Tag Archives: Frankenstein

Train to Halloween Horror Fest

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Are you feeling brave? Let’s explore some more spooky movies for Halloween…

Ginger Snaps (2000)

A mad dog is on the loose in the town of Bailey Downs, Ontario (that’s in Canada!). Two residents, sisters Brigitte (Emily Perkins) and Ginger (Katharine Isabelle), are local school misfits and morbidly obsessed. One night, Ginger is attacked by the dog, but guess what? That’s right, it ain’t a dog…

Ginger begins to change, both physically and in her demeanour. It becomes obvious to her sister that she’s becoming a werewolf. As the two negotiate how to manage the situation, their lives inevitably become more complicated and things get lethal.

Ginger Snaps is a very. very clever film that puts a new spin on the old werewolf folklore. By concentrating on two young female lead characters, it serves as an ingenious deviation from the norm and a well observed look at the young girl’s lives. It’s like Twilight with teeth. Or should that be – with fangs?

8/10

House of Dracula (1945)

This is what we want! Universal monsters – not one, not two, but three of the classics! A black & white monster movie, we get to see Dracula, the Wolfman and Frankenstein’s monster – together!

In this follow up to House of Frankenstein, which also featured the three horror icons, Dracula (John Carradine) is visiting Dr Edelman (Onslow Stevens) to cure his vampirism. Similarly, Larry Talbot (Lon Chaney Jr.) – the Wolfman – is also seeking out the same doctor for assistance in finding a cure for himself. Throw into the mix a revived Frankenstein’s monster (Glenn Strange) and you’ve got a triple threat creature showdowwn!

It’s all a bit contrived and silly really, too many odd coincidences occur to engineer the creatures being in the same place at the same time. But if you can conveniently ignore that, House of Dracula is good fun. There are some great special effects and makeup, and Carradine and Lon Chaney Jr are good value for money.

7/10

Train to Busan (2016)

Zombies, zombies, zombies. Seems like my household like to watch a lot of zombie movies. And television programmes. So, I nearly passed on watching this South Korean entry into the genre out of sheer fatigue. I’m so glad I didn’t, as this is one of the best horror movies (zombie or otherwise) I’ve seen in a long while.

It follows a workaholic father taking his young daughter to visit her mother in Busan on her birthday. They take the train, and as bizarre, gruesome events spiral, they’re soon trapped in a zombie apocalypse.

The plot doesn’t really need much more explanation than that, and I don’t want to give the slightest thing away. But Train to Busan is one of the most intense, edge-of-the-seat frighteners going, filled with interesting characters, disastrous consequences and heart-breaking twists. Unmissable!

9/10

The Evil of Halloween Horror Fest

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It’s time for more mini horror film reviews, as we celebrate spooky month! What have we got tonight?

The Evil of Frankenstein (1964)

What we have here is the first Hammer Horror for this years Festival of Fear! This is the third film in the Hammer series, again starring the legendary Peter Cushing as Baron Frankenstein.

This time around, the Baron and his assistant Hans (Sandor Eles) are on the run following some dastardly grave robbing antics, so they decide to go back to his hometown of Karlstaad, despite being banished. There they hope to use valuables from the old Frankenstein castle to fund more research. Instead, the Baron finds that his old home has been looted – by, it turns out – the local authorities.

On the run again, they’re aided by a local deaf-mute girl, and hide in the mountains. The Baron discovers his old creature, frozen in ice. After rescuing the creature, they’re unable to bring it back to life fully, so decide to seek the help of a carnival hypnotist, Zoltan (Peter Woodthorpe). Zoltan is successful, but jeopardises everything by using the creature to enact his own cruel revenge…

It’s a funny old hodgepodge of a film, this one. The first Hammer movie, Curse of Frankenstein, is recapped but reimagined – it’s re-done and is very different this time round. The whole thing feels like different elements thrown together to see if they stick. Although the creature, this time played by Kiwi Kingston not Christopher Lee, looks more like the classic Karloff version, the makeup looks strange and false. The excellent sets and another great performance from Cushing help save The Evil of Frankenstein from failure.

7/10

Twilight (2008)

Hey, it was my teenage daughter’s choice – so what?! We take turns to pick something to watch, and Daughtertron is very into this Twilight stuff at the moment. So fair’s fair, we gave it a go.

Twilight is about a young woman named Bella Swan (Kristen Stewart), who relocates from Arizona to the very different state of Washington, to live with her father. She attends the local school, makes some friends but gradually becomes intrigued by another classmate, Edward Cullen (Robert Pattinson).

