Python Lee Jackson – “In a Broken Dream” / “Boogie Woogie Joe”
Boom! What a great collection. My favourite Who song, Thin Lizzy’s best (?), BTO and Free. That Knack song is, of course, a classic – as is the Cheap Trick track. All were from a record fair (remember those?) if I recall correctly.
That Faith No More song is their very worst, by an otherwise spectacular band. I’m no Phil Collins fan really, but that track is pretty good, admit it. Throw in Flying Lizards and The Beach Boys and you’ve got a helluva playlist. And if you don’t love “Camouflage” there must be something wrong with you.
The Chris Cornell was a Record Store Day special which I picked up from VOD records in Mold. Great shop who also organised the record fair I mentioned above. Check them out here.
Variety, as they say, is the spice of life. Which is why I like to mix my drinks. And my strippers. Why stick to just one, when you can explore everything life has to offer? This split EP offers two bands and four tracks in total, showcasing a considerable amount of musical diversity and talent.
First up is Puerto Rican band Moths, with their track “Intervention”. Beginning deceptively calm, restrained and quite beautiful, it soon builds and descends from a chunky stoner riff. And then, at pretty much the halfway mark, “Intervention” erupts into a full-on aggressive growl fest, though still portraying an adept progressive spirit.
The meandering intrigue of the opening track is followed by a less surprising cover of the Black Sabbath classic “Hand of Doom”. A great song, but I was hoping for more original material or an unusual cover. No fear though, Moths inject the Sabs tune with plenty of atmosphere, the powerhouse vocals of Damaris Rodriguez helping to make their own mark on the song. Not easy with a genuine metal standard like this, Moths have the class to pull it off.
Then it’s over to The Stone Eye, for their track “Prescence of the Mind”. These guys are from Philadelphia, PA in the USA. A little harder to pin a style on, they journey on a stoner path that adds in psychedelic detours akin to some of the best 90s alternative rock – but never abandoning a gutsy garage rock swagger.
A cover of the old trad ballad “Wayfaring Stranger” is next from The Stone Eye. Delivered in a bluesy style, it contrasts nicely with the other songs. It both delights and begs for another play.
And there you have it: four songs, different in style but each displaying a sound that seems to well define both bands. An excellent endeavour from both Moths and The Stone Eye, you’d be well rewarded in tracking this down.
And while we’re on the subject of moths: Glenn Danzig – remember him? Singer/visionary with the Misfits, Samhain, and of course, Danzig. Body builder, martial arts master and expert on the occult. Scared to death of moths, I shit you not. Always running around with his hands over his face, hiding under tables if there was one around. Eventually, I learned to calm Glenn down by telling him that moths were simply goth butterflies. Amazingly, it worked.
Here we go with the first Singles Night of 2021! The Virtual Hot Tub is ecstatic with anticipation for the return of these playlists.
What’s it all about? Well, I’m glad you asked. The singles in question are 45rpm vinyl singles, which I have accumulated over time from various sources. The plan: listen to the records, side A then side B, one after the other without skipping any in the pile. Whilst drinking booze.
