Nebula – Album Review

Nebula – Transmissions from Mothership Earth

Heavy Pysch Sounds Records

Release date: 22.07.2022

Running time: 39 minutes

Review by: Alun Jones

9/10

As I write this, we’re sweltering in a record-breaking heatwave.  North Wales, which is where I’m based – and also where the nerve centre of Ever Metal can be found – has had some of the highest temperatures in the whole of the UK.  It’s crazy.  And so, a new album from desert rock titans Nebula seems extremely apt right now.  “Transmissions from Mother Ship Earth” has arrived at exactly the right time.

And it arrives with a welcome burst of fuzz drenched psych rock, exactly as expected, in first track, ‘Highwired’.  Big fat riff, dashes of space rock and a whiff of herbal cigarettes: classic Nebula, really.  Up next is the title track, which adds some nice, sixties secret agent vibes to the melting pot, together with a punishingly heavy section.

‘Wilted Flowers’ begins with a mellow guitar section before exploding into a thunderous head tripper.  There’s a feel of Mudhoney and the Stooges with Nebula’s best work, as evidenced here and with ‘Melt Your Head’.  Other tracks like ‘Warzone Speedwulf’ and “The Four Horseman’ sound like early Monster Magnet dripped in acid fried Steppenwolf and left to dry in a Tarantino desert landscape.    

No surprises then with this latest Nebula release, and with titles like ‘I Got So High’ you can guess exactly what to expect.  But who cares?  “Transmissions from Mothership Earth” is a solid album of pounding rhythms and spaced-out fuzz rock.  It’s bound to make my end of year best of list, and right now it’s the perfect soundtrack for summer.  Enjoy, fellow explorers – it’s gonna piss it down with rain tomorrow.

Talking about nebula and space and galaxies and all that, did I tell you about the great telescope trick we played on Bill Ward once?  It was at Brian May’s house, and he’s well into all that astrology business.  Bri’s got this huge telescope for star gazing.  So Tony, Ozzy, Geezer and me persuaded Bill to take a look.  What he didn’t know was that Brian had put black paint inside the lens, so Bill ended up with a great big, black monocle on his face.  Bill didn’t realise, and walked round like that all night – extremely paranoid as to why all the guests were laughing at him.  Great fun!

You can find Nebula on Facebook, Twitter and Instagram.

Check out Heavy Psych Records online and on Bandcamp.

This review is a Platinum Al and Ever Metal joint presentation.

Platinum Al’s Top 10 Rock & Metal Albums of 2022

2022 was a fantastic year for new music. Bands that are old favourites, and new discoveries, made my musical journey through the year a great one. Of course, reviewing albums for my compadres at Ever Metal helped in my explorations – a gig that I’m very happy and proud to continue.

I was prompted to compile this list of my Top 10 Rock and Metal albums of the year by Ever Metal. This list has already appeared on that site, but why not share it at the Virtual Hot Tub too?

So here we go, the official 2022 countdown:

10. Brant Bjork – “Bougainvillea Suite”

A laidback, trippy journey through Brant Bjork’s sixties record collection.  Ideal for summer evenings.

Brant Bjork Facebook!

9. Captain Caravan/Kaiser – “Turned to Stone – Chapter 6”

Fantastic split album from Captain Caravan and Kaiser, which crept up on my unexpectedly and quickly became a favourite.

Captain Caravan Facebook! Kaiser Facebook!

8. Earthless – “Night Parade of One Hundred Demons”

Outrageously good album created by amazing musicians, Earthless are nutritious energy for the ears, mind and soul.

Earthless Facebook!

7. Stoner – “Totally…”

It’s Brant Bjork again, here with Nick Oliveri in their stoner rock super group.  Does exactly what you’d expect, and features one of the best album covers I’ve seen in a long while.

Stoner Facebook!

6. MWWB – “The Harvest”

Mammoth Weed Wizard Bastard don’t disappoint with this heavy yet progressive album, brimming with new ideas and sci-fi experimentation.

