Monthly Archives: March 2026

Spider Kitten – Album Review

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Spider Kitten – The Truth is Caustic to Love 

APF Records 

Release date: 27/06/2025 

Running time: 40 mins approx 

Review by: Alun Jones 

9/10 

The wild and wonderful world of Spider Kitten: a place, a frame of mind, an attitude – there is nowhere else like it.  Both welcoming and confrontational at the same time, this band follow their own desires and to hell with the consequences.  There are no rules in this lawless land, just an exploration of whatever realm of consciousness the band happen to be channelling at any one point.  But it all makes perfect sense. 

APF records have released this latest album by Spider Kitten, entitled “The Truth is Caustic to Love”.  Within its sonic walls are a myriad of styles and journeys, encompassing everything from the gloomiest of doom, sludgy grunge, magnificent acoustic ballads and Spaghetti Westerns.  Plus everything else you can think of. 

Now that’s probably the most pretentious intro to a review I’ve ever written, so I’d better back it up with some serious wordology.  The menacing crawl of ‘13 of 6’ is our first destination, its crushing heavy sections contrasted with sparse ambient passages, tense with expectation.  First single ‘The Dose’ is next, coming on like a Death Metal Melvins; followed by the delightful acoustic guitars and Mexican sunset of ‘Sueño’.  Then it’s back to the heavy, with ‘The Spoiler’ sounding like Alice in Chains on a major comedown. 

This contrast in light and dark isn’t necessarily a new idea, but with Spider Kitten, the experimental, melodic and melancholy moments seem more extreme.   

‘Three Shots’ is a central track here, and a personal favourite, with its moody, dusty Ennio Morricone soundtrack vibe.  ‘Woe Betide Me’ and the closer, ‘Guilty’, both have a weeping blues feel and offer some calmer moments.  These songs are surrounded by noisier relations, such as ‘Revelation #9’, ‘Crying Towel’, and ‘Wretched Evergreen’, all of which are gloriously abrasive and aggressive. 

Surprisingly, it doesn’t take multiple listens to appreciate “The Truth is Caustic to Love”.  This is because the heavy is beguilingly heavy and the mellower moments shine in the murk, and together it’s a fascinating smorgasbord of sounds and ideas.  Spider Kitten are beyond easy prediction, best just enjoy wherever they take us. 

You can find out more about Spider Kitten via Facebook, Instagram, Spotify, YouTube, X and Bandcamp.

This review is brought to you by Platinum Al in association with Ever Metal.

STYLE: The Aquabats Outfit

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STYLE. It is for the bold. Never be afraid to be different when it comes to STYLE.

We return to the world of STYLE with what is a work in progress. If you’re up to date with everything at Platinum Al’s Virtual Hot Tub, you’ll have seen my review last week of The Aquabats gig I went to in Wrexham. At this gig, I picked up some awesome merch that has enabled me to follow a path long desired.

But first: a brief re-cap. The Aquabats, for anyone not familiar, are a musical punk/ska band from California. And yet they are more than this: they are also superpowered crimefighters, dedicated to saving the world from the dastardly deeds of villains such as ManAnt, Uberchaun and Cobra Man. Their TV programme, The Aquabats! Super Show is a crazy, funny and absurd masterpiece and Platinum Al has become a huge fan.

To join the ranks of The Aquabats, at the gig I purchased an Anti-Negativity Helmet and goggles. They weren’t cheap, but are worth every penny. I’m now working on acquiring an official blue rash guard (that’s the top, kids) to complete my outfit. Soon I aim to be the clad in full Aquabat uniform.

STYLE: it’s what you make it.

Bouncing Souls + The Aquabats – Gig Review

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Bouncing Souls + The Aquabats + Bar Stool Preachers

Wednesday 4th March 2026

The Rockin’ Chair, Wrexham

I’ve been stacked out with gigs recently (Pentre Fest review incoming), though I can’t ever get to see everything.  And I don’t get time to write up a review of every gig I go to. But there was one I simply couldn’t miss: The Aquabats, playing not far from me in The Rockin’ Chair, Wrexham.  Even though it was a Wednesday night, I was driving, and not sure if anyone i knew was actually going…

But this was a dream come true! The Aquabats have been on my bucket list for years, ever since I became a huge fan of their hilarious, surreal kids TV show.  Now they were second on the bill for this event.  Luckily I’ve also long been aware of Bouncing Souls, so everything was in place for a fantastic night.

Unfortunately, I missed the first band, Bar Stool Preachers – though I was reliably informed they were really good.  I’ll check ’em out later based on that recommendation.

