Metallica Gig Review – Cardiff June 2026

Metallica + Gojira + Knocked Loose

Sunday 28th June 2026

Principality Stadium, Cardiff

Cardiff city centre was literally swarming with people, nearly every single one of them wearing a Metallica t-shirt from one era of the band or another. Fans of all ages crowded the streets and bars, as music poured from the speakers. I’ve never witnessed anything like it before. And the atmosphere was crackling as soon as we got there.

Last time I saw Metallica live was at Sheffield Arena in 1993, on their Nowhere Else to Tour tour. I was a student, 21 years of age, seeing them for the first time and having been a fan for several years already. Metallica were rising in popularity on the back of their mega selling, self titled album.

Thirty three years later, I was finally going to see a Metallica gig again, this time with my old friend of fifty years. Joining us were our fifteen year old daughters, as we set about passing the torch to the next generation. We met up with another old pal and his family, ate some great burgers and headed to the venue. It was set to be a special event.

The Principality Stadium is bloody huge, let’s put it that way. Mightily impressive, the air was still full of excitement as we bumbled around to find out seats and get our bearings. Feeling like a mountaineer as I climbed to my seat, it was dizzying seeing the acres of people below. From my eagle like vantage point, the circular “in the round” stage was clearly visible, surrounded by huge poles supporting cylindrical screens.

The first band of the day, Knocked Loose, were already on stage as we entered the stadium, earlier than expected (probably due to a Sunday curfew, I guessed). Described as a Hardcore Punk band, their distinct crunch and harsh vocals gave them a more Metalcore sound. They came across well from what I saw, appearing confident and happy to be there. A band to keep an eye on.

Up next were Gojira, who were definitely comfortable on the huge circular stage. Their confidence shone through in the exquisite delivery of their technical yet emotional music. I’m not hugely familiar with their work, though I have listened to Gojira albums in the past. Based on this performance, I’m intrigued to revisit their albums and investigate further. With a sound that covers various Metal genres – Thrash, Death, Progressive – and an enticing lyrical content, I enjoyed what I heard and I’m keen for more.

Anticipation was set to boil over as AC/DC’s ‘It’s a Long Way to the Top’ teased the audience. By the time the traditional intro song, ‘The Ecstasy of Gold’ played (I’d warned my daughter that this tune heralded the main event), I was full of fire and ready to burn. The four members of Metallica appeared like tiny demons, miles away on the huge stage, and burst into ‘Creeping Death’. Perfect!

This diamond quality start was followed by a ferocious ‘For Whom the Bell Tolls’, and both Daughtertron and I were very happy. The band hopped about through time, performing tracks from various albums – I’d forgotten how great the riff to ‘Cyanide’ actually is – the most recent being ’72 Seasons’ from their most recent offering. Two tracks from “Reload” were aired, ‘The Memory Remains’ and a blistering, explosive ‘Fuel’ that lit up the entire stadium and with pyrotechnics that warmed our faces.

Rob and Kirk’s now familiar ‘doodle’ spot gave us a surprise treat with a rendition of Tom Jones’ ‘Delilah’ – I’d never had expected that back in the early 90’s! But it was the “Black” album that dominated the setlist, with five tracks including ‘Sad But True’, ‘The Unforgiven’ and an emotional ‘Nothing Else Matters’, played in a darkened stadium with thousands of phone lights gently bobbing like fireflies. The song may divide hardcore metal fans, but you’d need a heart of stone not to feel the magic this evening.

As is expected, the band rotate around the stage and James seemed particularly on fine form, absorbing the audience energy. The set official presumably ended with ‘One’ which was truly engrossing and showed off some great Thrash skills from Lars. There was no “off they go and come back in ten minutes for the encore” – Metallica raged straight through with the classic ‘Seek and Destroy’. ‘Master of Puppets’ was justifiably held back till the end before it was aired, given the respect that defining song deserves. Finally ‘Enter Sandman’ wrapped things up in a glorious, euphoric crescendo.

Manging to cover most of their albums wasn’t going to be easy for a band with as many enduring tracks as Metallica have, but that was a damn fine setlist. Both Daughtertron and I were very satisfied, being able to hear some of our favourites in a live setting.

For over forty years, Metallica have been at the forefront of what they do. That a bunch of guys in their sixties can put on that good a show is encouraging enough – but the real success of this was seeing the multitudes of fans, of all ages and walks of life, coming together and loving the music. So many of us grew up with Metallica and we’re in the midst of introducing the next generation to this passionate, life-affirming music. This gig was genuinely exciting, moving, inclusive and more important than I expected.

