House of Halloween Horror Fest 2022

It’s now November, and while Halloween is a distant memory for some, here it still lingers. Halloween Horror Fest was a blast, but it’s not quite dead and buried yet. There are a couple of spooky movies still to review for you lucky people. Gather round, ghouls – it’s time for…

House of Frankenstein (1944)

You just can’t beat the old Universal monster movies – I love ’em! Ideal easy viewing for Halloween – or any time, really!

In this picture, legendary horror master Boris Karloff plays Dr Niemann, a Mad Scientist if ever there was one, who escapes from prison with his hunchback accomplice. Together, they join a travelling horror side show curated by Professor Lampini, before eventually knocking him off. The remains of Count Dracula (John Carradine) are part of the show, and Niemann revives the vampire to help him wreak revenge on those responsible for his incarceration.

Revenge complete, the nefarious doctor abandons Dracula and makes his way to locate the records of Frankenstein. There, Niemann stumbles across both the Frankenstein Monster (Glenn Strange) and the Wolfman (Lon Chaney Jr), frozen in ice from their previous encounter in Frankenstein meets the Wolfman. With the Wolfman revived and his human counterpart, Larry Talbot, eager to receive aid from Dr Niemann, a rivalry between Talbot and the hunchback for the affection of a gypsy girl threatens to thwart all their plans.

It wouldn’t be Halloween without the monochrome delights of Universal monster movies, and this one is great fun. The only way to improve a monster movie is to cram in as many more monsters as possible, and House of Frankenstein does exactly that. Karloff and Chaney are wonderful, and though Carradine is no Lugosi, he has a charm of his own. It’s just a shame Drac isn’t utilised more fully here. That’s really my only complaint, other than the short running time.

The shared universe of the Marvel superheroes is a huge accomplishment nowadays; though it could be argued that Universal did it first: combining a bunch of their main horror characters into one movie. House of Frankenstein was certainly entertaining, a film I’ll revisit many times.

9/10

1408 (2007)

Based on a Stephen King short story I’ve never read, 1408 stars John Cusack as Mike Enslin, a professional paranormal investigator and writer. Enslin is somewhat jaded and definitely sceptical concerning his investigations of allegedly haunted houses.

When Enslin decides to investigate the infamous Room 1408 in a New York City hotel, he expects the usual non event – despite the manager (Samuel L Jackson) attempting to dissuade him from entering the room altogether. No one, the writer is warned, lasts longer than an hour in Room 1408.

Enslin enters the room, and slowly things start to happen. From witnessing ghosts of the room’s previous occupants to facing his own guilt and loss, Mike is increasingly trapped and tormented inside the hotel room.

It’s largely a one man show for Cusack, who does a solid job in his role as cynical writer turned haunted prisoner. The film has plenty of creepy, jumpy moments and unexpected twists. I’ve said enough, I don’t want to give anymore away – but I will say I was more impressed by 1408 than I expected to be.

7/10

There we go folks, Halloween Horror Fest is all over for another year. See you next time. Unpleasant dreams!

Halloween Horror Fest 2020

Good evening, guys and ghouls! Enter, my friends, sit down near the fire and warm yourselves from the cold outside. It’s dark, and many strange things are afoot this night. Listen closely, and I will tell you of them…

Yes, it’s October – and time for another Halloween Horror Fest! Many of you may be feeling that 2020 has been horrible enough, but I’m going to press on anyway. Regular readers will remember that every October, I try to watch a load of spooky or creepy films. Not all of the films may be true horror, but there will always be an element of the bizarre or supernatural that will make them appropriate for this time of year.

Here we go with the first Horror Fest movie of the year…

Dracula (1958)

What could be better than starting the proceedings with a Hammer classic? Titled Horror of Dracula in the US to differentiate this film from the 1931 Universal version, Hammer films followed up the success of The Curse of Frankenstein with another venture into Gothic horror.

Sadly, the plot of this film veers away from the original novel a great deal, something that always bothered me from first viewing many years ago. I guess the viewer just has to accept that this isn’t a faithful rendering of Bram Stoker’s tale, rather a condensed and re-engineered take on the story.

We still begin with Jonathan Harker (John Van Eyssen), arriving at Castle Dracula, where he is to take up employment as the Count’s librarian. In reality, Harker is there to destroy Dracula (a superb Christopher Lee) and end the counts reign of vampiric terror. Sadly this is not to be, and Harker meets his end at the fangs of the vampire count. Shortly thereafter, Harker’s vampire hunting colleague Dr Van Helsing (Peter Cushing – also excellent) is on the trail, and realises that Dracula is on his way to Harker’s home town, to enact revenge and turn the heroes friends and relatives into the undead.

Despite changing the story and confusing characters from the book, this film becomes a hugely enjoyable accomplishment. The sets are superb, James Bernard’s score is iconic and Director Terence Fisher masterfully keeps the suspense and action mounting. Although the gore and erotic undertone were restrained by the censor (something Hammer would deliver more of in the future), it’s a lush colour production that is simply gorgeous to watch.

Michael Gough as Arthur Holmwood, and Melissa Stribling as Mina Holmwood, provide great performances, as do all the cast. But Cushing and Lee elevate the film to mythic status – Lee in particular becoming the embodiment of Dracula with a power and menace that makes his role unforgettable.

Hammer’s Dracula may not be definitive, if you’re a fan of the source novel, but it’s bloody good entertainment.

8/10