Dozer Album Reviews

Not one, but three album reviews for you this week: Re-released by Heavy Psych Sounds, these three albums from Dozer are back and bouncing.  Here’s my review, as it originally appeared on Ever Metal and now here for your perusal:

Dozer – In the Tail of a Comet/Madre de Dios/Call it Conspiracy

Heavy Psych Sounds

Release date: 13/03/2020, 20/03/2020

Running time: 38 mins, 40 mins, 56 mins

Review by: Alun Jones

8.5/10, 9/10, 9.5/10

Don’t you just love it when you find a new band to obsess about?  Music so awesome, so perfect that it just lights up your life.  Well, Dozer have filled that gap in my existence recently – I can’t believe how I endured without them before.  Though these three albums are all reissues from the early part of the 21st century, so fuck knows what I’ve been up to for the last 20 years.  Seriously, what was I doing back then that meant I missed out on this?

Hailing from the wonderful land of Sweden, a place which must have some kind of genetic master code for musical excellence, Dozer are a mighty stoner rock collective delivering heavy, intense and groove laden tunes.  I don’t know how or why the Swedes are so good at this – is it the long, dark winter isolation?  The never-ending day light in summer?  Agnetha Falkstog’s tight pants?  There’s something magical happening there, that’s for sure.

Italian label Heavy Psych Sounds have done the world a remarkable, philanthropic favour by re-issuing these three albums by the band.  And, praise Tony Iommi, on beautiful, sexy vinyl too.  This really is a wondrous, benevolent gift to bestow upon us.

So, what does the music sound like, you ask (at least you do if, like me, you were clueless enough to be unaware of Dozer previously)?  First album “In the Tail of a Comet” (8.5/10) erupts into beautiful, head nodding, rolling riffs from the off.  Layers of fuzzy, psychedelic invention and heavy rhythms usher us into their world.  A particular highlight is the finale, “High Roller”, where although the band take their foot off the gas a little, they create a trippy, vast soundscape to get lost in.

Nay-sayers may choose to point out Dozer’s obvious similarity to Kyuss; hell, even singer Fredrik Nordin sounds like a carbon copy John Garcia.  With their second album, “Madre de Dios” (9/10), that influence becomes less pronounced as their own creativity develops.  This second album seems more brutal, more aggressive.  It doesn’t take long, however, to reveal more textures and experiments with the formula – see “Earth Yeti”.  Album number 2 is a faster, heavier, punkier version of Dozer – yet still expanding on the desert rock template.

By the time we get to the final album of this reissued trio – the immense “Call It Conspiracy” (9.5/10) – Dozer have developed their own sound and personality yet further.  The Kyuss/FU Manchu influence is still there, but Dozer have grown into something of their own.  This album is the heaviest, most “metal” work – but still creative as it stretches those stoner boundaries into new, warped shapes.  Whether it’s full throttle rock’n’roll with lead track “The Hills Have Eyes” or groove laden head-nodder “Man Made Mountain”, there’s much to explore here.

Gushing praise, indeed: but if you, dear reader, are a fan of the crushing riffs, unrestrained groove and sonic washes of stoner/desert rock – these Dozer albums are highly recommended.  Tune in, turn on and explore these revived classics now.

Check out Dozer on Facebook.

Check out Heavy Psych Sounds on Facebook and on the interweb here.

SK88: Old School Skateboard Playlist

Best years of my life? 15/16 years old, skateboarding all day and hanging around with my friends.  It was the late 1980s, and the days of the 180 Boneless, No Comply and learning to Ollie.  Back when kickflips were the raddest trick in the car park – except we called them “Ollie kickflips” back then.

This was also the time when I started to really veer off the obvious track as far as music was concerned.  Skate videos and Thrasher magazine began to open up a whole new world of music.  Sometimes these bands would enter the mainstream a couple of years later; sometimes they never did.

I remember hearing a great song on a Vision video.  I had no idea what the song was called, but worked out from the credits that it was most likely performed by the Descendents.  I recorded the song onto cassette off the TV as there was no other way to hear it.  A few months later, on a skate buying trip to Manchester, I stumbled across a record shop that stocked a few records by the band.  I had to buy one: taking a gamble on “All” as it featured a song called “Coolidge”, which fitted the lyrics of the track I loved.  I was so stoked when I got home, played the vinyl and heard the song I was hoping for!  Great album, all in all.

