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Pentre Fest 2023

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Pentre Fest 2023

McLean’s Pub, Pentre, Deeside

Saturday 25th February 2023

A weekend of full on metal and hard rock, Pentre Fest is a highlight of my musical calendar. Held at McLean’s pub in Pentre, Deeside, North Wales over two days, the event always showcases some of the best bands from around a vast area of the UK.

This year I missed Friday’s gig as I was otherwise engaged. However, I was raring to go for Day 2, and a whole load of awesome music. Here’s my review for Ever Metal, covering everything I could of that day’s entertainment.

Day 2

Day 2 at Pentre fest – you could say I was a bit excited to get going.  The ever-reliable Edd Case was performing in the marquee outside as I arrived, so I missed a chunk of his set sadly, as I paid my hard earned coin to get in and neck my first ale.  Luckily, Edd did another slot of his excellent acoustic performance later on, so I got to catch him then.  I think he was filling in for some band called Trashatouille, who couldn’t be arsed to turn up and attempt to play their own acoustic effort.

Scarfoot

First band on the indoor main stage was Scarfoot, and they made a hell of an impression.  A three-piece band, they add an extra edge to their already formidable musicianship with the use of a 12 string guitar or a Dobro.  This gives the band a huge, Zep-epic and individual sound.  They all play with a convincing passion and were absolutely enthralling.  I’d never seen them before, but had caught singer/guitarist Oliver Carins last year doing a solo acoustic set.  Next time, these guys need to be higher up the bill!  Scarfoot also blazed all over the acoustic stage later on, with a similarly massive sounding set, even without the drums.

Frank Williams

Next on the second stage: a World Exclusive Live Debut!  Frank Williams in his first official live gig, though sadly not billed as Victim of Damp.  Frank is a Pentre Fest die hard, an unsung hero who has supported the event and pitched in with Fozzie and Beany from the beginning.  This afternoon, Frank graced us with some acoustic covers (nice bit of Floyd) and banter, then introduced some comrades to help with humorous originals such as ‘Beany’s Car is Full of Shit’.  Excellent crowd participation helped Frank’s set gallop home as a pedigree winner.

Lullaby for a Unicorn

It really wouldn’t be Pentre Fest without these guys.  With a line-up change – or should I say, addition – in the shape of new vocalist, Gaz (who used to be the drummer.  Come on, keep up!).  This latest incarnation of Lullaby for a Unicorn was a refreshed and fun stallion, rather than a lame pony.  There’s a little work to do to settle the new line-up in, but it was the same boisterous energy as ever as the Unicorn boys turned Pentre into a beautiful, rainbow adorned meadow.  Or blood-soaked battle field of metal mayhem, you choose.

Scarfoot was next on the second stage.  I’ve already covered that, go back and read it again.

The Human Condition

Despite a tech issue with the bass throwing a wangler with the first song, The Human Condition kept their shit together and provided another surprise.  I had done no research whatsoever and didn’t know what to expect.  By Odin’s beard, The Human Condition are a megalithic, doom metal colossus!   Doom in the vein of Candlemass, or think Geoff Tate screaming for Trouble.  Riffs are drip fed, leaving the audience begging for each new note.  Add the most powerful live vocals I’ve heard in eons, and you have a force of biblical proportions.  I bought a CD.  You should check them out NOW.

Back to the Second stage for an acoustic Pelugion set – but we’ll get to them later.

Portrayal of Ruinn

A melodic deathcore band from Manchester way, Portrayal of Ruinn isn’t quite my thing on paper, but fucking awesome live.  Possibly the most energetic band on stage at Pentre Fest all day, their combination of gutsy, nasty metal and bouncy, yet ferocious vocals proved a winner.  They also know how to pace their set brilliantly – a few mellow sections lull the crowd into a comfy security blanket, only to have it ripped maliciously away.  It’s the audio equivalent of a Video Nasty psycho killer – you’re never safe, Portrayal of Ruinn will never stop – and they will get you in the end!

Syncolima

Reading back my notes here, and I can’t make a thing out of them.  All I can fathom is that I REALLY liked this band: “Syncolima = great!” is about all I’ve got.  They were excellent.  Some kind of biker/stoner super heavy rock, they have groove aplenty and massive fuzzed out riffs.  This three-piece from Mansfield, Notts were unmissable.  New album “Wavelengths” is out soon, you’d be wise to watch out for it.

