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Joan Jett & The Blackhearts – Gig Review

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Joan Jett & The Blackhearts + The Meffs

Saturday 4th July 2026

Manchester Academy

Another busy weekend for Daughtertron and I – last week Metallica in Cardiff, this week a shorter trip to Manchester to see Joan Jett & The Blackhearts. We’re both big fans of this Rock’n’Roll icon, and as this was the band’s first headline tour of the UK for many a year, the decision to attend didn’t take much mulling over.

Our support band tonight were The Meffs, and the Academy seemed fairly lively and busy for their slot. I’ve head of The Meffs, but knew nothing else – I was to learn that they’re from Essex and they’re a two piece band (vocals/guitar and drums) – all of which was news to me. I was aware that they are highly regarded though, and their short but energetic set was ample proof of that. Covers of ‘Breathe’ by The Prodigy and ‘Identity’ by X-Ray Spex nestled comfortably next to their own raucous tracks like ‘Stamp It Out’ and ‘Deathwish’. Great noisy fun, plenty of attitude and something to say – a superb set.

July 4th being Independence Day in the once mighty realm of the Orange Chimp had slipped my mind, but I guess Joan and her band probably weren’t bothered either. Instead the massive audience were amped up and ready to rock out with a genuine icon, celebrating 45 years since the release of Joan’s earliest solo recordings. Starting things off with the rowdy ‘Victim of Circumstance’ followed with a very welcome rendition of The Runaways’ ‘Cherry Bomb’ was a confident, bouncy, sing-along success.

After that, we got ‘Do You Wanna Touch Me (Oh Yeah)’ – a Gary Glitter cover that left me confused and a bit queasy. I know Joan’s been covering this song for years, but it still seems surprisingly tone deaf. I don’t even want to type that guy’s name in this review! We were soon back on track though with ‘You Drive Me Wild’ (another Runaways number), ‘The French Song’ and ‘Fake Friends’ – all diamonds that are often overlooked by the casual listener.

More recent output was showcased with ‘(Make The Music Go) Boom’ and ‘If You’re Blue’ the former being a real highlight. Predictably, it’s the final run of mega hits that lights up the entire performance. From ‘Everyday People’ the energy in the room rises, then explodes for the legendary anthem ‘I Love Rock’n’Roll’. But that’s not all, kids! With ‘Crimson and Clover’ (Daughtertron’s favourite), ‘I Hate Myself For Loving You’ and ‘Bad Reputation’, Joan Jett & The Blackhearts unleash a tsunami of powerful, unforgettable Rock that lifts spirits and moves the bodies of all those gathered.

The sound was also very impressive throughout: Joan’s rapport with the audience and unmistakeable voice, along with the band’s instruments – never seemed to waver. It was a solid performance, expertly put together by a bunch of total professionals. Joan Jett & The Blackhearts’ music was all the fireworks and all the party we needed in Manchester tonight. A legendary artist and a classic gig!

Metallica Gig Review – Cardiff June 2026

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Metallica + Gojira + Knocked Loose

Sunday 28th June 2026

Principality Stadium, Cardiff

Cardiff city centre was literally swarming with people, nearly every single one of them wearing a Metallica t-shirt from one era of the band or another. Fans of all ages crowded the streets and bars, as music poured from the speakers. I’ve never witnessed anything like it before. And the atmosphere was crackling as soon as we got there.

Last time I saw Metallica live was at Sheffield Arena in 1993, on their Nowhere Else to Tour tour. I was a student, 21 years of age, seeing them for the first time and having been a fan for several years already. Metallica were rising in popularity on the back of their mega selling, self titled album.

Thirty three years later, I was finally going to see a Metallica gig again, this time with my old friend of fifty years. Joining us were our fifteen year old daughters, as we set about passing the torch to the next generation. We met up with another old pal and his family, ate some great burgers and headed to the venue. It was set to be a special event.

The Principality Stadium is bloody huge, let’s put it that way. Mightily impressive, the air was still full of excitement as we bumbled around to find out seats and get our bearings. Feeling like a mountaineer as I climbed to my seat, it was dizzying seeing the acres of people below. From my eagle like vantage point, the circular “in the round” stage was clearly visible, surrounded by huge poles supporting cylindrical screens.

The first band of the day, Knocked Loose, were already on stage as we entered the stadium, earlier than expected (probably due to a Sunday curfew, I guessed). Described as a Hardcore Punk band, their distinct crunch and harsh vocals gave them a more Metalcore sound. They came across well from what I saw, appearing confident and happy to be there. A band to keep an eye on.