Let’s see how I got on this time…
The Temptations – “Psychedelic Shack” / “That’s the Way Love Is”
Queen – “Killer Queen” / “Flick of the Wrist”
Buzzcocks – “I Don’t Mind” / “Autonomy”
The Clash – “Bankrobber” / “Rockers Galore… UK Tour”
The Clash – “Complete Control” / “City of the Dead”
The Damned – “History of the World Part 1” / “I Believe the Impossible” / “Sugar & Spite”
Skids – “Sweet Suburbia” / “Open Sound”
The Beach Boys – “Mona” / “Rock and Roll Music” / “Sail on Sailor” / “Marcella”
ABBA – “Head Over Heels” / “The Visitors”
Bananarama – “Cheers Then” / “Girl About Town”
The Belle Stars – “Sign of the Times” / “Madness”
Chicory Tip – “Son of My Father” / “Pride Comes Before a Fall”
John Farnham – “You’re the Voice” / “Going, Going, Gone”
Stevie Wonder – “My Cherie Amour” / “Don’t Know Why I Love You”
Bardo – “One Step Further” / “Lady of the Night”
The Motors – “Love and Loneliness” / “Time for Make-Up”
Hot Chocolate – “So You Win Again” / “A Part of Being with You”
Elton John – “Goodbye Yellow Brick Road” / “Screw You”
Blondie – “The Tide is High” / “Susie and Jeffrey”
Slade – “We’ll Bring the House Down” / “Hold on to Your Hats”
Twenty – count ’em – twenty great tracks. Well, mostly. A solid offering from the world of punk rock in that collection, with the Buzzcocks, Clash, Damned and Skids singles all being salvaged from a local charity shop. Lucky day.
I had a great night spinning these discs, there are some really awesome records to add to the collection there. Time for more soon. Stay tuned!
In February last year, I interviewed Chester based punk/grunge band Ryuko at Pentre Fest. Due to numerous unavoidable issues – not least this blasted pandemic – the piece was unfinished till recently. Not long ago, this post finally appeared on Ever Metal, and I thought I’d republish it here too. Enjoy!
“Grandpa, what’s a gig?”
“Well son, a gig was what we used to call a band playing live music, in front of an audience.”
“What, people watching musicians play their instruments? Crazy!”
“I know it seems like a strange idea to you youngsters, but it used to be a fantastic experience. Actually being able to gather with friends and strangers to enjoy hearing music. It was another world.”
That’s what the situation seems like right now: no gigs, no gatherings for entertainment – the old days sometimes feel like a lifetime ago. At least it seemed a whole different world back in February 2020, before the pandemic, when I caught up with Chester based band Ryuko at Pentre Fest.
The three piece – comprising The Bobfather (guitars/vocals), Captain Andy (bass) and MattMan (drums) were something of an anomaly at the metal-centric Pentre Fest. Not that Ryuko don’t rock out, but their brand of punky, alternative rock was a little different from the other bands on show. I found their style of honest, yet far from pretentious rock’n’roll refreshing and it added a vital tone to the proceedings.
Post gig, I caught up with the band to pose some questions and contemplate the meaning of life.
First off, the cliched yet crucial discussion on influences:
Bob: It’s weird, ‘cos we’ve got influences from all over. If you listen to one of our sets, it has stages: it starts off punky, then it goes alternative rock. Then it goes a little metal/grungy, then back to punk at the end.
Matt: Drop D then back to punk! I’m a huge fan of Motorhead and Metallica, the list goes on, so me being the drummer, I was always doing these thrash beats. To go from that to stepping into this, this was more fun to me. I really enjoy myself when I’m behind the kit with these guys.
Bob: When I write the songs, I listen to quite a broad variety of music, so I think that becomes apparent in my songs. I don’t like to write the same song twice. As far as when I started out, I would say when I was a teenager, I first started listening to Nirvana, Carter USM. I also drew influences from a lot of electro – The Prodigy and stuff like that – so sometimes I’d try and work out how to play dance songs on a guitar. And then that would give me the influence to write more interesting songs. I like to try and fuse a bunch of different genres together, make it more interesting.
Andy: I listen to a lot of Neil Young, I think he’s a very diverse artist. He’s done folk, he’s also done electric stuff.
How do you promote yourselves?
Matt: I’m more into social media than these guys are. We’re promoting ourselves on Facebook, we’re gonna make a new YouTube account. That’s kind of going up and down at the moment…
Bob: We don’t know how to work it!
Where does the name Ryuko come from?
Bob: I’m really into anime and all things Japanese, Japanese music… At the time I was watching an anime called Kill la Kill. The main character is called Ryuko Matoi and I just thought it was a really cool name. Some really fun facts: Ryuko is one of the least popular names in Japan. It basically means “rebirth”, start over. So I thought, we’re starting again, it’s a really cool name.