Miserable Sinner

Wait a minute – it’s that bloke from Bad Earth doing an acoustic set!  Yes, it’s Steve from one of Pentre Fest’s favourite bands, backed with the other two ‘orrible ‘erberts, Karl and Ben (so semi acoustic, then?).  The Bad Earth songs translate surprisingly well to the stripped-down sound, though they can’t compare to the full force fury of the full trio amped up and going for it.  But then, what could?   A great set that also included some cruel (ie hilarious) comedy signage behind Steve’s head, it also delivered a much needed bongo workout that was otherwise sadly lacking this year.

King Kraken

Mind.  Blown.  Thank the trident of Posiedon, King Kraken travelled up from South Wales (a right old trek) to play Pentre Fest, and I’m so glad they did.  The Kraken are a huge, boisterous metal machine with crushing riffs and awash with an almost psychedelic lead guitar.  My favourite band of the day, despite fierce competition – I made off with some booty from the merch desk and toasted their performance with a tankard of ale.  Please check this band out, you will not regret it.  Magnificent!        

Leatherback

Last year, one man electronica fiend Leatherback was first on the Pentre Fest main stage.  This year, it’s a second stage headlining slot, which worked well.  Nine Inch Nails comparisons are obvious, but relevant when there’s a cover of a Reznor classic included.  Leatherback ripped through a roaring set that went down extremely well with the lively crowd, even though it was freezing outside – receiving a well-deserved, enthusiastic reception.   

Pelugion

Pelugion had performed an excellent acoustic set on the second stage earlier, which seems to have been a great way for them to warm up for their main stage appearance.  I’ve seen these guys before at Pentre Fest and they never disappoint.  Skull smashing mega riffs, born from Sabbath and with a dose of Alice in Chains and early Soundgarden – a stoner/alt metal monster – is what you can expect.  These guys are super professional, but with grit and determination that keeps the performance compelling.

The K*nts

Headliners on the final day of Pentre Fest, The K*nts drove over five hours from down Essex way to entertain us.  With hits such as that Christmas favourite ‘Boris Johnson is a F*cking C*nt’ and ‘F*ck the Tories’, we knew we were in for a treat.  Hilariously, the Green Room reserved for the bands had been double booked with a meeting for a local Masonic Lodge.  I wonder how The K*nts and this bunch of blazer-and-badge wearing eighty-year-olds got along back stage.  Honestly, you can’t make this shit up.  It’s like Phoenix Nights on crack.

A strange choice to headline a metal festival for some, never the less The K*nts put on a top show and had the audience on their side before the first song was even finished.  Delightfully obscene, but with a political edge that helps retain a tiny bit of highbrow cred too, it’s like Sham 69 with Tourette’s.  Most of the song titles are unrepeatable for a family website like Ever Metal, but let’s just say that The K*nts and their filthy brand of punk rock and humour were a mad but genius way to finish Pentre Fest off.  And it probably will be finished off, if those old Masonic dudes have anything to say about it.

Oh, and yeah – Fuck the Tories.

It was my absolute pleasure to cover Pentre Fest for Ever Metal again this year. Huge thanks to the bands, the audience, and the staff at McLean’s for putting this on. And finally, thanks to Fozzy and Beany for daring to dream it up and make it happen.

I just wish Pentre Fest could be every weekend. Or once a month, at least.

Catch up with news at the following pages: N.E.W. Metal Productions, Goodfor Audio, McLeans Pentre.

Trouble – Album Review

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Trouble – One for the Road/Unplugged

Hammerheart Records

Release date: 11/02/2022

Running time: 67 mins

Review by: Alun Jones

9/10

The mighty Trouble!  A release from these titans of doom metal is always worth celebration, and this is no exception.  Back in the early 90s, this cult band were verged on the edge of a mainstream breakthrough, with two albums on the Rick Rubin helmed Def American Records (also home to Slayer, Danzig, Black Crowes and others).  Alas, it was not to be: this eternal underground favourite was to remain just that. 

“One for the Road” followed the second, self-titled Def American album, as a limited-edition European tour EP.  This re-release bundles that with a full length “unplugged” album: remastered to provide a fully upgraded compilation.

The first five songs comprise that “One for the Road” EP, with first track ‘Goin’ Home’ bursting from the speakers with exactly the kind of exciting hard rock you’d expect as a Trouble opener.  ‘Window Pain’ offers a pulsating, mid paced doom rocker, whilst ‘Requiem’ brings the tempo down further with a melancholy, gloomy metal dirge.  The Black Sabbath influence is most obvious on ‘Another Day’, whilst ‘Doom Box’ raises the tempo a little but still holds a candle to Dio era Sabs.  Some of these songs would turn up in different form on later albums, but this EP brings together an excellent capsule that fits neatly into that mid 90s period.

