Ryuko Interview

In February last year, I interviewed Chester based punk/grunge band Ryuko at Pentre Fest. Due to numerous unavoidable issues – not least this blasted pandemic – the piece was unfinished till recently. Not long ago, this post finally appeared on Ever Metal, and I thought I’d republish it here too. Enjoy!

“Grandpa, what’s a gig?”

“Well son, a gig was what we used to call a band playing live music, in front of an audience.”

“What, people watching musicians play their instruments?  Crazy!”

“I know it seems like a strange idea to you youngsters, but it used to be a fantastic experience.  Actually being able to gather with friends and strangers to enjoy hearing music.  It was another world.”

That’s what the situation seems like right now: no gigs, no gatherings for entertainment – the old days sometimes feel like a lifetime ago.  At least it seemed a whole different world back in February 2020, before the pandemic, when I caught up with Chester based band Ryuko at Pentre Fest.

The three piece – comprising The Bobfather (guitars/vocals), Captain Andy (bass) and MattMan (drums) were something of an anomaly at the metal-centric Pentre Fest.  Not that Ryuko don’t rock out, but their brand of punky, alternative rock was a little different from the other bands on show.  I found their style of honest, yet far from pretentious rock’n’roll refreshing and it added a vital tone to the proceedings.

Post gig, I caught up with the band to pose some questions and contemplate the meaning of life.

First off, the cliched yet crucial discussion on influences:

Bob: It’s weird, ‘cos we’ve got influences from all over.  If you listen to one of our sets, it has stages: it starts off punky, then it goes alternative rock.  Then it goes a little metal/grungy, then back to punk at the end.

Matt: Drop D then back to punk!  I’m a huge fan of Motorhead and Metallica, the list goes on, so me being the drummer, I was always doing these thrash beats.  To go from that to stepping into this, this was more fun to me.  I really enjoy myself when I’m behind the kit with these guys.

Bob: When I write the songs, I listen to quite a broad variety of music, so I think that becomes apparent in my songs.  I don’t like to write the same song twice.  As far as when I started out, I would say when I was a teenager, I first started listening to Nirvana, Carter USM.  I also drew influences from a lot of electro – The Prodigy and stuff like that – so sometimes I’d try and work out how to play dance songs on a guitar.  And then that would give me the influence to write more interesting songs.  I like to try and fuse a bunch of different genres together, make it more interesting.

Andy: I listen to a lot of Neil Young, I think he’s a very diverse artist.  He’s done folk, he’s also done electric stuff.

How do you promote yourselves?

Matt: I’m more into social media than these guys are.  We’re promoting ourselves on Facebook, we’re gonna make a new YouTube account.  That’s kind of going up and down at the moment…

Bob: We don’t know how to work it!

Where does the name Ryuko come from?

Bob: I’m really into anime and all things Japanese, Japanese music… At the time I was watching an anime called Kill la Kill.  The main character is called Ryuko Matoi and I just thought it was a really cool name.  Some really fun facts: Ryuko is one of the least popular names in Japan.  It basically means “rebirth”, start over.  So I thought, we’re starting again, it’s a really cool name.

Andy: Well it’s not a cool name in Japan, is it?

Bob: It’s cool to me!  I think it’s cool!

Andy: I do wish we’d chosen a name that’s easier to spell and pronounce.

Bob: People can never say it.

Your cover of the Madness classic “Baggy Trousers” tonight was a surprising choice, but great!

Matt: We decided to spruce that up to make it ours.  The original is completely different to how I play it, I add extra little bits just to make it more funky.

Do you feel you’ve got the right band dynamic between the three of you?

Bob: We’re pretty good as we are.  More people add more complications cos you’ve got to think – are they free; do they drive, are they going to be available…

Matt: I’ve got a son, he’s 9, we discuss upcoming gigs before we agree to it.  If I’ve got my son and he comes along with us, if he’s allowed in the venue we play – he’s got his little ear defenders, he just sits in the corner and watches us or plays his game.

Bob: I’ve got three jobs…

Sounds like a positive environment to work in.

It’s got to be positive, if it’s not it just doesn’t work.  If no-one’s happy, nothing gets done.

So, what’s next?  What are your plans?

Bob: World domination!  One step at a time…

Andy: We’ve been working on re-doing our EP, we’ve been recording on and off.  Recording, playing as many gigs as we can.

