Wino – Forever Gone Album Review

WINO – Forever Gone

Ripple Music (Purple Sage PR)

Release date: 26/06/2020

Running time: 46 mins

Review by: Alun Jones

8/10

Who remembers that old TV programme, The Fall Guy?  You know, the one where the Six Million Dollar Man becomes a stuntman/bounty hunter, getting into all kinds of daredevil scrapes whilst pursuing the bad guys?  At the end of every episode, old Lee Majors (for it was he) would be seen chilling in his backyard hot tub, mulling over events whilst drinking a cold beer and smoking a big, fat cigar.

Well let it be known that I, too, like to relax in the tub with a beer after a long, hard day of whatever-the-fuck-it-is-I-do.  None of your business, really.  Just take it from me, I need to unwind in a mass of bubble bath, with candles and refreshment.  And of course, some music, just to add to the ambience.

This might not sound very metal to you, but let me tell ya: this new album from doom metal originator Scott “Wino” Weinrich would make ideal tunes for chilling in the tub.  Or pondering lost loves and fortunes in a dusty bar.  Or sound tracking a lonely drive across the desert, escaping an inevitable encounter.  But to be honest, I like the bathtub metaphor best, ‘cos I’ve not used it before.

“Forever Gone” is stripped down and intimate; the title song itself is just Wino the man, plus acoustic guitar.  Beautifully melancholic, the listener can really get lost in this.  “Taken” also ploughs a lonesome path, with Wino’s voice revealing a soulfulness that I’d never appreciated before.  

For any fans of The Obsessed or Saint Vitus who were hoping for something louder and more aggressive, there’s not too much of a leap from familiar ground really.  Other than the sonics, the emotions of loss and despair are what unifies Wino’s other output to this endeavour.  “Dark Ravine” brings a more Americana style to the proceedings, but it’s all still intense as hell, whether the guitars are turned right up or not.    

It’s not all gloom, though: “You’re So Fine” introduces a laid back, country blues number that sounds almost boogie-ish.  Throw in a great cover of Joy Division’s “Isolation” and this is an album that’s certainly full of surprises.

Great music can create images in your head for your own movie; “Forever Gone” is one of those.  Melodic yet mournful, intense and introspective, there are dozens of stories to be told within the grooves of this record. 

Check out Wino on Facebook, Twitter and Bandcamp.

Visit the Ripple music website here, or check ’em out on Facebook or Bandcamp.

And make sure you visit Ever Metal for more reviews of awesome music!

Platinum Al’s Top 10 Rock and Metal Albums of 2020

Good riddance, 2020! Am I right, or what? Still, it’s not all bad. There were some absolutely magnificent albums released last year – some I reviewed for my buddies at Ever Metal, some I discovered through other means. Some were massive, huge hits; others were small yet mighty triumphs.

Despite a lack of live music, there was plenty to investigate music-wise. So much so that it was really difficult to compile my annual Top 10 Albums list for Ever Metal. A few giants of rock and metal, though they released highly accomplished work, were reluctantly forsaken in my search for the crème de la crop.

Here they are, in (natch) reverse order:

10. The Goners – “Good Mourning”

9. Supersuckers – “Play That Rock’n’Roll”

8. Testament – “Titans of Creation”

7. Weed Demon – “Crater Maker”

6. The Atomic Bitchwax – “Scorpio”

5. Volcanova – “Radical Waves”

4. The Brothers Keg – “Folklore, Myths and Legends of The Brothers Keg”

3. Son of Boar – “Stoned Wail”

2. Desert Storm – “Omens”

  1. AC/DC – “Power Up”

I thought that this year, one of the smaller, indie label bands was sure to get to number 1. It almost happened, but then AC/DC released the total brain melter of “Power Up”, pretty much saving 2020 in the process. Now if only Angus and Co could release an album monthly, we might be able to get through 2021.

A few shout outs for notable mentions who didn’t make the cut this year, such as Ozzy, Wino and others. Seriously can’t believe I left out “Danzig Sings Elvis”, though.

You can read my full Top 10 (plus plenty of others) on the Ever Metal website, which also features links to songs and videos. Highly recommended! The direct link is here.

All the best for 2021 – here’s hoping for more great music!