This practice of researching and hunting became a big feature of my relationship with music ever since.

Skating all day, then listening to music in the evening was a big part of my teenage years.  This playlist is designed to reflect those days: music I enjoyed back then and became the soundtrack to that time.

Some songs featured in skate videos (McRad, Odd Man Out).  Some were checked out after I saw them advertised or reviewed in Thrasher (The Cult, Misfits).  Others were just part of the current soundscape, and are forever linked with those halcyon days.

Here’s the playlist I made, split into a two CD format:

Part 1

  1. McRad – “Weakness”
  2. Odd Man Out – “Four Thirty One”
  3. Descendents – “Coolidge”
  4. Sex Pistols – “Holidays in the Sun”
  5. Devo – “That’s Good”
  6. Black Sabbath – “Paranoid”
  7. Motorhead – “Killed by Death”
  8. Faith No More – “We Care a Lot”
  9. Misfits – “Astro Zombies”
  10. Hard-Ons – “Don’t Wanna See You Cry”
  11. The Stupids – “Skid Row”
  12. Beastie Boys – “She’s On It”
  13. Circle Jerks – “Wild in the Streets”
  14. Spermbirds – “Something to Prove”
  15. Dead Kennedys – “California Uber Alles”
  16. Suicidal Tendencies – “Possessed to Skate”
  17. Generation X – “One Hundred Punks”

Part 2

  1. The Cult – “Wildflower”
  2. The Damned – “Love Song”
  3. Red Hot Chili Peppers – “Higher Ground”
  4. Fishbone – “Freddie’s Dead”
  5. Iggy Pop – “Cold Metal”
  6. GBH – “Too Much”
  7. Mudhoney – “Sweet Young Thing Ain’t Sweet No More”
  8. Ramones – “I Just Wanna Have Something To Do”
  9. The Stranglers – “Peaches”
  10. Bad Brains – “Soul Craft”
  11. Gang Green – “Church of Fun”
  12. Metallica – “The Thing That Should Not Be”
  13. Jimi Hendrix Experience – “Purple Haze”
  14. Rolling Stones – “(I Can’t Get No) Satisfaction
  15. Jesus Jones – “Never Enough”
  16. The Skids – “Into the Valley”
  17. Fugazi – “Blueprint”

Some of the above tracks I owned on vinyl or cassette back in the day; some I found in later years.  There are still plenty of other bands from skate videos that I either still haven’t tracked down, or as I didn’t own them at the time I’ve omitted for now.

Instead, this is a basic playlist to represent my late 80s skateboarding days, boiled down to the bare essentials.  I hope you enjoy and these bring back some memories.

And this sin’t an exhaustive list: how Anthrax and Run DMC didn’t get included is baffling.  Maybe I can expand with some more for a Part 2…

Singles Night at the Virtual Hot Tub #15

Hey folks!  How’s isolation going?  These are strange times indeed.  I hope all of you are safe and well.

I don’t know about you, but spinning wax is a great way to spend a long evening whilst in lockdown.  As regular readers will know, I often play through my stack of recently acquired 7 inch vinyl as a way to unwind.  With a few wee drinkie-poohs, of course.

What happens with Singles Night is this: I have a pile of records, all 7″ singles, that I haven’t played yet.  I play them all in order, A side then B side.  Then I list them here, in case anyone out there is as sad as me and thinks that lists like this are fascinating.