And there you have it: an enjoyable chat with the gentlemen of Ryuko.  Make sure you check them out live, as and when we can return to the experience of live music.  If grungy, punky alt rock with some metallic crunch is your thing, then Ryuko will be just the antidote you need in these dreary times.

With apologies to Ryuko, who have waited months for this interview to see the light of day.

Check out Ryuko on Bandcamp and Facebook. Plus you can follow this link to listen to the interview on YouTube – yes, you can admire my fantastic interviewing skills for real!

And don’t forget to pay a visit to Ever Metal!

Platinum Al’s Top 10 Rock and Metal Albums of 2020

Good riddance, 2020! Am I right, or what? Still, it’s not all bad. There were some absolutely magnificent albums released last year – some I reviewed for my buddies at Ever Metal, some I discovered through other means. Some were massive, huge hits; others were small yet mighty triumphs.

Despite a lack of live music, there was plenty to investigate music-wise. So much so that it was really difficult to compile my annual Top 10 Albums list for Ever Metal. A few giants of rock and metal, though they released highly accomplished work, were reluctantly forsaken in my search for the crème de la crop.

Here they are, in (natch) reverse order:

10. The Goners – “Good Mourning”

9. Supersuckers – “Play That Rock’n’Roll”

8. Testament – “Titans of Creation”

7. Weed Demon – “Crater Maker”

6. The Atomic Bitchwax – “Scorpio”

5. Volcanova – “Radical Waves”

4. The Brothers Keg – “Folklore, Myths and Legends of The Brothers Keg”

3. Son of Boar – “Stoned Wail”

2. Desert Storm – “Omens”

  1. AC/DC – “Power Up”

I thought that this year, one of the smaller, indie label bands was sure to get to number 1. It almost happened, but then AC/DC released the total brain melter of “Power Up”, pretty much saving 2020 in the process. Now if only Angus and Co could release an album monthly, we might be able to get through 2021.

A few shout outs for notable mentions who didn’t make the cut this year, such as Ozzy, Wino and others. Seriously can’t believe I left out “Danzig Sings Elvis”, though.

You can read my full Top 10 (plus plenty of others) on the Ever Metal website, which also features links to songs and videos. Highly recommended! The direct link is here.

All the best for 2021 – here’s hoping for more great music!

Platinum Al’s Top 10 Rock/Metal Albums of 2019

2019 has been an exceptional year for new music.  It started off slowly, but by the end of the year I was struggling to keep up.

As per last year, Ever Metal asked me to produce a Top Ten of my favourite rock and metal albums of the year.  So here we go:

  1. Mammoth Weed Wizard Bastard – Yn Ol I Annwn
  2. Speedealer – Blue Days Black Nights
  3. Obey – Swallow The Sun
  4. Acid Reign – The Age of Entitlement
  5. Sunn O))) – Life Metal
  6. Earth – Full Upon Her Burning Lips
  7. Admiral Sir Cloudesley Shovel – Very Uncertain Times
  8. Giant Dwarf – Giant Dwarf
  9. Monolord – No Comfort
  10. Crobot – Motherbrain

All fantastic records.  Honorable mentions this time to Kadavar, Firebreather, L7, Wizard Rifle and Duel.

For more rock reviews, interviews and top tens, head over to Ever Metal.

Happy New Year everybody – wishing you a very healthy and prosperous 2020!

And thanks for vising Platinum Al’s Virtual Hot Tub!  Make sure you come back next year, and if you’ve got any requests or suggestions, please get in touch.

Singles Night at the Virtual Hot Tub #7

I had another great night recently, playing a load of old 7″ singles.  What happens is, I acquire these singles from record fairs, charity shops or maybe contributions from friends – and I spend an evening playing through the pile.  The’re stacked in order of how long I’ve had them – oldest near the top – and not organised in any way.

So I get a few drinkies down me and play the records in the order they reveal themselves.  Which can be fun – no skipping, play whatever’s next in the pile.

This system always means that no matter how many cool songs I play, there’s always a few dodgy tracks in there too.  But then let’s just call those less aspirational songs “guilty pleasures”, and enjoy them for what they are.