Warlockhunt – Prey Album Review

Warlockhunt – Prey 

Pyrrhic Defeat Records 

Release date: 14/11/2025 

Running time: 

Review by: Alun Jones 

9/10 

Autumn in the UK seems like the ideal time of year for a new release from Warlockhunt.  The days are getting shorter and cooler, the leaves turning to orange and yellow and falling to the ground.  The veil between this world and the next is at its thinnest, and the dark melancholy of nature can be best observed. 

Warlockhunt is a three-piece band, consisting of Chris on drums, and two bass players: Mark and Lorraine (who also handles vocals).  This choice of instrumentation allows Warlockhunt to exist as something very different from the rest of the Doom Metal crowd.  The absence of crunching guitar allows the music to explore a more atmospheric, though no less heavy, landscape.   

The album begins with a lengthy intro of synthesised bass, which thaws out the beginning of ‘Turn Away’.  Slowly, a pulsing bass emerges, punctuated with stark, precise drumming.   The dreamlike female vocals blossom and float alongside the melody, rather than dominating it.  ‘Diary of Hate’ has a more direct but no less minimal approach, with a simple bass sound and thumping percussion creating a hypnotic ground for the vocals, till the pace increases for a frenzied finale.          

‘Mourn’ has an almost folky, medieval character, still prevalent when the drums crash in with a marching rhythm.  The tribal drumbeats have a Post Punk crispness that are as much a feature as that moody bass – see ‘Fake’ as a prime example.  On the title track, those drums reach Killing Joke-like intensity, leading the dark revelry as much as underpinning it.  And over all of that are the vocals, both sombre and enchanting.   

Warlockhunt have been called Doom Pop in the past (most notably by me, haha!) and the description still stands.  This is less the onslaught of Cathedral or Trouble, and more like Joy Division creating a soundtrack for a folk horror movie – with Nancy Sinatra singing.  “Prey” is an exercise in climate, in ambience – though still heavy with the air of dark melancholy.  Watch the sun go down and enjoy the darkness.  

Check out Warlockhunt on Facebook and Bandcamp.

This review is brought to you by Platinum Al in association with Ever Metal.

Zombina & The Skeletones – Album Review

Zombina and the Skeletones – In Sinistereo

9×9 Records

Release date: 31/10/2025

Running time: 42 mins approx

Review by: Alun Jones

9/10

Yes, they’re back! Liverpool’s finest Rock’n’Roll revenants, Zombina and the Skeletones, have returned – the stake has been removed, and their hellbound hearts beat once more! But you probably already knew that, right? Their spellbinding comeback, “The Call of Zombina”, was released last year – and made Top 3 in my Ever Metal end of year favourites for 2024, as I’m sure you’ll recall…

So what’s going on here, then? Well, the songs on “In Sinistereo” were originally released as four separate EPs some ten years ago, as a digital only deal. But they’re not just being re-released here: the songs have been remixed and remastered, sure – but many are also enhanced with additional keyboards, horns and vocals that were previously absent. Songs have been edited longer or shorter, meaning that we have a whole new creature, reimagined Frankenstein-like from its previous form.

Lend a pointed ear, and the listener will also find a cauldron-full of the signature ZATS sound: a bubbling mixture of Punk, Rock’n’Roll, Psychobilly and glorious pop that revels in a B-movie graveyard of monsters, ghouls, murderers and broken hearts. With the sweet yet deadly voice of Zombina masterminding the whole crazy shindig along with partner in crime Doc Horror on vocals and guitar, this party never stops.

Opening song ‘(All I Wanna Do Is) Decompose (With You)’ is a fast paced Punk rocker and an ideal way to wake the dead. Chugging guitar and circus keys devolve into a spooky, theremin laced outro. ‘Phantom with the X-Ray Mind’ adds some skronky keyboards to a Devo/B-52s style mash up, whilst the jangly guitar of ‘Witch Mountain’ evokes early 80’s Damned.

The Skeletones add touches of 60’s girl groups with ‘Haunted House of Love’ and ‘Whatever You Do, Don’t Fall in Love’. Elsewhere they bring in a cheeky, Madness-does-The Addams Family-with-horns style stomper with ‘The Stakeout’. ‘Kill!!!!’ adds a synth pop sheen and is the least convincing track here, but don’t worry, there’s plenty of raucous tracks like ‘Ramon’, ‘The Wild’ and ‘You Swallow Spiders in Your Sleep’ to keep you bouncing like the Devil’s on your tail!