Here we go with the latest batch:

  1. Jane’s Addiction – “Been Caught Stealing” / “Had a Dad (Demo)”
  2. Boney M – “Ma Baker” / “Still I’m Sad”
  3. Madness – “The Return of the Las Palmas 7” / “That’s the Way to do it”
  4. Bon Jovi – “Livin’ on a Prayer” / “Wild in the Streets”
  5. Rainbow – “Since You Been Gone” / “Bad Girl”
  6. The Zombies – “She’s Not There” / “You Make Me Feel Good”
  7. Ace Frehley – “New York Groove” / “Snow Blind”
  8. Slade – “Mama Weer All Crazee Now” / “Man Who Speaks Evil”
  9. Pink Floyd – “Another Brick in the Wall Part II” / “One of My Turns”
  10. AC/DC – “Whole Lotta Rosie” / “Hell Ain’t a Bad Place to be”
  11. Toyah – “Be Proud Be Loud (Be Heard)” / “Laughing with the Fools”
  12. Thin Lizzy – “China Town (Live)” / “Got to Give it up (Live)”
  13. The Stranglers – “Thrown Away” / “Top Secret”
  14. U2 – “All I Want is You” / “Unchained Melody”
  15. Creedence Clearwater Revival – “Commotion” / “Green River”
  16. The Sweet – “Wig-Wam Bam” / “New York Connection”
  17. The Flying Lizards – “Money” / “Money B”
  18. The Beatles – “We Can Work it Out” / “Day Tripper”
  19. Generation X – “Your Generation” / “Day by Day”
  20. Ash – “Angel Interceptor” / “Eternal” / “Give Me Some Truth”
  21. Marc Bolan & T-Rex – “Teenage Dream” / “Satisfaction Pony”

Well that was one of the best – and rockingest – Singles Nights ever.  I doubt we’ll see that amount of awesome rock again in a hurry.  Don’t forget, readers – I don’t choose the songs to play, it’s just whatever’s next in the pile.

Jane’s Addiction are one of my favourite bands ever.  Plus there were classic tracks from Rainbow, AC/DC, Pink Floyd and Thin Lizzy.  My favourite U2 song and one of my favourite Beatles songs.  Some punk, some new wave, and a more recent tune from Ash.

A special mention to Slade’s “Mama Weer All Crazee Now”, which was UK Number 1 when I was born.

A great selection.  I’ll see you soon for another Singles Night!

Pentre Fest 2020

Pentre Fest 2020

McLean’s Pub, Pentre Deeside

21st & 22nd February 2020

I’m sure everyone who was there will agree that this year’s Pentre Fest was the best yet.  The bands were fantastic; the were more people; the vibe was magnificent.

Held at McLean’s in Pentre, Deeside, North Wales, this festival features underground, unsigned rock and metal from near and far.

I attended the full two days this year, and saw most of the acts performing.  I only wrote up a few though, so if you want to read the full review, visit the Ever Metal website here.

There were many highlights.  Witchtripper had been on my “must see” list for a while – they didn’t disappoint.  Old favourites Impavidus and Lullaby for a Unicorn were superb as always.  Cry for Mercy, Stormrider and Womenowar were some of the newly viewed bands that I was very impressed by.

The whole weekend was unmissable and I was genuinely sad when it was all over.  A brilliant, positive experience – well done to Fozzy, Beany, Frank and all the McLean’s staff.

You have to be there next year!

Ryuko

Ryuko presented a couple of surprises on Friday night’s acoustic stage.  First off, they were fully plugged in and electric.  Second, they play more of an alternative rock sound, which was something of a contrast to the majority of other Pentre Fest bands.  Readers may not be aware, though, that I am in fact King of Grunge, with my 90’s credentials well proven.  Ryuko’s set included some melody and even jangly pop along with heavier riffs, which was an enjoyable diversion in a Dinosaur Jr/Nirvana style.  Well performed, Ryuko just need to test their audience further and throw in additional surprises in either a “Negative Creep” or “About a Girl” vein.

Rhiannon and Rachel

Sadly Pentre Fest suffered a few casualties this year.  One such example was on the acoustic stage, where half of duo Rhiannon and Rachel was hospitalised and (obviously) unable to perform.  But the show must go on: and Rhiannon performed a short but enjoyable set on the acoustic stage.  Admittedly out of her comfort zone, playing guitar as well as singing, she soldiered on and won plaudits for her effort.  Only a few minor mistakes were noticed – and easily forgiven.  A beautiful singing voice that even managed to add a ghostly, ethereal sheen to a cover of Michael Jackson’s “Bad” – making it sound good for the first time ever.