MWWB Facebook!

5. Nebula – “Transmissions from Mother Ship Earth”

Glorious heavy psych rock from Nebula, showcasing their savage riffs and outer space vibes.

Nebula Facebook!

4. Battalions – “King of a Dead World”

A monster of an album!  Heavy, sludgy – that’s all you need to know.  Brutal and brilliant!  They’re from Hull!

Battalions Facebook!

3. Crobot – “Feel This”

The most exciting hard rock band around deliver another energetic slab of groovy rock’n’roll.  Unmissable!

Crobot Website!

2. Clutch – “Sunrise on Slaughter Beach”

It’s Clutch, what can you say?  Clutch are legendary and they always come up with the goods.  This latest feels slightly darker than previous releases, but has all the required Clutch-ness necessary.

Clutch Website!

  1. Sergeant Thunderhoof – “This Sceptred Veil”

A worthy triumph at the top of my 2022 chart.  An album that has it all: heavy riffs, powerful playing, melody and invention – it’s an experience that the listener can truly immerse themselves in.

Sergeant Thunderhoof Facebook!

All awesome albums and I recommend you check them out immediately. And what a winner! You can read my review of the Sergeant Thunderhoof album on Ever Metal, and I’ll re-post it here soon.

Not long after I compiled this Top 10, I received a package in the post. It was a vinyl copy of the “This Sceptred Veil” album, which was a nice surprise. What made it even more special, was an excerpt from my Ever Metal review appearing on the hype sticker plastered to the front! I was super stoked to see this – hope my words help shift a few copies of this superb record!

Honourable mentions this year for quality releases from Ghost (should’ve been a Top !0 entry?); plus my old chums The Cult and Red Hot Chili Peppers (both continuing to release great music after all this time); amongst many others.

There’s lots of more new music to look forward to in 2023. The fun thing is, I don’t even know what some of them will be yet…

Stay tuned to Ever Metal and Platinum Al’s Virtual Hot tub for the reviews that mattter!

UK Subs – XXIV/Yellow Leader Album Review

UK Subs – XXIV/Yellow Leader

Captain Oi/Cherry Red Records

Release date: 27/05/2022 and 08/07/2022

Running time: 38 mins and 52 mins

Review by: Alun Jones

9/10 and 8.5/10

Recap time: regular readers may remember that yours truly recently reviewed the re-issue of “Work in Progress” by punk veterans UK Subs.  You may also recall that that album covered the letter W in the bands ongoing mission to release an album for every letter of the alphabet.  Well, the good news is that Captain Oi/Cherry Red Records are also releasing the next two instalments in the series – that’s the letters X and Y (but you knew that).

Working through chronologically, we have “XXIV” – which the lovely record company peeps have released on drool-worthy double 10” vinyl, one green, one clear.  Yummy.  Our first song is an absolute belter: the full-on turbo romp ‘Implosion 77’.  Hold on tight and buckle up!  There’s plenty more fast’n’nasty thrills on offer too: ‘Speed’ has a merciless UK82 vibe; ‘Monkeys’ has a classic Subs singalong chorus; ‘Garden of Good & Evil’ is another pogo-till-your-pants-fall-off rocker.

There’s some well-placed variety too, with the harmonica adorned political thrust of ‘Coalition Government Blues’; and Bo Diddley swagger of ‘Wreckin’ Ball’ – both showing hints of the bands R’n’B origins (like as in, what R’n’B used to be).  Lyrically there are plenty of targets for Charlie to attack, both politically and socially.  ‘Memento Mori’ finishes the album off with one most aggressive tunes on offer, leaving us with a great album of 14 adrenaline infused songs.

“Yellow Leader” follows in a similar fashion, featuring 18 songs (whereas the original vinyl was cut to just 14 due to running times).  To be released on slinky, divine double 10” vinyl (one red, one turquoise here), it’ll be a feast for the eyes and ears.  Again, the album is crammed with more relentless punk rock shenanigans like ‘Sick Velveteen’, ‘Chemical’ and ‘Heathens’, all of which will have you jumping around the room like a monkey on a lava stream.