The production is warm and clean, with all of the musical parts seeping through perfectly. ‘In Sinistereo’ is rejuvenated as a vibrant and varied experience, a Tim Burton movie-like album with the songs dancing their way out of the crypt. Zombina and the Skeletones are without doubt the perfect band for Halloween. Trust me, this is all treat, no trick.

Check out Zombina and the Skeletones on Faceboo, Instagrot, ChewTube, Spookify and Badcamp.

This review is brought to you by Platinum Al in association with Ever Metal.

North West Doom Fest III 

North West Doom Fest III 

10th – 11th April 2026 

G21 at The Saddle, Chester 

And lo, there shall come a time when the barbarians shall storm the gates of the fortress city, and congregate within its ancient walls in search of enlightenment.  Great would be the merry making, for the barbarians will come not with weapons of war, but with musical instruments and tales of hard-won valour.   

That time came, and it was known as:  North West Doom Fest III. 

Yes, after the runaway success of previous events, Chester’s premier/only Rock pub The Saddle was host to another weekend of the heaviest, the Doomiest, the Sludgiest of bands from around the UK.  Such was the demand, the event was sold out well in advance.  Personally, I was really looking forward to NWD Fest and very thankful to be there! 

Friday 10th April 2026 

The first band of the entire weekend was Ghozer, who are a four piece band from the Midlands.  Sadly, they don’t appear to be Ghostbusters fans, as that Gozer is spelt differently.  They are, however, a mighty and hugely impressive Alternative Metal band, with solid, catchy riffs and crazy, psychedelic lead guitar working nimbly through captivating, proggy epics.  They reminded me of a sludgy High On Fire with wild Hendrix lead.  A perfect start to the weekend, I was massively impressed.    

https://www.facebook.com/GhozerUK

Up next were Bristol’s Froglord, one of my personal favourites and a band I was excited to see again.  I’d seen these guys previously at the same venue, for the Warlockhunt album launch gig.  I immediately fell in love with their swampy, psyche Doom with its perfect riffs and incessant grooves.  Froglord really put on a show too, there’s nothing in their approach that hasn’t been meticulously prepared – swamp noises between songs?  Masks?  These amphibious Dark Masters are a true revelation, and I seriously urge readers to check them out soon! 

https://www.facebook.com/Froglordband

Friday night’s headliners were Cardiff based Atmospheric Doom band, Pantheist.  This band enraptured the audience with an almost symphonic take on Doom, complete with ethereal, operatic female vocals.  They’re obviously exquisite musicians and put on a great performance.  However, it was too symphonic and operatic for my tastes – like Katherine Jenkins singing along to Ghost in her bedroom.  What do I know, though?!  Everyone else – and I mean absolutely everyone else – loved Pantheist, so you should ignore me and check them out. 

https://www.facebook.com/Pantheistuk

Saturday 11th April 2026 

Some of us kind of over did it on Friday night, socialising with other North West Doom Fest attendees and enjoying the karaoke in the main bar of the Saddle.  Well, it was Frank’s (from North East Wales Metal Productions) birthday, so no excuses needed.  Happily, I managed to make it back for the start of Day Two of the fest on time and with no trouble, which is highly unusual. 

Warming things up for Day Two were Warlockhunt, festival organisers Mark and Lorraine’s Doom Pop band.  Their dual lead bass sound was now augmented with a new drummer, who had the unenviable task of filling out the sound with apocalyptic, post punk tribal rhythms.  Drums are front and centre in this band, right up there with the bass and dreamy vocals – so there’s nowhere to hide.  The sound was meticulous, no need to worry – an accomplished start to the day’s proceedings. 

https://www.facebook.com/warlockhunt/?locale=en_GB

One of the amazing things about this festival is the sheer variety of music evident within the genre of Doom.  Cruel Mother was a great example: they looked at first like people LARPing Robin of Sherwood, but they delivered a magnificent set of Doom based on Olde English (and Scottish) folk songs.  Brilliantly performed and utterly captivating.  I would’ve loved a lyric sheet to read along and explore the stories and themes!  They’re London based, if Cruel Mother are playing near you – go see them and enjoy the magick.  The outfits were cool, by the way. 

https://cruelmother.bandcamp.com/music

Helve were up next – a five piece from Leeds who unleashed a set of very heavy, sludgy Doom metal.  The performance was intense and unforgiving, with harsh, growled vocals over crushing riffs and huge soundscapes.  They reminded me a little of last year’s headliners (and one of my fanboy faves), Son of Boar.  Absolutely no complaints from me, a winning set from a great band. 