Back in the early/mid 90’s, “unplugged” albums were all the rage.  Like others of that era, this Trouble entry into that genre isn’t always stripped down totally to just vocals and acoustic guitar: there’s still electric guitar, drums and more to embellish the tracks were necessary.  The strings added to this second version of ‘Requiem’ are exceptionally orchestrated and serve the mood of the piece brilliantly.  That said, ‘7.00 AM’ is a remarkably restrained and beautiful song, recalling Sabbath and also Trouble worshippers Soundgarden. 

Those songs – and the other tracks comprising the “Unplugged” part of this release – offer a relaxed side of the band that explores more of their psychedelic, sixties interests (see their cover of The Yardbirds’ ‘Heartful of Soul’).  It’s a release that even my eleven-year-old daughter appreciated.  The only mis-step is the jaunty jig of ‘Smile’, which is just too jangly and nice.  Yet have no fear, the version of ‘Misery’ showcased here (released as ‘The Misery Shows’ on the eponymous Def American release) reminds us just how great this band were.   

My only major issue is the cover art.  That may seem petty when this is a review of the band’s music, but as a long-term Trouble fan, I’m considering buying the vinyl copy for my collection.  And that vile cover may well deter me from doing so.  Trouble has a great logo, but the cover squanders this with nothing other than the title, in what looks like – GASP! – Comic Sans MS!  A font that should only be used by primary school teaching assistants, it dates and also ridicules the stature of the music.  It’s a truly vile and lazy cover – seemingly thrown together by a Johnny-No-Stars work experience boy on his lunchbreak.  Awful.  Couldn’t someone have redesigned it?

I’m docking points for that, ‘cos the cover mocks all I hold holy.  Beyond that, fantastic music and a must for any Trouble fan.

RIP Eric Wagner

For more info, check out the Trouble website, their Facebook page or Bandcamp page.

Hammerheart Records also have a website, Facebook and Bandcamp.

This review has been brought to you by Platinum Al in partnership with Ever Metal.

Wax Mekanix/Troll Teeth – EP Review

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Wax Mekanix/Troll Teeth – Blunt (Split EP)

Electric Talon Records

Release Date: 22/10/2021

Running Time: 14.32

Review by: Alun Jones

9/10

Now the good folks at Electric Talon Records issued this split EP back in October last year, so yet again, apologies for my tardiness.  I’ll think of an excuse by the end of this review.  For now, let’s just cover some basic info: two bands, namely Troll Teeth and Wax Mekanix, with five songs split between them.  Style wise, we’re in for a journey – so stay sharp.

Wax Mekanix is an artist I’m already familiar with from his exceptional “Mobocracy” album from 2020.  That record covered a wide base genre wise, from hard rock to folky guitar and any number of surprises in between.  Wax hasn’t stood still, instead deciding to venture into yet newer fields with the three tracks shared here.  So first up we get “Head”, an enticing blend of acoustic guitar, tribal drums and percussion, and rowdy vocals.  There’s no ferocious riffage here, but the infectious rhythms and Eastern sounding chords will drag any listener along.

“Manchester Strawberry Blonde” is a short interlude, with almost Native American percussion, augmented with lyrics that recount a despairingly tragic incident.  The lyrics on all tracks are worth a read, particularly here.  Wax’s final offering is “Freak Boutique”, where the mellow acoustic guitar is embellished again with Eastern rhythms.  As a result, this is less campfire singalong and more a voyage across exotic lands.                 

Troll Teeth have the best band name I’ve heard in years.  Thankfully, they can also deliver some righteous music too.  “The Pigs are on Parade Today” has a dense, mid paced stoner rock approach that is instantly cinematic: perfectly appropriate for watching vast desert skies growing dark and the heavens lighting up.  “Barbs on a Wire” is more aggressive, but still retains a sense of melody along with the rolling, raucous riff.  It’s progressive in the best sense of the word, and also addictive with it’s relentless, undulating drive and fiery lead guitar.  If you dig Baroness, you’ll dig this.

At first listen, the two bands here seem somewhat different – but it becomes obvious that they’re tied together by their expansive, wide view of the world – and it’s sounds.  Wax Mekanix and Troll Teeth are both visionaries.  Here’s to hearing a new full length from each, soon.