Last time, I claimed that the rest of the stack of 45 rpm magic wouldn’t reach as high a standard.  I was wrong.  Here’s the playlist, which includes some absolute monsters…

  1. Elvis Presley – “Young and Beautiful” / “True Love” / “Lover Doll” / “Love Me Tender”
  2. AC/DC – “Whole Lotta Rosie” / “Hell Ain’t a Bad Place To Be”
  3. W.A.S.P. – “Mean Man” / “Locomotive Breath”
  4. The Beatles – “Can’t Buy Me Love” / “You Can’t Do That”
  5. Anthrax – “Anti-Social” / “Parasite”
  6. The Hawaiian Islanders – “Hawaiian War Chant” / “Song of the Islands” / “One, Two, Three, Four” / “On the Beach at Waikiki” / “Sweet Leilani” / “Aloha Oe”
  7. Johnny Cash – “It Ain’t Me Babe” / “Understand Your Man” / “Five Feet High and Rising” / “I Walk the Line”
  8. Stiff Little Fingers – “At the Edge” / “Silly Encores, Autumn 1979”
  9. Spagna – “Call Me” / “Girl, It’s Not the End of the World”
  10. Tenpole Tudor – “The Swords of a Thousand Men” / “Love and Food”
  11. The Rolling Stones – “It’s All Over Now” / “Good Times, Bad Times”
  12. Belinda Carlisle – “Vision of You” / “Leave a Light On For Me (Kamikazee Mix)”
  13. Salt-n-Pepa – “Push It (US Remix)” / “I Am Down” / “Tramp”
  14. Fat Boys – “The Twist (Yo, Twist)” / “The Twist (Buffapella)”
  15. Bananarama – “Cruel Summer” / “Summer Dub”
  16. Thin Lizzy – “Cold Sweat” / “Bad Habits”
  17. Heaven 17 – “Temptation” / “We Live So Fast”
  18. Hammer – “Addam’s Groove (LP Mix)” / “Street Soldiers (Saxapella Reprise)”
  19. Philip Lynott – “Yellow Pearl” / “Girls”
  20. Senser – “The Brunt”
  21. Siouxsie & the Banshees – “The Staircase (Mystery)” / “20th Century Boy”

Fantastic stack of singles!  Some absolute classics with a couple of cheesy horror stories.  Any playlist that includes AC/DC and the Beatles can’t be half bad.  I’ll be doing some more of these singles nights soon, stay tuned!

Singles Night at the Virtual Hot Tub #6

Welcome to another Singles Night at the Virtual Hot Tub with your host, Platinum Al!

As previous, I spent the evening listening to a stack of 45 rpm singles that I’d acquired over time from several sources.  Whilst imbibing some fine alcohol.  The following is a list of those singles, A and B sides listened to in order.

There are some particularly sweet slabs of vinyl in this edition.  As always, however, we’re never too far away from some rank cheese…

  1. INXS – “The Gift” / “The Gift (Extended Mix)”
  2. Sweet – “Action” / “Sweet F.A.”
  3. Rod Stewart – “Reason to Believe” / “Maggie May”
  4. The KLF – “America: What Time is Love?” / “America No More”
  5. ABBA – “Mamma Mia” / “Tropical Loveland”
  6. Elvis Presley – “Trouble” / “Young Dreams” / “Crawfish” / “Dixieland Rock”
  7. Cream – “Strange Brew” / “Tales of Brave Ulysses”
  8. Right Said Fred – “I’m Too Sexy” / “I’m Too Sexy (Instrumental)”
  9. Anthrax – “Indians” / “Sabbath Bloody Sabbath” / “Taint”
  10. The Stranglers – “All Day and All of the Night” / “Viva Vlad!”
  11. W.A.S.P. – “I Don’t Need No Doctor” / “Widowmaker”
  12. Beastie Boys – “(You Gotta) Fight For Your Right (To Party)” / “Time to Get Ill”
  13. Iron Maiden – “The Clairvoyant” / “The Prisoner”
  14. AC/DC – “Let’s Get It Up” / “Back in Black”
  15. Yes – “Into the Lens” / “Does It Really Happen?”
  16. Marillion – “Incommunicado” / “Going Under”
  17. Kim Wilde – “Cambodia” / Watching for Shapes”
  18. The Beatles – “Day Tripper” / “We Can Work It Out”
  19. The Spencer Davis Group – “Keep On Running” / “Somebody Help Me” / “Every Little Bit Hurts” / “I’m a Man” / “Gimme Some Lovin'”
  20. Booker T and the M.G.s – “Time is Tight” / “Hang ‘Em High”
  21. The Byrds – “Mr Tambourine Man” / “I Knew I’d Want You”
  22. The Skids – “Circus Games” / “Onedecree”
  23. Manuel & The Music of the Mountains – “The Portugese Washer Women” / “Never on Sunday”

Note: the B-side of the Anthrax single is actually their track “Imitation of Life”. 