Mike West

If the connection between metal and outlaw country isn’t obvious to any readers, I can only pity you.  I’ve never witnessed Mike West before, but his amalgamation of southern rock, dusty country and swampy blues was a delight to my old whiskey-soaked soul.  Mike delivers his songs with a hard rockin’ swagger, as if he’s just busted out of Tombstone jail and is riding across the plains, lamenting women and fortunes lost.  A great voice and an outstanding presence, Mike is one to catch when you can.  Has anyone done a “Wild West” gag yet?  If not, there’s a headline for us there!

OMV

On the main stage, OMV entered dressed like a bunch of West Coast gangsters in masks and bandanas.  Introduced as “hardcore street metal”, these guys definitely showed some great musical skills and energy.  Somewhere between Bodycount, Suicidal Tendencies and Biohazard is where I’d stack them.  Either way, OMV delivered some brutal songs and bounced around with massive crossover riffs.  OMV were very entertaining, although hugely confrontational onstage – I wasn’t sure if they actually were going to pistol whip the audience into submission.  The music has enough intensity and power to speak for itself.

Luke Appleton

A really fantastic set was delivered by Mr Luke Appleton on the acoustic stage.  In truth, this was a duo performance with Rishi Mehta (of Babylon Fire) playing too, and it was a genuine highlight of Pentre Fest 2020.  Dubbed “acoustic metal”, the songs were both suitably laidback, yet delivered with a metal edge.  Expertly performed, we had tunes from Luke’s solo “Snake Eyes” project, plus of course some Iced Earth and Absolva numbers.  Not to mention a bit of Dio and Tenacious D for good measure!  A real class act in every sense of the word, and both very talented and down-to-earth gentlemen.

Son of Boar

They have a cool name, and they looked pretty cool on stage in matching denim battle-vests.  And from the very first notes of the bass rumbling on the very first song, I had a feeling that Son of Boar would be something special.  I wasn’t wrong.  These Bradford bruisers have everything in spades: they’re unfeasibly heavy; they have slow, doomy riffs with a Sabbath-like infectiousness; they have a sludgy, swampy groove that can pack an aggressive punk punch.  The best band of Pentre Fest 2020 as far as I was concerned, Son of Boar were superb.  I even bought a t-shirt.

Pentre Fest on Facebook.

N.E.W Metal Productions on Facebook.

Goodfor Audio Entertainment on Facebook

Mcleans Pub Live on Facebook.

Singles Night at the Virtual Hot Tub #14

And lo, it was time for another Singles Night at Platinum Al’s Virtual Hot Tub.  Join me yet again, as I play through my stack of freshly acquired 7″ vinyl singles – A side then B side – on a musical odyssey that will thrill and amaze.

You may want a few drinks as well.

Here’s the playlist this time:

  1. Elvis Presley – “Love Me Tender” / “Anyway You Want Me (That’s How I Will Be)”
  2. Small Faces – “Lazy Sunday” / “Rollin’ Over”
  3. Boney M – “Painter Man” / “He Was a Steppenwolf”
  4. Beastie Boys – “She’s On It” / “Slow and Low”
  5. Zodiac Mindwarp & The Love Reaction – “Backseat Education” / “Whore of Babylon”
  6. Madness – “Baggy Trousers” / “The Business”
  7. The Osmonds – “Crazy Horses” / “That’s My Girl”
  8. Ian Dury & The Blockheads – “Hit Me With Your Rhythm Stick” / “There Ain’t Half Been Some Clever Bastards”
  9. The Jam – “When You’re Young” / “Smithers-Jones”
  10. Kim Carnes – “Bette Davis Eyes” / “Miss You Tonite”
  11. Toyah – “Brave New World” / “Warrior Rock”
  12. The Who – “You Better You Bet” / “The Quiet One”
  13. Suzi Quatro – “The Wild One” / “Shake My Sugar”
  14. Madness – “Night Boat to Cairo” / “Deceives the Eye” / “The Young and the Old” / “Don’t Quote Me On That”
  15. Bon Jovi – “You Give Love a Bad Name” / “Let It Rock”
  16. Freddie Mercury – “Love Kills” / Giorgio Moroder – “Rotwang’s Party (Robot Dance)”
  17. Siouxsie & The Banshees – “Dear Prudence” / “Tattoo”
  18. The Kinks – “Good Day” / “Too Hot”
  19. Bob Marley & The Wailers – “No Woman, No Cry” / “Kinky Reggae”
  20. Dexy’s Midnight Runners – “Geno” / “Breakin’ Down the Walls of Heartache”
  21. Toy Dolls – “Nellie the Elephant” / “Fisticuffs in Frederick Street”
  22. Rainbow – “All Night Long” / “Weiss Heim”
  23. The Motors – “Forget About You” / “Picturama”
  24. Angelic Upstarts – “Never ‘Ad Nothin'” / “Nowhere Left to Hide”