The Best of 2020

Well, that was a mad old year, wasn’t it? 2020 was more like a bizarre disaster movie than the regular fun ride that we’re used to. A pandemic made hermits of us all; working from home became the new normal for many and travel and events ceased to exist. A year from hell for most of us, though it’s far from over yet.

Here at Platinum Al’s Virtual Hot Tub, we’ve aimed to soldier on and bring you the very best in blogging entertainment. Be it music, skateboards, toys or tat, whatever nonsense I could investigate was delivered with all the expected wit and style.

As is customary at this time, let’s take a look back at the top ten most popular blog posts of last year. Calling it “The Best of 2020” seems somewhat incongruous, but let’s roll with it for traditions sake.

10. Haiku – Autumn

An encouraging response to my creative writing, I was very surprised to see that this poetry piece in the Japanese Haiku style was my tenth most-read post of the year. Encore?

9. Firebreather – Under a Blood Moon Album Review

There was a distinct lack of live music in 2020 (Obviously), but quite a few album reviews for my old pals at Ever Metal. This review of Swedish doom metal band Firebreather’s album was the most read at the Virtual Hot Tub.

8. Halloween Horror Fest 2020

The first of my annual horror movie reviews of 2020, this one featured the Hammer version of Dracula.

7. The Best of 2019

I’m not sure if last years top 10 blogs appearing here is a good thing or not? Either way, 2019’s round up of the most popular blogs was a winner.

6. STYLE: Safari Jacket

2020 saw the materialisation of the long-promised STYLE section at the Virtual Hot Tub. This first blog, concerning the wonderful Safari jacket, got us off to a great start.

5. Skate Art: Liane Plant/Death Skateboards

A feature about some of my favourite skate art, as created by the super talented Liane Plant for Death skateboards. Awesome stuff.

4. SK88: Old School Skateboard Playlist

More skateboard based action, with a playlist of songs from my skating youth in the late 80’s. Full of stone-cold classics, these songs still inspire my sessions today.

3. Death Star Playset

I love my vintage Death Star playset. Setting it up with original Star Wars figures for some blog photos was a lot of fun, it’s great to see it was popular!

2. 1980s Skateboard Style

More skateboarding, and another successful entry for the STYLE section! It’s me, dressed in old skate clothes from the late 80s that still fit (or did, before lockdown).

…And what will be the most popular, widely read blog of 2020? Drum roll, please:

  1. Kantouni Village Sausage and Tzatziki

Yes, the most popular was this food blog, which benefitted from a genuine traditional recipe, and an idea to recreate a Greek holiday vibe with ingredients from the local supermarket.

As travel wasn’t happening this year for most of us, perhaps it’s no surprise that the Greek recipe blog came out on top. It was written as an ode to holidays and Mediterranean sunshine, something that wasn’t a possibility for many last year. I hope you found some nostalgic comfort from this post.

Usually my annual Top 10 has featured a load of comic con events – or similar – at the top of the list. Those events didn’t happen this year, so the Top 10 has a very different flavour. Who knows what 2021 will bring us?

Whatever the strange pan-dimensional cross flux of crazy brings us next, I’d like to thank you all for reading my blog. Please remember to pop by Platinum Al’s Virtual Hot Tub as soon as you can!

Singles Night at the Virtual Hot Tub #19

Hit singles! All time classic songs! Novelty throw-away rubbish! From the cool to the crap, it’s all to be found at Platinum Al’s Virtual Hot Tub on a Singles Night.

You see, what I do is, listen to a pile of old 7 inch singles that have been languishing in my “not played yet” pile. They could have come from anywhere: genuine gems that I’ve tracked down; record fair lucky finds; or – more likely – junk I find in charity shops.

Pour yourself a drink and check this list out. Do you own any of these on vinyl? What are your favourites? What should be consigned to a fiery pit and melted down?