As the previous record, there’s plenty of other sounds and ideas here: single ‘Sin City Blues’ has a killer rockabilly feel; and ‘Rebellion Song’ breaks out the acoustic guitar.  The only mis-step is ‘Archaeology’, a strange post -punk/goth style experiment that while not awful, isn’t a total success.  All in all, the quality of music is impressively high and the recordings sound excellent.

And there you go, music lovers: not one, but TWO albums of mighty UK Subs songs, lovingly compiled and curated by those nice folks at Captain Oi/Cherry Red Records.  You lucky people.  Pick ‘em up while you can, nobody is this fortunate twice.    

You can find UK Subs on Facebook and Twitter.

Cherry Red Records have a website. Plus you can find them on FacebookTwitter, Instagram and Bandcamp.

This review is a joint presentation from Ever Metal and Platinum Al.

UK Subs – Album Review

UK Subs – Work in Progress

Cherry Red Records

Release date: 22/04/2022

Running time: 41 minutes

Review by: Alun Jones

9/10

Ladies and gentlemen: the UK Subs.  A fine collective of upstanding, noble samurai and no mistake.  Led by the indomitable Charlie Harper, the band have roots stretching right back to the origin of the London punk scene (and actually, a fair bit further than that).   The band are still touring and recording all this time later, albeit with changing line ups throughout the years, so their integrity and passion should never be in any doubt. 

Casual observers may not be aware that the UK Subs have released an album for every letter of the alphabet (plus more).  That’s no mean feat.  What is somewhat daunting, is that’s a lot for any new fans who want to collect everyone of those releases!  Yet fear not, music lovers: Cherry Red records have been gracious enough to re-release the 2011 album “Work in Progress”, on sexy double 10” gold and silver vinyl.  For anyone struggling to keep up, that means the punters have no excuse to at least have the letter W from the list in the bag.

And what will discerning music fans find within this sumptuous collection?  Why, fourteen songs of the finest punk rock vintage, of course.  That means a blitzkrieg of blinding rockers like ‘Creation’, ‘Radio Unfriendly’ and the brilliantly titled ‘Hell is Other People’.  Some bloke called Lars Frederickson, from a band called Rancid, co-wrote ‘This Chaos’ – another brain melter – and you can even bang your head to ‘Children of the Flood’, if you want to.

Punk rock unbelievers, I say unto thee: these songs do not all sound the same.  They are not simply constructed, amateur-hour noise.  All the tracks are full of energy and have their own identity.  There’s a hint of rockabilly on ‘Eighteen Wheels’, R&B garage rock on the bouncy Sonics cover ‘Strychnine’ and ‘All Blurs into One’ has an almost psychedelic sheen. 

The only potential misfires are ‘Tokyo Rose’, which at first sounds a bit too Hollywood Sunset Strip (but redeems itself after a few listens) and ‘Rock’n’Roll Whore’, which could be a bit – well, dated lyrically.

This UK Subs album admirably highlights a classic band who are still fighting on, taking their music to the world.  It shows the roots of the band in R&B, whilst also providing a link from the Ramones to US hardcore bands like Circle Jerks and Descendents, and ever onwards.  After all these years, the UK Subs are still a “Work in Progress” and show no signs of stopping.

Right, see you later.  I’m off to hang around in a graveyard with my old mate Dave Vanian.  Captain and Rat, you can only come if you promise to stop setting fire to mattresses.

You can find UK Subs on Facebook and Twitter.

Cherry Red Records have a website. Plus you can find them on Facebook, Twitter, Instagram and Bandcamp.

This review is a joint presentation from Ever Metal and Platinum Al.

Bring Your Own Vinyl Night #18

Bring Your Own Vinyl Night

The Queen’s Head, Mold

Friday 26th August 2022

Three years. It’s been nearly three years since the last Bring Your Own Vinyl Night at the Queen’s Head in Mold, north Wales. The pandemic put this event on hold for quite a while, but finally it was time for a triumphant return to the decks.

