Written and directed by Ari Aster, Midsommar is both very different from the usual horror films, and is utterly captivating. At nearly two and a half hours long, the movie takes it’s time to slowly build a feeling of inevitable dread and reach it’s finale, but I was engrossed.
Dani (Florence Pugh) is grieving from the death of her sister and parents, finding little solace in her boyfriend Christian (Jack Reynor). Though their relationship is ending, Dani accompanies Christian and his anthropology student friends on a research trip to Sweden, to observe the mid summer rituals of a remote community. Every 90 years is a particularly special celebration, and this year is one of those – thus it’s a rare opportunity for them all.
The friends are welcomed into the commune, and begin to observe their practices and lifestyle in a land where the sun shines almost all day in summer. Gradually, the rituals become more unsettling, as the pagan rites become more and more bizarre and deadly. The isolation of Dani and her friends escalates, as the motivations of their hosts adds to their confusion.
I don’t want to give too much away about this film, as it really is superb. Some viewers will find it too long and drawn out, and the events too obscure and unexplained. But resisting the urge to rush into situations, taking time to develop the painfully unsettling atmosphere and sense of unease is handled spectacularly, I thought. There’s a level of detail in the onscreen clues and themes that is painstaking and engrossing.
Midsommar is folk horror, and comparisons to the wonderful The Wicker Man (1973) are only to be expected. There are a few scenes of brutal violence, but onscreen shocks are relegated to the minimal, sacrificed for an unbearably apprehensive descent to the conclusion. Pugh’s performance is phenomenal, her experiences are heart-breaking and disorientating and she bleeds emotion from the screen.
Deeply disturbing, yet fascinating, this particular folk horror is part mystery and part break up movie. Midsommar has been masterfully conceived and produced, it’s one of the best films – horror or otherwise – I’ve seen in a long time.