  1. Kim Wilde – “You Came” / “Stone”
  2. Louis Armstrong – “All the Time in the World” / “Pretty Little MIssy”
  3. The Hollies – “The Air That I Breathe” / “No More Riders”
  4. Duran Duran – “The Wild Boys” / “(I’m Looking for) Cracks in the Pavement (1984)”
  5. Bananarama – “Robert De Niro’s Waiting” / “Push!”
  6. The Beach Boys – “Good Vibrations” / “Heroes and Villains”
  7. Justin Hayward – “Forever Autumn” / “The Fighting Machine”
  8. The Buggles – “Video Killed the Radio Star” / “Kid Dynamo”
  9. ABBA – “Angeleyes” / “Voulez-Vous”
  10. The Creatures – “Miss the Girl” / “Hot Springs in the Snow”
  11. Blondie – “Rapture” / “Walk Like Me”
  12. Bobby Patrick Band – “Dallas Theme” / “The Waltons Theme”
  13. The Beatles – “The Ballad of John and Yoko” / “Old Brown Shoe”
  14. Goombay Dance Band – “Seven Tears” / “Mama Coco”
  15. Lionel Richie – “All Night Long (All Night)” / “Wandering Stranger”
  16. Donna Summer – “Dim All the Lights” / “There Will Always Be a You”
  17. Jermaine Stewart – “We Don’t Have to…” / “Brilliance”
  18. Allan Sherman – “Mexican Hat Dance” / “Won’t You Come Home Disraeli?”
  19. Earth, Wind and Fire – “Let’s Groove” / “Let’s Groove (Instrumental)”
  20. Pointer Sisters – “I’m so Excited” / “What a Surprise”

Some classics indeed. Another great night of a couple of small drinkies and spinning wax: I recommend it to anyone.

The Goners – Good Mourning Album Review

The Goners – Good Mourning

RidingEasy Records (Us/Them Group)

Release date: 13/03/2020

Running time: 41 minutes

Review by: Alun Jones

8.5/10

This little beauty threw off it’s shackles and ran for the hills, almost without me noticing.  I’m blaming the societal breakdown caused by Corona virus, obviously not an oversight on my part.  No, sir.  “Good Mourning” – the debut album from The Goners – was released back in March 2020; just before the world turned into a 1970’s Charlton Heston dystopian sci-fi movie.

The Goners are comprised of Nate Gone – formerly of Salem’s Pot – on vocals, with four dudes from Swedish rock band Yvonne.  “Good Mourning” is a throw-back to zoned-out good times and bizarro occult rock, with absolutely no regret the morning after.

First song “Are You Gone Yet” sets the pace nicely: fuzzy 60’s garage rock with a proto metal ferocity.  With the next track, “High, Low and Never In Between”, the Goners throw in more of their other specialty – 70s doom with groovy, care-free freak outs.

Wonderfully out of time, this retro feast also sounds totally now.  You can throw this on your portable music system and liven up any social gathering (so long as you stay far enough apart).  Press play and jump around all crazy-style to “Evil (Is Not Enough)” and “The Little Blue” – this is Black Sabbath if they were a Stones cover band.

Plus – and this seals the deal – a couple of fine, desert bleached songs in “Good Ol’ Death” and “Dead in the Saddle” that rattle with a dread atmosphere.  Absolutely essential for your next David Lynch/rockabilly/goth themed horror party.

“Good Mourning” by The Goners, then: if you’re a werewolf biker trapped in a cursed world you never made, but like to let your scraggy hair down with chicks from a Russ Meyer movie – this is for you.  Great cover art, too.

I’ve thought I was a goner myself, on a few occasions: most of them involving my old mucker Ozzy Osbourne.  One time, we were drinking in a golf club in LA and got thrown out, as you can imagine.  So, Ozzy decided to go for a joyride in a golf buggy, with me on shotgun.  He was flooring it, but we were only going at a jogging pace, so the golfers soon caught us up and were ready to brain us with their hitty-stick things.

All of a sudden, Oz drove the buggy over a hill and we toppled into a sand dune (bunker?).  We were lucky we were thrown clear and the buggy just managed to avoid crushing the pair of us.  The golfers took pity and consoled us with a nice brandy in the clubhouse.  Till the cops turned up, and dragged Ozzy and me off to jail.  The whole time, we were both wearing Sharon’s dresses.

Find The Goners on Bandcamp and Facebook.

Check out the RidingEasy Records website, or find them on Bandcamp or Facebook.

This review was brought to you by Platinum Al and Ever Metal.

Firewind Album Review

Firewind – Firewind

AFM Records

Release date: 15/05/2020

Running time: 48 mins

Review by: Alun Jones

7.5/10

 

We all make mistakes.  Some of us blunder all the time, and the consequence of those slip-ups can be catastrophic.  And some of us don’t like to admit when we’re wrong.