Wow.  That was a spectacular evening’s music.  Just look at the quality tunes in that list!  I think the Zodiac Mindwarp track was my favourite, but there are loads of legendary artists and great songs there.

Don’t laugh at the Osmonds track – that song is amazing.  I’m more embarrassed about the Bon Jovi number – but what the hell, it was fun.

And Nellie the Elephant by Toy Dolls was just superb – took me right back to my childhood, the day after hearing that song on Top of the Pops.  A school playground classic, along with “Baggy Trousers”.

All of the records are in a random order, so there’s no guessing what might appear next in the queue.  But that turned out to be one of the best nights of music listening in a long while, with a wide variety of genres represented.

Back soon with more…

Wizard Rifle – Album Review

Time for another review I wrote for Ever Metal, which you can now read at the Virtual Hot Tub:

Wizard Rifle – Wizard Rifle

Svart Records

Release date: 30/08/2019

Running Time: 45 mins

Review by: Alun Jones

8.5/10

 

Right, about time I got back to business with these album reviews for my pals at Ever Metal.  But how do you define the indefinable?  ‘Cos that’s basically the issue I’ve had with this review (not writer’s block, honest).  Comparing Wizard Rifle to other bands in myopic, lazy journo style just doesn’t seem to cut it with these guys.

There’s too much going on with Wizard Rifle’s self-titled album to accurately pin down a clumsy similarity to someone else.  It’s a mixture of loud, obnoxious metal, post rock, screamy hardcore punk and grungy sludge; with waves of psychedelic beauty tying it together.

Despite the unholy wall of noise that the band produce there are just two of them – guitarist/vocalist Max Dameron and drummer/vocalist Sam Ford.  That’s a hell of a racket for just two people.  They’re not short of ideas either, as the genre blending demonstrates.  Maybe that’s an advantage of just two minds, rather than several – Dameron and Ford display some ingenious telepathy weaving their creations together.

Loads of energy too – “Rocket to Hell” (great title) is a glorious, shouty opener, and “Caveman Waltz” is a possible contender for Riff of the Year.  It chugs like a drug fuelled locomotive trying to jump the Grand Canyon.

There are only five songs on this record, but as none of them are under seven minutes in length, there’s plenty of value for money.  The guys have learnt to expand a song and explore its possibilities in a way that keeps the ear engaged.  Like on the 12 minute epic “Funeral of the Sun”, which stretches out hypnotically but loses none of its heavy intensity.

Wizard Rifle are from the Portland, Oregon area – which as it’s the Pacific North West, must surely be Big Foot country.  So, I’m gonna coin a lazy journo phrase and label this sound Big Foot Rock.  Remember, you read it here first.  And yes, when this band are huge and Big Foot Rock takes over Western Civilization, I’ll be claiming the royalties for inventing that label.

Big Foot Rock T-shirt, sir?  That’ll be £19.99.  “Now That’s What I Call Bigfoot Rock, Vol 1” vinyl compilation?  Just £27.99.  Can I change a fifty?  Oh, keep the change?  Thank you very much.

The Wizard Rifle Facebook page is here.

You can find Wizard Rifle on Bandcamp here.

The Ever Metal website is here.