Andy: Well it’s not a cool name in Japan, is it?
Bob: It’s cool to me! I think it’s cool!
Andy: I do wish we’d chosen a name that’s easier to spell and pronounce.
Bob: People can never say it.
Your cover of the Madness classic “Baggy Trousers” tonight was a surprising choice, but great!
Matt: We decided to spruce that up to make it ours. The original is completely different to how I play it, I add extra little bits just to make it more funky.
Do you feel you’ve got the right band dynamic between the three of you?
Bob: We’re pretty good as we are. More people add more complications cos you’ve got to think – are they free; do they drive, are they going to be available…
Matt: I’ve got a son, he’s 9, we discuss upcoming gigs before we agree to it. If I’ve got my son and he comes along with us, if he’s allowed in the venue we play – he’s got his little ear defenders, he just sits in the corner and watches us or plays his game.
Bob: I’ve got three jobs…
Sounds like a positive environment to work in.
It’s got to be positive, if it’s not it just doesn’t work. If no-one’s happy, nothing gets done.
So, what’s next? What are your plans?
Bob: World domination! One step at a time…
Andy: We’ve been working on re-doing our EP, we’ve been recording on and off. Recording, playing as many gigs as we can.
And there you have it: an enjoyable chat with the gentlemen of Ryuko. Make sure you check them out live, as and when we can return to the experience of live music. If grungy, punky alt rock with some metallic crunch is your thing, then Ryuko will be just the antidote you need in these dreary times.
With apologies to Ryuko, who have waited months for this interview to see the light of day.
Check out Ryuko on Bandcamp and Facebook. Plus you can follow this link to listen to the interview on YouTube – yes, you can admire my fantastic interviewing skills for real!
Hit singles! All time classic songs! Novelty throw-away rubbish! From the cool to the crap, it’s all to be found at Platinum Al’s Virtual Hot Tub on a Singles Night.
You see, what I do is, listen to a pile of old 7 inch singles that have been languishing in my “not played yet” pile. They could have come from anywhere: genuine gems that I’ve tracked down; record fair lucky finds; or – more likely – junk I find in charity shops.
Pour yourself a drink and check this list out. Do you own any of these on vinyl? What are your favourites? What should be consigned to a fiery pit and melted down?
Kim Wilde – “You Came” / “Stone”
Louis Armstrong – “All the Time in the World” / “Pretty Little MIssy”
The Hollies – “The Air That I Breathe” / “No More Riders”
Duran Duran – “The Wild Boys” / “(I’m Looking for) Cracks in the Pavement (1984)”
Bananarama – “Robert De Niro’s Waiting” / “Push!”
The Beach Boys – “Good Vibrations” / “Heroes and Villains”
Justin Hayward – “Forever Autumn” / “The Fighting Machine”
The Buggles – “Video Killed the Radio Star” / “Kid Dynamo”
ABBA – “Angeleyes” / “Voulez-Vous”
The Creatures – “Miss the Girl” / “Hot Springs in the Snow”
Blondie – “Rapture” / “Walk Like Me”
Bobby Patrick Band – “Dallas Theme” / “The Waltons Theme”
The Beatles – “The Ballad of John and Yoko” / “Old Brown Shoe”
Goombay Dance Band – “Seven Tears” / “Mama Coco”
Lionel Richie – “All Night Long (All Night)” / “Wandering Stranger”
Donna Summer – “Dim All the Lights” / “There Will Always Be a You”
Jermaine Stewart – “We Don’t Have to…” / “Brilliance”
Allan Sherman – “Mexican Hat Dance” / “Won’t You Come Home Disraeli?”
Earth, Wind and Fire – “Let’s Groove” / “Let’s Groove (Instrumental)”
Pointer Sisters – “I’m so Excited” / “What a Surprise”
Some classics indeed. Another great night of a couple of small drinkies and spinning wax: I recommend it to anyone.