Confession time: I volunteered to review this Firewind album because I got them mixed up with another band with “fire” in the name (or possibly a couple).  I was slightly mortified when I realised that this band weren’t what I was expecting: none of the sludgy comfort blanket that I usually wrap my ears in.

Firewind are – Zeus help me – a melodic, power metal band.  Not a corner of metal that I’m particularly well versed in, or a fan of.  I fucking hate Helloween, for a start.  And Queensryche.  And fucking Europe.  This was going to be a challenge.

Yet your old pal Al is nothing if not a trooper.  They’re (partially) Greek, which intrigued me being a huge fan of the country.  I plunged into this assignment with an open mind – and do you know what?  This isn’t bad at all.  In fact, I quite enjoyed it.

Opening track “Welcome to the Empire” begins with some fine acoustic guitar before erupting into a big, bombastic rock monster.  It is, like most of the album, totally over the top – but also loads of fist pumping fun.  This ain’t pop music.  It’s fast and powerful (see “Devour”), and while not quite as brutal as my usual preferences, packs a mighty whallop.

The musicianship is exemplary.  Guitar genius Gus G has plenty of flair, but can throw out some crushing, crunchy riffs when required: “Rising Fire” and “Space Cowboy” being a two great examples.  Fast, flashy solos ain’t my scene, but there’s plenty of chugging metal to keep me interested.

The rhythm section – Petros Christo (bass) and Jo Nunez (drums) go beyond textbook and play excellently throughout the album.  Give “Orbitual Sunrise” and “Overdrive” a go for evidence.

Vocals provided by new singer Herbie Langhans are dramatic, in a typically Teutonic fashion.  This guy is straight out of a Wagnerian epic; despite being somewhat more operatic than I’m used to, he can certainly belt it out.  On every single song.

Sorry to disappoint any readers who thought they might actually read a less than positive review from yours truly.  Firewind isn’t my usual cup of absinthe with opium chaser, but I found it very easy to appreciate.  This album is well played, well written, well produced and delivered with some love and pride – all of which manages to steer this album away from trite cliche.

Metal wearing its heart on its sleeve and with a refreshing honesty, I just couldn’t bring myself to hate Firewind.   If I can dig it, then fans of this genre will love it.

Read more like this review on the Ever Metal website.

Find out more about Firewind on their official website, Facebook and YouTube.

And you can visit AFM records here.

Singles Night at the Virtual Hot Tub #18

 

Join me once again, relaxing in the waters of the Virtual Hot Tub, for Singles Night.  No,  this is not a dating event: rather, it’s just me, spinning a stack of – as yet – unplayed 7 inch vinyl.  Combined with reasonably heavy drinking.

You see, there’s a load of 45 rpm records that I own and need to play.  So I play ’em, one after the other, side a then B.  No skipping discs allowed.

Here’s the playlist from the latest evening of tunes:

  1. Hawkwind – “Silver Machine” / “Seven By Seven”
  2. Diana Ross – “My Old Piano” / “Where Did We Go Wrong”
  3. Slade – “My Friend Stan” / “My Town”
  4. Paul Paray & Detroit Symphony Orchestra – ” The Ride of the Valkyries” / “Lohengrin (Prelude to Act I)”
  5. Barry White – “Never, Never Gonna Give You Up” / “Standing in the Shadows of Love”
  6. Tracey Ullman – “Breakaway” / “Dancing in the Dark”
  7. Toto Coelo – “I Eat Cannibals Part 1” / “I Eat Cannibals Part 2”
  8. Carly Simon – “You’re So Vain” / “Anticipation”
  9. The Beach Boys – “Lady Lynda” / “Full Sail”
  10. The Cars – “Drive” / “Stranger Eyes”
  11. Duran Duran – “My Own Way” / “Like an Angel”
  12. Sinitta – “So Macho!” / “Cruising”
  13. Daryl Hall & John Oates – “Private Eyes” / “Tell Me What You Want”
  14. Cockney Rebel – “Mr Soft” / “Such a Dream”
  15. Paul Hardcastle – “The Wizard (Part 1)” / “The Wizard (Part 2)”
  16. Roxy Music – “Dance Away” / “Cry Cry Cry”
  17. Robert Palmer – “Some Guys Have All the Luck” / “Too Good to be True”
  18. Emerson Lake & Palmer – “Fanfare for the Common Man” / “Brain Salad Surgery”
  19. Bangles – “Eternal Flame” / “What I Meant to Say”
  20. Kim Wilde & Junior – “Another Step (Closer to You)” / “Hold Back”
  21. Mud – “Tiger Feet” / “Mr Bagatelle”
  22. Status Quo – “Something ‘Bout You Baby I Like” / “Enough is Enough”
  23. Sister Sledge – “Lost in Music” / “Thinking of You”
  24. Sarah Brightman & Hot Gossip – “I Lost My Heart to a Starship Trooper” / “Do, Do, Do”

