Sergeant Thunderhoof – Album Review

Sergeant Thunderhoof – This Sceptred Veil

Pale Wizard Records

Release date: 03/06/2022

Running time: 69 minutes

Review by: Alun Jones

9.5/10

OK: so for once, I’m kinda stuck for words.  How do I tackle this album, the new offering from Sergeant Thunderhoof?  I mean, we can go through a song-by-song overview; try to describe the listening experience for the reader, make comparisons to other bands in a lame attempt to get the message across.  But what I really need – or want – to do, is SELL it.  Because I care about you, Ever Metal readers, and I don’t want you to miss out.  “This Sceptred Veil” is a fantastic record.

Our opening song ‘You’ve Stolen the Words’ lays Sergeant Thunderhoof’s wares out on the table from the off.  A mammoth, heavy riff erupts from the speakers and drags the listener along like a tin can in a hurricane.  This is a big sound.  Mark Sayers guitars are momentous, epic on a biblical scale.  Comparisons to Soundgarden are obvious but apt, particularly considering the Olympian vocals of Daniel Flitcroft, soaring on every song.

If I was gonna make more lazy comparisons, there’s a hint of spacey Monster Magnet raunch on ‘King Beyond the Gates’ and maybe even some Maiden gallop on ‘Show Don’t Tell’.  Both tracks testify that the rhythm section – Jim Camp on bass and Darren Ashman on drums – have the skills to rev the engine as well as groove along on the more cerebral tracks.

Speaking of the cerebral, it’s the lengthy prog work outs that differentiate Thunderhoof from other similar artists.  As much as I love the rockin’ numbers (shout out too for ‘Devil’s Daughter’), these guys are extremely comfortable wandering into the realms where Mastodon rule.  Witness ‘Avon and Avalon’ Parts I and II: two tracks that, whilst not exactly mellow, certainly take their time to explore and build a musical soundscape.  It’s thrilling.

Running at around the 69-minute mark, there is a lot to discover here.  You’re going to need to devote some time to this baby, but don’t fret – you’ll be massively rewarded if you do.  So please forgive the hard sell.  I only mention similar bands in an attempt to reach out to fans who I know will dig this, too.  Sergeant Thunderhoof have created a superb album in “This Sceptred Veil” – one of the best of the year, so far.  Don’t miss it.   

Check out Sergeant Thunderhoof on Facebook, Bandcamp and Instagram.

You can find Pale Wizard Records on Facebook, Bandcamp and their interwebs page.

This review has been brought to you by Ever Metal and Platinum Al.

Platinum Al’s Top 10 Rock & Metal Albums of 2022

2022 was a fantastic year for new music. Bands that are old favourites, and new discoveries, made my musical journey through the year a great one. Of course, reviewing albums for my compadres at Ever Metal helped in my explorations – a gig that I’m very happy and proud to continue.

I was prompted to compile this list of my Top 10 Rock and Metal albums of the year by Ever Metal. This list has already appeared on that site, but why not share it at the Virtual Hot Tub too?

So here we go, the official 2022 countdown:

10. Brant Bjork – “Bougainvillea Suite”

A laidback, trippy journey through Brant Bjork’s sixties record collection.  Ideal for summer evenings.

Brant Bjork Facebook!

9. Captain Caravan/Kaiser – “Turned to Stone – Chapter 6”

Fantastic split album from Captain Caravan and Kaiser, which crept up on my unexpectedly and quickly became a favourite.

Captain Caravan Facebook! Kaiser Facebook!

8. Earthless – “Night Parade of One Hundred Demons”

Outrageously good album created by amazing musicians, Earthless are nutritious energy for the ears, mind and soul.

Earthless Facebook!

7. Stoner – “Totally…”

It’s Brant Bjork again, here with Nick Oliveri in their stoner rock super group.  Does exactly what you’d expect, and features one of the best album covers I’ve seen in a long while.

Stoner Facebook!

6. MWWB – “The Harvest”

Mammoth Weed Wizard Bastard don’t disappoint with this heavy yet progressive album, brimming with new ideas and sci-fi experimentation.

MWWB Facebook!