After a frosty start, the two are slowly pulled together, and Bella discovers that Edward and his “family” are vampires. All is going well in a teen love story fashion, till a separate, wandering group of vampires happen upon the Cullen clan – and Bella – and there’s a big fall out during a baseball game.

Despite some bizarre ideas such as sparkling vampires and vampires playing baseball, the film wasn’t too bad. Twenty minutes too long and far too soppy, Twilight was still fairly watchable, even though I’m not the target audience. I’ve seen worse. I mean, it was better than Harry bloody Potter.

5/10

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Halloween Horror Fest of Frankenstein

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Groovy title, eh?  I know “Son of Halloween Horror Fest” would’ve made more sense, but I’ve used that title already.  I could’ve gone with “Son of Halloween Horror Fest 2025”, but that’s boring.  So we are where we are.  Here are the reviews…

Son of Frankenstein (1939)

Classic Universal horror, and what a cast!  Following on from Bride of Frankenstein, in this story the studio attempt to spin the franchise out with another sequel.

Wolf von Frankenstein (Basil Rathbone), son of the legendary baron and obsessed scientist, returns with his family to their ancestral home after years in exile.  The locals give them a somewhat frosty reception, as the memory of the carnage wrought by the elder Frankenstein’s creature (Boris Karloff) still haunts them.

Wolf is concerned with saving the family reputation, but when he stumbles across Ygor (Bela Lugosi), a revenge crazed outcast, things can only go downhill.  Old Ygor knows where the creature is, and despite clashing objectives, he and Wolf will attempt to revive the creature again…

Although the narrative is becoming very obvious by this point in the series, this sequel is watchable for many reasons.  It looks fantastic in black and white, the shadowy sets full of secrets and menace.  And the cast are superb, though Karloff’s creature is outshone by Lugosi in a very memorable roll.

Not a patch on it’s predecessor, Son of Frankenstein is still a thoroughly enjoyable old school horror yarn.

8.5/10

Casper (1995)

More family friendly fun now, but this film really is a stinker.  Based on the old comic strip about a friendly ghost and his three horrible uncles, it starts off as well intentioned before going off the tracks.

An obnoxious, rich brat has been left a rundown, haunted mansion in her father’s will.  It’s the haunted mansion occupied by Casper and chums, obvs.  A “paranormal therapist” played by Bill Pullman is eventually tasked with sorting out the spooks, so that the vile new owner can claim some lost treasure that’s apparently hidden away there.

Bill brings along his daughter Kat, played by Christina Ricci.  Both of them have unaddressed issues following the death of Kat’s mother.  Casper has a crush on Kat (of course) and hilarity ensues (not) as they try to tame the spooks, and other stuff.

The CGI animated Casper looks really cute, and there are some amusing moments occasionally (Eric Idle, in a supporting role, is great).  But the tone is ruined by some truly ghastly additions like a machine that brings spirits back to life, and a completely unnecessary back story for Casper.

The attitude to death in this film is just plain weird, and distasteful.  Don’t worry kids, people die and become ghosts, then become people again!  This mash up of cutesy characters and flippant attitude is both odd and disrespectful.

3/10

Return of the Living Halloween Horror Fest

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Two horror reviews for you this time, friends! Read on, if you dare…

The Revenge of Frankenstein (1958)

The second instalment in a series of Frankenstein films produced by Hammer, The Revenge of Frankenstein followed hot on the heels of its predecessor. The Curse of Frankenstein had been released the previous year, and was such a hit that a sequel was demanded. Despite, of course, the fact that the evil Baron had been executed at the finale last time.

No matter, Baron Victor Frankenstein (Peter Cushing, of course) is saved from death with a fairly sneaky twist, and is soon practicing medicine in a far off town. Going by the name of Doctor Stein (no one’s gonna figure that out, right?), the doc sets up a successful practice for wealthy patients, whilst also looking after the poor at a hospital.

Joined by a younger doctor, Hans Kleve (Francis Matthews) – who learns Dr Stein’s true identity and wants to learn from him – Frankenstein is soon up to his old tricks. This time around, his creation (Michael Gwynn) at least looks normal, if only at first. It isn’t long before the inevitable happens and everything goes downhill, big time.

The production looks quality and performances are great, in particular Cushing who brilliantly darts between menace and a steely charm. Some gory surgery provides the bloody horror required and The Revenge of Frankenstein admirably fulfils its role as gruesome entertainment. We just know that another sequel will be along soon!