Let’s recap the concept: each participant gets a 15 minute slot to play whatever vinyl they like. That’s it. Very simple. And good fun. Have a few beers, chat about music, discover something new to listen to.

Here’s my ;playlist from the night:

Sweet Apple – Wish You Could Stay (A Little Longer)

I wanted to start my set up with this gorgeous, uplifting track by Sweet Apple. J Mascis (of Dinosaur Jr) is in the band, and Mark Lanegan guests on co-vocals. A sublime piece of melodic, alt rock pop. First song on their album “The Golden Age of Glitter”.

The Four Horsemen – Nobody Said It Was Easy

And then on to some early 90’s southern rock, courtesy of the Four Horsemen. This band were signed to Def American and produced by Rick Rubin. If you dig AC/DC tinged Skynyrd and ZZ Top, their wax is worth investing in. I have the album, but this was the 7 inch single version of this song.

Clutch – D.C. Sound Attack!

A stand out track from the “Earth Rocker” album by Clutch, a band I am somewhat obsessed with. I love this song, it’s energetic rock’n’roll with a funky riff – the instrumental is so good I could actually groove to it. D.C. Sound Attack!!!

Social Distortion – Dear Lover

What a band. The opening track from Social D’s “White Light White Heat White Trash” album, this is full of Mike Ness’s heartfelt angst in a pounding, mid paced punk rock’n’roller.

The Beatnix – Stairway to Heaven

The Beatnix are a Beatles cover band. Here, they’ve covered Led Zeppelin’s “Stairway to Heaven” in an early 60’s Beatles style. It’s actually really good and sounds authentic. I think this song raised a few eyebrows, starting off resembling an old Fab Four track but including the unmistakable lyrics. On the other side, there’s an Elvis impersonator called Neil Pepper, covering the same song – a great single, you need a copy.

I had a really enjoyable evening for Vinyl Night, in fact I’m sure everyone did! Thanks to Halcyon Dreams and VOD Music in Mold for hosting and organising everything. Hope to see you all again soon!

The Halcyon Dreams blogspot is here.

The Halcyon Dreams mixcloud page is here.

The Halcyon Dreams Facebook page is here.

The VOD music website is here.

Scrap Metal Vol 1 – Album Review

Various Artists – Scrap Metal Volume 1

RidingEasy Records

Release date: 12/11/221

Running time: 34 mins

Review by: Alun Jones

9/10

Recently I’ve been razzing around this rundown town in Platinum Al’s Pimp Mobile (a 1980 Chrysler Cordoba, of course), blasting out this new compilation from those hard rockin’ duderinos at RidingEasy records.  And I haven’t had this much honest-to-rockness fun in goddamn ages!

You may recall RidingEasy’s previous comps, as reviewed by yours truly, from their Brown Acid collections of long lost proto-metal/stoner rock artifacts of the late 60s/early 70s.  Well, with Scrap Metal, they’ve taken the same approach (unearthing long-forgotten rare tracks, and releasing a carefully restored sonic document of said tunes) – but this time, applied it to the age of 70s/80s classic Heavy Metal. 

Listeners will discover a variety of styles of HM here, as the genre splits into numerous offshoots.  So, we get to hear the blossoming styles of NWOBHM, thrash, doom and glam at a time when they all still share a generous amount of DNA.  It’s classic metal, folks – and to be honest, I didn’t find that much difference between the “styles” on offer.  What I did find was ten blinding tracks of fun (and slightly dumb) rock’n’roll monsters.

Witness, for example, the wonder of “Headbang” by Rapid Tears.  Fast paced, dumb ass, dingus brained heavy rock for you to race to the chippy in a Trans-Am.  It’s glorious.  Then, with barely a rest, we’re assaulted by Air Raid’s “69 in a 55”: like early Maiden (even down to the Paul Di’Anno vocals) but with a cucumber stuffed down the spandex pants.