Giant Dwarf – Giant Dwarf Album Review

And now, I present an album review I wrote for Ever Metal; a recording that became one of my favourites of 2019:

Giant Dwarf – Giant Dwarf

Self Released

Release date: 09/04/2019

Running Time: 36 minutes

Review by: Alun Jones

9.5/10

 

I’ve never been to Australia.  Don’t need to go there really, I know exactly what it’s like.  It’s like that David Bowie video where he’s inside a big concrete block in the middle of nowhere.  “Let’s Dance” – that’s the one.  Or it’s like Mad Max 2: all arid desert, people surviving on dog food and a struggle to exist without civilisation.

So, it’s quite apt that such a barren, isolated place has decided to gift us with an album that is, quite frankly, a masterpiece of desert rock.  Or outback rock, if you will.

This is “Giant Dwarf”, by the band Giant Dwarf, who hail from somewhere called Perth in Western Australia.

Right from the start, with opener “Golden Walrus”, the album bursts from the speakers like Gandalf after a month-long Charles Atlas course.  The songs are tough and uncompromising, yet cerebral.  “Black Thumb” and “Kepler” in particular will make you put your foot down on the accelerator and bang your head – whilst absorbing the intricate tapestry of the universe.

It’s all pounding rhythms and hypnotic, repeating riffs.  On first encounter, the album seems very – shall we say, inspired by – Kyuss and the first Queens of the Stone Age album.  Aaron Soppo (vocals) can even do a pretty convincing Josh Homme impersonation.  Which is no bad thing, in my book – in fact, it’s a sure fired recipe for success.

Further investigation reveals far more than this obvious comparison, however.  As well as a more fuzzed-up guitar sound – not unlike a particularly fried Fu Manchu – there’s a trippy, psychedelic sheen to the muscular groove.  There’s even sitar and didgeridoo on here, in wave after wave of glorious chunky riff and rolling beats.

“The Deluge” illustrates this breadth of feeling with a six minute plus track that undulates between exuberant rocker and introspective meander in just one epic song.

If I have one small criticism, I’d like to hear a track like “Strange Wool” – a mind melting instrumental track that’s quite brilliant – dragged out to three times it’s two-minute length.  Even more development and experimentation would really push Giant Dwarf further into a new dimension.  But keep the edge-of-the-seat rockers too, OK guys?

“Giant Dwarf” comes within a koala’s cock of perfection.  Powerful like the venom of a Death Adder, yet enticing like Natalie Imbruglia.  It really is that good: from out of nowhere, an album that will surely be in my end of year Top Five.

Find Giant Dwarf on Facebook and on Bandcamp.

Check Giant Dwarf out on Spotify here.

There’s some cool stuff on YouTube here and here, too.

PS: apologies for the dig at Australia, it’s just a joke.  I’m sure it’s nice there really.

Singles Night at the Virtual Hot Tub #13

Unlucky for some, eh?  Well, this thirteenth edition of Singles Night was far from unlucky for me – I had a great night.

It’s been a while since I’ve thrilled you with a blog like this.  So what is Singles Night, exactly?  Well, I’ll tell you: it’s basically me playing through a stack of 7 inch vinyl singles in the order they’re stacked in.  Like a jukebox, but not as good.

The quality of these discs can vary dramatically.  Some are classics I’ve spent a couple of quid on.  Some are charity shop finds, or even donations given to me.  As such they can range from the unfathomably cool to the stinkiest of cheese.

It’s always good fun though.  So take a dip in the Virtual Hot Tub with me, and enjoy a playlist unlike any other…