8/10

The Return of the Living Dead (1985)

So this is the film that establishes the concept of zombies eating brains, yeah? OK. One thing is for sure, this comedy-horror is not a sequel to Romero’s brilliant Night of the Living Dead. The Return of The living Dead is a very different beast, though still in a cult league of its own as a horror punk classic.

At a medical supply warehouse, two employees accidentally release a load of toxic gas which reanimates a cadaver and causes all kinds of health and safety high jinks. The morgue over the road has a crematorium, which seems ideal for permanently destroying the undead evidence. Until the escaping gas contaminates the clouds above, and rainfall on the nearby cemetery causes the dead to rise…

Oh, did I mention the gang of punks in the cemetery, waiting for their friend to finish work at the medical supply place? No? Well they are, and you can guess the rest.

This mid eighties movie is not something I’d usually watch. In fact, the main reason I wanted to watch this film is because of the legendary soundtrack, which features a load of awesome horror related punk bands like The Cramps, The Damned and TSOL. A vinyl copy has been on my shopping list for a long time, but I wanted to see the film first so I didn’t feel like too much of a fraud.

The film is pretty good fun, though. It’s fairly dumb and only occasionally does the black humour raise a smile, but The Return of the Living Dead was certainly worth a watch. It’s over the top – unapologetically so – but that’s part of it’s success. Disengage brain and go for it. The soundtrack is bloody great, by the way. I’ve got it on clear with red blood splattered vinyl. AT LAST!!!

7.5/10

The Ghost of Halloween Horror Fest

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A crack of lightning; the roll of thunder; rain lashing at the window. Night has fallen, and the cold air nags at your bones with a morbid persistence. The wind moans, but cannot hide the strange calls off in the mountains. The children of the night, what music they make… Come closer, friend. It is time once again for Halloween Horror Fest…

That’s right, kids – Halloween Horror Fest! Throughout the month of October, I watch as many films that are appropriately fearsome, frightening, or just pure fun! Here at the Virtual Hot Tub is where you can catch up on my mini reviews of each movie, and enjoy spooky season and all it’s macabre delights!

The Ghost of Frankenstein (1942)

We’ll start this year with a gem from good old Universal. You really can’t beat these old black & white movies for sheer atmosphere and nostalgia. I’ve never seen The Ghost of Frankenstein before, so was keen to tick it off my list.

Following on from the previous film in the series, Son of Frankenstein (1939), we again meet Ygor (Bela Lugosi), who discovers and rescues his old friend The Monster. This time, Frankenstein’s creation is played by Lon Chaney Jr, rather than Karloff. The pair travel to a new town to locate the younger son of Frankenstein, Ludwig (Cedric Hardwicke), where Ygor blackmails the doctor into revitalising the creature. A plan is set in motion to replace the monster’s criminal brain with a “good” brain, but some have their own ambitions motivating them…

Plot wise, I could tell exactly where this movie was headed from the off – there are no real surprises. And the lack of Karloff as the monster made me somewhat wary. But Chaney Jr has a good crack at it, and the rest of the cast (including Lionel Atwill) keep proceedings on track. Moody sets, great soundtrack and an enjoyable (though somewhat obvious) storyline helped make this film another triumph for Universal.

8/10

For the Love of Horror

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Bowlers Exhibition Centre, Manchester

11/12 November 2023

What’s For the Love of Horror all about, then? Well readers, it’s basically a Horror themed convention that takes in all manner of frightful pop culture, be it movies, television, comic books and everything else you can imagine. If you’ve been to a Comic Con – or read one of my previous blogs about the ones I’ve visited – then you’ll know what to expect.

Except of course, that For the Love of Horror really is concentrated on all things horrific!

As you’d expect, there are numerous actors to meet, have photos with or autographs from. And you can listen to their Q&A sessions, ask questions, and gain insight into the real world behind the fantasy.

There are dozens of stalls with traders selling wondrous merchandise, for all your spooky needs (whether for you or someone else). There are also props and set displays for cleverly placed photo ops.

Not forgetting the guests themselves, a large number of whom dress as their favourite genre characters (or clever interpretations of). Yes, the Cosplayers here at For the Love of Horror are truly amazing – check out the pics on this blog for evidence! Halloween outfits never go out of style here!

It was a family day out for us, and we arrived early at the exhibition centre to get straight in and crack on. After getting an idea of our surroundings, we were happy to explore and wander round the trade stalls for a start.