I’m mighty proud of that selection.  Not that I had anything to do with it, the choice was random – I just took whatever disc was top of the pile and made my way through.

But what a bunch of scorchers!  One of my favourite Beatles tracks; Cream; Booker T; some classic metal and the Beastie Boys.  It doesn’t get better than that.

Or rather, it won’t.  Most of the rest of the pile of 7″ singles isn’t up to that quality…

Platinum Al’s Top 10 Rock/Metal Albums of 2018

2018 was a great year for music.  So much so, that I struggled condensing all those tasty new tunes into a top ten – and I’m still not sure I’ve got it right.  There are several other albums that could have featured in an annual top ten, but for reason or other didn’t make the cut.

Anyway, those cool folks at Ever Metal asked me to put together a list of my ten favourite rock and metal releases for the year.  I did so, Ever Metal posted it, and I thought I’d share with my Virtual Hot tub readers too.

So here we go, in reverse order:

  1. Ghost – “Prequelle”
  2. Gama Bomb – “Speed Between the Lines”
  3. Orange Goblin – “The Wolf Bites Back”
  4. Earthless – “Black Heaven”
  5. 1968 – “Ballads of the Godless”
  6. Uncle Acid & The Deadbeats – “Wasteland”
  7. Monster Magnet – “Mindfucker”
  8. Corrosion of Conformity – “No Cross No Crown”
  9. Fu Manchu – “Clone of the Universe”
  10. Clutch – “Book of Bad Decisions”

Hope you did a Smashy and Nicey voice in your head whilst you counted that down.

Some classic albums there, in my opinion at least.  Honorable mentions are due for Sleep, High on Fire and Satan’s Satyrs (amongst others) who just missed out.  Who knows, next week I might have changed my mind.

Finally, a big thanks to the Ever Metal team for having me on board.  It’s a real honour to be part of the team, and writing for the site has been one of my highlights of last year. Here’s to contributing more in 2019.  Cheers!

Visit the Ever Metal site here and check out some cool music!

Gama Bomb – Speed Between the Lines Album Review

Here’s my recent review of the new Gama Bomb album, which appeared on the Ever Metal website.  Reproduced here with permission; enjoy! 

Gama Bomb – Speed Between the Lines

AFM Records

Release date: 12/10/2018

Running time: 35.07

Review by: Alun Jones

8/10

Hello and welcome to Thrash School.  For today’s lesson, you will need:

  • Skin tight jeans (preferably with ripped knees)
  • Faded Acid Reign t-shirt
  • Studded leather belt and 1x studded leather wrist band
  • White hi-top leather Converse
  • Black leather jacket (denim vest over jacket optional)
  • Baseball cap with “NOT” written under the peak

Because today we will be listening to the new album by Gama Bomb, entitled “Speed Between the Lines”.

These merry metallers have an uncanny ability to rewind the cassette of time to a simpler age.  It’s like grunge never happened.  Instead, we get twelve face-lacerating tunes that rush by in uncompromising fashion.  This is thrash metal, kids, buckle up for the ride.

Eighties thrash was often pre-occupied with party bum-out vibes like nuclear destruction.  Apparently, it’s a post-Cold War world though, so these boys don’t wallow in misery for too long.  Not that they don’t have a social conscience: witness the admirable stab at the current political climate in “Alt Reich”.

But they’re just as happy dedicating an ode to Kurt Russell, which is perfectly justified in my opinion.  Kurt is, of course, an icon of twentieth century popular culture.  Not convinced? Go watch The Thing and Big Trouble in Little China and you can thank me later.

Back to the music.  Although diversity isn’t Gama Bomb’s strong point – Master of Puppets this ain’t – the listener is rewarded with a dozen tracks that speed by relentlessly.  The musicianship is amazing, with blitzkrieg lead guitar all over the place.

The occasional change of pace would add some additional colour, but you can’t fault the commitment and enthusiasm of this band.  This album is the full package with cool themes and some of the best song titles I’ve heard in a long time (666teen? Give them an award NOW).  The music is intense and exciting in equal measure, bringing to mind classic Overkill, Anthrax and Nuclear Assault.