Up next were Gojira, who were definitely comfortable on the huge circular stage. Their confidence shone through in the exquisite delivery of their technical yet emotional music. I’m not hugely familiar with their work, though I have listened to Gojira albums in the past. Based on this performance, I’m intrigued to revisit their albums and investigate further. With a sound that covers various Metal genres – Thrash, Death, Progressive – and an enticing lyrical content, I enjoyed what I heard and I’m keen for more.

Anticipation was set to boil over as AC/DC’s ‘It’s a Long Way to the Top’ teased the audience. By the time the traditional intro song, ‘The Ecstasy of Gold’ played (I’d warned my daughter that this tune heralded the main event), I was full of fire and ready to burn. The four members of Metallica appeared like tiny demons, miles away on the huge stage, and burst into ‘Creeping Death’. Perfect!

This diamond quality start was followed by a ferocious ‘For Whom the Bell Tolls’, and both Daughtertron and I were very happy. The band hopped about through time, performing tracks from various albums – I’d forgotten how great the riff to ‘Cyanide’ actually is – the most recent being ’72 Seasons’ from their most recent offering. Two tracks from “Reload” were aired, ‘The Memory Remains’ and a blistering, explosive ‘Fuel’ that lit up the entire stadium and with pyrotechnics that warmed our faces.

Rob and Kirk’s now familiar ‘doodle’ spot gave us a surprise treat with a rendition of Tom Jones’ ‘Delilah’ – I’d never had expected that back in the early 90’s! But it was the “Black” album that dominated the setlist, with five tracks including ‘Sad But True’, ‘The Unforgiven’ and an emotional ‘Nothing Else Matters’, played in a darkened stadium with thousands of phone lights gently bobbing like fireflies. The song may divide hardcore metal fans, but you’d need a heart of stone not to feel the magic this evening.

As is expected, the band rotate around the stage and James seemed particularly on fine form, absorbing the audience energy. The set official presumably ended with ‘One’ which was truly engrossing and showed off some great Thrash skills from Lars. There was no “off they go and come back in ten minutes for the encore” – Metallica raged straight through with the classic ‘Seek and Destroy’. ‘Master of Puppets’ was justifiably held back till the end before it was aired, given the respect that defining song deserves. Finally ‘Enter Sandman’ wrapped things up in a glorious, euphoric crescendo.

Manging to cover most of their albums wasn’t going to be easy for a band with as many enduring tracks as Metallica have, but that was a damn fine setlist. Both Daughtertron and I were very satisfied, being able to hear some of our favourites in a live setting.

For over forty years, Metallica have been at the forefront of what they do. That a bunch of guys in their sixties can put on that good a show is encouraging enough – but the real success of this was seeing the multitudes of fans, of all ages and walks of life, coming together and loving the music. So many of us grew up with Metallica and we’re in the midst of introducing the next generation to this passionate, life-affirming music. This gig was genuinely exciting, moving, inclusive and more important than I expected.

N.E.W. Metal Productions Christmosh – Gig Review

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N.E.W. Metal Productions Christmosh

6th December 2025

Mcleans Pub, Pentre, Deeside North Wales

Have you been good all year? Have you eaten your greens, minded your Ps and Qs, and got your Ever Metal reviews in on time? If yes, then good news: the final North East Wales Metal Productions shindig of the year is here – the annual Christmosh party! A fabulous six bands appearing at Mcleans Pub in Pentre, Deeside, covering a wide variety of Rock/Metal music and all gathered together to celebrate a festive end to 2025.

Warming us up like a welcome open log fire was Victim of Damp, alias N.E.W. Metal Prods ally Frank Williams, here given a seasonal makeover as Christmas of Damp. With Christmas jumper and trusty guitar in hand, COD gave us some choice cuts including new additions such as Therapy?’s ‘Screamager’ along with free shots and a melancholy Pink Floyd cover. The promise of Crimbo tunes wasn’t forgotten, with a rousing version of Slade’s evergreen ‘Merry Xmas Everybody’ – event guru Fozzy (in Santa suit) on vocals.

Victim of Damp

‘Agro’ by The Raging Mabels is one of the Greatest Songs Ever. Their entire set of high speed, thundering yet melodic Zeke-like Punk Rock was an absolute, total joy from start to finish. I cannot praise this band highly enough, even though they forgot to bring merch (again). There should be a new Raging Mabels album out in the New Year, so be prepared for a cultural explosion of Nirvana ‘Nevermind’ levels. And if that doesn’t happen, every single one of you can suck balls.