5. Nebula – “Transmissions from Mother Ship Earth”

Glorious heavy psych rock from Nebula, showcasing their savage riffs and outer space vibes.

Nebula Facebook!

4. Battalions – “King of a Dead World”

A monster of an album!  Heavy, sludgy – that’s all you need to know.  Brutal and brilliant!  They’re from Hull!

Battalions Facebook!

3. Crobot – “Feel This”

The most exciting hard rock band around deliver another energetic slab of groovy rock’n’roll.  Unmissable!

Crobot Website!

2. Clutch – “Sunrise on Slaughter Beach”

It’s Clutch, what can you say?  Clutch are legendary and they always come up with the goods.  This latest feels slightly darker than previous releases, but has all the required Clutch-ness necessary.

Clutch Website!

  1. Sergeant Thunderhoof – “This Sceptred Veil”

A worthy triumph at the top of my 2022 chart.  An album that has it all: heavy riffs, powerful playing, melody and invention – it’s an experience that the listener can truly immerse themselves in.

Sergeant Thunderhoof Facebook!

All awesome albums and I recommend you check them out immediately. And what a winner! You can read my review of the Sergeant Thunderhoof album on Ever Metal, and I’ll re-post it here soon.

Not long after I compiled this Top 10, I received a package in the post. It was a vinyl copy of the “This Sceptred Veil” album, which was a nice surprise. What made it even more special, was an excerpt from my Ever Metal review appearing on the hype sticker plastered to the front! I was super stoked to see this – hope my words help shift a few copies of this superb record!

Honourable mentions this year for quality releases from Ghost (should’ve been a Top !0 entry?); plus my old chums The Cult and Red Hot Chili Peppers (both continuing to release great music after all this time); amongst many others.

There’s lots of more new music to look forward to in 2023. The fun thing is, I don’t even know what some of them will be yet…

Stay tuned to Ever Metal and Platinum Al’s Virtual Hot tub for the reviews that mattter!

The Best of 2022

Happy New Year! And here we go, full throttle into 2023!

2022 was not an easy year for your old pal, Platinum Al. But the Virtual Hot Tub soldiered on regardless, never giving up despite the odds. NEVER SAY DIE. And in the end, the year 2022 was a successful one for this blog, with site views up approx. 2% on the year before.

Not a massive improvement, I’ll grant you – but I’ll take all the good news I can get. I certainly didn’t expect to finish the year with those stats, just the opposite.

So what were the most successful blog posts on the Virtual Hot tub in 2022? What articles brought in the hordes of avid readers? What did YOU want to read?

Here’s the traditional review of the Top 10 blog posts by number of views. In reverse order, countdown style, of course…

10. Hawarden Classic Car Show

Events started to return in 2022, and this local classic car show was a great example of the fun to be had as restrictions were lifted. Some nice pics.

9. New Skateboard 2022 – Death Benson

I like to chronicle my skateboards (or at least just the deck) for posterity, and just for myself. Despite my doubts, this rad set up made the Top 10.

8. Pentre Fest 2022

My beloved Pentre Fest was BACK in 22, with two more days of metal bands at high volume. Not long till the 2023 event!

7. Liverpool Comic Con 2022

A family trip out to Liverpool for a great con and a load of cosplay photos.

6. Scars of Halloween Horror Fest

My annual horror movie fest provided this blog, which was by far the most popular this year as it featured a Hammer classic.

5. Star Wars Figures- Empire Strikes Back Part 2

I’m happy to see the second part of my blog focussing on my Star Wars figures from The Empire Strikes Back feature in the Top 10!

4. Subskate Summer Fun!

An in depth investigation into the merits (and failings) of a pool toy that never quite made it.

3. Star Wars Figures – The Empire Strikes Back

The first part of my feature concerning my original Star Wars figures from Empire. Good to see this was popular!

2. Return of Wales Comic Con

More Comic Con and cosplay fun, with a visit to Wrexham and Wales Comic Con back on home ground.

So what was the number one blog post of 2022? It was…

  1. Chester Comic Con 2022

In the number one spot, a visit to Chester’s Comic Con! A summer afternoon, loads of merch and dozens of cool cosplayers made this article the most successful of the year!

