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Rose Tattoo – The Albums 1981-1984 Review

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Sadly, Rose Tattoo’s singer, Gary ‘Angry’ Anderson passed away back in September 2026. Here’s a review of the band’s album compilation on Cherry Red Records I wrote for Ever Metal earlier this year.

Rose Tattoo – The Albums 1981-1984

Cherry Red Records

Release date: 20/02/2026

Review by: Alun Jones

8/10

Yes, I admit it – it’s all my fault.  Back in the late 80s, dear old Angry Anderson, erstwhile throat mangler for legendary Australian rockers Rose Tattoo, called me on the phone with a problem.  Called me on the phone, ‘cos I’m never going to Australia – world tour or not.  Snakes?  Spiders that can kill you?  No chance.  Anyway, Angry, bless him, was in a financial rut and I said I had an idea to help him out.  So I had a word and managed to get one of his songs attached to a daytime soap opera.  I mean, who would know if it was some dumb TV show in the daytime?

So the next thing you know, Scott and Charlene are getting married and Angry’s song soundtracks it.  Suddenly, he’s got a massive hit, it ruins his street cred and I’m to blame.  Made him barrel loads of dosh, though.

But yes, originally the bloke who did that song off Neighbours was Angry Anderson, vocalist of Australia’s other great Rock’n’Roll band – Rose Tattoo.  And great they were.  Simple, honest, down-to-earth blokes playing dirty Blues Rock.  They even had Vanda and Young – AC/DCs Production Masters – in their corner, creating a gutsy guitar sound sharp enough for a backpacker serial killer.

Four albums are packaged together in this release from Cherry Red Records, the self-titled debut being the best.  Starting with out-and-out classic ‘Rock’n’Roll Outlaw’, we also get the street Blues throb of ‘The Butcher and Fast Eddie’, the rowdy stomp of ‘One of the Boys’ and the slide guitar driven ‘Remedy’.  You’ll swear that Malcolm and Angus wrote the filthy riff of ‘Bad Boy for Love’, whilst we’ve also got ‘Nice Boys’, a fine tune once covered by those overblown, cock rock losers Guns’n’Roses.

Not that the other discs here aren’t up to scratch – “Assault & Battery” features more of the bawdy, boozy, brawling, slide guitar Rock with ‘Out of This Place’.  ‘All the Lessons’ and the title track have an almost Punk energy while ‘Rock’n’Roll is King’ is another vicious stomper.

“Scarred for Life” sees the quality dip a little, but the title track, ‘We Can’t Be Beaten’ and ‘Branded’ still come out punching like a mad kangaroo with a time bomb in it’s pouch.  However ‘Sydney Girls’ is less brave Reggae experiment and more “Bouncer should’ve buried it in Mrs Mangle’s garden”.  The runt of the litter is fourth album “Southern Stars” – but again the title track will get the adrenaline pumping, as will the anthemic ‘Death or Glory’, before another Reggae squib with ‘The Pirate Song’ almost sinks the ship.

As you can probably tell from the song titles, Rose Tattoo aren’t Radiohead.  And yes, many of these lyrics are very dated and misogynistic.  But if you can deal with that, and just want to party, then this is the ideal music for a pissed-up bar fight between Harold Bishop and Lou Carpenter over Madge Ramsey.  It’s the usual, to be expected level of quality that one expects from Cherry Red, including several bonus tracks and a comprehensive accompanying booklet.

Rose Tattoo’s albums are a goldmine of good time Rock’n’Roll, cast out of sheer, unrefined groove and grit.  Rock’n’Roll is King, indeed.  Anyone for a cold beer?

Check out Rose Tattoo’s website here.

This review is brought to you by Platinum Al in association with Ever Metal.

Plan 9 From Halloween Horror Fest

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Happy Halloween, everybody! Here’s a little more Horror Fest for you…

Plan 9 From Outer Space (1957)

Flying saucers made from hub caps, and you can see the strings! Wobbly gravestones! Incomprehensible dialogue and wooden acting! Not to mention an incoherent plot. Yes indeed, this legendary movie from Ed Wood has it all. Or does it? The reputation of Plan 9 From Outer Space as the worst film ever made might have some truth in it, but not all of these claims are based in fact..