The Raging Mabels

Sadly, last time SOOTO (Something Out Of The Ordinary) played Pentre a couple of months back, I failed to write up my review. That cruel oversight is about to be reversed. SOOTO deal in classic Hard Rock/Metal, and with the female vocals they’re like Stevie Nicks singing for Thin Lizzy. Professional but not superficial, SOOTO have a raw energy and love of the riff, combined with dynamic songcraft and expert playing. A fantastic set that was over too soon.

SOOTO

The only band I’d never seen before, Heroes of the Gauntlet were a pleasant surprise indeed. Billed as “Symphonic Power Metal”, I was concerned these guys would be a full-on cheese fest. They have two singers (male and female) with fantastic voices, and a microphone that turns into a sword. Add in some serious Power Metal riffage and super confident stage personas, and you’ve actually got one hell of a show. Heroes of the Gauntlet were gloriously over the top and it’s impossible not to love them! All they need is a live drummer and these Heroes cannot fail.

Heroes of the Gauntlet

Bad Earth we have met before, and yes – hands up, I am a bit of a fanboy. But when a band deliver this much power and presence on stage, how can anyone not be? A “Rockcore” trio from the North Wales area, what that genre entails is dishing out filthy Punk/Metal riffs and pummelling, killer rhythms that you can feel as well as hear. They get better and bolder all the time – though the silly buggers are very humble about it – and this night was no exception. New recorded material is due soon, so beware: Bad Earth have never shied away from delivering crushing, groove infused Rock and I don’t think they will.

Bad Earth

To say I was excited about the return of the fuzzed out, sludgy sound of Master Charger to Mcleans would be an understatement. Their album “Posthumous Resurrection” was one of the never ending delights of 2025, plus last time they were here, these boys absolutely killed it. Make no mistake, Master Charger can and will deal out a mighty, megalithic slab of Stoner/Doom that will make the earth tremble. And that’s exactly what they did, with every asteroid-heavy riff and mammoth beat ploughing through the audience mercilessly. Another off-the-charts performance and a great finale.

Master Charger

What a night. Quite possibly the strongest line-up at Mcleans that I’ve ever witnessed, featuring many of my personal favourites.

But now it’s down to you. Christmosh was the last North East Wales Metal Productions event of the year, till the return of Pentre Fest in February 2026. These events, these bands need your support. If you’ve ever considered a trip to Mcleans, then you need to be there on 27th and 28th Feb 26. No excuses!

N.E.W. Metal Productions All Dayer – Nov 2025

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N.E.W. Metal Productions All Dayer

22nd November 2025

Mcleans Pub, Pentre, Deeside North Wales

Saturday night, and I was off to another Leo Sayer (that’s an All Dayer) at Mcleans Pub In Pentre, Deeside. North East Wales Metal Productions have been getting pretty regular hosting these events recently, and I didn’t want to miss this one. Seven bands of the Rock/Metal variety were on the bill, only one had played this venue before, so things were looking promising.

I wanted to get to Mcleans from the start to see the first band, Onion Mash. Intrigued by the name, I wasn’t sure if they were a comedy band or experimental nutters. They were neither. Onion Mash were a very capable Hard Rock five piece, and not silly at all! Solid musicianship and excellent female vocals provided a thoroughly enjoyable set. Onion Mash seemed a little concerned they weren’t “Heavy” enough – no need to worry, they added further variety to a stacked bill.

Onion Mash

Another somewhat different band name was on the stage next: Napierdalać. That may be Polish, it certainly stands out and is very cool. As a band described as “Symphonic, Blackened Death Metal” these guys shouldn’t have been able to set my church on fire, but I actually really enjoyed them. More old school Venom than I’d anticipated, Napierdalać played an outstanding set with their cheeky, confident stage presence and quality playing. Thoroughly evil and thoroughly good at the same time.

Napierdalać

Rattlesnakes are a young band with their feet firmly in the traditional metal of Iron Maiden, Judas Priest, Saxon and the like. Their early 80s sound was phenomenal, every note, every chord, every crash of the drums was perfect and played with an obvious joy and real talent. Then you have the voice: female vocals again this evening, and OH MY GOD this woman has the skills beyond skills! A sneaky Dio cover was irrefutable proof. Rattlesnakes live were an event – everyone loved them and if they don’t go far, this world is a disgrace.