The Aquabats were a spectacle unlike anything I’ve ever witnessed.  The full band were in attendance, all eight of them, dressed in their cool superhero outfits.  Of course they were.  It was an unbelievable sight, seeing them all in this smallish club.

Starting with a rousing rendition of “Shark Fighter”, The Aquabats launched into their set, accompanied by three huge inflatable sharks flying around the room.  Energetic pop punk and joyous ska formed their sound, with their TV show theme tune as another highlight of a fun, crazy set.

You’ve never seen anything if you’ve never seen an audience member crowd surfing on a giant inflatable slice of pizza.  Or an eight foot tall Mummy Man attacking the band on stage.  Or a yeti dancing with the crowd.  I was grinning from ear to ear for the full set: The Aquabats were RAD!

Headliners Bouncing Souls have been on my radar since the late 90s, their fast, melodic skate punk fitting right in with my Descendents loving musical tastes.  Though The Aquabats were always going to be my reason for attending, Bouncing Souls played an incredible, crowd pleasing set: lightning paced, huge choruses, barely a break between songs.

Third song in, they played “Hopeless Romantic” which was the highlight I was waiting for.  I would’ve been happy with just that one track!

I’m glad I made an effort to get to this gig.  It really was an event unlike any other, worth every penny.  It’s not every day that a band of punk rock superheroes save the earth whilst playing in Wrexham.

The Donnas – The Atlantic Years 2002 –2005 Album Review

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The Donnas – The Atlantic Years 2002 –2005 

Cherry Red Records 

Release date: 30/05/2025 

Running time: Well it’s 3 CDs of Rock’n’Roll goodness, so it’s good vfm 

Review by: Alun Jones 

9/10 

Hey all you Rock’n’Rollers, you are in for a well deserved treat!  Cherry Red records have compiled all of the output from legendary Bad Girls of Rock, The Donnas, into one neat and sweet boxed set.  Between 2002 and 2005, The Donnas were signed to major label Atlantic, and their star was on the rise like a comet – the label marketing the band in movies, games ad infinitum.  Surely The Donnas would conquer the world? 

The first disc in the set covers the absolute must-have “Spend the Night” album.  Take it from me, “Spend the Night” is a total Rock’n’Roll classic – one of the greatest guitar Rock albums of the 21st century.  The perfect collision of supersonic, Ramones and Runaways pop punk power with AC/DC riffology – this is a 10 out of 10 timeless wonder that anyone who loves Rock’n’Roll should treasure.   

I mean. ‘It’s on the Rocks’, ‘Take it off’, ‘Who Inviited You’ – the rockin’ starts and it just doesn’t stop.  And when you’re invited to a Donnas shindig, you’d better be prepared – these girls know how to party.  With songs about drinking, partying, staying up all night and peer group alienation, The Donnas are total, unfiltered ROCK STARS.  There’s not a bad song here, it’s diamond class all the way, cheekily witty lyrics included.  Two bonus tracks add to the fun, and with songs like “Too Bad About Your Girl” you’re gonna annoy the hell out of the neighbours till ‘5 O’clock in the Morning’! 

Hopes were high for the follow up album, “Gold Medal”, but sadly this doesn’t quite hit the same heights.  The sound was augmented with acoustic guitars and a wider ranging approach to songwriting, which is to be applauded.  For the most part this works well, and nothing has changed that much really.  Overall, the thrill isn’t quite the same, however. 

With songs like ‘I Don’t Want to Know (If You Don’t Want Me)’ and ‘Don’t Break Me Down’ we’re in familiar Donnas territory, and the lyrics are sharpened up and more mature.  ‘Fall Behind Me’ is the justifiable stand out song here, rolling along as The Donnas snarl defiantly in what is one of the best songs in the entire compilation.  With a bonus track tagged on, it’s a solid collection – but it’s a house-trained version of its predecessor. 

Disc 3 cobbles together everything else that was left in the Atlantic catacombs.  There’s a handful of great but not excellent unreleased tracks, some acoustic versions of songs from “Gold Medal”, a batch of pretty bloody electrifying live tracks and a fun cover of Billy Idol’s ‘Dancing With Myself’.  Nothing completely indispensable, but a fine way to complete the collection for the die hards. 

And that’s about it for The Donnas.  They released one more album – “Bitchin’” – on their own label, and called it a day.  The Donnas will never reform.  They’ve all moved on to other things.  But for a short while in the early part of this century, they were perfection.  This release testifies to that.  If nothing else, you need “Spend the Night” – you’ll never party the same without it.  You’ll love it, like I do, and you’ll want as much other music by The Donnas as you can find.  Start here. 

Find out more about The Donnas on Facebook, YouTube, Instagram and Spotify.

This review is brought to you by Platinum Al in association with Ever Metal.