig in Egypt finds the ancient tomb of of Princess Ananka. John Banning (Cushing) has a broken leg, and can’t enter the tomb, though it’s probably for the best. His dad Stephen does go in, despite the protestation of the Egyptian Mehemet Bey (George Pastell) and is driven mad by… something.

On returning home, Banning senior (Felix Aylmer) is in a nursing home, receiving care for the mentally disturbed. He becomes lucid enough to warn his son that he fears the mummy of Kharis, the high priest will destroy them all for entering the tomb.

Sure enough, the Mummy of Kharis (Lee) is awoken by Bey, and begins to take revenge for the disturbance. Will Banning be able to stop it’s rampage?

Predictably excellent work from Cushing here, as expected. And Lee is imposing as ever as Kharis, looking incredibly grim emerging from a swamp. The film does drag a little in the final third, but with the beautiful sets, a lush score and a decent story, The Mummy is unmissable for any Hammer fan.

8.5/10

Halloween Horror Fest of the Black Museum

Horrors of the Black Museum (1959)

London – and there’s a murderer about! As per usual, really. A gruesome killing involving a pair of booby trapped binoculars has the police stumped, and arrogant crime journalist Edmond Bancroft can’t resist winding the cops up in his obsessive quest to find the killer. Bancroft’s research over the years has led to the creation of his own Black Museum, housing artefacts from various crime scenes.

Further ghastly deaths reveal no clues, and Bancroft admits to his doctor that he’s so engrossed in the proceedings, he goes into a state of shock when one occurs. Following a row with his mistress, after which she is mysteriously (and nastily) decapitated, we soon begin to witness another side to the writer – and his collection of weapons…

Horrors of the Black Museum doesn’t feature many surprises, but it does feature some quite horrific deaths! There’s a great British cast, including Michael Gough as Bancroft in a lurid, bloodthirsty tale. Not supernatural in any way, the plot still manages to hold the attention all these many years later.

8/10

Island of Terror (1966)

Sci-fi horror next, as a remote, tiny island of the east coast of Ireland becomes the scene of horrific deaths – locals are left as just a pile of mush, with no bones remaining in their bodies. Experts from the mainland Dr Stanley (Peter Cushing) and Dr West (Edward Judd) along with West’s lady friend Toni (Carole Gray) head over to investigate, only to be stranded with no immediate way to leave.

A nearby research lab on the island has unwittingly created new, silicon based creatures, which are rapidly multiplying. It’s not long before our heroes, and the remaining islanders, are cornered with no hope of escape against the deadly silicates. Can they find a way to stop the creatures before it’s too late for them all?

This film features a superb cast – Cushing is always a delight, and he’s great here – all giving credible performances that keep the implausible plot grounded. The creatures themselves are really quite terrible – sub-standard Dr Who globs of muck. But Island of Terror comes together nicely, with Director Terence Fisher using his skills to create an apocalyptic, Day of the Triffids style, peril filled movie.

8.5/10

Bucket of Halloween Horror Fest

The Gorgon (1964)

There have been several murders in the village of Vandorf in Central Europe, where the victims bodies are turned to stone. Following the death of his son Bruno, Professor Heitz (Michael Goodliffe) suspects all is not as it seems, and decides to investigate what the locals are hiding – and what they are so afraid of.

The Professor believes something hideous from ancient Greek mythology stalks the area, and seeks the help of Doctor Namaroff (Peter Cushing). Namaroff will not cooperate and the Professor meets his end when he sees the terrible face of Megeara, the Gorgon. Heitz manages to write a letter to his son Paul (Richard Pasco), before he is turned to stone.

Paul Heitz arrives in Vandorf to pick up the investigation, where he finds Namaroff similarly unhelpful. Carla, Namaroff’s assistant, played by Barbara Shelley, promises to assist Paul. But is there any truth to the myth of the Gorgon, and will there be time to solve the mystery before any more deaths occur?

I was sceptical at first, but The Gorgon successfully manages to transplant Greek myth to the more typical Gothic Hammer style. Christopher Lee turns up as Paul’s mentor, Professor Meister, in a great role – and Barbara Shelley is captivating in every scene. The film looks gorgeous, the lighting and shadows creating a stylish atmosphere – you’ll find it hard to look away, even when the Gorgon is on screen! A slightly different, but very fulfilling horror from Hammer.

8.5/10

Halloween Horror Fest 2021

Departing platform 13, the next ghost train to Halloween Horror Fest! Your wait is almost over – through the undulating mist, with a shrill blast of it’s piercing whistle, your carriage has arrived. Collect your belongings, get ready, the journey is about to begin…

Yes folks, that’s right – welcome once again to Halloween Horror Fest, where I will be viewing several macabre movies and providing you with a short, easily digestible overview. Whether old or new, classic or ropey, the month of October always brings the gruesome goodness – and this year Platinum Al’s Virtual Hot Tub will feature plenty of it.