Rattlesnakes

I’m hit and miss with Metalcore, but if Gnawing Hunger are a Metalcore band, then I’m a convert. These brawlers from Brum have enough classic metal riffs to get the blood flowing, melded to tight rhythms and a Hardcore intensity. With a new drummer and guitarist in place, they were all the same pretty damn tight. Ferocious fun, but sadly the crowd was too thin for a mosh pit! Hopefully Gnawing Hunger will return.

Gnawing Hunger

The only band on the bill that I was familiar with was Omega Throne, who played Pentre Fest in 2024. Very impressive previously, I thought I knew what t o expect from this band, but Omega Throne have developed nicely since then. Still brutal and uncompromising, they’ve developed some groove along with their Thrash/Death/Black Metal and are all the better for it – there are even more textures to their lethal sound. Performed with clear emotion and conviction, this set was unmissable.

Omega Throne

The Machinist are well loved by Ever Metal (Dark Juan, take a bow) but they were a new listen for yours truly. I was looking forward to hearing what all the fuss was about, and these guys pretty much ambushed me and kicked my ribs in. Black/Death Metal dragged through a filthy factory of Industrial tension, The Machinist are a law unto themselves. There’s even glimpses of melody amongst the dense noise. I think they threatened to physically harm me if this review wasn’t positive, but no worries there: honestly, a tour de force set.

The Machinist

The initial surprise I had at first sight of the final act, Foul Body Autopsy, didn’t last long. As the headliner, I wasn’t expecting a one man show – but this was far from Extreme Metal karaoke. The guy has serious chops! Perfectly in sync with backing tracks, the lead guitar was ridiculously technical – but more importantly, Foul Body Autopsy has RIFFS! Riff after stinking, fat, nasty riff, to be precise. An illuminating and impressive one man show, Foul Body Autopsy brought the evening to a triumphant end.

Foul Body Autopsy

And that’s it for November at Mcleans. but I’ll be back soon for more. And if you can get there, please do: N.E.W. Metal Productions work really hard to put these gigs on, and bands travel from all over the country – so if you can support them, please do. Ten quid for seven bands of this variety and quality? You’d be crazy not to.

King Kraken – March of the Gods Album Review

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King Kraken – March of the Gods 

Self-released 

Release date: 18/04/2025 

Running time: 40 mins approx 

Review by: Alun Jones 

9.75/10 

Ahoy there, shipmates!  Look lively with that cargo, we’re ready to set sail on these treacherous seas.  Be wary, for there are many tales in these waters of fearsome beasties, rising from the depths to swipe a man from the deck and carry him to a watery grave.  Here are ten such omens from the murky waves, tales of King Kraken! 

Sorry folks, I got a little carried away there.  We’re taking a considered view of the latest album from the mighty band known as King Kraken, though this is pretty exciting news.  Their last album, MCLXXX, was a bona fide banger, and I’ve been looking forward to hooking this new release for quite a while.   

From the opening track, it’s anchors away as the boys unleash ten tracks of compelling rock/metal that’s loaded with powerful riffs and greater depth than before.  ‘Scream’ blazes out of the speakers and it’s obvious right away that the Kraken boys have been focussed on creating adrenaline spiking music, wasting not a second of listening time.  ‘El Giganto’ is another sonic smasher, big sing-along choruses and relentless, skyscraper crushing enegy. 

The guitars of Pete Rose and Adam Healey are constantly ingenious, throwing out titanic riff and lethal lead like they’ve discovered a sunken treasure chest of hidden invention.  See ‘Berzerker’ as a prime example.  Title track ‘March of the Gods’ deals out more mayhem, this time with a galloping, martial feel.  Get in step and march along, or be bowled out of the way! 

The track ‘Hero’ adds different textures to the Kraken sound, with bluesy leads embellishing a plaintive atmosphere.  Mark Donoghue’s astounding vocals shine thoughout this album, but never more so than here.  It ain’t exactly a ballad, it’s too damn heavy – but ‘Hero’ is an excellent emotional counterpoint. 

After that, ‘Vigilante’ steers us into more familiar, Clutch-like waters: it’s a proper groove rocker with a crunchy middle section.  ‘Preacher’ resonates on a grinding, Alice in Chains style rhythm, whilst ‘Magnum Opus’ ups the pace with a full-on, diesel-powered Mad Max urgency.  Both tracks demonstrate the feel and sheer talent of the rhythm section, Karl Meyer on bass and Richard Lee Mears on drums. 