  1. The Donnas – “Who Invited You” / “Mama’s Boy”
  2. Windsor Davies & Don Estelle – “Whispering Grass” / “I Should Have Known”
  3. Elvis Presley – “(Let Me Be Your) Teddy Bear” / “”Loving You”
  4. Chas’n’Dave – “Stars Over 45” / “Harem”
  5. Neil Diamond – “Be Mine Tonight” / “Right By You”
  6. Depeche Mode – “Get the Balance Right” / “The Great Outdoors”
  7. Small Faces – “Sha-La-La-La-Lee” / “Grow Your Own”
  8. Right Said Fred – “Don’t Talk Just Kiss” / “Don’t Talk Just Kiss (Instrumental)”
  9. Bad Manners – “Lip Up Fatty” / “Night Bus to Dalston”
  10. Cyndi Lauper – “Girls Just Want to Have Fun” / “Right Track Wrong Train”
  11. Feargal Sharkey – “A Good Heart” / “Anger is Holy”
  12. Bruce Willis – “Under the Boardwalk” / “Jackpot (Bruno’s Bop)”
  13. Sergio Mendes & Brasil ’66 –  “The Fool on the Hill” / “With a Little Help From My Friends”
  14. Pat Benatar – “Love is a Battlefield” / “Here’s My Heart”
  15. Gloria Gaynor – “I Will Survive” / “Anybody Wanna Party?”
  16. Kenny Rogers & The First Edition – “Ruby, Don’t Take Your Love to Town” / “Girl Get a Hold of Yourself”
  17. Showaddywaddy – “Blue Moon” / “I Think I’m Really Going Out of My Mind”
  18. REO Speedwagon – “Keep On Loving You” / “Follow My Heart”
  19. Salt-N-Pepa – “Do You Want Me (Remix)” / “Do You Want Me (Original)”
  20. Carl Douglas – “Kung Fu Fighting” / “Gamblin’ Man”
  21. Judas Priest – “You’ve Got Another Thing Comin'” / “Exciter (Live Version)”
  22. Elvis Costello & The Attractions – “Sweet Dreams” / “Psycho”
  23. Iron Maiden – “Flight of Icarus” / “I’ve Got the Fire”
  24. Motorhead – “Bomber” / “Over the Top”
  25. Village People – “Y.M.C.A.” / “The Women”

My favourite of all of those records is the Donnas single – just awesome rock’n’roll.  They’re a great band, I just wish I had the album on vinyl.

Other classics from Motorhead (one of their best singles, with a beauty on the B-side); Judas Priest at their best; great Small Faces and one of the greatest singles of all time – “Kung Fu Fighting”.  If I remember, I was actually up on my feet at that point, doing a few martial arts inspired moves.  I’d been drinking, after all.

There’s a fair spread of cheese in that lot too, though you can’t go wrong with “Y.M.C.A.”, “I Will Survive” and “A Good Heart”.  Not to mention one of my childhood favourites, “Whispering Grass”.  Enjoyable songs all.

The one real stinker of the bunch was the Bruce Willis tune.  I remember liking that as a kid, ‘cos I was a fan of Moonlighting.  Listening to it again – with its terrible 80’s production and Bruce’s “adequate” voice ruining a soul classic – it’s less Die Hard than Die of Embarrassment.

Till next time!

The Electric Mud – Burn the Ships Album Review

Another album review that appeared not too long ago on EVER METAL – now catching up on my site:

The Electric Mud – Burn the Ships

Self Released (Dewar PR)

Release date: 23/08/2019

Running time: 38 minutes

Review by: Alun Jones

8/10

Let’s get the important stuff covered off first.  For any of you who thought this band were something to do with that lot from the seventies who sang “Tiger Feet”, you’re wrong.  The Electric Mud have very little in common with their glam rock similar-name sakes.  Of course, a professional such as myself would never make a mistake like that.

The Electric Mud hail from Fort Myers, Florida – and specialise in a making a steaming hot gumbo of stoner rock and dense, swampy blues.

“Burn the Ships” is the Electric Mud’s second album.  Through the course of seven songs, the listener travels from the sweltering everglades through time and space – as vintage sounds melt with modern.

Opening track “Call the Judge” oozes an irresistible Southern rock’n’roll groove, starting proceedings with a triumphant swagger.  Grab a beer and a whiskey chaser, you know it’s going to be a lively night in the Roadhouse.

The Electric Mud show their stoner credentials on tracks like “Priestess”, which melds inventive riffs with pace and dynamics.  “Good Monster” weaves funky, head bobbing grooves and “Reptile” lunges out of the depths, attacking like a gator whose mother’s been made into a pair of shoes.

There’s some stunning musicianship on display here; the guitars of Constantine Grim and Pete Kolter are crunchy yet nimble when required.  Tommy Scott’s bass rumbles and glides perfectly.  Pierson Whicker’s drums can smash and bang yet can be refined when necessary.  Kolter’s voice, smoky yet soulful, is an addictive asset in itself.