At the very first stall I visited on the day, I picked up a Vampira Reaction figure that I’d been hoping to find. Only just recently released in the USA, this was the first one I’d ever seen for sale in this country. Needless to say, I snapped Vampira up immediately. Not a bad start to the day, first stop and an item for the collection!

Mrs Platinum Al had booked to meet the one and only Chris Sarandon, alias Jack Skellington (amongst many other credits) and have a signed photo taken. Daughtertron accompanied her to meet Mr Sarandon, leaving me to take a few photos elsewhere.

We took some pics at the various set displays, including a Chucky box which I stood in – a kind couple let me borrow their life size Chucky doll for the photo!

The best display, however was The Lost Frog Comics – a replica of the Frog Brothers comic shop in The Lost Boys. The owner has meticulously curated a collection of comic books that appeared in the film, from stills and reference shots, utilising some amazing detective work. As a comic book collector I was fully geeked out, admiring all the titles on display. It’s an incredibly impressive labour of love that recreates one of my favourite scenes in the film.

Speaking of The Lost Boys, several of the cast were in attendance on the day, including Kiefer Sutherland, Jason Patric, Billy Wirth and Alex Winter. Did you hear me???! I said Alex Winter!!! Bill S Preston himself! Sorry, I know Bill isn’t a horror character, but come on. All three of us went up to get a signed photo from Alex, because you just have to do these things sometimes.

We also caught some Q&As where we could, including Brad and Fiona Dourif and Lou Diamond Phillips. All entertaining speakers, showing another side to their screen personas (often with hilarious results!).

There was plenty more shopping to be had – I picked up a Geeki Tiki mug in the shape of Elvira, Mistress of the Dark which I’d wanted forever. The family managed to go slightly crazy and blow the Christmas money on a range of freaky merch!

Of course the fantastic Cosplayers were the real stars of the show. My thanks to all the wonderful costumed people who let me take their photo for this blog – you’re all awesome! I’m not a professional photographer by any means, so my pics aren’t perfect – I’m just a fan who loves to see the creativity on display.

There was a quick visit to the outdoor fairground (in the spirit of the Santa Clara fair in The Lost Boys), and I had a cheeky pint in the bar upstairs, that’s themed after the Mos Eisley cantina in Star Wars. That was very cool. Eventually, it was time to make our way home, ull of the love of horror.

Hope you enjoy the pics. See you next year!

House of Halloween Horror Fest 2022

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It’s now November, and while Halloween is a distant memory for some, here it still lingers. Halloween Horror Fest was a blast, but it’s not quite dead and buried yet. There are a couple of spooky movies still to review for you lucky people. Gather round, ghouls – it’s time for…

House of Frankenstein (1944)

You just can’t beat the old Universal monster movies – I love ’em! Ideal easy viewing for Halloween – or any time, really!

In this picture, legendary horror master Boris Karloff plays Dr Niemann, a Mad Scientist if ever there was one, who escapes from prison with his hunchback accomplice. Together, they join a travelling horror side show curated by Professor Lampini, before eventually knocking him off. The remains of Count Dracula (John Carradine) are part of the show, and Niemann revives the vampire to help him wreak revenge on those responsible for his incarceration.

Revenge complete, the nefarious doctor abandons Dracula and makes his way to locate the records of Frankenstein. There, Niemann stumbles across both the Frankenstein Monster (Glenn Strange) and the Wolfman (Lon Chaney Jr), frozen in ice from their previous encounter in Frankenstein meets the Wolfman. With the Wolfman revived and his human counterpart, Larry Talbot, eager to receive aid from Dr Niemann, a rivalry between Talbot and the hunchback for the affection of a gypsy girl threatens to thwart all their plans.

It wouldn’t be Halloween without the monochrome delights of Universal monster movies, and this one is great fun. The only way to improve a monster movie is to cram in as many more monsters as possible, and House of Frankenstein does exactly that. Karloff and Chaney are wonderful, and though Carradine is no Lugosi, he has a charm of his own. It’s just a shame Drac isn’t utilised more fully here. That’s really my only complaint, other than the short running time.

The shared universe of the Marvel superheroes is a huge accomplishment nowadays; though it could be argued that Universal did it first: combining a bunch of their main horror characters into one movie. House of Frankenstein was certainly entertaining, a film I’ll revisit many times.