So dig out your old Variflex skateboard and ask your big brother’s mate to buy you a two litre bottle of cider from the Co-op.  With Gama Bomb you can party like it’s 1987.  This history lesson is over.

Visit the Ever Metal website here.

The Crippens – Gig Review

The Crippens + Emissaries of Syn + Ballpein + Soulless System + Abominate + Spam Javelin

Saturday 19th May 2018

The Tivoli, Buckley

Six bands spanning a range of punk, hardcore, thrash and death metal – all for £7.50?  You count Platinum Al in, guv’nor!  Anticipating a night of good ol’ fashioned face melting tunes I was off to the Tivoli in Buckley for what seemed the first time in absolute yonks.

As I bounded into the Tiv and was drawn like a magnet straight to the bar, our first band of the evening – Spam Javelin – had started playing.  They play fast, loud and fun hardcore punk, with a dose of well placed humour.  I was very impressed by Spam Javelin’s set and need to check them out again.  Recommended and a good start to the night!

Up next were Abominate, who’s music was essentially a revved up a chainsaw thrown into a pit of acid vipers.  It’s full on death/thrash metal and by ‘eck, it is good.  Intense and with a crafty helping of heavy, crunching sludge to boot – Abominate are a force of nature and very superb indeed.

Local band Soulless System were up next.  Their sound is heavy, grinding and brutal thrash – though their set seems dogged by sound issues tonight.  It perhaps doesn’t help that they don’t use a live drummer.  It’s a shame as the band can obviously play and have some very tasty riffs.  Get these boys a drummer and sort the sound and they’ll light it up.

Then what happened?  Oh yeah, Ballpein played and smashed my face in.  Repeatedly.  Amazing band, full on hardcore punk with a metallic edge: if you want exciting, fast songs and brutal riffage this is the band for you.  Ballpein are also amazingly good on stage, confident and having fun as they grind out their (not very) delicate ballads about serial killers.

Another North Wales crew, Emissaries of Syn, played next – attacking with their blend of crusty grinding noise.  EOS are relentless and played a non stop set of mind warping punk thrash goodness.  Great stuff and again, confidently played on the big Tiv stage.  I’ll keep an eye open for more.

Finally, our revered headliners took to the stage and belted out some classic hardcore punk.  Once they were Doctor and, now they’re just The Crippens, but this reformed bunch of maniacs disguised as musicians are back and slaying all before them.  A great set, I have never before witnessed such a mesmerising gang of misfits in the wild.  Perhaps a tear escaped as I reminisced about long ago 80’s skate rock.  Whatever, I am SO glad I got to see this band live.

And that was it, another great night at the Tivoli.  Well done to the bands who played; thanks to the Tiv for being brave enough to put on something a bit different; and full marks to Knoxy who organised this and helped raise some funds for mental health care in the process.  A legend.

 

You can find all the bands above on Facebook, it’s easy.

The Tivoli website is here. 

The Men That Will Not Be Blamed for Nothing – Gig Review

The Men That Will Not Be Blamed for Nothing + IDestroy

Tuesday 20th March 2018

Live Rooms, Chester

Please do accept my humble apologies for the delay, good sirs and ladies – one has had a considerable amount of business to attend to before this esteemed review of the above musical personages could be completed.  I’ve been drinking gin, mostly.

Way back in March, I was indeed fortunate enough to witness a spectacle unlike any other in this historic town of Chester.  The Live Rooms: performance theatre hall, proprietor unknown, was the establishment in question; wherein I did encounter a motley band of anarchists known as The Men That Will Not Be Blamed For Nothing.

And what an encounter I did experience, dear reader.  Not since that time the circus arrived through town parading an ungodly assortment of freaks and oddities (a Mr Merrick included, no less) have I seen such debauchery.

First of all, the audience and I were entertained by three young ladies, though unlike any other maidens one could classify as such; the wonderful IDestroy.  They were excellent purveyors of the art form known as “punk rock”, wielding mighty instruments that wrought tuneage both aggressive yet delightful.  

I am sure that these estimable young ladies will not begrudge an old fool such as myself in proclaiming that they could not, or indeed should not, be considered “wall flowers”.  IDestroy possessed astonishing songs that proved highly enjoyable; energetic and confidently performed.

A most invigorating start to the evening’s proceedings; one can only ponder: “Why is there not more of this sort of thing readily available”?  Good show, indeed.