Events back on the menu has, unsurprisingly, dominated the results this year. They were all great fun, and well worth the visit. In contrast to the results from last year, where events were (understandably) under represented.

It’s also gratifying to see some skateboards and toys being appreciated, too.

This year, we look to return to a “new normal” in our post pandemic world. But with a Cost of Living Crisis, Brexit still unleashing it’s mayhem, and the same gang of inept cowards and liars in charge, we still have plenty of obstacles ahead.

Never the less, we at Platinum Al’s Virtual Hot Tub remain vigilant – bringing you the best entertainment. Thanks for being with us in 2022. Stay tuned for ever more greatness in 2023!

Singles Night at the Virtual Hot Tub #29

Yo! Here we are again, tout le monde – a treat for lovers of music on vinyl! That’s right – another Singles Night at Platinum Al’s Virtual Hot Tub, where I play my way through a big ol’ stack of 7″ singles and have a big time knees up whilst I do it.

There are literally dozens of 45 rpm records chez moi: some classic, some crap. I love ’em all. With a few drinkies to ease things along, we’re in for a great evening.

Here’s the latest playlist:

  1. The Mission – “Severina” / “Tomorrow Never Knows”
  2. Joe Fagin – “Back with the Boys Again” / “Get it Right”
  3. Samantha Fox – “Nothing’s Gonna Stop Me Now” / “Dream City”
  4. Samantha Fox – “I Surrender (To the Spirit of the Night”) / “The Best is Yet to Come”
  5. Lacuna Coil – “Our Truth”/ “Without a Reason”
  6. Paul McCartney & The Frog Chorus – ” We All Stand Together” / “We All Stand Together (Humming Version)”
  7. Slade – “7 Year Bitch” / “Leave Them Girls Alone”
  8. Demon – “Wonderland” / “Blackheath”
  9. Sex Pistols – “Silly Thing” / “Who Killed Bambi”
  10. Bad Manners – “Can Can” / “Armchair Disco”
  11. Doctor & The Medics – “Burn” / “Captain Frazer”
  12. 2 in a Room – “Wiggle It” / “Take Me Away”
  13. Slade – “My Oh My” / “Keep Your Hands Off My Power Supply”
  14. T’Pau – “China in Your Hand” / “No Sense of Pride”
  15. Belinda Carlisle – “I Get Weak” / “Should I Let You In?”
  16. Madonna – “Crazy for You” / Sammy Hagar – “I’ll Fall in Love Again”
  17. Billy Ocean – “Get Outta My Dreams, Get into My Car” / “Showdown”
  18. Scorpions – “Wind of Change” / “Restless Nights”
  19. Jack Parnell & His Orchestra – “Galloping Home (Theme From Black Beauty” / “Hawaii Five-O”
  20. Then Jericho – “Big Area” / “The Big Sweep”

Wow. From the Sex Pistols to the Frog Chorus – as always, it’s an eclectic night at the Virtual Hot tub on Singles Night! That might not be Paul McCartney’s greatest moment, but to be fair, I loved Rupert the Bear when I was a toddler, so consider me a fan.

Some notes:

The first Sam Fox single is credited as the “Samantha Fox Box”, as it comes in a carboard boxset thing with a poster. The second Sam Fox single is a Limited Edition blue vinyl single, in a gatefold photo pack. Pretty cool, and both from bargain bins.

Also from a bargain bin, the Lacuna Coil single is picture disc – and only cost me £1. Crazy bargain!

Lots of songs I loved in this evening’s playlist: the Pistols easily being my favourite. The worst was that Scorpions song, that was rubbbish.

Variety is the spice of life, and this Singles Night playlist was indeed spicy. Great tracks. More soon!

Brown Acid: The Fourteenth Trip – Album Review

Various Artists – Brown Acid: The Fourteenth Trip

RidingEasy Records

Release date: 20/04/2022

Running time: 34 minutes (approx.)

Review by: Alun Jones

7.5/10

Well, that’s it, it’s over – I thought to myself on first perusing this latest entry in the Brown Acid series.  The well has finally run dry.  The RidingEasy Records archaeologists have eventually reached the end of their previously rich vein of rare, obscure and undiscovered proto-metal and vintage hard rock.  How had I arrived at this conclusion?  There are only eight songs, compared to the usual ten; with a running time of just 26 minutes. 