9/10

1408 (2007)

Based on a Stephen King short story I’ve never read, 1408 stars John Cusack as Mike Enslin, a professional paranormal investigator and writer. Enslin is somewhat jaded and definitely sceptical concerning his investigations of allegedly haunted houses.

When Enslin decides to investigate the infamous Room 1408 in a New York City hotel, he expects the usual non event – despite the manager (Samuel L Jackson) attempting to dissuade him from entering the room altogether. No one, the writer is warned, lasts longer than an hour in Room 1408.

Enslin enters the room, and slowly things start to happen. From witnessing ghosts of the room’s previous occupants to facing his own guilt and loss, Mike is increasingly trapped and tormented inside the hotel room.

It’s largely a one man show for Cusack, who does a solid job in his role as cynical writer turned haunted prisoner. The film has plenty of creepy, jumpy moments and unexpected twists. I’ve said enough, I don’t want to give anymore away – but I will say I was more impressed by 1408 than I expected to be.

7/10

There we go folks, Halloween Horror Fest is all over for another year. See you next time. Unpleasant dreams!

Lugosi – Album Review

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Lugosi – Video Nasty

Self-released (BJF PR)

Release date: 12/03/2021

Running time: 27 minutes

Review by: Alun Jones

8.5/10

OK, here we go!  The clue’s in the title, folks – you can probably figure out where we’re headed with a band called Lugosi straight off the (vampire) bat.  If not, let me give you some pointers…

To get to Lugosi’s haunted house, depart from the Ramones’ basement, travel up Misfits Avenue, take a left at Danzig Drive, head on past Lemmy’s Bar’n’Grill till you get to 1313 Mockingbird Lane.  And you’ve arrived: horror themed punk’n’roll with fast’n’furious tunes and daft lyrics about dodgy old horror and sci-fi movies.  In other words, exactly the kind of goth rock Halloween shindig that your ol’ Uncle Al loves to crash.

Let’s get the devil-locked elephant in the room dealt with first: ‘cos there’s going to be a Misfits reference in nearly every sentence I write of this review!  To be fair, although there’s an undoubted Misfits influence in Lugosi’s work, it’s more in the lyrical content: songs about vampires, Dawn of the Dead and devil worship are aplenty, but in a tongue in cheek, Hammer horror style rather than any serious Satanic pretence.  This is music made by fans of cheesy, campy horror classics for other fans of the same.

The music itself has less of the big “WOAH” Danzig choruses and a more Motorhead inspired punk’n’roll sound, like Supersuckers  or Zeke.  There’s even a really cool instrumental in the middle of “They Came from Outer Space” that has an Iron Maiden feel.  The riffs not too far from Clutch, and – is that a Thin Lizzy influence?  Well, I was surprised to learn that Lugosi are from Dublin – I imagined they were from a remote cabin in the Texas backwoods somewhere…

“Late Night Slasher Movie” starts things off perfectly, in the speedy rockin’ style I mentioned, with hilarious lyrics!  “We’re Here to Drink Blood” is one of the punkier paced, Ramones tracks – and it’s catchier than a zombie plague.  Then there’s “Soylent Green”, which reminds me of Jerry Only era Misfits (this is a good thing).  A heavier, Sabbath feel rocks right out of the grave on “The Vampyre” and “Hellfire Club”.  There’s an almost doom sound to “1313”, augmented by high-pitched, theremin like weirdness.  I think you get the idea.

“Video Nasty” is a great album, thoroughly enjoyable in many ways: a successful Frankenstein bolting together of B-movies, punk and heavy metal – ideal for your next gathering on All Hallows Eve.  Kitsch, ridiculous, over the top – and FUN.  Lugosi have really reanimated the corpse of horror punk, and – it’s alive!!!

Check out Lugosi on Facebook and Bandcamp.

This review was proudly presented by Platinum Al and Ever Metal.

A Halloween Horror Fest on Elm Street

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A Nightmare on Elm Street (1984)

Now here’s a film that should need no introduction. Though to be honest, back in the 80s when A Nightmare on Elm Street – and it’s sequels – were hugely popular, I was never a fan. I’ve just never been really into “Slasher” movies – I was investigating the classic Gothic horror of Hammer and Universal at the time, and modern, contemporary films just didn’t grab me.

Never the less, I decided to give Wes Craven’s original another go, just in case I was missing something.

Brief recap: a bunch of kids on Elm Street suffer from terrifying dreams, featuring a crispy faced dude wearing a mask and possessing a gardening glove customised with lethal blades. Yes, it’s evil child murderer Freddy Krueger (Robert Englund), and he intends not only to provide the kids with some unforgettable nightmares, he also wants to bloodily murderise them.