And so, our humble headline act claimed the theatre stage, and began a relentless musical bombardment that would be heard across the distant lands of the Empire’s colonies.  The Men That Will Not Be Blamed For Nothing were indeed a sight and sound to behold.

Modern listeners may be forgiven for assuming they have witnessed a grown up edition of successful children’s entertainment Horrible Histories, yet with added ferocious guitars.  Though the message within the music is not hidden, the glorious racket TMTWNBBFN portray is fine entertainment, even for those straight into the workhouse with no pretension of education.

The band had mischievousness in abundance; so whilst regaling the gathered revellers with mirth were able to determine their stage presence in a manner unlike any other I have before encountered. 

This, dear reader, is what I believe has been classified as “steampunk” – and what a jolly riot it was.  A cacophony of history, politics and humour accompanied by pulverising rock music – the perfect soundtrack to a evening on the gin in a Whitechapel boozer.

Afterward I departed for my carriage, grinning like a buffoon and clutching a new “record” to play on my phonograph.

With sincere thanks to all concerned, etc. etc.

Find out more about The Men That Will Not Be Blamed For Nothing here.

Find out more about IDestroy here.

The Live Rooms website is here.

Thanks to Lynda Rowlands for the brilliant live photos!

Classic Albums #3

It’s been a long time since I wrote a Classic Albums post.  Nearly four years, sadly.  But now it’s time to get back to the heart of what this blog was supposed to be all about in the first place.

Ladies and gentlemen, welcome to my Classic Albums.

3. Metallica – Master of Puppets

Metallica’s third album, released in 1986, has long been regarded as the probably the best recording the band ever made.  Not only that, but one of the greatest metal albums of all time.  “Master of Puppets” is a monolithic album with an immense scope; hugely varied and still surprisingly experimental.

At the time I first heard this record, around 1987, I was listening to bands like Van Halen, Queen and Def Leppard.  A friend lent me a cassette of “Master of Puppets”; I was keen to try it out as there was such a buzz about this band.

Every time I hear the opening guitars of “Battery”, I’m transported back to that first listen.  And I remember how extreme it sounded to me at the time – I’d never heard anything this brutal before.

Following that was the title track, which was the most complex heavy composition I’d experienced.  A melodic instrumental section lulled me into a false sense of security before the relentless riff attack recommenced.

It was third track, “The Thing That Should Not Be”, that opened my eyes though.  A massive, monstrous riff that hooked me straight away.  That song was heavy and eerie all at once; it became a favourite that I still love and slowly, yet with growing confidence, I began to explore this album.

“Welcome Home (Sanitarium)” begins with a mellower introduction and as such it’s one of the easier songs to appreciate on first listen.  Repeated plays over the years has dulled the impact of this track, for me personally – though it surprises me how good it actually is when revisited. 

Side Two of the album Kicks off with “Disposable Heroes”, is an anti war song that is intense and powerful.  One of my favourite tracks.  Then there’s “Leper Messiah”, a monster riff that incorporates faster sections as it proceeds.

The absolute highlight of the album is “Orion”, a fantastic prog-metal instrumental spanning over eight minutes.  This epic track proves beyond all others just why Metallica were – and still are – light years ahead of other thrash bands.

Finally, the last track – “Damage, Inc.” – is a violent berzerker of a song that might just take your face off.

With “Master of Puppets”, Metallica challenged themselves and their fans, as they expanded their sound and manifesto further than ever before.  If you want fast thrash, you’ve got it here.  Want heavy, down-tuned Sabbath riffs?  You’ve got that too.  There are even melodic sections that are actually enjoyable – and still uncompromising.

Metallica were utterly fearless in writing and recording this album, unafraid to try new ideas and never rest on past glories.  It’s not as heavy to my ears as it was on first listen thirty years ago, but every new spin of this record still has the power to thrill.

“Master of Puppets” is a timeless metal masterpiece.  It’s one of the essential records in my collection; it’s status a massively influential rock album – metal or otherwise – is assured for all time.

Metallica – Master of Puppets (1986)

  1. Battery
  2. Master of Puppets
  3. The Thing That Should Not Be
  4. Welcome Home (Sanitarium)
  5. Disposable Heroes
  6. Leper Messiah
  7. Orion
  8. Damage, Inc.

Best tracks: The Thing That Should Not Be, Orion, Battery, Master of Puppets, Disposable Heroes.

Other cool points: seriously great cover – you also need the t-shirt.