Best years of my life? 15/16 years old, skateboarding all day and hanging around with my friends. It was the late 1980s, and the days of the 180 Boneless, No Comply and learning to Ollie. Back when kickflips were the raddest trick in the car park – except we called them “Ollie kickflips” back then.
This was also the time when I started to really veer off the obvious track as far as music was concerned. Skate videos and Thrasher magazine began to open up a whole new world of music. Sometimes these bands would enter the mainstream a couple of years later; sometimes they never did.
I remember hearing a great song on a Vision video. I had no idea what the song was called, but worked out from the credits that it was most likely performed by the Descendents. I recorded the song onto cassette off the TV as there was no other way to hear it. A few months later, on a skate buying trip to Manchester, I stumbled across a record shop that stocked a few records by the band. I had to buy one: taking a gamble on “All” as it featured a song called “Coolidge”, which fitted the lyrics of the track I loved. I was so stoked when I got home, played the vinyl and heard the song I was hoping for! Great album, all in all.
This practice of researching and hunting became a big feature of my relationship with music ever since.
Skating all day, then listening to music in the evening was a big part of my teenage years. This playlist is designed to reflect those days: music I enjoyed back then and became the soundtrack to that time.
Some songs featured in skate videos (McRad, Odd Man Out). Some were checked out after I saw them advertised or reviewed in Thrasher (The Cult, Misfits). Others were just part of the current soundscape, and are forever linked with those halcyon days.
Here’s the playlist I made, split into a two CD format:
McRad – “Weakness”
Odd Man Out – “Four Thirty One”
Descendents – “Coolidge”
Sex Pistols – “Holidays in the Sun”
Devo – “That’s Good”
Black Sabbath – “Paranoid”
Motorhead – “Killed by Death”
Faith No More – “We Care a Lot”
Misfits – “Astro Zombies”
Hard-Ons – “Don’t Wanna See You Cry”
The Stupids – “Skid Row”
Beastie Boys – “She’s On It”
Circle Jerks – “Wild in the Streets”
Spermbirds – “Something to Prove”
Dead Kennedys – “California Uber Alles”
Suicidal Tendencies – “Possessed to Skate”
Generation X – “One Hundred Punks”
The Cult – “Wildflower”
The Damned – “Love Song”
Red Hot Chili Peppers – “Higher Ground”
Fishbone – “Freddie’s Dead”
Iggy Pop – “Cold Metal”
GBH – “Too Much”
Mudhoney – “Sweet Young Thing Ain’t Sweet No More”
Ramones – “I Just Wanna Have Something To Do”
The Stranglers – “Peaches”
Bad Brains – “Soul Craft”
Gang Green – “Church of Fun”
Metallica – “The Thing That Should Not Be”
Jimi Hendrix Experience – “Purple Haze”
Rolling Stones – “(I Can’t Get No) Satisfaction
Jesus Jones – “Never Enough”
The Skids – “Into the Valley”
Fugazi – “Blueprint”
Some of the above tracks I owned on vinyl or cassette back in the day; some I found in later years. There are still plenty of other bands from skate videos that I either still haven’t tracked down, or as I didn’t own them at the time I’ve omitted for now.
Instead, this is a basic playlist to represent my late 80s skateboarding days, boiled down to the bare essentials. I hope you enjoy and these bring back some memories.
And this sin’t an exhaustive list: how Anthrax and Run DMC didn’t get included is baffling. Maybe I can expand with some more for a Part 2…
Hey folks! How’s isolation going? These are strange times indeed. I hope all of you are safe and well.
I don’t know about you, but spinning wax is a great way to spend a long evening whilst in lockdown. As regular readers will know, I often play through my stack of recently acquired 7 inch vinyl as a way to unwind. With a few wee drinkie-poohs, of course.