Then I realised that the final track, an 8-minute-long number by a band called Raven, was missing from the press review download I had.  So that extra track would even things out nicely, with a decent longer running time.  Though I wouldn’t be able to review every song, at least the existential crisis of NO MORE ROCK had been avoided!

Volume 14 starts of with the great ‘Fever Games’ by The Legends: it’s a rampant, rollicking late 60’s ode to Blue Cheer, Hendrix and Cream.  Despite aping Jimi a little too closely, this song is a lively opener.  Next up is Mijal & White with ‘I’ve Been You’.  This track sounds like the Monkees cutting a particularly noisy song by The Who, which should encourage you to definitely give it a whirl on your gramophone. 

I don’t know who Henry is, but thanks to the chunky blues rock of Liquid Blue, I know that ‘Henry Can’t Drive’.  This is a more traditional heavy rock number, and as an album highlight it keeps the engine speeding along on a straight track.  There’s a fast rock’n’roll MC5 vibe to ‘Signs’ by San Francisco Trolly Co. This energetic song is followed by Blue Creed’s ‘Need a Friend’, a raw and rough brawler.  It’s a contrast to ‘Play It Cool’ by Transfer, which reminds me of a revved-up surf track. 

‘You’re Not the Only Girl (I’m Out to Get)’ by Appletree finally ushers in some much-needed cowbell.  Reminiscent of Grand Funk Railroad and – gasp – even early Kiss, it’s another quality highlight.  Ideal for playing in an old, rusty’n’trusty Camaro.

Cox’s Army gives us another Hendrix inspired number with ‘I’m Tired’, which bops along in a true groovy manner.  And that, for me, is my last track on my version of “Brown Acid: The Fourteenth Trip”, though as mentioned above, there is another song called

Check out RidingEasy Records at various site webs, such as their own, BandcampFacebooksTwidderChewTube and Insta.

This review was presented to you by Platinum Al in association with Ever Metal.

Toyah – Album Review

Toyah – Toyah! Toyah! Toyah! (2021 Remaster)

Cherry Red Records

Release date: 13/05/2022

Running time: 61 mins

Review by: Alun Jones

8.5/10

Now, your first question may well be: “How did Platinum Al manage to slip a Toyah review onto a Rock/Metal website?”  Well, dear reader, let me tell you a story.  The first time I ever saw Toyah live was at a local club, where the dynamic lady herself was backed by the mighty Girlschool.  All of these fearsome females put on an explosive show, comprising of ultra-rocked-up originals from both artists and classic rock covers.  So yes, Toyah is more rock’n’roll than you (or I) will ever be.

To be fair, despite her pop pedigree, Toyah Willcox has always been more Bowie than Kylie.  And on this reissue of the 1980 live album, Cherry Red have presented us with a vibrant – even, dare I say it, rocking – bunch of post punk songs that show Toyah and her band in full flight.  The expanded deluxe CD set is packaged with a DVD featuring a contemporary documentary.  For this review though, we’re focussing purely on the music.

Happily, the production is top notch.  Remastered by Nick Watson from the original master tapes, the sound is formidable.  The instruments come through crisp and clear, and the vocals are excellent, as shown on ‘Victims of the Riddle’ where keyboards maintain a steady melody while lead guitar erupts with energy.  Likewise, bass and drums shine on ‘Love Me’ – it’s particularly impressive considering we’re dealing with a 40-year-old live album.

Highlights on “Toyah! Toyah! Toyah!” include ‘Bird in Flight’, ‘Danced’ (which reminded me of the Skids) and the occult war chant of ‘Ieya’.  Never truly dark enough to be goth, the songs here are more “Scary Monsters” with a generous helping of Hawkwind space rock, especially on ‘Race Through Space’.