‘Chainsaw Saviour’ is another stand out track, with a menacing, pummelling riff.  No prizes for guessing who inspired that lyric!  The final song, ‘Under the Sun’, has yet another pulverising pace, tempered with mellower verses that remind me of the epic song writing of classic Soundgarden. 

So is it any good, then??!!  Well yeah – “March of the Gods” promised a huge amount and it delivers in spades.  King Kraken have obviously worked hard here, striving to push their musicianship and their song writing to a higher level than ever before.  It’s a gripping listen, with new ideas and dynamics aplenty.  We’re only a third of the way through the year, and we could have a contender for Best Album of 2025. 

But don’t just heed this old seadog’s tall tales, go and catch this monster yourself. 

Visit King Kraken here. You can also check them out on Facebook, Instagram, Twitter, Spotify and YouTube.

This review is brought to you by Platinum Al in association with Ever Metal.

N.E.W. Metal Productions All Dayer Oct 25

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N.E.W. Metal Productions All Dayer

18th October 2025

Mcleans Pub, Pentre, Deeside North Wales

Halloween is over, so time for yours truly to get back to being the legendary Rock Journo that I was born to be. Spooky month is a big deal chez moi, so we’re taking a trip back a couple of weeks here for a fairly recent All Dayer at Mcleans, Pentre, which was organised by our good friends North East Wales Metal Productions.

As usual, there was a great selection of bands playing throughout the late afternoon and evening, though sadly there’s always some last minute shuffling of the line up where someone can’t make it. No matter, there was more than enough to get your fangs stuck into.

First up, all the way from North Yorkshire way, were Alt Rock trio Kath and The Kicks. I was most excited to see this band, as they’d been unable to make a previous appearance here. A really solid, professional set with a machine-like drummer, powerhouse bass and Kath herself on super compelling guitar and voice. A bit like Joan Jett fronting Soundgarden but much more fun, it was loud, intense and grungy and a great start to the day. I loved them, and hope they come back soon!

Kath and The Kicks

Syntara were next, a young group who took to the stage with supreme confidence. Their music is best described as “Modern Metalcore”, which is not really my scene, man – but their performance was captivating. They owned the stage like they’d been born behind the drum kit. My only advice would be they need a live bass player to fill out the sound. Oh, and they need to get rid of the utterly vile looking, funny shaped, headless guitars. Other than that, very impressive.

Syntara

Travelling up to Pentre from Leicester, Voidwalker brought the Technical Death Metal along with them to bedazzle us all. Another ultra confident band, Voidwalker unleashed a Tsunami of sonic venom, a dual guitar attack driven by a relentless rhythm section. Their front man prowled the room and growled and roared above the thunder. Powerful and performed with obvious fervour, Voidwalker’s set was brutal but unmissable.

Voidwalker

When a bloke stands on stage wielding a huge medieval broad sword, you kinda sit up and take notice. This was how Hiraeth began their set, and though the sword soon disappeared I stuck around anyway, ‘cos they were great. Playing black metal inspired by Welsh folklore, history and culture, the band are excellent performers and obviously have a passionate message to get across. They’re also a lovely bunch of people. BENDIGEDIG!

Hiraeth

Deified were our final band of the evening, and they were very worthy headliners. A five piece band from Merseyside, they’ve been around a few years now and have developed a confident presence to deliver their mighty Metal. They didn’t bring any merch, but they did bring a set of huge, aggressive and uncompromising Metal that devastated the entire building. Here’s hoping we get a new Deified album soon.

Deified

And that’s your lot, kids! Another successful N.E.W. Metal Productions event showcasing some fine musical talent. More soon!

N.E.W. Metal Productions All Dayer

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N.E.W. Metal Productions All Dayer

26th July 2025

Mcleans Pub, Pentre, Deeside North Wales

By now, you’ll know my love of Mclean’s Pub in Pentre, Deeside, North Wales – from all the Pentre Fest gigs and so on I’ve covered from there. Thankfully, rather than make us all wait till February 2026 for the next full weekend festival, North East Wales Metal Productions have set up some “All Dayer” gigs at the same, friendly venue to keep us going. Plus, even more live events at XS, Wrexham.