https://www.facebook.com/Helveband

I had no expectations at all regarding Sleeping Mountain, and so I was very pleasantly surprised to witness a superb band that I can add to the favourites list!  They’re a three piece, London based, and extremely effective at creating enormous Stoner Rock grooves with psychedelic and progressive overtones.  There’s some classic 70s inspiration here, with a foot planted firmly in the now, as well.  Like a grinding, cinematic early Monster Magnet.  I loved them, and made sure I picked up a copy of their excellent self-titled album on vinyl. 

https://www.facebook.com/sleepingmountainband

When Goat Major were announced on this bill, I practically shit my shoes off in excitement.  I’m already a massive fan, having reviewed their debut album, “Ritual”, for Ever Metal a while back – awarding it a solid 9/10 score.  Getting the chance to see them live was a big draw for me in attending NW Doom Fest.  And Goat Major did not disappoint, their awesome Occult Doom dripped thunderous and powerful riffage with eerie, spectral undercurrents.  Absolutely unmissable and a true highlight of the weekend! 

https://www.facebook.com/goatmajorband/?locale=en_GB

And then we had Goblin Smoker, another band I was really enthused to experience firsthand!  With releases on Sludgelord and APF Records, these guys have a quality pedigree.  Their music is classic Sabbath based Doom, with raspy, Death Metal vocals that set them apart from other bands this weekend.  This was an epic, brutalising set, taking the intensity of Death Metal into slower and fuzzier realms.  I’m just glad I was there. 

https://www.facebook.com/Goblinsmoker

Mage are a band I’ve seen live previously, they played Pentre Fest a while back.  They were amazing last time I saw them and they were even better this time around.  Seriously, Mage are the perfect Stoner/Doom Metal band, as far as I’m concerned: they cover it all, from in-you-face rockers to tripped out psyche-athons.  They remind me of a British Corrosion of Conformity, and I can think of no higher praise than that.  Their performance was riveting, even in the restricted space of the G21.  If you’re not following this band like a hungry dog, you need to be. 

https://www.facebook.com/Mageband/?locale=en_GB

And finally, then – our Saturday headliners, Old Horn Tooth: a three piece proudly representing the London Doom Collective.  Musically, this power trio deliver slow and heavy yet mesmerising Doom metal, unhurried in their approach they create something not far removed from a soundtrack to a supernatural, occult thriller.  When the riffs crash in, they are utterly devastating – and the whole experience is pulverising, yet hypnotic.  Thrilling stuff and a fitting end to a weekend of pure, definitive Doom Metal.    

https://www.facebook.com/oldhorntooth/?locale=en_GB

Well done to Lorraine and Mark, and thanks to the staff of G21/The Saddle for a spectacular festival.  There’s a one dayer planned for this summer, so keep your eyes peeled – otherwise, I’ll see you at Noth West Doom Fest IV!   

https://www.facebook.com/Thesaddleinnchester/?locale=en_GB           

Singles Night at the Virtual Hot Tub #42

KABOOM! ZAP! POW! If you thought that was exciting, just wait till you read this latest Singles Night vinyl playlist! Yes indeed, Platinum Al’s Virtual Hot Tub is ready to blow the roof off with another evening of 7 inch singles.

Wait, you have questions? I can explain. Singles Night involves playing through a stack of as yet unplayed 45 rpm discs, of any genre, and just going along with whatever happens. There can be anything in here, good or bad, so just go with the flow.

Pour yourself a drink and let’s get started:

  1. Nirvana – “Smells Like Teen Spirit” / “Drain You”
  2. Simon & Garfunkel – “Bridge Over Troubled Water” / “Keep the Customer Satisfied”
  3. Dave Rose & His Orchestra – “The Stripper” / “Ebb Tide”
  4. Creedence Clearwater Revival – “Travellin’ Band” / “Who’ll Stop the Rain”
  5. The Rolling Stones – “Paint It, Black” / “Long Long While”
  6. Nirvana – “Come As You Are” / “Endless Nameless”
  7. The Troggs – “Night of the Long Grass” / “Girl in Black”
  8. Ramones – “Baby I Love You” / “High Risk Insurance”
  9. Buzzcocks – “Everybody’s Happy Nowadays” / “Why Can’t I Touch It?”
  10. The Sweet – “Blockbuster!” / “Need a Lot of Lovin'”
  11. Squeeze – “Up the Junction” / “It’s So Dirty”
  12. Debbie Harry – “Backfired” / “Military Rap”
  13. Twisted Sister – “You Can’t Stop Rock’n’Roll” / “Let The Good Times Roll” / “Feel So Fine”
  14. Rose Tattoo – “Rock’n’Roll Outlaw” / “Remedy”
  15. Doug E Fresh & The Get Fresh Crew – “The Show (Edit)” / “La Di Da Di”
  16. Kerbdog – “Dummy Crusher” / “Too Much Too Young”
  17. Reef – “Weird” / “Acoustic One”
  18. Skids – “The Saints Are Coming” / “Of One Skin” / “Night and Day” / “Confusion”
  19. U2 – “The Fly” / “Alex Descends Into Hell for a Bottle of Milk/Korova”
  20. Generation X – “Valley of the Dolls” / “Shakin’ All Over”
  21. Joan Jett Interview Disc

