Metallica Gig Review – Cardiff June 2026

Metallica + Gojira + Knocked Loose

Sunday 28th June 2026

Principality Stadium, Cardiff

Cardiff city centre was literally swarming with people, nearly every single one of them wearing a Metallica t-shirt from one era of the band or another. Fans of all ages crowded the streets and bars, as music poured from the speakers. I’ve never witnessed anything like it before. And the atmosphere was crackling as soon as we got there.

Last time I saw Metallica live was at Sheffield Arena in 1993, on their Nowhere Else to Tour tour. I was a student, 21 years of age, seeing them for the first time and having been a fan for several years already. Metallica were rising in popularity on the back of their mega selling, self titled album.

Thirty three years later, I was finally going to see a Metallica gig again, this time with my old friend of fifty years. Joining us were our fifteen year old daughters, as we set about passing the torch to the next generation. We met up with another old pal and his family, ate some great burgers and headed to the venue. It was set to be a special event.

The Principality Stadium is bloody huge, let’s put it that way. Mightily impressive, the air was still full of excitement as we bumbled around to find out seats and get our bearings. Feeling like a mountaineer as I climbed to my seat, it was dizzying seeing the acres of people below. From my eagle like vantage point, the circular “in the round” stage was clearly visible, surrounded by huge poles supporting cylindrical screens.

The first band of the day, Knocked Loose, were already on stage as we entered the stadium, earlier than expected (probably due to a Sunday curfew, I guessed). Described as a Hardcore Punk band, their distinct crunch and harsh vocals gave them a more Metalcore sound. They came across well from what I saw, appearing confident and happy to be there. A band to keep an eye on.

Up next were Gojira, who were definitely comfortable on the huge circular stage. Their confidence shone through in the exquisite delivery of their technical yet emotional music. I’m not hugely familiar with their work, though I have listened to Gojira albums in the past. Based on this performance, I’m intrigued to revisit their albums and investigate further. With a sound that covers various Metal genres – Thrash, Death, Progressive – and an enticing lyrical content, I enjoyed what I heard and I’m keen for more.

Anticipation was set to boil over as AC/DC’s ‘It’s a Long Way to the Top’ teased the audience. By the time the traditional intro song, ‘The Ecstasy of Gold’ played (I’d warned my daughter that this tune heralded the main event), I was full of fire and ready to burn. The four members of Metallica appeared like tiny demons, miles away on the huge stage, and burst into ‘Creeping Death’. Perfect!

This diamond quality start was followed by a ferocious ‘For Whom the Bell Tolls’, and both Daughtertron and I were very happy. The band hopped about through time, performing tracks from various albums – I’d forgotten how great the riff to ‘Cyanide’ actually is – the most recent being ’72 Seasons’ from their most recent offering. Two tracks from “Reload” were aired, ‘The Memory Remains’ and a blistering, explosive ‘Fuel’ that lit up the entire stadium and with pyrotechnics that warmed our faces.

Rob and Kirk’s now familiar ‘doodle’ spot gave us a surprise treat with a rendition of Tom Jones’ ‘Delilah’ – I’d never had expected that back in the early 90’s! But it was the “Black” album that dominated the setlist, with five tracks including ‘Sad But True’, ‘The Unforgiven’ and an emotional ‘Nothing Else Matters’, played in a darkened stadium with thousands of phone lights gently bobbing like fireflies. The song may divide hardcore metal fans, but you’d need a heart of stone not to feel the magic this evening.

As is expected, the band rotate around the stage and James seemed particularly on fine form, absorbing the audience energy. The set official presumably ended with ‘One’ which was truly engrossing and showed off some great Thrash skills from Lars. There was no “off they go and come back in ten minutes for the encore” – Metallica raged straight through with the classic ‘Seek and Destroy’. ‘Master of Puppets’ was justifiably held back till the end before it was aired, given the respect that defining song deserves. Finally ‘Enter Sandman’ wrapped things up in a glorious, euphoric crescendo.

Manging to cover most of their albums wasn’t going to be easy for a band with as many enduring tracks as Metallica have, but that was a damn fine setlist. Both Daughtertron and I were very satisfied, being able to hear some of our favourites in a live setting.

For over forty years, Metallica have been at the forefront of what they do. That a bunch of guys in their sixties can put on that good a show is encouraging enough – but the real success of this was seeing the multitudes of fans, of all ages and walks of life, coming together and loving the music. So many of us grew up with Metallica and we’re in the midst of introducing the next generation to this passionate, life-affirming music. This gig was genuinely exciting, moving, inclusive and more important than I expected.

Jonathan Hultén – Album Review

Jonathan Hultén – Eyes of the Living Night 

Kscope Records 

Release date: 31st January 2025 

Running time: 43 mins approx 

Review by: Alun Jones 

9/10 

WARNING: This is NOT a Heavy Metal album.  If you’re the type of listener that only wants to hear the loudest of pummelling riffs and ear slashing vocal roars, this may not be for you.  And that’s fine.  We all like to rage like Satan with a stubbed toe.  This is Ever METAL, after all.  If, on the other hand, you’re the kind of discerning listener who likes to temper the ferocity with atmosphere and introspection, take a seat. 

Jonathan Hultén is a Swedish singer-songwriter who first arrived on my radar as the support act for The Cult on their 84/24 tour last year.  Hultén was not what I anticipated at all for a major rock show: his music, performed solo, is a dark yet beautiful expression of acoustic, gothic melody and ethereal charm.   

This second album, “Eyes of the Living Night”, takes the listener on another fairy tale like walk in enchanted woods.  Beginning with ‘The Saga and the Storm’, the music is more soundtrack for a folk horror movie than a typical rock album.  This opening track is like a lost Morricone classic and builds to a gloriously uplifting finale.  Just wait for that mid song moment when your neck hairs will raise to the sky. 

First single ‘Afterlife’ features swirling keyboards and angelic vocals, while ‘Riverflame’ has the plaintive ambience of a Nine Inch Nails/Alice in Chains mash up.  The dreamy folk of ‘The Dream was the Cure’ offers a widescreen Scandinavian epic of reflection, and is a highlight of the album.  Weaving genres further, ‘Through the Fog, Into the Sky’ is a wonderful classical piano piece whilst ‘Vast Tapestry’ sees Hultén n the role of gentle folk troubadour. 

The concluding track, ‘Starbather’, works more like a rock ballad and bookends the album with a final flourish of bright optimism.   

“Eyes of the Living Night” won’t destroy your speakers, but it will take you to a mystical and unforgettable place.  With its layers of gothic ambience and mood elevating nuance, this album deserves to be a part of the Ever Metal community’s world.  The music of Jonathan Hultén will be there for you when you need to reach inside yourself, to heal and unwind.  Or to transport your mind to another world.  I genuinely love this album and heartily recommend it, I hope you’ll give it a chance. 

Find out more about Jonathan Hultén on Facebook, Instagram, Spotify, YouTube and Bandcamp.

This review is brought to you by Platinum Al in association with Ever Metal.