Sadly, two bands had to drop out of this particular event. But no matter: the show would go on! And first up was our valiant comrade, Steve AKA Geordie from Bad Earth, performing a solo set in his Miserable Sinner guise. Now Bad Earth have been regulars at Mcleans for aeons, and it’s always great to welcome them back – or at least, one of them! Much merriment was had as the Sinner launched the afternoon’s proceedings. Key songs were covers of Billy Idol and Foo Fighters tracks that successfully got the crowd moving. Plus, a couple of older, now sadly retired Bad Earth tracks – ‘120 on the 55’ receiving a much appreciated airing!

Miserable Sinner

Up next, a new band on my radar, Fallen North. These boys have had a couple of new guitarists join recently, and if anything, they all seem really energised by the injection of new blood. Fallen North’s sound is a crunchy, riff laden heavy rock/metal creation, with pounding rhythm section, exemplary guitars and off-the-charts vocals. Very professional, yet still crazy good fun, these guys gave us a stunning set and even threw in a couple of cheeky covers (like RATM’s ‘Killing In The Name Of…’). This approach gave Fallen North the chance to enjoy themselves as much as the audience did!

Fallen North

HollowKin had travelled all the way up from the South West England area to play this gig, and it was a trip well worth it. These guys have had an EMQs featured on Ever Metal, so it was nice to actually catch them in the flesh. HollowKin gave us a set of utterly uncompromising, metalcore fury. Part speedy thrash, part bludgeoning, cold riffs and guttural vocals, the band haven’t been together all that long, but you’d never guess. An assured performance and solid musicianship.

HolllowKin

“Some Good Riffs” is an album title by our next band, Melted Messiah. Somewhat amusingly, they took this title from an Ever Metal review a couple of years back. It’s not often I get called out at these gigs, but I did. Luckily, I escaped unscathed! Melted Messiah are in fact a very, very cool blend of Stoner, Doom and Black Metal, and they belched out a brilliantly furious set with tongue firmly in cheek. Their sludgy thrash had many “good riffs” indeed and I became an instant fan of this two-piece of Scottish nutters. They travelled far to be with us, I really hope they come back!

Melted Messiah

Our final band of the evening was Syncolima, headlining the show – and justifiably so. They played at Pentre Fest a couple of years ago and I loved them then – seeing Syncolima agaiin, it’s easy to understand why. A superb blend of stoner rock, grunge and chugging metal, they had powerful riffs and catchy melodies. Heavy music with depth, performed by excellent musicians, means you can’t really go wrong with this Mansfield, Notts three piece. Magnificent stuff, no complaints from me! They’re on tour and come highly recommended by moi.

Syncolima

That’s almost it – but I nearly forgot to mentioned the well intentioned N.E.W. Metal Prod Ozzy tribute that the guys threw in the middle of the evening. With the Prince of Darkness sadly departing this mortal recently, a memorial to the great Oz was nicely timed. Our mates from Fallen North led the tribute, with ‘Crazy Train’ and ‘Mr Crowley’ before a group sing along to ‘War Pigs’. I made sure I got up front for that one, hoping it would be my moment to be discovered, but sadly it never happened. No one asked me to join a band, despite my fantastic performance. Oh, well…

Despite this insult, I had a thoroughly enjoyable time and came away with several new favourite bands. So a good result, regardless. Well done to Fozzy and Beany (and Frank and Kelly!), plus the Mclean’s staff, for putting this show on. More gigs soon – BE THERE!

North East Wales Metal Productions

KASP – Gig Review

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KASP

Friday 11th July 2025

The Crown & Liver, Ewloe

The good old Crown & Liver in Ewloe used to be my home from home for many years. In fact, it was utilised as a club house of sorts not just by myself, but the members of KASP and a large chunk of tonight’s audience. Quite apt, then, to see these guys crank out some tunes that effortlessly recreated the sounds of the 1990s in this venue. The Crown may have been jazzed up over the decades, but it’s the same old boozer at heart.

KASP are four mates who got themselves together and formed a band, performing well known and appreciated cover songs. They’ve been gigging in the local area for a while, but this was the first time I’d caught up with them. It was a nice reunion of sorts with several welcome faces and a good atmosphere.

Wouldn’t you just know it, things didn’t get off to a stellar start: the set opener was ‘Rock’n’Roll Star’ by Oasis, and I’m not a big fan! To be fair, it’s one of the better Gallagher brothers songs, and KASP rattled the song out in confident fashion. Simon on lead vocals and guitar slotted right into the role with ease. Next up was ‘You Stole the Sun From My Heart’, a killer Manics cover where Adam ably took over lead vocals from Si and still delivered a formidable guitar part. Now we were starting to get bouncing!