And what a mighty fine playlist that is! A really fun night with some top quality tunes from various genres and decades. Quite a few punk rock/new wave classics throughout that list, with a generous helping of rock’n’roll and more too. Sixties classics, glam rock, Hip Hop, 90’s alternative rock – one of the best nights yet.

More Singles Nights coming soon, stay tuned!

Notes:

Two Nirvana singles were recent finds (at a very good price) – unfortunately, I didn’t pick these up back n the day. Best of all, the “Come As You Are” B-side, “Endless Nameless”, was a hidden track on some random CD versions of ‘Nevermind’ only. My original vinyl copy of that album didn’t have it, obviously, though the CD I bought later did. Now I have it on vinyl at last.

Yes, that Dave Rose track is the classic “Stripper” theme, so that makes an interesting addition to the collection…

The Reef and Generation X singles are both coloured vinyl. Meanwhile, the 21st record is an interview picture disc with Joan Jett, no music. Gotta love Joan.

Spider Kitten – Album Review

Spider Kitten – The Truth is Caustic to Love 

APF Records 

Release date: 27/06/2025 

Running time: 40 mins approx 

Review by: Alun Jones 

9/10 

The wild and wonderful world of Spider Kitten: a place, a frame of mind, an attitude – there is nowhere else like it.  Both welcoming and confrontational at the same time, this band follow their own desires and to hell with the consequences.  There are no rules in this lawless land, just an exploration of whatever realm of consciousness the band happen to be channelling at any one point.  But it all makes perfect sense. 

APF records have released this latest album by Spider Kitten, entitled “The Truth is Caustic to Love”.  Within its sonic walls are a myriad of styles and journeys, encompassing everything from the gloomiest of doom, sludgy grunge, magnificent acoustic ballads and Spaghetti Westerns.  Plus everything else you can think of. 

Now that’s probably the most pretentious intro to a review I’ve ever written, so I’d better back it up with some serious wordology.  The menacing crawl of ‘13 of 6’ is our first destination, its crushing heavy sections contrasted with sparse ambient passages, tense with expectation.  First single ‘The Dose’ is next, coming on like a Death Metal Melvins; followed by the delightful acoustic guitars and Mexican sunset of ‘Sueño’.  Then it’s back to the heavy, with ‘The Spoiler’ sounding like Alice in Chains on a major comedown. 

This contrast in light and dark isn’t necessarily a new idea, but with Spider Kitten, the experimental, melodic and melancholy moments seem more extreme.   

‘Three Shots’ is a central track here, and a personal favourite, with its moody, dusty Ennio Morricone soundtrack vibe.  ‘Woe Betide Me’ and the closer, ‘Guilty’, both have a weeping blues feel and offer some calmer moments.  These songs are surrounded by noisier relations, such as ‘Revelation #9’, ‘Crying Towel’, and ‘Wretched Evergreen’, all of which are gloriously abrasive and aggressive. 

Surprisingly, it doesn’t take multiple listens to appreciate “The Truth is Caustic to Love”.  This is because the heavy is beguilingly heavy and the mellower moments shine in the murk, and together it’s a fascinating smorgasbord of sounds and ideas.  Spider Kitten are beyond easy prediction, best just enjoy wherever they take us. 

You can find out more about Spider Kitten via Facebook, Instagram, Spotify, YouTube, X and Bandcamp.

This review is brought to you by Platinum Al in association with Ever Metal.

Singles Night at the Virtual Hot Tub #41

What’s that I hear? Those loyal Hot Tubbers have been going ape for my Singles Night vinyl playlists? They want more, more, MORE?! Then it shall be so, my friends! With great humility I shall acquiesce to your rabid response – here we go again for another Singles Night at the Virtual Hot Tub!

For the stragglers at the back, this playlist includes a bunch of 45 rpm singles that have ended up in my treasured collection. I spend an evening playing them – both sides – and with the aid of a little alcohol, have a fine old time.

