North West Doom Fest III 

North West Doom Fest III 

10th – 11th April 2026 

G21 at The Saddle, Chester 

And lo, there shall come a time when the barbarians shall storm the gates of the fortress city, and congregate within its ancient walls in search of enlightenment.  Great would be the merry making, for the barbarians will come not with weapons of war, but with musical instruments and tales of hard-won valour.   

That time came, and it was known as:  North West Doom Fest III. 

Yes, after the runaway success of previous events, Chester’s premier/only Rock pub The Saddle was host to another weekend of the heaviest, the Doomiest, the Sludgiest of bands from around the UK.  Such was the demand, the event was sold out well in advance.  Personally, I was really looking forward to NWD Fest and very thankful to be there! 

Friday 10th April 2026 

The first band of the entire weekend was Ghozer, who are a four piece band from the Midlands.  Sadly, they don’t appear to be Ghostbusters fans, as that Gozer is spelt differently.  They are, however, a mighty and hugely impressive Alternative Metal band, with solid, catchy riffs and crazy, psychedelic lead guitar working nimbly through captivating, proggy epics.  They reminded me of a sludgy High On Fire with wild Hendrix lead.  A perfect start to the weekend, I was massively impressed.    

https://www.facebook.com/GhozerUK

Up next were Bristol’s Froglord, one of my personal favourites and a band I was excited to see again.  I’d seen these guys previously at the same venue, for the Warlockhunt album launch gig.  I immediately fell in love with their swampy, psyche Doom with its perfect riffs and incessant grooves.  Froglord really put on a show too, there’s nothing in their approach that hasn’t been meticulously prepared – swamp noises between songs?  Masks?  These amphibious Dark Masters are a true revelation, and I seriously urge readers to check them out soon! 

https://www.facebook.com/Froglordband

Friday night’s headliners were Cardiff based Atmospheric Doom band, Pantheist.  This band enraptured the audience with an almost symphonic take on Doom, complete with ethereal, operatic female vocals.  They’re obviously exquisite musicians and put on a great performance.  However, it was too symphonic and operatic for my tastes – like Katherine Jenkins singing along to Ghost in her bedroom.  What do I know, though?!  Everyone else – and I mean absolutely everyone else – loved Pantheist, so you should ignore me and check them out. 

https://www.facebook.com/Pantheistuk

Saturday 11th April 2026 

Some of us kind of over did it on Friday night, socialising with other North West Doom Fest attendees and enjoying the karaoke in the main bar of the Saddle.  Well, it was Frank’s (from North East Wales Metal Productions) birthday, so no excuses needed.  Happily, I managed to make it back for the start of Day Two of the fest on time and with no trouble, which is highly unusual. 

Warming things up for Day Two were Warlockhunt, festival organisers Mark and Lorraine’s Doom Pop band.  Their dual lead bass sound was now augmented with a new drummer, who had the unenviable task of filling out the sound with apocalyptic, post punk tribal rhythms.  Drums are front and centre in this band, right up there with the bass and dreamy vocals – so there’s nowhere to hide.  The sound was meticulous, no need to worry – an accomplished start to the day’s proceedings. 

https://www.facebook.com/warlockhunt/?locale=en_GB

One of the amazing things about this festival is the sheer variety of music evident within the genre of Doom.  Cruel Mother was a great example: they looked at first like people LARPing Robin of Sherwood, but they delivered a magnificent set of Doom based on Olde English (and Scottish) folk songs.  Brilliantly performed and utterly captivating.  I would’ve loved a lyric sheet to read along and explore the stories and themes!  They’re London based, if Cruel Mother are playing near you – go see them and enjoy the magick.  The outfits were cool, by the way. 

https://cruelmother.bandcamp.com/music

Helve were up next – a five piece from Leeds who unleashed a set of very heavy, sludgy Doom metal.  The performance was intense and unforgiving, with harsh, growled vocals over crushing riffs and huge soundscapes.  They reminded me a little of last year’s headliners (and one of my fanboy faves), Son of Boar.  Absolutely no complaints from me, a winning set from a great band. 

https://www.facebook.com/Helveband

I had no expectations at all regarding Sleeping Mountain, and so I was very pleasantly surprised to witness a superb band that I can add to the favourites list!  They’re a three piece, London based, and extremely effective at creating enormous Stoner Rock grooves with psychedelic and progressive overtones.  There’s some classic 70s inspiration here, with a foot planted firmly in the now, as well.  Like a grinding, cinematic early Monster Magnet.  I loved them, and made sure I picked up a copy of their excellent self-titled album on vinyl. 

https://www.facebook.com/sleepingmountainband

When Goat Major were announced on this bill, I practically shit my shoes off in excitement.  I’m already a massive fan, having reviewed their debut album, “Ritual”, for Ever Metal a while back – awarding it a solid 9/10 score.  Getting the chance to see them live was a big draw for me in attending NW Doom Fest.  And Goat Major did not disappoint, their awesome Occult Doom dripped thunderous and powerful riffage with eerie, spectral undercurrents.  Absolutely unmissable and a true highlight of the weekend! 