And the surprises keep on coming.  Hades are simply brilliant, their track “Girls Will Be Girls” venturing toward speed metal.  Resless have a crap name, but “The Power” is a Priest like power-thon that is bound to excite.  “Enemy Ace” by The Beast is a definite unrefined highlight; almost in the realms of crossover, it’s a particularly aggressive track that’s totally unsuitable for polite tea parties with grandma.

The compilation isn’t perfect: Don Cappa’s “Steel City Metal” ticks all the cliché boxes, but plods.  Yet adrenaline infused, urgent rockers like “Can’t Stop” by Dead Silence, “Iron Curtain” by Czar and “Viking Queen” by Real Steel keep the fists punching the air and a grin on the face.    

As with the Brown Acid series, it’s bewildering how at least some of the bands on Scrap Metal Volume 1 didn’t get any further.  I’ve heard a lot worse.  However, careers are built on consistently great song writing and performance – we only have one (admittedly brilliant) song by each band to testify here.

The lyrics and themes may wallow in the murky depths of the tired and obvious, but I challenge any of you to not enjoy the music on offer.  Park any pretentions of sophistication you may hold, the energy to be heard on these tracks is pure pleasure.  Pull on your super tight jeans, bullet belt and patch covered battle vest, let your hair down (if you still can), and rejoice in a simpler time.  Scrap Metal Vol 1 is a full on, beer swilling triumph of an album.  HEADBANG!!!

Visit the RidingEasy Records website here.

Or check them out on Facebook, Twitter, YouTube, Insta or Bandcamp.

Today’s review is brought to you by Platinum Al in association with Ever Metal.

Live in the Mojave Desert – Album Review

Various Artists – Live in the Mojave Desert

Heavy Psych Sounds Records

Release date: Various

Running time: Various

Review by: Alun Jones

Rating: see below

Hello there!  Remember me?  It’s me, that bloke who occasionally reviews albums for Ever Metal and spins ropey old yarns about rock’n’roll.  Yeah, him.  Sorry I’ve been absent for a while, had a few things on my all-you-can-eat buffet plate recently.  More about that another time (if the lawyers allow me).  For now, recline in your favourite easy chair, and let’s review.  With me?  Good.

Right then, bit of a mammoth task, this one.  “Live in the Mojave Desert” is actually a series of five albums, each recorded live (of course) amongst the sand and rocks of the Californian desert.  It’s probably like Star Trek, when Kirk and crew are roaming around the cliffs and valleys – but in the dark, and with guitars and lights and stuff – and no one dies (hopefully).

Up first in my sequence of albums is the legendary Earthless, a band who should need no introduction.  I listened to their offering whilst on a trip to North Wales; sadly the surf was flat, but the sonic musings of this three piece fitted perfectly the rolling roads between green valleys and big skies.  In the land of druids and standing stones, witches and warriors, this was a perfect soundtrack.  The songs are a journey in themselves, awash with psychedelic Hendrix style explorations.  Only three songs, but they’re plenty lengthy and offer huge scope.  It’s actually quite beautiful. (9/10)

Next on the list was Mountain Tamer, a band I’m not familiar with previously, but a cool name.  And a cool name goes a long way with me.   The Mountain Tamer sound is raw and in-your-face, with mighty, meaty riffs that clunk around in full-on doom style.  There’s also a mind expanding, trippy element to their music, leaving me with the impression of Black Flag in a collision with Hawkwind.  This unique approach is best exemplified by stand out tracks “Black Noise” and “Scorched Earth”, but it’s all damn fine. (8/10)

An offering in this series from my old buddies Nebula was very welcome, their brand of psych drenched sci-fi hard rock being something I’m somewhat partial to.  This is the album with the most obviously “live” feel – not that it’s sloppy at all, the very occasional tiny imperfections and wall of fuzz give a genuine and celebratory vibe.  Opening track “To the Centre” is a feedback drenched, blistering explosion.  “Giant” is another standout track with a bouncing, crazy gonzo riff. (8/10)

