Desert Storm – Omens Album Review

Time for another album review: as originally published by Ever Metal, now here for your enjoyment too…

Desert Storm – Omens

APF Records

Release date: 01/05/2020

Running time: 40 mins

Review by: Alun Jones

9.5/10

Put your feet up, relax – pour yourself a drink and take the weight off your feet.  All you need to do is chill – I’ve already done the hard work.  I’ve found your new favourite band: they’re called Desert Storm, and their latest album has just been released by APF records.

If you’re new to the name, Desert Storm are from merry old Oxford; and since forming in 2007, have been building their following formidably.  They’ve appeared at major rock festivals; plus supported and toured with some personal heroes of mine (Corrosion of Conformity, The Atomic Bitchwax amongst others).  I saw Desert Storm a few years ago supporting the mighty Karma to Burn; they managed to steal the show from the headliners, as far as I was concerned.

Opening with a sombre, haunting spoken word piece, Omens proceeds to take the listener on a journey that is powerful, yet also introspective.  It’s an otherworldly trip that’s both visceral and immediate, but also demands greater exploration.

“Black Bile” demonstrates the strategy perfectly: heavy, grinding and relentless – with moments of melody that blend into the whole without jarring.  In absolute basics, this is the sludge of Down combined with the aspirational progressiveness of Mastodon.  Thudding, head banging riffs adorn “Vengeful Gods”, but there’s also an almost Morricone-like cinematic sensation as the song develops and grows.

At times anthemic, there are also magnificently effective sections of the songs that contrast beautifully with the hard driving doom metal.  “Pain, Grief and Suffering” features an extended mid-section that is beguilingly serene.  When the heavy re-enters, it’s all the more neck-breakingly persuasive.  Throw in a captivating solo and you’re on to a highlight.

“The Path of Most Resistance” builds from humble beginnings to a massive groove riff of Sabbathian splendour; whilst “Lockjaw” is short and brutal.  This leads us to the final track, “Rebirth”: a masterpiece that is heavy only in sentiment.  What a song.  Despite a medieval vibe, it’s the ideal soundtrack to spin whilst driving through the desert in a stolen Dodge Challenger as the sun sets, with Smokey on your tail.

Every song on Omens can be enjoyed on its own merits, but as a whole plays as a genuine compendium that the listener can enjoy from start to finish.  I knew Desert Storm were good, but I didn’t expect them to have grown so much.  Or deliver a new album with so much scope.  Here’s a British band that could step up into national – and then international – consciousness.  They just need your support.  Do it.  I’m off to buy the vinyl version.

Talking about deserts – did I tell you about that infamous escapade on one of my legendary soul-searching soirees into the Mojave?  I crept into my usual cave to seek shelter, only to encounter Jim bloody Morrison hogging it.   He was out of his gourd on peyote and mumbling about Aldous Huxley or some such.  There was no way I could meditate with that loon around, so I threw him out.  Break through that to the other side, Jimbo!  My Yaqui shaman and I needed the space to contact Atlantis.

STOP PRESS: Putting my money where my mouth is, I stumped up hard earned cash for a vinyl copy of this album.  I am very glad that I did!

Find Desert Storm on Facebook.

Buy their stuff on Bandcamp.

Find the band on Twitter and Instagram.

For APF records, check out their expertly crafted website here.

Ir find them on Facebook and Bandcamp, you won;t regret it.

Dozer Album Reviews

Not one, but three album reviews for you this week: Re-released by Heavy Psych Sounds, these three albums from Dozer are back and bouncing.  Here’s my review, as it originally appeared on Ever Metal and now here for your perusal:

Dozer – In the Tail of a Comet/Madre de Dios/Call it Conspiracy

Heavy Psych Sounds

Release date: 13/03/2020, 20/03/2020

Running time: 38 mins, 40 mins, 56 mins

Review by: Alun Jones

8.5/10, 9/10, 9.5/10

Don’t you just love it when you find a new band to obsess about?  Music so awesome, so perfect that it just lights up your life.  Well, Dozer have filled that gap in my existence recently – I can’t believe how I endured without them before.  Though these three albums are all reissues from the early part of the 21st century, so fuck knows what I’ve been up to for the last 20 years.  Seriously, what was I doing back then that meant I missed out on this?