BOOM!  There you go – a right random collection of singles, varying from the classic to the down right cheesy.  Kicking off with the amazing Hawkwind track “Silver Machine”, as sung by my old mate Lemmy – I picked that up at a record fair ‘cos I had to have it in my collection.

I loved The Cars and Roxy songs, sheer class.  Plus you’ve got a harem of some of my favourite pop ladies with Kim Wilde, Susanna Hoffs and Sinitta all present and correct.  By the way, the Sarah Brightman song was a favourite of mine when I was 5 years old, thanks to the rip-off Star Wars noises etc!

And what can I say about “Ride of the Valkyries” on 7 inch vinyl?  Only “I love the smell of napalm in the morning.”

See you soon for another Singles Night at the Virtual Hot Tub!

Brown Acid: the Tenth Trip – Album Review

Various Artists – Brown Acid: The Tenth Trip

Riding Easy Records

Release date: 20/04/2020 (?)

Running time: 33 minutes

Review by: Alun Jones

8.5/10

 

Between me and you, I’ve been wondering when this series of proto metal/heavy psyche long-lost artifacts would start to go off the boil.  This is the tenth instalment now, and any listener could be forgiven for thinking that maybe, the well might run dry.  That the party is over, the acid has worn off, and the hippies have traded in their kaftans for the last time.  I mean, how much of these rare, forgotten nuggets can there be left, for the rock’n’roll gravediggers at Riding Easy Records to exhume?

Well pardon me for being a fanboy, but the Brown Acid trip is far from over.   In fact, this could be my favourite volume so far.

Yes, it’s more of the same: fuzzy, psychedelic late 60s/early 70s heavy rock; somehow cast aside for around fifty years, waiting to be rediscovered.  Gems that pre-date and redefine the genealogical development of metal and hard rock; throwing the long-standing theories of origin into dispute like some musical Antikythera mechanism.  But this time, if anything, the tunes are better than ever.

Here we have Sounds Synonymous with “Tensions”, a fuzz-rock monster with a “Wild Thing” feel and washes of freaky organ not a million miles removed from Steppenwolf.  Witness also the wonder of “Never Again” from Ralph Williams and the Wright Brothers, melding melodic vocals with an “American Woman” style desert rock vibe.   “Babylon” by Conception rolls with some funky, Hendrix-like riffs and a great pop sensibility, not to mention a fabulous bluesy instrumental section.

Bitter Creek deliver “Plastic Thunder”, which has a Who meets Stooges aggressive sound.  On “Mr. Sun”, First State Bank (rad name!) provide a Mountain-covering-the-Kinks lesson in far-out groovery.  Then there’s Brothers and One with the saucily titled “Hard On Me”, which has a little Hawkwind on a road to Maiden’s “Running Free”.

Probably the best track is “The Roach”, by The Brood (another quality name).  It’s a MC5/Sabbath garage rocker with apocalyptic horns and keys, heralding the end of peace and love and the arrival of the age of doom.

Freaky, fuzzy and far-out: that’s the latest edition of Brown Acid.  If you’re late to the party, jump on the magic bus right now and let your hair down.  Signs are this festival is gonna run and run.

 

Here’s a link to the Riding Easy Records website and their Bandcamp.

You can also find them on Facebook, Twitter, YouTube and Instagram.

This article first appeared as a review on Ever Metal.  Please use the electronic super highway to pay them a visit via this link.