Spirit Mother are another band I’ve not heard before, and they were a real surprise.  Their first song, “Tonic (Exodus Inc)” is straight off the soundtrack of some forgotten Italian/Turkish 1970s horror movie.  The band take the standard desert/doom rock and add violin, and everything veers off in a totally unexpected direction.  From mournful 70s rock on “Ether” to creating their own genre of gothic Spaghetti Western (“Dead Cells”), it’s like Morricone on peyote orchestrating The Exorcist.  Strangely beguiling. (8.5/10)

The album I listened to last in the collection was the debut release of STÖNER, the very aptly named stoner rock “supergroup” which features Brant Bjork (Kyuss, Fu Manchu, solo etc) and Nick Oliveri (Kyuss, QOTSA, Mondo Generator etc etc).  With Brant’s drummer, Ryan Güt whacking the tubs.  As a fan of these rogues’ other bands, I was definitely curious about this release.  No fear here: this is exactly what I hoped it would be: desert rock royalty.  “Rad is Rad” features a relentless, rolling bassline that drags the listener along on a head-nodding journey whilst Brant croons in his laid-back manner.  The big, groovy bass continues in “The Older Kids”, and the tracks develop a trancelike vibe as it progresses.  And strap yourself in for the final song, “Tribe/Fly Girl” – over 13 minutes that will melt your eyeballs.  Definitive. (9/10)

That’s it: five albums, five bands, and a mind-blowing excursion into the remote desert valleys.  Whether showcasing how it should be done, or abducting the listener in a smoke-filled UFO to be probed in new realms, these live collections are a trip.

Here’s a ton of links! Click away for more info on this awesome music…

Start with Heavy Psych Sounds, they have a website, Bandcamp, Facebook and Instagram.

Earthless do the web thing here, with some Facebook and Twitter.

Mountain Tamer kick in the sky with Facebook and Bandcamp.

Go crazy with Nebula via Facebook.

Spirit Mother have you covered with some weberation, Facebook, Bandcamp and Insta.

Finally, have a look at Stoner’s web presence here and Facebook it too.

This review was brought to you by Platinum Al in association with Ever Metal.

Brown Acid: The Twelfth Trip – Album Review

Various Artists – Brown Acid: The Twelfth Trip

RidingEasy Records

Release date: 20/04/2020

Running time: 33 minutes

Review by: Alun Jones

8.5/10

Well, who’d have thought it?  Here’s the twelfth instalment of the Brown Acid series from RidingEasy Records, their ongoing exploration of rare, lost and forgotten treasures from the late 60s and early seventies.  These proto-metal, hard rock and heavy psych riches are continuing to turn up, thankfully curated and shared with a new, wider audience.  They still haven’t run out of steam, which is very good news.   

This time, the Professors of Rock (“Prockfessors”, anyone?  Nah, never mind) have released ten more crazily good tracks from the past.  As can be expected, the bands are deep fried and the guitars are fuzzier than a Macdonalds burger-flipper’s chin.

And so, we commence with “Mother Samwell” by The Waters: a blinding, acid-drenched rocker from 1969.  How can this have been lost for so long?  Up next is “Vibrations” by Village S.T.O.P.; featuring Hendrix style guitar in another pacey rocker.  Though very much of their time, these songs pack a ton of energy – you’re gonna want to freak out.  Right out.

“1930” was quite a year, claim White Lightning, with a funky, chunky marauder of a tune that’s like Grand Funk, on the rare occasions GF got it right.  Shane serves up some proper skronky organ with “Woman (Don’t You Go)”, reminiscent of a shrieky, early Purple.  Then the keyboards get even skronkier with Ace Song Service’s “Persuasion”, though the attack is harsher.