What was that?  What was my excuse for this review being so late?  Well, ah… I had completed it ages ago, honest, but Ozzy Osbourne ate it.

Find Wax Mekanix doing some online stuff on Facebook, Instagram, Twitter and Bandcamp.

Troll Teeth are waiting to meet you on Facebook, Instagram, Twitter and Bandcamp.

And you can check out Electric Talon records here.

This review is a joint presentation from Platinum Al and Ever Metal.

Wino – Forever Gone Album Review

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WINO – Forever Gone

Ripple Music (Purple Sage PR)

Release date: 26/06/2020

Running time: 46 mins

Review by: Alun Jones

8/10

Who remembers that old TV programme, The Fall Guy?  You know, the one where the Six Million Dollar Man becomes a stuntman/bounty hunter, getting into all kinds of daredevil scrapes whilst pursuing the bad guys?  At the end of every episode, old Lee Majors (for it was he) would be seen chilling in his backyard hot tub, mulling over events whilst drinking a cold beer and smoking a big, fat cigar.

Well let it be known that I, too, like to relax in the tub with a beer after a long, hard day of whatever-the-fuck-it-is-I-do.  None of your business, really.  Just take it from me, I need to unwind in a mass of bubble bath, with candles and refreshment.  And of course, some music, just to add to the ambience.

This might not sound very metal to you, but let me tell ya: this new album from doom metal originator Scott “Wino” Weinrich would make ideal tunes for chilling in the tub.  Or pondering lost loves and fortunes in a dusty bar.  Or sound tracking a lonely drive across the desert, escaping an inevitable encounter.  But to be honest, I like the bathtub metaphor best, ‘cos I’ve not used it before.

“Forever Gone” is stripped down and intimate; the title song itself is just Wino the man, plus acoustic guitar.  Beautifully melancholic, the listener can really get lost in this.  “Taken” also ploughs a lonesome path, with Wino’s voice revealing a soulfulness that I’d never appreciated before.  

For any fans of The Obsessed or Saint Vitus who were hoping for something louder and more aggressive, there’s not too much of a leap from familiar ground really.  Other than the sonics, the emotions of loss and despair are what unifies Wino’s other output to this endeavour.  “Dark Ravine” brings a more Americana style to the proceedings, but it’s all still intense as hell, whether the guitars are turned right up or not.    

It’s not all gloom, though: “You’re So Fine” introduces a laid back, country blues number that sounds almost boogie-ish.  Throw in a great cover of Joy Division’s “Isolation” and this is an album that’s certainly full of surprises.

Great music can create images in your head for your own movie; “Forever Gone” is one of those.  Melodic yet mournful, intense and introspective, there are dozens of stories to be told within the grooves of this record. 

Check out Wino on Facebook, Twitter and Bandcamp.

Visit the Ripple music website here, or check ’em out on Facebook or Bandcamp.

And make sure you visit Ever Metal for more reviews of awesome music!

Pentre Fest 2020

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Pentre Fest 2020

McLean’s Pub, Pentre Deeside

21st & 22nd February 2020

I’m sure everyone who was there will agree that this year’s Pentre Fest was the best yet.  The bands were fantastic; the were more people; the vibe was magnificent.

Held at McLean’s in Pentre, Deeside, North Wales, this festival features underground, unsigned rock and metal from near and far.

I attended the full two days this year, and saw most of the acts performing.  I only wrote up a few though, so if you want to read the full review, visit the Ever Metal website here.

There were many highlights.  Witchtripper had been on my “must see” list for a while – they didn’t disappoint.  Old favourites Impavidus and Lullaby for a Unicorn were superb as always.  Cry for Mercy, Stormrider and Womenowar were some of the newly viewed bands that I was very impressed by.

The whole weekend was unmissable and I was genuinely sad when it was all over.  A brilliant, positive experience – well done to Fozzy, Beany, Frank and all the McLean’s staff.

You have to be there next year!

Ryuko

Ryuko presented a couple of surprises on Friday night’s acoustic stage.  First off, they were fully plugged in and electric.  Second, they play more of an alternative rock sound, which was something of a contrast to the majority of other Pentre Fest bands.  Readers may not be aware, though, that I am in fact King of Grunge, with my 90’s credentials well proven.  Ryuko’s set included some melody and even jangly pop along with heavier riffs, which was an enjoyable diversion in a Dinosaur Jr/Nirvana style.  Well performed, Ryuko just need to test their audience further and throw in additional surprises in either a “Negative Creep” or “About a Girl” vein.