What happens with Singles Night is this: I have a pile of records, all 7″ singles, that I haven’t played yet. I play them all in order, A side then B side. Then I list them here, in case anyone out there is as sad as me and thinks that lists like this are fascinating.
Here we go with the latest batch:
Jane’s Addiction – “Been Caught Stealing” / “Had a Dad (Demo)”
Boney M – “Ma Baker” / “Still I’m Sad”
Madness – “The Return of the Las Palmas 7” / “That’s the Way to do it”
Bon Jovi – “Livin’ on a Prayer” / “Wild in the Streets”
Rainbow – “Since You Been Gone” / “Bad Girl”
The Zombies – “She’s Not There” / “You Make Me Feel Good”
Ace Frehley – “New York Groove” / “Snow Blind”
Slade – “Mama Weer All Crazee Now” / “Man Who Speaks Evil”
Pink Floyd – “Another Brick in the Wall Part II” / “One of My Turns”
AC/DC – “Whole Lotta Rosie” / “Hell Ain’t a Bad Place to be”
Toyah – “Be Proud Be Loud (Be Heard)” / “Laughing with the Fools”
Thin Lizzy – “China Town (Live)” / “Got to Give it up (Live)”
The Beatles – “We Can Work it Out” / “Day Tripper”
Generation X – “Your Generation” / “Day by Day”
Ash – “Angel Interceptor” / “Eternal” / “Give Me Some Truth”
Marc Bolan & T-Rex – “Teenage Dream” / “Satisfaction Pony”
Well that was one of the best – and rockingest – Singles Nights ever. I doubt we’ll see that amount of awesome rock again in a hurry. Don’t forget, readers – I don’t choose the songs to play, it’s just whatever’s next in the pile.
Jane’s Addiction are one of my favourite bands ever. Plus there were classic tracks from Rainbow, AC/DC, Pink Floyd and Thin Lizzy. My favourite U2 song and one of my favourite Beatles songs. Some punk, some new wave, and a more recent tune from Ash.
A special mention to Slade’s “Mama Weer All Crazee Now”, which was UK Number 1 when I was born.
A great selection. I’ll see you soon for another Singles Night!
I’m sure everyone who was there will agree that this year’s Pentre Fest was the best yet. The bands were fantastic; the were more people; the vibe was magnificent.
Held at McLean’s in Pentre, Deeside, North Wales, this festival features underground, unsigned rock and metal from near and far.
I attended the full two days this year, and saw most of the acts performing. I only wrote up a few though, so if you want to read the full review, visit the Ever Metal website here.
There were many highlights. Witchtripper had been on my “must see” list for a while – they didn’t disappoint. Old favourites Impavidus and Lullaby for a Unicorn were superb as always. Cry for Mercy, Stormrider and Womenowar were some of the newly viewed bands that I was very impressed by.
The whole weekend was unmissable and I was genuinely sad when it was all over. A brilliant, positive experience – well done to Fozzy, Beany, Frank and all the McLean’s staff.
You have to be there next year!
Ryuko presented a couple of surprises on Friday night’s acoustic stage. First off, they were fully plugged in and electric. Second, they play more of an alternative rock sound, which was something of a contrast to the majority of other Pentre Fest bands. Readers may not be aware, though, that I am in fact King of Grunge, with my 90’s credentials well proven. Ryuko’s set included some melody and even jangly pop along with heavier riffs, which was an enjoyable diversion in a Dinosaur Jr/Nirvana style. Well performed, Ryuko just need to test their audience further and throw in additional surprises in either a “Negative Creep” or “About a Girl” vein.
Rhiannon and Rachel
Sadly Pentre Fest suffered a few casualties this year. One such example was on the acoustic stage, where half of duo Rhiannon and Rachel was hospitalised and (obviously) unable to perform. But the show must go on: and Rhiannon performed a short but enjoyable set on the acoustic stage. Admittedly out of her comfort zone, playing guitar as well as singing, she soldiered on and won plaudits for her effort. Only a few minor mistakes were noticed – and easily forgiven. A beautiful singing voice that even managed to add a ghostly, ethereal sheen to a cover of Michael Jackson’s “Bad” – making it sound good for the first time ever.