Let’s get the (heads) rolling with these first morsels…

Gremlins (1984)

OK, I know – Gremlins is set during the Christmas period, but come on – it’s still totally appropriate for Halloween. We chose this movie as something we could watch with our own little Wednesday Addams, as freaky family entertainment. And seasonally, this film fits in nicely between now and the end of the year. Like Jack Skellington, this movie can bridge the festivals, too!

Surely you know the story, but for a quick recap: young Billy (Zach Galligan) receives a cute new pet for Christmas, a Mogwai named Gizmo. Gizmo doesn’t need batteries, but he does come with a very definite set of instructions. When these rules are accidentally broken, Billy’s small town is overrun by a throng of small, malicious creatures – all of whom are bent of murderous mayhem.

Excellent design and animatronics make both Gizmo and the ghastly Gremlins a wonderful watch, and though the plot is fairly obvious, Director Joe Dante delivers all the jeopardy and fun the viewer could ask for. Plus, I was very happy as the delightfully beautiful Phoebe Cates is in this movie. A great film to kick off Halloween Horror Fest 2021!

9/10

(10/10 from Daughtertron)

Bucket of Blood (1959)

Next up on my viewing list was “Bucket of Blood”, a black and white B-movie from the legendary Roger Corman. It’s a dark comedy horror, set amongst the groovy Beatnik culture of the time, which it explores and satirises at the same time.

Dick Miller (who also appeared in Gremlins, fact fans!) appears as Walter, a not-too-bright café worker who is in awe of the hip clientele. When an accident results in Walter killing a cat, he encases it in modelling clay and the “statue” becomes a minor sensation amongst the beat kids, oblivious to how Walter created such a piece.

Encouraged by those he admires, and through a series of misadventures, Walter ends up graduating to becoming a serial killer as he attempts to increase his artistic prowess and his social standing.

Though low budget, this movie is very watchable – not least because of Miller’s performance and a fast pace. Yes the Beatnik theme dates the film, but “Bucket of Blood” has humour and charm as a movie, even if it is somewhat grisly.

7.5/10

Bloody Hammers – Album Review

Bloody Hammers – Songs of Unspeakable Terror

Napalm Records

Release date: 15/01/2021

Running time: 32 mins approx

Review by: Alun Jones

8.5/10

Outside, the nights are starting to get lighter and Spring is on its merry way.  The birds chirp merrily and warmth is returning to the land.  Which is completely inappropriate for a review of the new album by Bloody Hammers, “Songs of Unspeakable Terror”.  It should be Halloween instead: gloomy and dark with the bizarre and uncanny just outside your door.

Anders Manga (vocals, guitars, bass) and Devallia (keyboards/organ) are the Morticia and Gomez husband and wife team behind Bloody Hammers, a metal/rock/goth creation based in Transylvania County, North Carolina.  How’s that for an address?  Bet Glenn Danzig’s crying into his Count Chocula cereal. 

On this opus, Lily and Herman have left behind their previous established sound of Alice Cooper-style hard rock, crunchy metal and Sisters of Mercy atmos.  Entombed alive due to the pandemic, Bloody Hammers have exhumed the bloody corpse of horror punk, in a temporary tribute to the genre.

And it’s huge fun!  Fast and furious tracks like “Night to Dismember” and “Waking the Dead” rocket from the crypt like the hounds of hell are on their tail.  Huge “whoah-oh” Misfits choruses are of course present and correct.  Rousing and energetic, these songs are obvious but loving celebrations of influences that have only been hinted at on previous albums. 

There’s macabre melody on “We Are the Damned”, with a choir vocal effect to help power the camp horror feel.  “Hands of the Ripper” and “Not of This Earth” are slower, more metal sounding with a grinding riff.

Little of the occasional Andrew Eldritch explorations exist on “Songs of Unspeakable Terror”, though “Lucifers Light” unites guitar and keys into a moody Danzig like ballad.  A little more of this approach would still have fitted perfectly however.  I don’t know if Devallia can sing, but if she can this was a missed opportunity.   

The listener never feels too far removed from the original Bloody Hammers style, however.  Likewise this isn’t a simple, derivative rip-off of “Walk Among Us”, even though “The Brain That Wouldn’t Die” is a nice radioactive “Hatebreeders” mutation.  But whereas the Misfits took their inspiration from monochrome B-movies, Bloody Hammers have changed gears to a Kensington gore-drenched 60’s Technicolor horror fest. 

“Songs of Unspeakable Terror” is an album of pure enjoyment, which is just what we need right now.  With song titles taken directly from classic Hammer/Amicus movies, a warm rediscovery of horror punk style and some familiar Bloody Hammers rock, you can’t go wrong.  Go dig out your Halloween fancy dress, find your “Plan 9 From Outer Space” VHS cassette and get ready for a ghouls night in!   