The plot is indeed bizarre. Aliens (who look very human) are keen to cause chaos and make the populace of Earth open their eyes to our potentially destructive ways. After several failures, they settle on their ninth plan – resurrecting the dead – as the best way to accomplish their goals. The dead come back to life (well, three of them do) and proceed to scare the locals and the police force silly.

Something like that, anyway. The story doesn’t really matter that much. You’ll want to see this film to witness the last scenes shot of Bela Lugosi, who died before the film was completed. And the stand in used to complete his scenes who looks nothing like him. And, of course, you’ll want to see the captivating horror host and pop culture legend Vampira (Maila Nurmi). Not to mention, to behold the wonder of Swedish wrestler Tor Johnson as a police inspector turned ghoul.

It’s kitsch, silly and thoroughly inept, but Plan 9 from Outer Space is also hugely entertaining, camp fun. You’ll witness a film so bad, it’s impossible not to love. I mean, The Damned and The Misfits have both been inspired by it, along with many others. So is it really all that bad? I’d say Plan 9 From Outer Space is the perfect Halloween film.

Plan 9/10

Train to Halloween Horror Fest

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Are you feeling brave? Let’s explore some more spooky movies for Halloween…

Ginger Snaps (2000)

A mad dog is on the loose in the town of Bailey Downs, Ontario (that’s in Canada!). Two residents, sisters Brigitte (Emily Perkins) and Ginger (Katharine Isabelle), are local school misfits and morbidly obsessed. One night, Ginger is attacked by the dog, but guess what? That’s right, it ain’t a dog…

Ginger begins to change, both physically and in her demeanour. It becomes obvious to her sister that she’s becoming a werewolf. As the two negotiate how to manage the situation, their lives inevitably become more complicated and things get lethal.

Ginger Snaps is a very. very clever film that puts a new spin on the old werewolf folklore. By concentrating on two young female lead characters, it serves as an ingenious deviation from the norm and a well observed look at the young girl’s lives. It’s like Twilight with teeth. Or should that be – with fangs?

8/10

House of Dracula (1945)

This is what we want! Universal monsters – not one, not two, but three of the classics! A black & white monster movie, we get to see Dracula, the Wolfman and Frankenstein’s monster – together!

In this follow up to House of Frankenstein, which also featured the three horror icons, Dracula (John Carradine) is visiting Dr Edelman (Onslow Stevens) to cure his vampirism. Similarly, Larry Talbot (Lon Chaney Jr.) – the Wolfman – is also seeking out the same doctor for assistance in finding a cure for himself. Throw into the mix a revived Frankenstein’s monster (Glenn Strange) and you’ve got a triple threat creature showdowwn!

It’s all a bit contrived and silly really, too many odd coincidences occur to engineer the creatures being in the same place at the same time. But if you can conveniently ignore that, House of Dracula is good fun. There are some great special effects and makeup, and Carradine and Lon Chaney Jr are good value for money.

7/10

Train to Busan (2016)

Zombies, zombies, zombies. Seems like my household like to watch a lot of zombie movies. And television programmes. So, I nearly passed on watching this South Korean entry into the genre out of sheer fatigue. I’m so glad I didn’t, as this is one of the best horror movies (zombie or otherwise) I’ve seen in a long while.

It follows a workaholic father taking his young daughter to visit her mother in Busan on her birthday. They take the train, and as bizarre, gruesome events spiral, they’re soon trapped in a zombie apocalypse.

The plot doesn’t really need much more explanation than that, and I don’t want to give the slightest thing away. But Train to Busan is one of the most intense, edge-of-the-seat frighteners going, filled with interesting characters, disastrous consequences and heart-breaking twists. Unmissable!

9/10

Halloween Horror Fest, Vampire

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Pull up a chair, settle down, here’s the next batch of scary movie reviews…

Count Yorga, Vampire (1970)

Now this is more like it! Late 60s/early 70s vampire film on a budget, Count Yorga, Vampire is something of a cult classic. Just the sort of nonsense I love! Set in California, we meet Bulgarian aristocrat Count Yorga (Robert Quarry) as he conducts a seance for a bunch of groovy kids.