Hailing from the wonderful land of Sweden, a place which must have some kind of genetic master code for musical excellence, Dozer are a mighty stoner rock collective delivering heavy, intense and groove laden tunes.  I don’t know how or why the Swedes are so good at this – is it the long, dark winter isolation?  The never-ending day light in summer?  Agnetha Falkstog’s tight pants?  There’s something magical happening there, that’s for sure.

Italian label Heavy Psych Sounds have done the world a remarkable, philanthropic favour by re-issuing these three albums by the band.  And, praise Tony Iommi, on beautiful, sexy vinyl too.  This really is a wondrous, benevolent gift to bestow upon us.

So, what does the music sound like, you ask (at least you do if, like me, you were clueless enough to be unaware of Dozer previously)?  First album “In the Tail of a Comet” (8.5/10) erupts into beautiful, head nodding, rolling riffs from the off.  Layers of fuzzy, psychedelic invention and heavy rhythms usher us into their world.  A particular highlight is the finale, “High Roller”, where although the band take their foot off the gas a little, they create a trippy, vast soundscape to get lost in.

Nay-sayers may choose to point out Dozer’s obvious similarity to Kyuss; hell, even singer Fredrik Nordin sounds like a carbon copy John Garcia.  With their second album, “Madre de Dios” (9/10), that influence becomes less pronounced as their own creativity develops.  This second album seems more brutal, more aggressive.  It doesn’t take long, however, to reveal more textures and experiments with the formula – see “Earth Yeti”.  Album number 2 is a faster, heavier, punkier version of Dozer – yet still expanding on the desert rock template.

By the time we get to the final album of this reissued trio – the immense “Call It Conspiracy” (9.5/10) – Dozer have developed their own sound and personality yet further.  The Kyuss/FU Manchu influence is still there, but Dozer have grown into something of their own.  This album is the heaviest, most “metal” work – but still creative as it stretches those stoner boundaries into new, warped shapes.  Whether it’s full throttle rock’n’roll with lead track “The Hills Have Eyes” or groove laden head-nodder “Man Made Mountain”, there’s much to explore here.

Gushing praise, indeed: but if you, dear reader, are a fan of the crushing riffs, unrestrained groove and sonic washes of stoner/desert rock – these Dozer albums are highly recommended.  Tune in, turn on and explore these revived classics now.

Check out Dozer on Facebook.

Check out Heavy Psych Sounds on Facebook and on the interweb here.

Brown Acid: the Ninth Trip – Album Review

Various Artists – Brown Acid: The Ninth Trip

Riding Easy Records

Release date: 31/10/2019

Running time: 36 mins

Review by: Alun Jones

7.5/10 

Archaeologists of rock from Riding Easy Records have once again delved into the depths of the forgotten to present this, the ninth instalment of their “Brown Acid” series.  They have unearthed yet more obscure gems from the past, in order to entertain and enlighten those obsessives who love to investigate the DNA of rock.

Call it heavy rock, proto metal, garage rock – whatever, these Brown Acid compilations offer a wealth of hard to find material.

The songs may be long lost relics, but they sure ain’t amateur.  In fact, it’s surprising how well they’ve cleaned up – and how well produced some of them were in the first place.  Take the first track, White Lightning’s “Prelude to Opus IV”, which is surprisingly grand and opulent.

I won’t play favourites, but Peacepipe’s “The Sun Won’t Shine Forever” has an almost Stooges like sound, filtered through Californian psychedelia.  Magi’s “Win or Lose” sounds like Grand Funk playing an MC5 song, while Stonewall’s “Outer Spaced” holds the most outrageous riff of the set, with perhaps a touch of Hendrix.

Elsewhere, the fantastically named Fibreglass Vegetables offer up a more laid back, groovy but still heavy song with “Pain”.  “Rebel Woman” by Erik (a simpler name, but that’s cool) is another superb rocker that demonstrates some real song writing and arranging talent.

Not as bluesy as Zeppelin or as heavy as Sabbath, the songs on offer are a fine example of rock’n’roll of the time.  It doesn’t take much to imagine the guys from Fu Manchu listening to these pre-stoner rock goodies, sat in their van waiting for the cry of “surf’s up”.