Join me again for another evening enjoying playing 7 inch records of all genres…

  1. The Kinks – “Dead End Street” / “Big Black Snake”
  2. The Steve Miller Band – “Abracadabra” / “Never Say No”
  3. Status Quo – “What You’re Proposing” / “A. B. Blues”
  4. Prince – “When Doves Cry” / “17 Days”
  5. Madness – “Grey Day” / “Memories”
  6. Kate Robbins – “The Real Me” / “Photo Fit”
  7. Ron Grainer – “Tales of the Unexpected” / “Malice Afterthought”
  8. Belinda Carlisle – “Big Scary Animal” / “Windows of the World”
  9. Bananarama – “Love in the First Degree” / “Mr Sleaze”
  10. Kate Bush – “Wuthering Heights” / “Kite”
  11. Paul McCartney – “Spies Like Us” / “My Carnival”
  12. Buzzcocks – “Orgasm Addict” / “What Ever Happened To?”
  13. The Presidents of the United States of America – “Lump” / “Wake Up”
  14. Ramones – “She’s the One” / “I Wanna Be Sedated”
  15. X-Ray Spex – “Identity” / “Lets Submerge”
  16. Wolfmother – “Dimension”
  17. Horrorpops – “Miss Take” / “Where They Wander”
  18. Captain Sensible – “Glad It’s All Over” / “Damned on 45”
  19. Black Lace – “Agadoo” / “Fiddling”
  20. ABBA – “I Have a Dream” / “Take a Chance On Me (Live)”
  21. The Sweet – “Teenage Rampage” / “Own Up, Take a Look At Yourself”
  22. Bucks Fizz – “One of Those Nights” / “Always Thinking of You”
  23. B. Bumble & The Stingers – “Nut Rocker” / “Bumble Boogie” / “Boogie Woogie”
  24. Bachman Turner Overdrive – “You AIn’t Seen Nothing Yet” / “Free Wheelin'”
  25. Barry White – “You’re the First, the Last, My Everything” / “More Than Anything, You’re My Everything”

Yes, you read that right: Agadoo by Black Lace is now in my vinyl collection. Well, you never know – it might be useful to entertain somebody one day.

Well, I certainly must’ve enjoyed myself on this particular night – 25 songs in one go is a record of a different type. I think. And what a killer collection of tunes! Classic tracks from The Kinks, Quo, Kate Bush and ABBA elevated the playlist nicely. Plus a quality punk rock section with Ramones, Buzzcocks and X-Ray Spex – and some more pop hits from Madness, Barry White and many more.

Enjoy the tunes Hot Tubbers, I won’t keep you waiting long for more!

Notes:

The Wolfmother record is single with a blank B side, which I didn’t realise when I bought it.  The Horrorpops single is a picture disc, as is the POTUSA vinyl. Pretty stylish stuff.

Oh and yes, that’s the legendary theme tune from the Tales of the Unexpected television programme.  Pretty cool to have that.

Singles Night at the Virtual Hot Tub #40

Singles Night! Singles Night! At the Virtual Hot Tub, yeah!!! Yes it’s that time again, hot tubbers – grab yourself a drink and let’s enjoy the latest Singles Night playlist!

If you’re not sure what’s going down, it’s like this: your Old pal Platinum Al has a big pile of unplayed, sexy 7 inch vinyl records – and they need to be played. So we’ll spin ’em, A side then B side, one after the other, and have the rad time while we do it.

Sound like fun? Ok, here we go…

  1. The Stylistics – “You Make Me Feel Brand New” / “Only For The Children”
  2. Scott McKenzie – “San Francisco (Be Sure to Wear Some Flowers in Your Hair)” / “What’s the Difference”
  3. Sylvester – “You Make Me Feel (Mighty Real)” / “Was it Something I Said”
  4. Nik Kershaw – “Don Quixote” / “Don’t Lie”
  5. The Mighty Wah! – “Come Back” / “The Devil in Miss Jones”
  6. Blondie – “Dreaming” / “Sound Asleep”
  7. Bryan Adams – “Can’t Stop This This We Started” / “It’s Only Love (Live)”
  8. Muddy Waters – “Mannish Boy” / “I’m Your Hoochie Coochie Man”
  9. The Creatures – “Mad Eyed Screamer” / “So Unreal” / “But Not Them”
  10. Los Lobos – “La Bamba” / “Charlena”
  11. Kate Robbins – “Run Wild” / “Cassie’s Song”
  12. Kim WIlde – “I Can’t Say Goodbye” / “Sanjazz Megamix”
  13. Crystal Gayle – “When I Dream” / “Someday Soon”
  14. Samantha Fox – “Aim to Win” / “Holding”
  15. Billy Ray Cyrus – “Achy Breaky Heart” / “I’m So Miserable”
  16. Boney M. – “Gotta Go Home” / “El Lute”
  17. Nina Simone – “My Baby Just Cares For Me” / “Love Me or Leave Me”
  18. The Monks – “Nice Legs, Shame About Her Face” / “You’ll Be The Death of Me”
  19. Transvision Vamp – “Baby I Don’t Care” / “Time For Change” / “Strings of My Heart”
  20. Sinitta – “love on a Mountain Top” / “Don’t Tell Me Not to Cry”
  21. The Alarm – “Unsafe Building” / “Up For Murder”