https://www.facebook.com/goatmajorband/?locale=en_GB

And then we had Goblin Smoker, another band I was really enthused to experience firsthand!  With releases on Sludgelord and APF Records, these guys have a quality pedigree.  Their music is classic Sabbath based Doom, with raspy, Death Metal vocals that set them apart from other bands this weekend.  This was an epic, brutalising set, taking the intensity of Death Metal into slower and fuzzier realms.  I’m just glad I was there. 

https://www.facebook.com/Goblinsmoker

Mage are a band I’ve seen live previously, they played Pentre Fest a while back.  They were amazing last time I saw them and they were even better this time around.  Seriously, Mage are the perfect Stoner/Doom Metal band, as far as I’m concerned: they cover it all, from in-you-face rockers to tripped out psyche-athons.  They remind me of a British Corrosion of Conformity, and I can think of no higher praise than that.  Their performance was riveting, even in the restricted space of the G21.  If you’re not following this band like a hungry dog, you need to be. 

https://www.facebook.com/Mageband/?locale=en_GB

And finally, then – our Saturday headliners, Old Horn Tooth: a three piece proudly representing the London Doom Collective.  Musically, this power trio deliver slow and heavy yet mesmerising Doom metal, unhurried in their approach they create something not far removed from a soundtrack to a supernatural, occult thriller.  When the riffs crash in, they are utterly devastating – and the whole experience is pulverising, yet hypnotic.  Thrilling stuff and a fitting end to a weekend of pure, definitive Doom Metal.    

https://www.facebook.com/oldhorntooth/?locale=en_GB

Well done to Lorraine and Mark, and thanks to the staff of G21/The Saddle for a spectacular festival.  There’s a one dayer planned for this summer, so keep your eyes peeled – otherwise, I’ll see you at Noth West Doom Fest IV!   

https://www.facebook.com/Thesaddleinnchester/?locale=en_GB           

TOOM – EP Review

TOOM – Behold the Basilisk EP

APF Records (For The Lost PR)

Release date: 01/10/2021

Running Time: 22 minutes

Review by: Alun Jones

8/10

Let’s start with a history lesson.  The “Behold the Basilisk” EP by TOOM is a dug-up time capsule, having been recorded in January 2010.  The band themselves were formed in 2007, and split not long after this recording.  What could have been a long-lost curio, to be spoken of fondly by the few who had inside knowledge, has now been reanimated and set loose by APF records.

What we have is an EP consisting of four stoner doom tracks from an extinct trio.  Like those ape dudes at the start of “2001: A Space Odyssey”, Teddy-James Driscoll, Jus Smith and Jack Newnham have been enlightened by a big, Black Sabbath obelisk – the legacy of which has been excavated for our enjoyment.

“Snake Chalmers” opens things up, with an acoustic guitar intro that’s highly reminiscent of those mellow Iommi passages from “Master of Reality”.  It’s a beautiful, yet deceptive beginning to a collection of crushingly heavy music.   Play it for Granny, she’ll be surprised as fuck when the lethal riffage of “There’s Nothing Cute About Cobras” revs up and creates utter destruction.  Growling vocals and gruesome, pounding guitars are where we’re at here.

Similar approach for “Mandark”, though this track throws in some variations in riffs and tempo, with a short, but killer “quieter” section.  Here and on the final song, “Decapodiformes”, there’s a hint of influence from the likes of Sleep, High On Fire and Mastodon – with relentless, mighty riffs powering through.       

Gone but not forgotten, then: it’s introducing and welcoming back TOOM on this impressive EP.  Makes you wonder what might have been…

Check out APF Records on Bandcamp and online.

This review is presented to you by Platinum Al and Ever Metal.

Platinum Al’s Top 10 Rock/Metal Albums of 2018

2018 was a great year for music.  So much so, that I struggled condensing all those tasty new tunes into a top ten – and I’m still not sure I’ve got it right.  There are several other albums that could have featured in an annual top ten, but for reason or other didn’t make the cut.

Anyway, those cool folks at Ever Metal asked me to put together a list of my ten favourite rock and metal releases for the year.  I did so, Ever Metal posted it, and I thought I’d share with my Virtual Hot tub readers too.

So here we go, in reverse order:

  1. Ghost – “Prequelle”
  2. Gama Bomb – “Speed Between the Lines”
  3. Orange Goblin – “The Wolf Bites Back”
  4. Earthless – “Black Heaven”
  5. 1968 – “Ballads of the Godless”
  6. Uncle Acid & The Deadbeats – “Wasteland”
  7. Monster Magnet – “Mindfucker”
  8. Corrosion of Conformity – “No Cross No Crown”
  9. Fu Manchu – “Clone of the Universe”
  10. Clutch – “Book of Bad Decisions”

Hope you did a Smashy and Nicey voice in your head whilst you counted that down.

Some classic albums there, in my opinion at least.  Honorable mentions are due for Sleep, High on Fire and Satan’s Satyrs (amongst others) who just missed out.  Who knows, next week I might have changed my mind.

Finally, a big thanks to the Ever Metal team for having me on board.  It’s a real honour to be part of the team, and writing for the site has been one of my highlights of last year. Here’s to contributing more in 2019.  Cheers!

Visit the Ever Metal site here and check out some cool music!