This 9th edition of the Brown Acid compilation offers retro quality, never kitsch or silly, with tons of infectious music.  It’s easy to wonder why some of these bands never became more famous.  At least Riding Easy have done the hard work for us, dusting off the artefacts and preserving them for all to enjoy.

Track list:

  1. White Lightning – “Prelude to Opus IV”
  2. Peacepipe – “The Sun Won’t Shine Forever”
  3. Magi – “Win or Lose”
  4. Fibreglass Vegetables – “Pain”
  5. Erik – “Rebel Woman”
  6. Stonewall – “Outer Spaced”
  7. Ice – “Running High”
  8. Spacerock – “Going Down the Road”
  9. Buckshot – “Barstar”
  10. 9 – “Paradiddle Blues”

Visit Riding Easy records on the interweb here, they also have a Bandcamp page.

You can also find them on Facebook, Twitter, Instagram and YouTube.

And don’t forget to check out Ever Metal, which is where this review originally appeared.

Platinum Al’s Top 10 Rock/Metal Albums of 2019

2019 has been an exceptional year for new music.  It started off slowly, but by the end of the year I was struggling to keep up.

As per last year, Ever Metal asked me to produce a Top Ten of my favourite rock and metal albums of the year.  So here we go:

  1. Mammoth Weed Wizard Bastard – Yn Ol I Annwn
  2. Speedealer – Blue Days Black Nights
  3. Obey – Swallow The Sun
  4. Acid Reign – The Age of Entitlement
  5. Sunn O))) – Life Metal
  6. Earth – Full Upon Her Burning Lips
  7. Admiral Sir Cloudesley Shovel – Very Uncertain Times
  8. Giant Dwarf – Giant Dwarf
  9. Monolord – No Comfort
  10. Crobot – Motherbrain

All fantastic records.  Honorable mentions this time to Kadavar, Firebreather, L7, Wizard Rifle and Duel.

For more rock reviews, interviews and top tens, head over to Ever Metal.

Happy New Year everybody – wishing you a very healthy and prosperous 2020!

And thanks for vising Platinum Al’s Virtual Hot Tub!  Make sure you come back next year, and if you’ve got any requests or suggestions, please get in touch.

Brown Acid: The Eighth Trip – Album Review

Various Artists – Brown Acid: The Eighth Trip

Riding Easy Records

Release date: 20/04/2019

Running time: 29 mins

Review by: Alun Jones

7/10

 

Back in ’68, I believe it was, though a lot of my memory remains hazy.  It was a small London jazz club, in Chelsea I think, and Hendrix spontaneously got up to jam.  Moon was on drums, John Paul Jones picked up the bass, and Clapton and Pagey jumped up to run through a few blues numbers.  I was in the audience, somewhat refreshed, with a quality geezer who worked as a roadie for Hendrix.  His name was Ian, though everyone called him “Lemmy”.

Anyway, I might have overindulged in something or other, but it was a fantastic night.  I mean, musicians of that calibre sharing the same stage!  Incredible.  Until, that was, Jagger decided he wanted to join in on vocals.  Brian Jones decided to bring his bandmate down a peg or two, and lobbed a huge quiche at old rubber lips.  Bosh, hit him straight in the mush.  Jagger was not happy.  The next thing you know, Moon chucks his sticks at Mickey Dolenz and all hell breaks loose.

There was cake and vol-au-vents everywhere.  It took me days to clean the sausage rolls out of Pagey’s pick-ups.  But that was the sixties, you know?  All good fun.

Brown Acid: The Eighth Trip does a great job of bringing back the vibes from that time.  Compiled by Riding Easy Records, it consists of ten rare shots of proto-metal and stoner rock from the late 60s and early seventies.  These tracks are so long lost, whoever raided the tombs they were in probably received an ancient curse for disturbing them.

The songs on offer aren’t really of the sheer riff heavy variety that Black Sabbath would perfect, but if you’re interested in hearing how rock’n’roll was deep fried in LSD and pushed to the limit, there are some fine nuggets here.