Opus Est really kick out the jams with “Bed”, which has a killer riff that would please Gibbons or Page.  The Mopptops have a terrible band name (maybe that’s why they disappeared), but their song “Our Lives” is one of the heavier, more vicious sounding tracks here.  It’s a punk rock bruiser that seems totally out of time – surely this can’t be 1968?

A bland band name, but Artist inject their song “Every Lady Does It” with enough hip-shaking Hendrix raunch to raise the roof.  Great chorus too; this is faultless.  Then it’s more great lo-fi garage ZZ Top with “Comin’ Home” by Stagefright, before we finish with Dickens (great name!) and their weird fuzz metal with minimal production, “Don’t Talk About My Music”.

Whether they’re discovering hidden gems in dusty tombs, or exhuming abandoned corpses and bringing them back to life – pick your metaphor: the RidingEasy Forensics Department have managed to surprise yet again.  Their quest seems never ending, but we can be thankful that these dedicated scholars continue to discover hitherto abandoned sonic delights.

It’s harder to pick out gems which shine brighter than the others this time around, but “Brown Acid: the Twelfth Trip” manages to reach a high standard across the board.  Very enjoyable, and recommended listening for when Jimi and Janis pop round for some mushroom tea.

Why not do some internets with RidingEasy records on their website, Bandcamp, Facebook, Twitter, YouTube, or Insta?

This review was proudly presented by Platinum Al in association with Ever Metal.

EMQs with… Platinum Al

Last year, in the depths of lockdown and with no live entertainment to review, the glorious website that is Ever Metal was kind enough to open up their Ever Metal Questions series to the reviewers. As an EM contributor I was finally able to fulfil a lifelong ambition – and satisfy my enormous ego – by being interviewed for the site.

The questions were pretty much what we ask musicians, only I had the privilege of answering them myself. And now, in a move that confirms that I really have no shame, I proudly re-present the same interview here, at the Virtual Hot Tub. Well, it is my birthday this month…

Enjoy!

What is your name, what do you do, and can you tell us a little bit about how you ended up doing it?

My name’s Alun, AKA Platinum Al.  I write some reviews for Ever Metal, which came about through meeting Rick and Beth at Pentre Fest a while back.  “I can write!” I lied, and they’ve been too kind to bin me off ever since.

What Country/Region are you from and what is the Metal/Rock scene like there?

North Wales in the UK.  We seem to be a bit out in the wilderness to the outsider, but thankfully there are a few venues that put good bands on in Chester and Wrexham (both nearby) and of course, the good old Tivoli in Buckley (just up the road).  Liverpool and Manchester are both accessible.  The big win for us though is Pentre Fest – and all the other events that North East Wales Metal Productions put on.  It’s introduced me to loads of new music and it’s right on my doorstep. 

What is your favourite latest release? (Album, EP, Single, Video)

Desert Storm’s “Omens” on APF Records is album of the year so far.  Beyond that, I’m still reeling from the wonder of Giant Dwarf’s self-titled master piece, my album of 2019.

Who have been your greatest influences, in music or in life?

George Lucas, for Star Wars – which influenced me more than anything since I was five years old.  Stan Lee and Marvel comics have also been a big inspiration.  Skateboarding in general has opened my eyes and ears to the wonder of the world since my teens. 

In music, there’s dozens: Johnny Cash, Motorhead, AC/DC, Ramones, the Damned, The Misfits, Black Sabbath, The Cult, Soundgarden, Led Zeppelin, Queen, Monster Magnet, COC, Melvins, Jimi Hendrix etc etc.

What first got you into music?

I listened to the Star Wars soundtrack first of all; it still has an amazing emotional response on me even now.  The next big development was seeing the film Highlander, which I loved.  A friend of mine recommended the Queen album A Kind of Magic as it featured several songs from the film, and it’s been downhill from there.  Thankfully, through skateboarding I was introduced to music that was a bit off the beaten track, shall we say.

Which current bands or musicians would you like to see collaborate on a record?

Good question!  How about Shakin’ Stevens – the Welsh Elvis – fronting the Misfits?  Danzig can write the songs.