Through it all, Toyah’s one-of-a-kind voice soars.  Toyah has never stopped writing and performing music, acting, presenting and so on; these days she’s famous for her lockdown YouTube videos performing kitchen-based rock covers with husband, King Crimson legend, Robert Fripp.  It’s great to hear “Toyah! Toyah! Toyah!” remastered and in pristine condition.  Even speaking as a vinyl purist, it looks like my ancient vinyl copy has had its day.

Check out Toyah on Facebook, Twitter, Instagram, YouTube or her own website thingy.

You can also investigate the many wonders offered by Cherry Red Records on Facebook, Instagram, Twitter, Bandcamp and their own webalicious site.

This review has been presented to you by Platinum Al and Ever Metal.

Bring Your Own Vinyl Night #18

Bring Your Own Vinyl Night

The Queen’s Head, Mold

Friday 26th August 2022

Three years. It’s been nearly three years since the last Bring Your Own Vinyl Night at the Queen’s Head in Mold, north Wales. The pandemic put this event on hold for quite a while, but finally it was time for a triumphant return to the decks.

Let’s recap the concept: each participant gets a 15 minute slot to play whatever vinyl they like. That’s it. Very simple. And good fun. Have a few beers, chat about music, discover something new to listen to.

Here’s my ;playlist from the night:

Sweet Apple – Wish You Could Stay (A Little Longer)

I wanted to start my set up with this gorgeous, uplifting track by Sweet Apple. J Mascis (of Dinosaur Jr) is in the band, and Mark Lanegan guests on co-vocals. A sublime piece of melodic, alt rock pop. First song on their album “The Golden Age of Glitter”.

The Four Horsemen – Nobody Said It Was Easy

And then on to some early 90’s southern rock, courtesy of the Four Horsemen. This band were signed to Def American and produced by Rick Rubin. If you dig AC/DC tinged Skynyrd and ZZ Top, their wax is worth investing in. I have the album, but this was the 7 inch single version of this song.

Clutch – D.C. Sound Attack!

A stand out track from the “Earth Rocker” album by Clutch, a band I am somewhat obsessed with. I love this song, it’s energetic rock’n’roll with a funky riff – the instrumental is so good I could actually groove to it. D.C. Sound Attack!!!

Social Distortion – Dear Lover

What a band. The opening track from Social D’s “White Light White Heat White Trash” album, this is full of Mike Ness’s heartfelt angst in a pounding, mid paced punk rock’n’roller.

The Beatnix – Stairway to Heaven

The Beatnix are a Beatles cover band. Here, they’ve covered Led Zeppelin’s “Stairway to Heaven” in an early 60’s Beatles style. It’s actually really good and sounds authentic. I think this song raised a few eyebrows, starting off resembling an old Fab Four track but including the unmistakable lyrics. On the other side, there’s an Elvis impersonator called Neil Pepper, covering the same song – a great single, you need a copy.

I had a really enjoyable evening for Vinyl Night, in fact I’m sure everyone did! Thanks to Halcyon Dreams and VOD Music in Mold for hosting and organising everything. Hope to see you all again soon!

The Halcyon Dreams blogspot is here.

The Halcyon Dreams mixcloud page is here.

The Halcyon Dreams Facebook page is here.

The VOD music website is here.

Trouble – Album Review

Trouble – One for the Road/Unplugged

Hammerheart Records

Release date: 11/02/2022

Running time: 67 mins

Review by: Alun Jones

9/10

The mighty Trouble!  A release from these titans of doom metal is always worth celebration, and this is no exception.  Back in the early 90s, this cult band were verged on the edge of a mainstream breakthrough, with two albums on the Rick Rubin helmed Def American Records (also home to Slayer, Danzig, Black Crowes and others).  Alas, it was not to be: this eternal underground favourite was to remain just that. 

“One for the Road” followed the second, self-titled Def American album, as a limited-edition European tour EP.  This re-release bundles that with a full length “unplugged” album: remastered to provide a fully upgraded compilation.

The first five songs comprise that “One for the Road” EP, with first track ‘Goin’ Home’ bursting from the speakers with exactly the kind of exciting hard rock you’d expect as a Trouble opener.  ‘Window Pain’ offers a pulsating, mid paced doom rocker, whilst ‘Requiem’ brings the tempo down further with a melancholy, gloomy metal dirge.  The Black Sabbath influence is most obvious on ‘Another Day’, whilst ‘Doom Box’ raises the tempo a little but still holds a candle to Dio era Sabs.  Some of these songs would turn up in different form on later albums, but this EP brings together an excellent capsule that fits neatly into that mid 90s period.