Now that’s a pretty eclectic playlist. Covering all manner of genres from pop, soul/disco, rock, punk, country, blues and more.

The absolute cream of the crop is the Muddy Waters single – “Mannish Boy” is one of the greatest songs ever written. This version came from a late 80s Levis commercial, always a handy way to pick up reissued classic songs. Similar with the equally awesome Nina Simone record.

The Stylistics are one of my Dad’s favourite bands and something I grew up with. Any Disco records on these lists are a result of upbringing

Sinitta crops up again, due to the fact that I always had a crush on her. Likewise Sam Fox, Kim Wilde and Crystal Gayle and of course Debbie Harry. Though I never fancied Wendy James of Transvision Vamp. Good track, though.

No absolute stinkers this time round, either. “Achy Breaky Heart” is a kitsch classic and I love it – stoked to find that one in a charity shop!

And we’re done. Another pile of 45 rpm goodies played – stay tuned for more, very soon!

N.E.W. Metal Productions Christmosh – Gig Review

N.E.W. Metal Productions Christmosh

6th December 2025

Mcleans Pub, Pentre, Deeside North Wales

Have you been good all year? Have you eaten your greens, minded your Ps and Qs, and got your Ever Metal reviews in on time? If yes, then good news: the final North East Wales Metal Productions shindig of the year is here – the annual Christmosh party! A fabulous six bands appearing at Mcleans Pub in Pentre, Deeside, covering a wide variety of Rock/Metal music and all gathered together to celebrate a festive end to 2025.

Warming us up like a welcome open log fire was Victim of Damp, alias N.E.W. Metal Prods ally Frank Williams, here given a seasonal makeover as Christmas of Damp. With Christmas jumper and trusty guitar in hand, COD gave us some choice cuts including new additions such as Therapy?’s ‘Screamager’ along with free shots and a melancholy Pink Floyd cover. The promise of Crimbo tunes wasn’t forgotten, with a rousing version of Slade’s evergreen ‘Merry Xmas Everybody’ – event guru Fozzy (in Santa suit) on vocals.

Victim of Damp

‘Agro’ by The Raging Mabels is one of the Greatest Songs Ever. Their entire set of high speed, thundering yet melodic Zeke-like Punk Rock was an absolute, total joy from start to finish. I cannot praise this band highly enough, even though they forgot to bring merch (again). There should be a new Raging Mabels album out in the New Year, so be prepared for a cultural explosion of Nirvana ‘Nevermind’ levels. And if that doesn’t happen, every single one of you can suck balls.

The Raging Mabels

Sadly, last time SOOTO (Something Out Of The Ordinary) played Pentre a couple of months back, I failed to write up my review. That cruel oversight is about to be reversed. SOOTO deal in classic Hard Rock/Metal, and with the female vocals they’re like Stevie Nicks singing for Thin Lizzy. Professional but not superficial, SOOTO have a raw energy and love of the riff, combined with dynamic songcraft and expert playing. A fantastic set that was over too soon.

SOOTO

The only band I’d never seen before, Heroes of the Gauntlet were a pleasant surprise indeed. Billed as “Symphonic Power Metal”, I was concerned these guys would be a full-on cheese fest. They have two singers (male and female) with fantastic voices, and a microphone that turns into a sword. Add in some serious Power Metal riffage and super confident stage personas, and you’ve actually got one hell of a show. Heroes of the Gauntlet were gloriously over the top and it’s impossible not to love them! All they need is a live drummer and these Heroes cannot fail.