Revisiting this film was actually a lot of fun, I was surprised how well A Nightmare on Elm Street stood up. Yes, it’s incredibly dated, and ridden with clichés, but hey – these were new, original ideas back in the day. It’s not Gothic horror, but the supernatural elements are well plotted and help create the Krueger mythos.

Englund is great, though he’s more restrained in this first instalment. It’s always great to see John Saxon, who plays a cop here; and there’s an interesting debut from a fresh faced Johnny Depp, playing teenager Glen (who was probably about 40 at the time of filming).

Yes, I have been proven wrong – A Nightmare on Elm Street is actually a pretty damn good movie, with a mix of scares, peril and gore that shows Craven knows what he’s doing. Not the best film eve made, but I’m beginning to see how the cult of Freddy became so formidable. I’ll definitely check out the sequels.

8/10

The Indestructible Man (1956)

Convicted criminal “Butcher” Benton (Lon Chaney Jr.) is going to the electric chair, and he refuses to tell his bank robbing colleagues where the loot is. After being executed, Benton is brought back to life in an experiment. He then commences to seek revenge on his former partners, and the police are left to put the clues together and stop the gruesome murders.

A strange mix of the Frankenstein tale and 1950s cop show, this movie hardly feels like horror, but does have an impressive body count. Chaney has few lines – he’s mute for some reason, when resurrected – and we usually see his intense emotion only in wacky, extreme close up.

No points for originality here, but the film benefits from scenes representing the streets, bars and Burlesque clubs of old Los Angeles. As a period piece, The Indestructible Man is fun – it’s typical drive-in B-movie fare. Ironic that a couple of key scenes actually take place in a drive-in theatre!

6/10

The Halloween Horror Fest Don’t Die

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The Dead Don’t Die (2019)

Wow – what a cast! Bill Murray, Adam Driver, Tilda Swinton, Danny Glover, Iggy Pop, Tom Waits – amongst many others – star in this comedy horror from director Jim Jarmusch.

The Dead Don’t Die tells the story of a zombie apocalypse in a small US town, as we see events unfold from the point of view of two cops on patrol (Murray and Driver). Natural phenomena begins to go awry, and following the murder of two workers in the local diner, events escalate quickly. Soon enough, the police (together with Swinton’s samurai funeral director) scramble to retain control as hordes of zombies take over.

Although there are some wonderful performances in this film – Murray and Driver’s brilliantly understated cops being the best – this film doesn’t really succeed as a comedy or a horror film. The zombie arrival is very slow, and the conclusion seems rushed. The comedy is rarely laugh out loud hilarious, it’s mostly dry humour and deadpan delivery, and there’s a lot to enjoy in the approach that the movie takes.

The Dead Don’t Die follows it’s own path, avoiding the much more in-you-face approach of Zombieland. The film is an enjoyable and worthwhile watch, but it doesn’t quite achieve its potential. It’s more of an Indie arthouse spoof of the genre, but whilst it has it’s own peculiar charms, I was expecting much more. Maybe I should know more about Jim Jarmusch. Who is he, anyway?

7/10

The Mummy (1959)

Frankenstein? Check. Dracula? Check. Next on the horror hitlist for Hammer was The Mummy, and boy does it look great in splendid colour. Peter Cushing and Christopher Lee are, of course, on hand; as are Terence Fisher (director) and Jimmy Sangster (writer). You can’t go wrong.

It’s 1895, and an archaeological dig in Egypt finds the ancient tomb of of Princess Ananka. John Banning (Cushing) has a broken leg, and can’t enter the tomb, though it’s probably for the best. His dad Stephen does go in, despite the protestation of the Egyptian Mehemet Bey (George Pastell) and is driven mad by… something.

On returning home, Banning senior (Felix Aylmer) is in a nursing home, receiving care for the mentally disturbed. He becomes lucid enough to warn his son that he fears the mummy of Kharis, the high priest will destroy them all for entering the tomb.

Sure enough, the Mummy of Kharis (Lee) is awoken by Bey, and begins to take revenge for the disturbance. Will Banning be able to stop it’s rampage?

Predictably excellent work from Cushing here, as expected. And Lee is imposing as ever as Kharis, looking incredibly grim emerging from a swamp. The film does drag a little in the final third, but with the beautiful sets, a lush score and a decent story, The Mummy is unmissable for any Hammer fan.

8.5/10