Afterward, a couple of the groovy kids, Erica and Paul, give the Count a lift home to his foreboding estate. On the way back, their van gets stuck in the mud, and they’re attacked by the Count in full vampire mode. The next day, they remember nothing, though Erica has lost blood and is examined by a doctor friend.

Erica succumbs to vampirism, and is whisked away by Count Yorga. The race is then on to rescue her and destroy the Count and his minions.

It’s a simple film, but effectively breathes new life into the old vampire legend. Quarry is enigmatic and powerful as Yorga, looking part Terence Stamp and part Christopher Lee. Count Yorga, Vampire is low budget, dated, and rambles on a bit, but it’s perfect for anyone who wants to explore the kitsch and uncanny.

8/10

Child’s Play (1988)

On the other hand, whilst retro cheapo vampire movies are always to my taste, Child’s Play was never something that appealed to me. I’ve never really had much interest in the more modern American horror/slasher movie. However, I’m often proved wrong in this regard, and Child’s Play proved me wrong again.

Serial killer Charles Lee Ray is reincarnated by Voodoo spells as Chucky, an innocent looking Good Guy doll. Young Andy is desperate for one of these dolls for his birthday, and his mother manages to scrape together some cash to buy a dodgy one. This of course is Chucky, and he’s out for revenge on his former partner and anyone else who gets in his way.

Murder ensues, and of course none of the adults believe Andy when he claims Chucky is to blame. Yet slowly, his mother (Catherine Hicks) begins to suspect the truth. The lead detective on the case (Chris Sarandon) eventually comes to realise what’s going on, too. They need to keep Andy out of harms way and stop Chucky from becoming human again…

After all this time, I finally watched Child’s Play a few years ago, and wouldn’t you just know it – old Chucky grew on me. It’s actually quite a fun, engaging supernatural horror with lots going on, and some neat observations on the furor caused by toys like Cabbage Patch Dolls. Forget your incredulity and enjoy!

8.5/10

The Evil of Halloween Horror Fest

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It’s time for more mini horror film reviews, as we celebrate spooky month! What have we got tonight?

The Evil of Frankenstein (1964)

What we have here is the first Hammer Horror for this years Festival of Fear! This is the third film in the Hammer series, again starring the legendary Peter Cushing as Baron Frankenstein.

This time around, the Baron and his assistant Hans (Sandor Eles) are on the run following some dastardly grave robbing antics, so they decide to go back to his hometown of Karlstaad, despite being banished. There they hope to use valuables from the old Frankenstein castle to fund more research. Instead, the Baron finds that his old home has been looted – by, it turns out – the local authorities.

On the run again, they’re aided by a local deaf-mute girl, and hide in the mountains. The Baron discovers his old creature, frozen in ice. After rescuing the creature, they’re unable to bring it back to life fully, so decide to seek the help of a carnival hypnotist, Zoltan (Peter Woodthorpe). Zoltan is successful, but jeopardises everything by using the creature to enact his own cruel revenge…

It’s a funny old hodgepodge of a film, this one. The first Hammer movie, Curse of Frankenstein, is recapped but reimagined – it’s re-done and is very different this time round. The whole thing feels like different elements thrown together to see if they stick. Although the creature, this time played by Kiwi Kingston not Christopher Lee, looks more like the classic Karloff version, the makeup looks strange and false. The excellent sets and another great performance from Cushing help save The Evil of Frankenstein from failure.

7/10

Twilight (2008)

Hey, it was my teenage daughter’s choice – so what?! We take turns to pick something to watch, and Daughtertron is very into this Twilight stuff at the moment. So fair’s fair, we gave it a go.

Twilight is about a young woman named Bella Swan (Kristen Stewart), who relocates from Arizona to the very different state of Washington, to live with her father. She attends the local school, makes some friends but gradually becomes intrigued by another classmate, Edward Cullen (Robert Pattinson).

After a frosty start, the two are slowly pulled together, and Bella discovers that Edward and his “family” are vampires. All is going well in a teen love story fashion, till a separate, wandering group of vampires happen upon the Cullen clan – and Bella – and there’s a big fall out during a baseball game.