Check out Bloody Hammers on Bandcamp, Facebook and Instagram.

This review was brought to you by Platinum Al and Ever Metal.

Sci-Fi Weekender: Back to the Future

March is usually the time for Sci-Fi Weekender: a weekend long, stay-over-and-party Comic Con that’s full of entertainment. From special guests, interviews, signings, screenings, games and all manner of live entertainment, this event has always been a fantastic, full-on experience for all your geeky desires.

Sadly, the Covid pandemic exterminated the event this year. It should have been taking place this last weekend. It’s a real blow, as Sci-Fi Weekender offers just the kind of escapism that we need right now.

Have no fear, however: I’ve used my Indiana Jones-like archaeological skills to rediscover some long lost photos from the past.

Cosplay is always a big deal at SFW. All manner of glorious, gruesome, magnificent and marvellous costumes can be seen on display, worn by some of the coolest and most down-to-earth people you’ll be likely to meet this side of Tosche Station.

Thanks to my old pal Darf Dork (that’s Adam G, to you), I’m able to present some photos from the past that will bring back some fond memories. These pics are all Adam’s work – he’s been kind enough to thaw them out of carbonite for your enjoyment.

Hope in my Virtual Hot Tub Time Machine and let’s go back to SFW past. Hope you enjoy the photos. And keep dreaming: one day Sci-Fi Weekender will return…

The Brothers Keg – Album Review

The Brothers Keg – Folklore, Myths and Legends of the Brothers Keg

APF Records

Release date: 11/09/2020

Running time: 44 minutes

Review by: Alun Jones

9.5/10

And lo, the ancient seers have foretold of the coming of the Brothers Keg.  Anticipation building slowly, the wise masters of APF Records have foretold a fortuitous event, something that would elate the masses and bring joyous union to the land.  At least it feels that way, Old Al can’t be the only one who’s been expecting something special with this release.

The Brothers Keg are a three-piece band from London way; comprising Tom Fyfe on drums, Tom Hobson on guitar and vocals and Paul Rosser on bass/vocals.  Together, their music is colossal stoner/doom with a huge sound, massive ambition, and a fine angle on self-mythologising.  The result is an album so epic, so over the top and downright fun – that the Brothers deserve every ounce of assured swagger that they no doubt possess.

Tom Hobson himself describes the sound as “HP Lovecraft meets Queen’s Flash Gordon listening to Jeff Wayne’s War of the Worlds at the wrong speed smoking a medieval spliff dipped in poppers.” That’s this review written really – do I need to sell this any harder to you?  

If you need more persuasion, imagine a cult sci-fi fantasy B-movie soundtrack featuring spoken word narration and bludgeoning riffs, and you’re halfway there.  Tracks like “Moorsmen” and “The Army of the Thirsty Blade Approaches” are skull splittingly mighty, generating a genuine feeling of excitement.

“No Earthly Form” and “Brahman” have it all: heavy guitar and pounding rhythm; countered with atmospheric psychedelia that the listener can absorb like a movie.  “Brahman” is nearly 13 minutes of music that doesn’t outstay it’s welcome: from meditative chanting, a killer stoner riff, and washes of acid-soaked guitars creating a spacious landscape.

The narration adds to the band’s mystique without being cheesy or silly.  Yes, it’s all ridiculously good fun – but the sheer weight of musical invention adds up to something exceptional.  Add in some glorious cover artwork (that looks like a cyborg He-Man pursued by a demented Skeletor) and “Folklore, Myths and Legends of the Brothers Keg” possesses an undeniable charisma.  I want the vinyl, the t-shirt, the poster – I want everything.  Hell, I want Brothers Keg action figures (with weapons and musical accessories, features small parts, ages 3 and up) and I want them NOW!

Another contender for album of the year?  You betcha.

Of course, the Brothers Keg aren’t the only famous brothers in rock.  Those crazy Van Halen boys are two of my favourites – oh, I used to have some wild times with them.  Like the time they pulled the thread out of the crotch of David Lee Roth’s pants, so when he performed one of his patented scissor jumps – the pants split and Diamond Dave’s family jewels were revealed for all.  You didn’t need to be in the front row to see it everything, I can tell you.

Dave had his revenge at a later gig, though.  Backstage, he switched out the blue M&Ms in a complimentary dish for laxative pills; Eddie’s tight white trousers were not a pleasant site at all that night.  Now you know why their rider has always stipulated the blue M&Ms are removed ever since.     

Check out The Brothers Keg on Bandcamp, Facebook and Instagram.

And have a look at APF records website while you’re at it.

Finally, whatever you do, don’t forget to visit Ever Metal for more awesome news and reviews!