If the connection between metal and outlaw country isn’t obvious to any readers, I can only pity you. I’ve never witnessed Mike West before, but his amalgamation of southern rock, dusty country and swampy blues was a delight to my old whiskey-soaked soul. Mike delivers his songs with a hard rockin’ swagger, as if he’s just busted out of Tombstone jail and is riding across the plains, lamenting women and fortunes lost. A great voice and an outstanding presence, Mike is one to catch when you can. Has anyone done a “Wild West” gag yet? If not, there’s a headline for us there!
On the main stage, OMV entered dressed like a bunch of West Coast gangsters in masks and bandanas. Introduced as “hardcore street metal”, these guys definitely showed some great musical skills and energy. Somewhere between Bodycount, Suicidal Tendencies and Biohazard is where I’d stack them. Either way, OMV delivered some brutal songs and bounced around with massive crossover riffs. OMV were very entertaining, although hugely confrontational onstage – I wasn’t sure if they actually were going to pistol whip the audience into submission. The music has enough intensity and power to speak for itself.
A really fantastic set was delivered by Mr Luke Appleton on the acoustic stage. In truth, this was a duo performance with Rishi Mehta (of Babylon Fire) playing too, and it was a genuine highlight of Pentre Fest 2020. Dubbed “acoustic metal”, the songs were both suitably laidback, yet delivered with a metal edge. Expertly performed, we had tunes from Luke’s solo “Snake Eyes” project, plus of course some Iced Earth and Absolva numbers. Not to mention a bit of Dio and Tenacious D for good measure! A real class act in every sense of the word, and both very talented and down-to-earth gentlemen.
Son of Boar
They have a cool name, and they looked pretty cool on stage in matching denim battle-vests. And from the very first notes of the bass rumbling on the very first song, I had a feeling that Son of Boar would be something special. I wasn’t wrong. These Bradford bruisers have everything in spades: they’re unfeasibly heavy; they have slow, doomy riffs with a Sabbath-like infectiousness; they have a sludgy, swampy groove that can pack an aggressive punk punch. The best band of Pentre Fest 2020 as far as I was concerned, Son of Boar were superb. I even bought a t-shirt.
And lo, it was time for another Singles Night at Platinum Al’s Virtual Hot Tub. Join me yet again, as I play through my stack of freshly acquired 7″ vinyl singles – A side then B side – on a musical odyssey that will thrill and amaze.
You may want a few drinks as well.
Here’s the playlist this time:
Elvis Presley – “Love Me Tender” / “Anyway You Want Me (That’s How I Will Be)”
Small Faces – “Lazy Sunday” / “Rollin’ Over”
Boney M – “Painter Man” / “He Was a Steppenwolf”
Beastie Boys – “She’s On It” / “Slow and Low”
Zodiac Mindwarp & The Love Reaction – “Backseat Education” / “Whore of Babylon”
Madness – “Baggy Trousers” / “The Business”
The Osmonds – “Crazy Horses” / “That’s My Girl”
Ian Dury & The Blockheads – “Hit Me With Your Rhythm Stick” / “There Ain’t Half Been Some Clever Bastards”
The Jam – “When You’re Young” / “Smithers-Jones”
Kim Carnes – “Bette Davis Eyes” / “Miss You Tonite”
Toyah – “Brave New World” / “Warrior Rock”
The Who – “You Better You Bet” / “The Quiet One”
Suzi Quatro – “The Wild One” / “Shake My Sugar”
Madness – “Night Boat to Cairo” / “Deceives the Eye” / “The Young and the Old” / “Don’t Quote Me On That”
Bon Jovi – “You Give Love a Bad Name” / “Let It Rock”
Freddie Mercury – “Love Kills” / Giorgio Moroder – “Rotwang’s Party (Robot Dance)”
Siouxsie & The Banshees – “Dear Prudence” / “Tattoo”
The Kinks – “Good Day” / “Too Hot”
Bob Marley & The Wailers – “No Woman, No Cry” / “Kinky Reggae”
Dexy’s Midnight Runners – “Geno” / “Breakin’ Down the Walls of Heartache”
Toy Dolls – “Nellie the Elephant” / “Fisticuffs in Frederick Street”
Rainbow – “All Night Long” / “Weiss Heim”
The Motors – “Forget About You” / “Picturama”
Angelic Upstarts – “Never ‘Ad Nothin'” / “Nowhere Left to Hide”
Wow. That was a spectacular evening’s music. Just look at the quality tunes in that list! I think the Zodiac Mindwarp track was my favourite, but there are loads of legendary artists and great songs there.