Back in the early/mid 90’s, “unplugged” albums were all the rage.  Like others of that era, this Trouble entry into that genre isn’t always stripped down totally to just vocals and acoustic guitar: there’s still electric guitar, drums and more to embellish the tracks were necessary.  The strings added to this second version of ‘Requiem’ are exceptionally orchestrated and serve the mood of the piece brilliantly.  That said, ‘7.00 AM’ is a remarkably restrained and beautiful song, recalling Sabbath and also Trouble worshippers Soundgarden. 

Those songs – and the other tracks comprising the “Unplugged” part of this release – offer a relaxed side of the band that explores more of their psychedelic, sixties interests (see their cover of The Yardbirds’ ‘Heartful of Soul’).  It’s a release that even my eleven-year-old daughter appreciated.  The only mis-step is the jaunty jig of ‘Smile’, which is just too jangly and nice.  Yet have no fear, the version of ‘Misery’ showcased here (released as ‘The Misery Shows’ on the eponymous Def American release) reminds us just how great this band were.   

My only major issue is the cover art.  That may seem petty when this is a review of the band’s music, but as a long-term Trouble fan, I’m considering buying the vinyl copy for my collection.  And that vile cover may well deter me from doing so.  Trouble has a great logo, but the cover squanders this with nothing other than the title, in what looks like – GASP! – Comic Sans MS!  A font that should only be used by primary school teaching assistants, it dates and also ridicules the stature of the music.  It’s a truly vile and lazy cover – seemingly thrown together by a Johnny-No-Stars work experience boy on his lunchbreak.  Awful.  Couldn’t someone have redesigned it?

I’m docking points for that, ‘cos the cover mocks all I hold holy.  Beyond that, fantastic music and a must for any Trouble fan.

RIP Eric Wagner

For more info, check out the Trouble website, their Facebook page or Bandcamp page.

Hammerheart Records also have a website, Facebook and Bandcamp.

This review has been brought to you by Platinum Al in partnership with Ever Metal.

Scrap Metal Vol 1 – Album Review

Various Artists – Scrap Metal Volume 1

RidingEasy Records

Release date: 12/11/221

Running time: 34 mins

Review by: Alun Jones

9/10

Recently I’ve been razzing around this rundown town in Platinum Al’s Pimp Mobile (a 1980 Chrysler Cordoba, of course), blasting out this new compilation from those hard rockin’ duderinos at RidingEasy records.  And I haven’t had this much honest-to-rockness fun in goddamn ages!

You may recall RidingEasy’s previous comps, as reviewed by yours truly, from their Brown Acid collections of long lost proto-metal/stoner rock artifacts of the late 60s/early 70s.  Well, with Scrap Metal, they’ve taken the same approach (unearthing long-forgotten rare tracks, and releasing a carefully restored sonic document of said tunes) – but this time, applied it to the age of 70s/80s classic Heavy Metal. 

Listeners will discover a variety of styles of HM here, as the genre splits into numerous offshoots.  So, we get to hear the blossoming styles of NWOBHM, thrash, doom and glam at a time when they all still share a generous amount of DNA.  It’s classic metal, folks – and to be honest, I didn’t find that much difference between the “styles” on offer.  What I did find was ten blinding tracks of fun (and slightly dumb) rock’n’roll monsters.

Witness, for example, the wonder of “Headbang” by Rapid Tears.  Fast paced, dumb ass, dingus brained heavy rock for you to race to the chippy in a Trans-Am.  It’s glorious.  Then, with barely a rest, we’re assaulted by Air Raid’s “69 in a 55”: like early Maiden (even down to the Paul Di’Anno vocals) but with a cucumber stuffed down the spandex pants.