Despite some bizarre ideas such as sparkling vampires and vampires playing baseball, the film wasn’t too bad. Twenty minutes too long and far too soppy, Twilight was still fairly watchable, even though I’m not the target audience. I’ve seen worse. I mean, it was better than Harry bloody Potter.

5/10

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Halloween Horror Fest 2026

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Glowing strings of moonlight break softly through the canopy of trees above. The forest is otherwise almost completely dark. The call of an owl rings out through the night as you tread carefully in the shadows, eyes working hard to glimpse something, anything, that seems familiar. You try not to stumble, shuffling slowly to avoid perils littering the forest floor.

And then, from behind you, you hear something. A low, menacing growl…

Don’t worry kids, it’s just another Halloween Horror Fest at Platinum Al’s Virtual Hot tub! You know we dig the spooky movies round here, and every October we dial that appreciation right up with out our own festival of frightful films.

So let’s dive right in with our first film of the year…

Sinners (2025)

Our first film of 2026 is right up to date, with this highly regarded modern take on the vampire legend. Set in the Southern USA in 1932, the film focuses on two twin brothers, ex-gangsters who have retuned to their hometown to set up their own juke joint in the midst of the local black community.

Smoke and Stack (both played brilliantly by Michael B Jordan) gather their friends and family members around them as they work to create their dream. Recruiting staff and noted blues musicians, the venue appears to be on its way to a glorious first night. But they – and the bar patrons – are unaware of a supernatural evil that threatens everything.

Much has been made of the success of Sinners, and it’s not hard to see why. It won four Oscars at the Academy Awards including a well deserved Best Actor for Jordan – it took me a while to realise that the same actor was playing a dual role. And of course it’s highly unusual for a horror film to be recognised in this way, at all.

Sinners is a fantastic movie, that starts slowly and recreates an authentic time and place, before it races off in a very different direction. It is indeed a scary film, but not at the cost of character and world building. Beyond the visceral horror element, other themes of race and culture are explored by writer/director Ryan Coogler, providing the viewer with a pretty unique combination of thrills and food for thought. Oh, and the music – by Ludwig Goransson – is great.

Vampire films never die, they just keep coming back – and Sinners is a modern classic of the genre.

9/10

Confusion Master – Gig Review

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Confusion Master + Endure + Warlockhunt

Tuesday 15th September 2026

G21 at The Saddle, Chester

Luckily for me, I’d already booked the week off work to indulge in some skateboarding and record crate-digging, so a Tuesday night out wasn’t automatically dismissed. Instead of staying in on a school night, I was free for another evening at The Saddle in Chester for some crushingly heavy Doom Metal.

First up were gig organisers Mark and Lorraine and their band Warlockhunt. The new line-up is gelling really well – those post punk, tribal beats both drier and warmer – laying down a crisp foundation for the twin-bass assault. The contrast between sombre melody and the gloomiest, doomiest of bass guitar lines is working better than ever – Warlockhunt seemed confident and overjoyed to be out playing.

Endure were on next, and despite consisting of another trio, this was a very different approach. They created epic, soundtrack-like pieces with the use of keyboards, though the harsh, growled vocals kept them grounded in Metal. I think there were two songs performed (maybe three?), it was hard to tell as the music blended from one to another like one huge, experimental symphony. Occasional furious guitar riffs punctuated the atmosphere, keeping the audience on their toes. Endure gave us cerebral yet brutal music that was fierce and enlightening.

Confusion Master hail from Germany, and are over in the UK on a short tour, spreading their gospel of fuzzed out, sludgy Doom. With songs ranging from mammoth, occult driven skull crushers to faster, nimble rock-outs, the set impressed with its variety of pace and texture. Featuring vocal samples and psychedelic excursions, Confusion Master’s songs cover a number of styles, resembling a mash up of Electric Wizard and Saint Vitus, but drenched in their own grand character.

That was a real treat for a Tuesday school night – all three bands left us feeling that we’d been very lucky to be in attendance. And I hadn’t even done my homework. Told the teacher Cthulhu ate it.

Confusion Master on Facebook.

Endure on Facebook.

Warlockhunt on Facebook.