The first track, “School Daze” by Attack!, has a real MC5 hell-for-leather rock’n’roll feel.  That greasy, take-no-prisoners Detroit approach serves them well.  Up next is White Rock with “Please Don’t Run Away”, a glorious fuzzed out, scuzzy rocker.  The brilliantly named Luke and the Apostles give us “Not Far Off”, featuring fabulous throaty vocals over a dynamite slab of blues rock.

There’s plenty more psychedelic, acid drenched fare that will resonate with fans of Hendrix, Cream, Mountain and even early Alice Cooper.  “I Need My Music” by the Tourists is another highlight, along with Moloch’s “Cocaine Katy”.  There’s a reassuring low-fi sound to the whole thing, with occasional faint vinyl crackles even, that gives the enterprise some charm.

Of the two covers on offer here, Inside Experience’s “Tales of Brave Ulysses” is fine but doesn’t challenge the original.  On the other hand, the wonderfully named Grump take the King’s “Heartbreak Hotel” out on a glorious, whiskey fuelled Leo Sayer and don’t hand it back till it’s puked it’s kebab up in the back of the taxi.

The tracks compiled for Brown Acid: The Eighth Trip may not change your life, but there’s plenty to enjoy.  If you’re not already a fan of rock music from this period, then think of this as a history lesson and indulge yourself.  Just be careful what you indulge yourself in, eh?

Right then, gin and tonic, anyone?

Track List

  1. Attack! – “School Daze”
  2. White Rock – “Please Don’t Run Away”
  3. River Side – “Wayfarer”
  4. Luke and the Apostles – “Not Far Off”
  5. Tourists – “I Need My Music”
  6. Bartos Brothers Band – “Gambler”
  7. Inside Experience – “Tales of Brave Ulysses”
  8. Karma – “New Mexico”
  9. Moloch – “Cocaine Katy”
  10. Grump – “Heartbreak Hotel”

 

https://www.ridingeasyrecs.com/

https://ridingeasyrecords.bandcamp.com/

https://www.facebook.com/ridingeasyrecords

https://twitter.com/EasyRiderRecord

https://www.youtube.com/channel/UCfcKvfj8ei5GD2YVtLYhaoQ

https://www.instagram.com/easyriderrecord/

Pentre Fest 2018

Pentre Fest

Friday 23rd – Saturday 24th February 2018

McClean’s Pub, Pentre, Deeside

And lo, the marauding hordes converged once more, reconvening from their travels far and wide.  In the Great Hall they would gather, trading tales of daring and adventure, as they caroused with rebellious abandon.  Much ale would be drunk, for tomorrow many a skull would be split asunder.

So began the revelry of Pentre Fest, wherein the brave and mighty warriors celebrated their many victories and remembered comrades long fallen.

The first of the tribes to address the throng were The Forgotten Age, young but mighty in their conviction.  Hailing from the Western Shores of Bangor, their stories were exciting yet accomplished, embellished with some fine melodies.  An exceptional and heartening start to the evening’s merriment.

Next to command the stage were Obey, who were indeed a revelation to behold.  Their immense riffs were sheer brutality, heeding no compromise as they delivered tales of destruction.  Obey were champions of the event to my ears; voraciously did I consume their merchandise (CD and patch!).  May the wind fill their sails and carry them to successful conquests aplenty.

Our next heroes were Torqued, a merciless crew who had engaged in a gruelling voyage from the far kingdom of Devon to regale us with their musical fables.  The clash of metal was devastating, the battle cries rousing.  A superb performance.  Safe voyage home, brothers – for ye shall be missed for now and welcomed warmly again.

The night’s final victors were the relentless, uncompromising Foetal Juice.  Looming over all with a malevolent thunder, the band decimated all in their path.  With grim intent they vanquished the unworthy, leaving only the gratefully redeemed in their wake.

Thus was the first part of Pentre Fest concluded.  Sadly I would embark on a personal quest of my own the next day; therefore being unable to rejoin the ceremony.

Regardless, though our warriors’ hearts were sated, for yet more metal majesty do we crave.  Till the next Pentre Fest, my brothers (and sisters) – stay strong and may your adventures be praised in Valhalla.

The McClean’s Pub Live FB page is here