And the surprises keep on coming.  Hades are simply brilliant, their track “Girls Will Be Girls” venturing toward speed metal.  Resless have a crap name, but “The Power” is a Priest like power-thon that is bound to excite.  “Enemy Ace” by The Beast is a definite unrefined highlight; almost in the realms of crossover, it’s a particularly aggressive track that’s totally unsuitable for polite tea parties with grandma.

The compilation isn’t perfect: Don Cappa’s “Steel City Metal” ticks all the cliché boxes, but plods.  Yet adrenaline infused, urgent rockers like “Can’t Stop” by Dead Silence, “Iron Curtain” by Czar and “Viking Queen” by Real Steel keep the fists punching the air and a grin on the face.    

As with the Brown Acid series, it’s bewildering how at least some of the bands on Scrap Metal Volume 1 didn’t get any further.  I’ve heard a lot worse.  However, careers are built on consistently great song writing and performance – we only have one (admittedly brilliant) song by each band to testify here.

The lyrics and themes may wallow in the murky depths of the tired and obvious, but I challenge any of you to not enjoy the music on offer.  Park any pretentions of sophistication you may hold, the energy to be heard on these tracks is pure pleasure.  Pull on your super tight jeans, bullet belt and patch covered battle vest, let your hair down (if you still can), and rejoice in a simpler time.  Scrap Metal Vol 1 is a full on, beer swilling triumph of an album.  HEADBANG!!!

Visit the RidingEasy Records website here.

Or check them out on Facebook, Twitter, YouTube, Insta or Bandcamp.

Today’s review is brought to you by Platinum Al in association with Ever Metal.

Wax Mekanix/Troll Teeth – EP Review

Wax Mekanix/Troll Teeth – Blunt (Split EP)

Electric Talon Records

Release Date: 22/10/2021

Running Time: 14.32

Review by: Alun Jones

9/10

Now the good folks at Electric Talon Records issued this split EP back in October last year, so yet again, apologies for my tardiness.  I’ll think of an excuse by the end of this review.  For now, let’s just cover some basic info: two bands, namely Troll Teeth and Wax Mekanix, with five songs split between them.  Style wise, we’re in for a journey – so stay sharp.

Wax Mekanix is an artist I’m already familiar with from his exceptional “Mobocracy” album from 2020.  That record covered a wide base genre wise, from hard rock to folky guitar and any number of surprises in between.  Wax hasn’t stood still, instead deciding to venture into yet newer fields with the three tracks shared here.  So first up we get “Head”, an enticing blend of acoustic guitar, tribal drums and percussion, and rowdy vocals.  There’s no ferocious riffage here, but the infectious rhythms and Eastern sounding chords will drag any listener along.

“Manchester Strawberry Blonde” is a short interlude, with almost Native American percussion, augmented with lyrics that recount a despairingly tragic incident.  The lyrics on all tracks are worth a read, particularly here.  Wax’s final offering is “Freak Boutique”, where the mellow acoustic guitar is embellished again with Eastern rhythms.  As a result, this is less campfire singalong and more a voyage across exotic lands.                 

Troll Teeth have the best band name I’ve heard in years.  Thankfully, they can also deliver some righteous music too.  “The Pigs are on Parade Today” has a dense, mid paced stoner rock approach that is instantly cinematic: perfectly appropriate for watching vast desert skies growing dark and the heavens lighting up.  “Barbs on a Wire” is more aggressive, but still retains a sense of melody along with the rolling, raucous riff.  It’s progressive in the best sense of the word, and also addictive with it’s relentless, undulating drive and fiery lead guitar.  If you dig Baroness, you’ll dig this.

At first listen, the two bands here seem somewhat different – but it becomes obvious that they’re tied together by their expansive, wide view of the world – and it’s sounds.  Wax Mekanix and Troll Teeth are both visionaries.  Here’s to hearing a new full length from each, soon.

What was that?  What was my excuse for this review being so late?  Well, ah… I had completed it ages ago, honest, but Ozzy Osbourne ate it.

Find Wax Mekanix doing some online stuff on Facebook, Instagram, Twitter and Bandcamp.

Troll Teeth are waiting to meet you on Facebook, Instagram, Twitter and Bandcamp.

And you can check out Electric Talon records here.

This review is a joint presentation from Platinum Al and Ever Metal.