Rhiannon and Rachel

Sadly Pentre Fest suffered a few casualties this year.  One such example was on the acoustic stage, where half of duo Rhiannon and Rachel was hospitalised and (obviously) unable to perform.  But the show must go on: and Rhiannon performed a short but enjoyable set on the acoustic stage.  Admittedly out of her comfort zone, playing guitar as well as singing, she soldiered on and won plaudits for her effort.  Only a few minor mistakes were noticed – and easily forgiven.  A beautiful singing voice that even managed to add a ghostly, ethereal sheen to a cover of Michael Jackson’s “Bad” – making it sound good for the first time ever.

Mike West

If the connection between metal and outlaw country isn’t obvious to any readers, I can only pity you.  I’ve never witnessed Mike West before, but his amalgamation of southern rock, dusty country and swampy blues was a delight to my old whiskey-soaked soul.  Mike delivers his songs with a hard rockin’ swagger, as if he’s just busted out of Tombstone jail and is riding across the plains, lamenting women and fortunes lost.  A great voice and an outstanding presence, Mike is one to catch when you can.  Has anyone done a “Wild West” gag yet?  If not, there’s a headline for us there!

OMV

On the main stage, OMV entered dressed like a bunch of West Coast gangsters in masks and bandanas.  Introduced as “hardcore street metal”, these guys definitely showed some great musical skills and energy.  Somewhere between Bodycount, Suicidal Tendencies and Biohazard is where I’d stack them.  Either way, OMV delivered some brutal songs and bounced around with massive crossover riffs.  OMV were very entertaining, although hugely confrontational onstage – I wasn’t sure if they actually were going to pistol whip the audience into submission.  The music has enough intensity and power to speak for itself.

Luke Appleton

A really fantastic set was delivered by Mr Luke Appleton on the acoustic stage.  In truth, this was a duo performance with Rishi Mehta (of Babylon Fire) playing too, and it was a genuine highlight of Pentre Fest 2020.  Dubbed “acoustic metal”, the songs were both suitably laidback, yet delivered with a metal edge.  Expertly performed, we had tunes from Luke’s solo “Snake Eyes” project, plus of course some Iced Earth and Absolva numbers.  Not to mention a bit of Dio and Tenacious D for good measure!  A real class act in every sense of the word, and both very talented and down-to-earth gentlemen.

Son of Boar

They have a cool name, and they looked pretty cool on stage in matching denim battle-vests.  And from the very first notes of the bass rumbling on the very first song, I had a feeling that Son of Boar would be something special.  I wasn’t wrong.  These Bradford bruisers have everything in spades: they’re unfeasibly heavy; they have slow, doomy riffs with a Sabbath-like infectiousness; they have a sludgy, swampy groove that can pack an aggressive punk punch.  The best band of Pentre Fest 2020 as far as I was concerned, Son of Boar were superb.  I even bought a t-shirt.

Pentre Fest on Facebook.

N.E.W Metal Productions on Facebook.

Goodfor Audio Entertainment on Facebook

Mcleans Pub Live on Facebook.

Wayne Hussey – Gig Review

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Wayne Hussey 

Friday 10th October 2014

The Tivoli, Buckley

Seems like I’m at the Tiv every other week these days…  This time, it was to see Wayne Hussey, he of The Mission, performing a solo acoustic set.  Somehow I’ve never managed to see The Mission live, so this was a nice tick in the box. fly_waynehussey

The gig starts late, due to Wayne being stuck in traffic on the M56.  No matter, there’s no support band, just Wayne and his tech guy tonight.  When we get in the venue, the familiar lay out is augmented by a few tables and chairs down the front.  I’ve never seen anything like that in the Tivoli before.  It’s a nice indication of how the gig will be.  We didn’t manage to scrounge any seats though, so we stood near the front.

The set consists of some Mission songs and some covers, with Wayne solo on guitar or keyboard, and some backing track/drums.  We get a magnificent “Black Mountain Mist” and covers including All About Eve’s “Martha’s Harbour”.

Some may expect a gloomy goth vibe, but there’s none of that – Wayne is relaxed and in good spirits, adding some stories and humour between songs.  It’s a great way to experience an artists music – an intimate atmosphere where the songs are allowed to shine.

I would’ve liked some more songs from the Children and Carved in Sand albums, but there’s no complaints.  Wayne Hussey seems to enjoy himself, and it’s a treat for the audience to see an artist up close and personal.

I can’t remember much more as the Stella in the Tiv made me loopy.  Great night.