Songs range from rocking brawlers to heartfelt blues with awesome proficiency.  “Black Wool” and “Terrestrial Birds” showcase these slower moments really well, allowing the music to breathe and worm its way under your skin.

The variety of sound – together with the confident delivery and clever song writing – is what makes “Burn the Ships” engaging and successful.  In the best tradition of stoner rock, The Electric Mud can combine old and new, fast and smooth, dirty and graceful.  Their Southern charm, marinated in the blues, give this band their unique identity.

Although it feels maybe one song too short, “Burn the Ships” is full of character and demands repeat listens.

By the way, I used to see quite a bit of Mud – and lots of other glam rock bands – in the early seventies.  Mud used to take a paddling pool everywhere with them, to do some backstage mud wrestling.  Hence the name, you see?  Though it never worked.  Not once did they persuade lovely dance troupe Pan’s People to get involved.  Or Suzi Quatro.  It usually just ended with the band in the mud bath, drunk on Babycham and fighting with Slade.

The Electric Mud website is here.

The Electric Mud Facebook page is here; Twitter is here and Instagram is here.

Find The Electric Mud on Bandcamp here.

Bring Your Own Vinyl Night #17

Bring Your Own Vinyl Night

The Queen’s Head, Mold

Friday 29th November 2019

Finally, months later, I made it to another Bring Your Own Vinyl Night.  It’s been far too long, but it was great to be back.  A few beers, some great food, and awesome music always makes for an entertaining evening.

Hosted by Halcyon Dreams in the Queen’s Head pub in Mold, North Wales, Bring Your Own Vinyl Night is an opportunity to be a DJ for a night.  Each person has a 15 minute slot to play whatever they like, vinyl only.

It’s never an easy task, narrowing down my collection to just a handful of songs to play.  I didn’t go for a theme this time, just a few tracks that I thought worthy of sharing.

Here’s what I unleashed:

Betty Davis – If I’m in Luck I Might Get Picked Up

I decided to start the set with this funk-rock hybrid from cult soul singer and one time Mrs Miles Davis: the amazing Betty Davis.  I’d heard about Betty’s work on the grapevine; after checking this album out online I knew I had to track a vinyl copy down.  “If I’m in Luck…” is a raunchy number powered by hard rock guitar riffs and a phenomenally funky beat.  Highly recommended!

Iggy and the Stooges – Gimme Danger

My favourite track on the third Stooges record, “Gimme Danger” is a timeless classic.  The “Raw Power” album that housed it apparently fared badly on initial release, but blossomed with a cult following in later years.  Every home should have a copy of this fantastic record.  “Gimme Danger” lures the listener into a false sense of security with an unusually melodic guitar part, yet still weaves a web of debauchery and chaos.

The Cult – Lucifer

The Cult have been one of my favourite bands over the years, going right back to my teens with the “Love” and “Electric” albums.  They’re still delivering quality music, with the album “Choice of Weapon” (from which “Lucifer” is taken) being a highlight.  There’s a huge, epic riff driving this song – one of those tracks that I usually have to have on repeat, ‘cos just one play ain’t enough.

The Donnas – Who Invited You

In 2002, The Donnas released one of the best rock’n’nroll albums in years with “Spend the Night”, an energetic blend of AC/DC style hard rock and Ramones punk.  Sadly it was released in the CD age, so I don’t own a vinyl copy.  But I did hunt down the 7″ single of “Who Invited You” so that I can enjoy at least one magnificent song from the album on vinyl.  Re-issue, somebody, please!

And that, ladies and gentlemen, was that – for me at least.  There were plenty of other great songs played throughout the evening which you can check out via the Halcyon Dreams links below.

In all, a thoroughly enjoyable evening – sharing the wonder of music and vinyl in a great pub.  I mustn’t leave it so long till my next Vinyl Night visit.

With thanks to Halcyon Dreams and VOD Music – well done guys!

The Halcyon Dreams blogspot is here.

The Halcyon Dreams mixcloud page is here.

The Halcyon Dreams Facebook page is here.

The VOD music website is here.