Don’t laugh at the Osmonds track – that song is amazing. I’m more embarrassed about the Bon Jovi number – but what the hell, it was fun.
And Nellie the Elephant by Toy Dolls was just superb – took me right back to my childhood, the day after hearing that song on Top of the Pops. A school playground classic, along with “Baggy Trousers”.
All of the records are in a random order, so there’s no guessing what might appear next in the queue. But that turned out to be one of the best nights of music listening in a long while, with a wide variety of genres represented.
And now, I present an album review I wrote for Ever Metal; a recording that became one of my favourites of 2019:
Giant Dwarf – Giant Dwarf
Release date: 09/04/2019
Running Time: 36 minutes
Review by: Alun Jones
I’ve never been to Australia. Don’t need to go there really, I know exactly what it’s like. It’s like that David Bowie video where he’s inside a big concrete block in the middle of nowhere. “Let’s Dance” – that’s the one. Or it’s like Mad Max 2: all arid desert, people surviving on dog food and a struggle to exist without civilisation.
So, it’s quite apt that such a barren, isolated place has decided to gift us with an album that is, quite frankly, a masterpiece of desert rock. Or outback rock, if you will.
This is “Giant Dwarf”, by the band Giant Dwarf, who hail from somewhere called Perth in Western Australia.
Right from the start, with opener “Golden Walrus”, the album bursts from the speakers like Gandalf after a month-long Charles Atlas course. The songs are tough and uncompromising, yet cerebral. “Black Thumb” and “Kepler” in particular will make you put your foot down on the accelerator and bang your head – whilst absorbing the intricate tapestry of the universe.
It’s all pounding rhythms and hypnotic, repeating riffs. On first encounter, the album seems very – shall we say, inspired by – Kyuss and the first Queens of the Stone Age album. Aaron Soppo (vocals) can even do a pretty convincing Josh Homme impersonation. Which is no bad thing, in my book – in fact, it’s a sure fired recipe for success.
Further investigation reveals far more than this obvious comparison, however. As well as a more fuzzed-up guitar sound – not unlike a particularly fried Fu Manchu – there’s a trippy, psychedelic sheen to the muscular groove. There’s even sitar and didgeridoo on here, in wave after wave of glorious chunky riff and rolling beats.
“The Deluge” illustrates this breadth of feeling with a six minute plus track that undulates between exuberant rocker and introspective meander in just one epic song.
If I have one small criticism, I’d like to hear a track like “Strange Wool” – a mind melting instrumental track that’s quite brilliant – dragged out to three times it’s two-minute length. Even more development and experimentation would really push Giant Dwarf further into a new dimension. But keep the edge-of-the-seat rockers too, OK guys?
“Giant Dwarf” comes within a koala’s cock of perfection. Powerful like the venom of a Death Adder, yet enticing like Natalie Imbruglia. It really is that good: from out of nowhere, an album that will surely be in my end of year Top Five.