Solid musicianship all round to be fair, meaning that a couple songs I’m not a fan of (that James monstrosity, ‘Sit Down’, being a prime offender) were superbly delivered with self assured style. Of course, this means that the quality songs in the rest of the set couldn’t really go wrong – especially with genuine energisers from Green Day, Stereophonics and even Steppenwolf’s old evergreen, ‘Born to be Wild’!

A special shout out to the closing song of the first set, a devastatingly great rendition of ‘Hate to Say I Told You So’ by The Hives. Classic track, rendered brilliantly by KASP. Kev’s nimble bass playing was particularly impressive, shining in that solo middle section; and Pete’s drums managing to keep everyone on track with all cylinders firing .

The band returned for part 2 after a short break, though I have to admit that my memories of the second set started to get a bit fuzzy…

I do remember a rousing version of Lenny Kravitz’s ‘Are You Gonna Go My Way’ getting the crowd moving. And a nice dedication for yours truly from Si in his introduction for Foo Fighters’ ‘Times Like These’ (thanks!). There was more dancing for this set as the audience started to really warm up. More first rate tunes by White Stripes, Kings of Leon and Stereophonics kept the mood high and feet moving as everyone sang along.

KASP at the Crown turned out to be a fun night of solid musicianship and camaraderie. A great band who possess some real skills, delivering a non-stop run of hit songs for all to enjoy. It was kind of cool to have that gig with that band in that pub, too. The evening wasn’t just about nostalgia, though. It was about good times with good people, and that’s what live music’s all about, right?

Check out KASP on Facebook.

North West Doom Fest – Part 1

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North West Doom Fest 

4th – 5th April 2025 

The Saddle, Chester 

Friday 4th April 

Friday 4th April 

The Saddle is the number one – and surely only – Rock based pub in the City of Chester.  A town more famed for drunken shenanigans and expensive outfits for the Races, this is the playground of the Cheshire Set and the wannabes.  A home of Metal it is not.  Not usually, anyway – except for the welcoming haven of The Saddle. 

And for one weekend in April, the tiny G21 venue at the back of the pub hosted the second North West Doom Fest: two days of the heaviest, doomiest metal in the land.  Absolutely fan-fucking-tabulous! 

The evening began with Druid’s Cross, from not far away at all Liverpool.  I’ve seen this band before, and knew they would be ideal to commence the festivities.  Harsh vocals lead relentless, dynamic riffs with a traditional metal feel as well as a slow, doomy pace.  There’s a dark, gothic edge to the music as well, resulting in a compelling sound that grabbed everyone’s attention from the start.. 

https://www.facebook.com/druidscrossband/?locale=en_GB

Festival organisers Lorraine and Mark were up next, with their amazing three-piece band, Warlockhunt.  I’d also seen this band before, and I’m always amazed by the complexity of their dual bass and tribal drums sound.  The other worldly female vocals have led to this band being described as Doom Pop (I coined that phrase, actually, thank you very much) and it’s easy to see why.  Always different and always captivating. 

https://www.facebook.com/warlockhunt/

Grim skeletal figures flanking the stage, inverted crosses and a duo wearing dark cloaks: Tumanduumband aren’t exactly shy of revelling in their ominous personas.  What they are, is a West Midlands based Satanic Doom band, and their music is both atmospheric and heavy as hell itself.  Fuzzed out, crushing riffs mean that the visuals aren’t inappropriate – this band is growing a cult based on their own dark riff-tuals. 

https://www.facebook.com/tumanduumband/

Headlining tonight, and admittedly one of my favourite bands out there these days, the mighty Son of Boar rightfully took their place at the top of the bill.  I became a big fan after seeing them play Pentre Fest some years ago.  Bass wrangler Gaz is also an Ever Metal scribe, not that I’m biased at all, honest!  Son of Boar played a set that was tight and forceful, with ear-worm riffs and thundering rhythms.  Tusks up!  The boys brought the HEH-VEEE, then slept the night on the floor of the venue, ‘cos they rock that hard.      

https://www.facebook.com/SonOBoar/

That’s it for Day One. Stay tuned for Day 2 – which will follow very soon!

The Saddle is on Facebook.