If you could go to any festival in the world, which would you choose and why?

Pentre Fest!

What’s the weirdest music related thing you own?

I have some pretty weird vinyl in my collection, like Roland Rat, the Wurzels and an album called “How to Strip for Your Husband”.   Oh, and a Joan Collins work out record.

If you had one message for your Ever Metal readers, what would it be?

Never ever bloody anything ever.

If you could bring one rock star back from the dead, who would it be?

So many greats to choose from (sadly).  I’ll nominate my old mate Lemmy, as I probably embarrassed myself when I met him by talking bollocks.

If you could change one thing about the music industry, what would it be?

Stop developing new formats – you lied to us about CDs when vinyl was the ultimate.  There are some albums I own on vinyl, tape, CD and download – and I’ve had to buy every single one.  Can we all just agree to not buy whatever new garbage format they try and lumber us with in the future? 

Name one of your all-time favourite albums?

Never Mind the Bollocks, Here’s the Sex Pistols.

What’s best? Vinyl, Cassettes, CD’s or Downloads?

Vinyl, obviously!

What’s the best gig that you have been to, and why?

Black Sabbath at Birmingham Genting Arena on their “The End” tour is up there.

What do you get up to when you’re not writing/ taking photos?

Working the day job and being a dad mostly.  Then listening to music, skateboarding, riding my bike, watching old Hammer horror movies, collecting toys, drinking beer.

Which five people would you invite to a dinner party?

Sir Christopher Lee, Johnny Cash, Jimi Hendrix, Joey Ramone and Lemmy.

If they have to be alive, then James Hetfield, Glenn Danzig, Dave Vanian, Henry Rollins and pro skateboarder Mike Vallely.

Jaffa Cakes? Are they a cake or a biscuit?

I don’t know, but I had cherry ones in Greece and they were amazing!

Thank you for your time. Is there anything else that you would like to add?

Just thanks for giving me the opportunity to flaunt my massive ego by doing an interview, it’s something I’ve always wanted to do!  HAHA!

Oh, and to the readers of Ever Metal: thanks for reading, and never forget that we are fans just like you and we do this for the love of the music.  Never say die!

Read more Ever Metal staff EMQs here.

Platinum Al’s Top 10 Rock and Metal Albums of 2020

Good riddance, 2020! Am I right, or what? Still, it’s not all bad. There were some absolutely magnificent albums released last year – some I reviewed for my buddies at Ever Metal, some I discovered through other means. Some were massive, huge hits; others were small yet mighty triumphs.

Despite a lack of live music, there was plenty to investigate music-wise. So much so that it was really difficult to compile my annual Top 10 Albums list for Ever Metal. A few giants of rock and metal, though they released highly accomplished work, were reluctantly forsaken in my search for the crème de la crop.

Here they are, in (natch) reverse order:

10. The Goners – “Good Mourning”

9. Supersuckers – “Play That Rock’n’Roll”

8. Testament – “Titans of Creation”

7. Weed Demon – “Crater Maker”

6. The Atomic Bitchwax – “Scorpio”

5. Volcanova – “Radical Waves”

4. The Brothers Keg – “Folklore, Myths and Legends of The Brothers Keg”

3. Son of Boar – “Stoned Wail”

2. Desert Storm – “Omens”

  1. AC/DC – “Power Up”

I thought that this year, one of the smaller, indie label bands was sure to get to number 1. It almost happened, but then AC/DC released the total brain melter of “Power Up”, pretty much saving 2020 in the process. Now if only Angus and Co could release an album monthly, we might be able to get through 2021.

A few shout outs for notable mentions who didn’t make the cut this year, such as Ozzy, Wino and others. Seriously can’t believe I left out “Danzig Sings Elvis”, though.

You can read my full Top 10 (plus plenty of others) on the Ever Metal website, which also features links to songs and videos. Highly recommended! The direct link is here.

All the best for 2021 – here’s hoping for more great music!