Ritual Arcana – Album Review

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Ritual Arcana – Ritual Arcana 

Heavy Psych Sounds 

Release date: 23/01/2026 

Review by: Alun Jones 

8.5/10 

2026 is here, and here also is my first review of the year.  Finally.  Now, now – enough with the “late as usual” bants!  I’ve been busy doing something.  I’m sure I have an excuse somewhere, I’ll get back to you…  Anyway, this is an excellent place to start for the new year – the debut album from Occult Doom Rockers, Ritual Arcana. 

A new band, but with an impressive pedigree, Ritual Arcana consist of SharLee LuckyFree on bass and vocals (ex Moth), Oakley Munson on Drums (The Black Lips) and underground Stoner/Doom legend, the one and only Scott “Wino” Weinrich (of The Obsessed, Saint Vitus, Spirit Caravan etc etc) on guitar.  Slap all that on a release from Heavy Psych Sounds and you just know something serious is going down. 

In the fabled land of Stoner/Doom, The Riff is King.  And with Wino on board, the kingdom is in safe hands.  The slow, throbbing title track opens the ceremonial space, throbbing with a medieval menace.  ‘Occluded’ picks up the pace, a charging head banger that’s more infectious than an outbreak of witchcraft in New England.  That guitar tone is absolutely monolithic throughout, witness the crushing ‘Berkana’ for more evidence.   

The rest of the band ain’t taking a day off, either.  Munson’s drums rattle and crash throughout the ritual with tribal precision, and on ‘Subtle Fruits’ revs up the rhythm to thrilling heights.  And of course there’s the formidable presence of cosmic High Priestess LuckyFree, a solid, warm bass player who’s voice genuinely adds character to all the songs here.  Taking centre stage with glee and authority, LuckyFree leads the throng and particularly shines on ‘Wake the Goddess’. 

“Ritual Arcana” delivers exactly what one would expect, and does it confidently.  A little more variety in song writing would’ve propelled this album to even greater heights – some swampy blues?  An Iommi style mellow piece?  But we can leave that for album number two.  For now, this debut weaves reliably thunderous Hard Rock with a gloomy, supernatural air for an enticing experience. 

Find out more about Ritual Arcana on their website, Facebook and Instagram pages.

This review is brought to you by Platinum Al in association with Ever Metal.

Brown Acid: The Twenty-First Trip – Album Review

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Various Artists – Brown Acid: The Twenty-First Trip 

RidingEasy Records 

Release date: 31/10/2026 

Review by: Alun Jones 

7.5/10 

Verily, pilgrims, ‘tis time for another feast of forgotten Rock’n’Roll fun, curated by the esteemed veterans at RidingEasy Records.  This is the twenty-first edition of their Brown Acid series (in case you didn’t read the headline) – a series that continues to run and run.  As with previous albums, herein lie ten hard rock songs that despite their brilliance, never blossomed into the classics they could-a (should-a) been.  The RidiingEasy boffins have dug ‘em up and are now re-presenting these tracks for our shared enjoyment. 

There’s a wide range of styles on display this time round, probably more so than usual.  We get things rolling with Opus Est and ‘Maggie Johnsons’, a short and furious proto punk number that has some ‘Communication Breakdown’ in its DNA.  A brief but great way to start.  Freedom North feature some very welcome female vocals on their song ‘Losing You’, a thumping psychedelic rocker with a deadly lead guitar.  ‘Friendly Stranger’ by Accents has a galloping rhythm, fuzzy guitar and brash organ that resembles Steppenwolf.   

And what’s this?  The Rolling Stones on a Brown Acid comp??  No, it’s Brother Love with ‘Rock N’ Roll Band’ – though that fuzzy riff sounds very like a certain legendary song by Mick, Keith and the other three.  Still, it’s a fun tune with decent lyrics and a catchy chorus.  Side One rounds out with ‘Bike Writer’ by River Styx, a solid, fast paced acid rock song with squealing lead. 

Some nice wah-wah warms up Side Two and we’re off again, this time with Maxx.  Their song ‘200 Years’ has a Stooges-like groove.  Pump are next, and despite that terrible band name, their ‘Kinda Like’ is a highlight of this collection – featuring more skronky organ and fierce guitar.  29.9 (much better band name) then unleash their version of ‘You Got Me Floating’, which despite being an authentic rendition, is still only a cover of a Hendrix tune that most people forget. 