Weed Demon – Crater Maker Album Review

Weed Demon – Crater Maker

Electric Valley Records

Release date: 03/04/2020

Running time: 46 minutes

Review by: 9/10

 

“Crater Maker”, by Columbus Ohio rascals Weed Demon, begins with the warm and welcoming hiss and crackle of vinyl.  Then we’re into the first track “Atmospheric Drag”, and you’d be forgiven for thinking that you’re in the wrong section of the record shop.  It’s a dark, folky country number that sounds like you’ve just stumbled into a saloon in a God forsaken Western town.  I was taken by surprise, but this song is both awesome and a fitting introduction to an album that isn’t afraid to wander off the obvious path.

When track two, “Birthquake” lumbers in, we’re in familiar doomy Sabbath territory.  It’s a stark contrast to the opening song, but brilliant as that was, this is what we came for.  Big, dirty riffage that’s slow yet powerful, the result is an instrumental song that relies purely on dynamics to excite and uplift.  This is bloody great stuff.

The next track, “Serpent Merchant”, is even heavier and more relentless – with growling vocals making a demonic appearance.  It all descends into a masterful, psychedelic break before the pummelling returns.  The album’s title track delivers a groove laden sludge, which again dissolves into a mellow passage at pretty much exactly the halfway mark.  Gradually becoming fuzzier, this soon explodes into a frenzied, aggressive section.

The remaining tracks offer more crunching guitars, thudding bass, booming vocals and pounding rhythms, always concentrating on the all-important doom riff.  Final track “Sporelord” wanders through several segments, before briefly fading away and returning with a quirky reggae style outro.

With four of the six songs here over the 8 minute mark, there’s a lot to explore and digest with “Crater Maker”.  Weed Demon have created a dense album that I enjoyed from the first listen and I’m still returning to weeks later.  Meandering into psychedelic space rock, groovy doom, country and ear-splitting sludge ensures “Crater Maker” is a complex release that’s worth hearing.

All this talk of weeds reminds me of a funny little escapade with my old mate Keith Moon.  Moony lived next door to his big pal Ollie Reed, who asked the loony drummer to keep an eye on his mansion while he was in Europe, filming some naff horror/arthouse nonsense.  Moon had a party, got totally blitzed and remembered at about 4am that he hadn’t mowed Ollie’s lawn for him.  Well, you can imagine the laughs we had, as Keith tried to start the ride-on petrol mower in the dark.  Without going into too much detail, a split fuel pipe and a discarded cigarette resulted in most of Reed’s garden looking like it had been napalmed.

Ollie wasn’t best pleased when he returned to see the unholy mess Keith had left him with.  But Moon just blamed Ringo Starr, who made a quick exit when drunken Ollie brought out his shotgun.  Ringo had the last laugh though, by marrying the most beautiful woman in the world.  Jammy git.

Weed Demon are on Facebook and Bandcamp, plus find them on Instagram here.

Check out Electric Valley Records here.

And go have a gander at Ever Metal, tell ’em Platinum Al sent you.

Son of Boar – Stoned Wail Single Review

Son of Boar – Stoned Wail

Self-released

Release date: 26/06/2020

Running time: 18 minutes

Review by: Alun Jones

9/10

 

Singles don’t often get reviewed here at Ever Metal, purely because there’s so damn many of them.  They just can’t compete with the album reviews.  But rules are made to be broken, and this release from Son of Boar demanded some attention.  Having witnessed the live onslaught of this band at Pentre Fest earlier this year, Son of Boar have risen on to my personal favourites list, and I’m damn near rabid for any new material.

Waves crash as a mesmeric bass begins to chime, creating a deceptively ambient vibe.  Guitars and drums warm the sound as the band slowly build momentum.  They’re in no rush, but when the main riff kicks in, it’s worth the wait.  Luke’s vocals roar and the song rises like a leviathan from the depths.  “Stoned Wail” is 9 minutes of powerful, groove laden doom rhythms: thundering bass, churning guitars and crashing drums.  This fisherman’s tale is indeed a whopper of humungous  proportions.

With two additional live tracks (“Outlet” and the boogie influenced “The Weekend”), this is a great introductory package to a band destined for big things.  “Stoned Wail” is taken from the forthcoming debut album, which, to be honest, I’m shitting my shoes off in anticipation for.  TUSKS UP!

Get yerself on over to witness Son of Boar at Bandcamp and Facebook, or maybe YouTube if you fancy it.

Twitter and Instagram are: @son_of_boar