Pentre Fest 2025

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Pentre Fest 2025

Mclean’s Pub, Pentre, Deeside

Friday 21st & Saturday 22nd February 2025

Here we go with another Pentre Fest, the absolute highlight of my musical calendar! This is the crowning glory of North East Wales Metal Productions‘ festivals – and a huge deal to both the bands and the fans. I couldn’t wait to get to Mclean’s in Deeside and enjoy the music!

This year, another stellar line-up of bands from both near and far, with a good spread of genres. Ever Metal was in full force, with Beth and Mare joining myself for the festivities. With all of us in attendance, we split reporting duties to cover as much as possible as easily as we could.

And so, here are the reviews I composed all by my lonesome, concentrating on musicians that I wanted to contribute to (rather than all of them).

If you want to read the full review, try this here link to Ever Metal.

Friday 

Mother Thunder 

I saw Mother Thunder play in Pentre a few months back, they were superb.  This time around, they were even better.  MT play a hard hitting, groove laden take on classic rock/metal – think Thin Lizzy twin guitars with a bit of Maiden chug – and sublime female vocals.  Heavy rock with irresistible riffs, Mother Thunder lit up the room and could’ve (should’ve) been higher up the bill.  

Apollyon Rising 

Filling in last minute, Apollyon Rising were a man down as their bass player was on holiday in Morocco.  The selfish git.  But with a bit of soundboard wizardry, the remainder of the band confidently gave us a set of prime thrash metal that didn’t shame their reputation one iota.  I knew they could pull it off.  As a wise man once said, never doubt a band with a killer logo (and the talent to match). 

Saturday 

DXRK Winter 

Thankfully, I managed to catch the latter half of DXRK Winter’s set and I glad I did.  They were on first on the main stage in the afternoon, their brutal metal attack was brilliantly performed and went down really well with a crowd that could’ve been chilling, but didn’t.  A worthy act to play higher up the bill. 

Cry for Mercy 

You can’t go wrong with the blues based classic rock swagger of Cry for Mercy.  Great tunes, all built around the majesty of the riff and a persuasive groove.  I loved every second, it’s a shame they were on so early.  Never miss a chance to see Cry For Mercy if you get it.  Their new songs were just as good as old, new album is out soon! 

Victim of Damp 

Frank Williams, aka Victim of Damp, is becoming a popular mainstay of Pentre gigs.  His bipolar set comprises one half of mellow, hangover curing melody followed by a series of playful, Pythonesque parodies.  And he gets more confident every time. 

Bad Earth 

It just wouldn’t be Pentre Fest without these guys!  Bad Earth delivered a reliably ferocious set of raucous biker rock and despite sound hiccups on the first couple of songs, soldiered on admirably.  This was take-no-prisoners rock’n’roll to make Lemmy proud.  Their acoustic set was also a blinder, cooking up some awesome sing-a-long responses from the crowd outside. 

Mike West & the Missing Links 

It’s been a good few years since I saw Mike West play a solo acoustic show at Pentre.  Mike’s brand of dark country and bluegrass is now augmented by a band of drums and fiddle, adding a certain folky, Levellers feel to the tracks.  A brilliant diversion under the surprisingly blue skies of the late afternoon, this set was further proof that a metal festival can experiment with genres. 

The Raging Mables 

Now I was really looking forward to seeing this band.  I’d enjoyed viewing their Pentre Fest pre-event interview with Beany, plus they have one of the best band names ever.  No arguments.  The Raging Mables were like the Ramones playing ZZ Top, a 200mph Zeke-like melodic explosion of punk’n’roll.  One of the most perfect bands ever.  

Toranaga 

Back to some welcome thrash metal, it was indeed a huge bonus to get to witness the power of Toranaga at Pentre.  These guys are exceptional musicians, their shredding guitars creating a sound akin to classic Bay Area Thrash from the likes of Exodus and Testament.  And that is very, very good.  Their cover of ‘Mad House’ by Anthrax warmed my ancient heart, too.    

Stuntface 

Stuntface hail from just up the road in Wrexham, and it was great to see them finally bring their brand of flat-out, relentless hardcore punk to Pentre Fest.  Their songs are furious yet melodic, played super-fast and with a huge grin on bass player/vocalist Wayne’s face.  An absolute treat – Stuntface must play here again! 

What a blast that was! The guys at NEW Metal Productions always put on a heck of a show and this was no exception. Didn’t get tickets for the Black Sabbath gig this summer? Get yourselves out there and support underground metal, you’ll feel better.

My favourite Pentre Fest so far? Only time will tell…