Heroes of the Gauntlet

Bad Earth we have met before, and yes – hands up, I am a bit of a fanboy. But when a band deliver this much power and presence on stage, how can anyone not be? A “Rockcore” trio from the North Wales area, what that genre entails is dishing out filthy Punk/Metal riffs and pummelling, killer rhythms that you can feel as well as hear. They get better and bolder all the time – though the silly buggers are very humble about it – and this night was no exception. New recorded material is due soon, so beware: Bad Earth have never shied away from delivering crushing, groove infused Rock and I don’t think they will.

Bad Earth

To say I was excited about the return of the fuzzed out, sludgy sound of Master Charger to Mcleans would be an understatement. Their album “Posthumous Resurrection” was one of the never ending delights of 2025, plus last time they were here, these boys absolutely killed it. Make no mistake, Master Charger can and will deal out a mighty, megalithic slab of Stoner/Doom that will make the earth tremble. And that’s exactly what they did, with every asteroid-heavy riff and mammoth beat ploughing through the audience mercilessly. Another off-the-charts performance and a great finale.

Master Charger

What a night. Quite possibly the strongest line-up at Mcleans that I’ve ever witnessed, featuring many of my personal favourites.

But now it’s down to you. Christmosh was the last North East Wales Metal Productions event of the year, till the return of Pentre Fest in February 2026. These events, these bands need your support. If you’ve ever considered a trip to Mcleans, then you need to be there on 27th and 28th Feb 26. No excuses!

Brown Acid: The Twentieth Trip – Album Review

Various Artists – Brown Acid: The Twentieth Trip 

RidingEasy Records 

Release date: 20/04/2025 

Running time: 

Review by: Alun Jones 

8/10 

Aw, man!  Another deadline missed.  What’s this album?  The latest Brown Acid comp from RidingEasy Records, OK.  And when was it released?  The twentieth of April??!!  Oh right, yeah.  Released on 4/20, of course.  Very apt.  Now I don’t even smoke the Devil’s Lettuce, but maybe I can use that as an excuse for my tardiness?  Whaddya think?  Sounds better than “the dog ate the review” or “I fell off my skateboard”.  Yeah, that’s it.  I must’ve been higher than Godzilla’s toupee and forgot to write this thing. 

Let’s crack on.  The Brown Acid series are compilations of sadly long lost and forgotten songs from the late 60’s and 70’s, each the less successful step sibling of the major rock acts of the time.  The songs are garage rock, proto heavy metal would-be classics that fell through the cracks.  Until, that is, RidingEasy Records unearthed them and saved from obscurity. 

So what’s up first on this latest release?  It’s Afterflash with the psychedelic fuzz of ‘Cookbook’, where the band implore us to “feed our mind”.  Good fun of the sort you can imagine Scooby Doo and the gang listening to in their van, but not the strongest song on this comp.  Polvo are next with ‘Have You Ever Been There?” – I haven’t but I’d like to, it’s great early Hard Rock with a killer lead guitar solo.  ‘Darkened Passage’ is gifted to us by Hot Candy, a Zeppelin-like rocker that has a feel of ‘Communication Breakdown’.  A highlight of the album and a genuine righteous moment. 

The Brown Acid template widens again with Banana Bros ‘Suck You in’, a winning song with a super infectious funk driven rhythm.  Side One concludes with ‘Thank You For The Ride’ from another familiarly monikered troupe, The Jordan Brothers.  This romping number is definitely the ear-worm of the set, with a chorus that’ll stick in your head for days. 

Side Two opens with the crashing drums of Osage Lute.  Their track ‘Watch ‘Em Shine’ has an electrifying sound not dissimilar to Mountain, catchy riff and mind-expanding mellow section included.  Sandy Torano & The Nimo Spliff have the wildest name on this selection, and a wild fuzz guitar intro on their song ‘A Year Ago Today’.   

Lazy Day employ some skronky organ a la early Purple or Steppenwolf on ‘Don’t Dance In My Song’, but you’ll be hard pressed to stay still here!  No idea what a ‘Hot and Tot Woman’ is, but Flavor do – and they throw in a Stooges-ish proto metal riff that you could proto-headbang to!  Bringing things to a close this time around is Frozen Sun, with the funky, desert rock of ‘Jamm Part 1’.  Ideal for watching the sun set whilst you definitely don’t inhale any of the herb. 

The Twentieth Trip has managed to offer a little more variety yet again, as the Brown Acid series goes from strength to strength.  A genuinely good time listen and very worthwhile exploring for any retro heads out there.  Plus, listeners can gain kudos points for being familiar with ultra rare, underground rock that their friends won’t have a clue about! 

Visit the RidingEasy Records website here.

This review is presented by Platinum Al in association with Ever Metal.