Apparently, there was once a band called Wakefield, if you can believe that.  I can, ‘cos their song ‘Here I Am’ is on this compilation.  These guys seem to have Prog aspirations, with time changes and different sections, finishing with a glorious, melodic pop sing along for the last minute and a half.  But that’s not all folks – our last track is the psyche swamp blues of ‘Lazy River Blues’ by Peacepipe – a melancholy, sinister sail down the bayou. 

Volume Twenty-One of Brown Acid is another solid collection.  Not all the songs work, but they’re honestly all worthwhile – ‘Rock N’ Roll Band’ seems like a blatant rip off at first, but develops its own charm and style.  I felt a little short changed with a cover being included, but the overall quality doesn’t really suffer.  There’s still tons of acid-roasted, psychedelic fuzz on offer, and more variety than we’ve had previously. 

Next time, remind me to tell you the real story behind why the cover of “Beggars Banquet” was banned.  Clue: Mick still won’t speak to me and every Christmas, Keith sends me a gold toilet brush.

Visit the RidingEasy Records website here.

This review is presented by Platinum Al in association with Ever Metal.

Joan Jett & The Blackhearts – Gig Review

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Joan Jett & The Blackhearts + The Meffs

Saturday 4th July 2026

Manchester Academy

Another busy weekend for Daughtertron and I – last week Metallica in Cardiff, this week a shorter trip to Manchester to see Joan Jett & The Blackhearts. We’re both big fans of this Rock’n’Roll icon, and as this was the band’s first headline tour of the UK for many a year, the decision to attend didn’t take much mulling over.

Our support band tonight were The Meffs, and the Academy seemed fairly lively and busy for their slot. I’ve head of The Meffs, but knew nothing else – I was to learn that they’re from Essex and they’re a two piece band (vocals/guitar and drums) – all of which was news to me. I was aware that they are highly regarded though, and their short but energetic set was ample proof of that. Covers of ‘Breathe’ by The Prodigy and ‘Identity’ by X-Ray Spex nestled comfortably next to their own raucous tracks like ‘Stamp It Out’ and ‘Deathwish’. Great noisy fun, plenty of attitude and something to say – a superb set.

July 4th being Independence Day in the once mighty realm of the Orange Chimp had slipped my mind, but I guess Joan and her band probably weren’t bothered either. Instead the massive audience were amped up and ready to rock out with a genuine icon, celebrating 45 years since the release of Joan’s earliest solo recordings. Starting things off with the rowdy ‘Victim of Circumstance’ followed with a very welcome rendition of The Runaways’ ‘Cherry Bomb’ was a confident, bouncy, sing-along success.

After that, we got ‘Do You Wanna Touch Me (Oh Yeah)’ – a Gary Glitter cover that left me confused and a bit queasy. I know Joan’s been covering this song for years, but it still seems surprisingly tone deaf. I don’t even want to type that guy’s name in this review! We were soon back on track though with ‘You Drive Me Wild’ (another Runaways number), ‘The French Song’ and ‘Fake Friends’ – all diamonds that are often overlooked by the casual listener.

More recent output was showcased with ‘(Make The Music Go) Boom’ and ‘If You’re Blue’ the former being a real highlight. Predictably, it’s the final run of mega hits that lights up the entire performance. From ‘Everyday People’ the energy in the room rises, then explodes for the legendary anthem ‘I Love Rock’n’Roll’. But that’s not all, kids! With ‘Crimson and Clover’ (Daughtertron’s favourite), ‘I Hate Myself For Loving You’ and ‘Bad Reputation’, Joan Jett & The Blackhearts unleash a tsunami of powerful, unforgettable Rock that lifts spirits and moves the bodies of all those gathered.

The sound was also very impressive throughout: Joan’s rapport with the audience and unmistakeable voice, along with the band’s instruments – never seemed to waver. It was a solid performance, expertly put together by a bunch of total professionals. Joan Jett & The Blackhearts’ music was all the fireworks and all the party we needed in Manchester tonight. A legendary artist and a classic gig!