UK Subs – XXIV/Yellow Leader Album Review

UK Subs – XXIV/Yellow Leader

Captain Oi/Cherry Red Records

Release date: 27/05/2022 and 08/07/2022

Running time: 38 mins and 52 mins

Review by: Alun Jones

9/10 and 8.5/10

Recap time: regular readers may remember that yours truly recently reviewed the re-issue of “Work in Progress” by punk veterans UK Subs.  You may also recall that that album covered the letter W in the bands ongoing mission to release an album for every letter of the alphabet.  Well, the good news is that Captain Oi/Cherry Red Records are also releasing the next two instalments in the series – that’s the letters X and Y (but you knew that).

Working through chronologically, we have “XXIV” – which the lovely record company peeps have released on drool-worthy double 10” vinyl, one green, one clear.  Yummy.  Our first song is an absolute belter: the full-on turbo romp ‘Implosion 77’.  Hold on tight and buckle up!  There’s plenty more fast’n’nasty thrills on offer too: ‘Speed’ has a merciless UK82 vibe; ‘Monkeys’ has a classic Subs singalong chorus; ‘Garden of Good & Evil’ is another pogo-till-your-pants-fall-off rocker.

There’s some well-placed variety too, with the harmonica adorned political thrust of ‘Coalition Government Blues’; and Bo Diddley swagger of ‘Wreckin’ Ball’ – both showing hints of the bands R’n’B origins (like as in, what R’n’B used to be).  Lyrically there are plenty of targets for Charlie to attack, both politically and socially.  ‘Memento Mori’ finishes the album off with one most aggressive tunes on offer, leaving us with a great album of 14 adrenaline infused songs.

“Yellow Leader” follows in a similar fashion, featuring 18 songs (whereas the original vinyl was cut to just 14 due to running times).  To be released on slinky, divine double 10” vinyl (one red, one turquoise here), it’ll be a feast for the eyes and ears.  Again, the album is crammed with more relentless punk rock shenanigans like ‘Sick Velveteen’, ‘Chemical’ and ‘Heathens’, all of which will have you jumping around the room like a monkey on a lava stream.

As the previous record, there’s plenty of other sounds and ideas here: single ‘Sin City Blues’ has a killer rockabilly feel; and ‘Rebellion Song’ breaks out the acoustic guitar.  The only mis-step is ‘Archaeology’, a strange post -punk/goth style experiment that while not awful, isn’t a total success.  All in all, the quality of music is impressively high and the recordings sound excellent.

And there you go, music lovers: not one, but TWO albums of mighty UK Subs songs, lovingly compiled and curated by those nice folks at Captain Oi/Cherry Red Records.  You lucky people.  Pick ‘em up while you can, nobody is this fortunate twice.    

You can find UK Subs on Facebook and Twitter.

Cherry Red Records have a website. Plus you can find them on FacebookTwitter, Instagram and Bandcamp.

This review is a joint presentation from Ever Metal and Platinum Al.

UK Subs – Album Review

UK Subs – Work in Progress

Cherry Red Records

Release date: 22/04/2022

Running time: 41 minutes

Review by: Alun Jones

9/10

Ladies and gentlemen: the UK Subs.  A fine collective of upstanding, noble samurai and no mistake.  Led by the indomitable Charlie Harper, the band have roots stretching right back to the origin of the London punk scene (and actually, a fair bit further than that).   The band are still touring and recording all this time later, albeit with changing line ups throughout the years, so their integrity and passion should never be in any doubt. 

Casual observers may not be aware that the UK Subs have released an album for every letter of the alphabet (plus more).  That’s no mean feat.  What is somewhat daunting, is that’s a lot for any new fans who want to collect everyone of those releases!  Yet fear not, music lovers: Cherry Red records have been gracious enough to re-release the 2011 album “Work in Progress”, on sexy double 10” gold and silver vinyl.  For anyone struggling to keep up, that means the punters have no excuse to at least have the letter W from the list in the bag.

And what will discerning music fans find within this sumptuous collection?  Why, fourteen songs of the finest punk rock vintage, of course.  That means a blitzkrieg of blinding rockers like ‘Creation’, ‘Radio Unfriendly’ and the brilliantly titled ‘Hell is Other People’.  Some bloke called Lars Frederickson, from a band called Rancid, co-wrote ‘This Chaos’ – another brain melter – and you can even bang your head to ‘Children of the Flood’, if you want to.

Punk rock unbelievers, I say unto thee: these songs do not all sound the same.  They are not simply constructed, amateur-hour noise.  All the tracks are full of energy and have their own identity.  There’s a hint of rockabilly on ‘Eighteen Wheels’, R&B garage rock on the bouncy Sonics cover ‘Strychnine’ and ‘All Blurs into One’ has an almost psychedelic sheen. 

The only potential misfires are ‘Tokyo Rose’, which at first sounds a bit too Hollywood Sunset Strip (but redeems itself after a few listens) and ‘Rock’n’Roll Whore’, which could be a bit – well, dated lyrically.

This UK Subs album admirably highlights a classic band who are still fighting on, taking their music to the world.  It shows the roots of the band in R&B, whilst also providing a link from the Ramones to US hardcore bands like Circle Jerks and Descendents, and ever onwards.  After all these years, the UK Subs are still a “Work in Progress” and show no signs of stopping.

Right, see you later.  I’m off to hang around in a graveyard with my old mate Dave Vanian.  Captain and Rat, you can only come if you promise to stop setting fire to mattresses.

You can find UK Subs on Facebook and Twitter.

Cherry Red Records have a website. Plus you can find them on Facebook, Twitter, Instagram and Bandcamp.

This review is a joint presentation from Ever Metal and Platinum Al.

Toyah – Album Review

Toyah – Toyah! Toyah! Toyah! (2021 Remaster)

Cherry Red Records

Release date: 13/05/2022

Running time: 61 mins

Review by: Alun Jones

8.5/10

Now, your first question may well be: “How did Platinum Al manage to slip a Toyah review onto a Rock/Metal website?”  Well, dear reader, let me tell you a story.  The first time I ever saw Toyah live was at a local club, where the dynamic lady herself was backed by the mighty Girlschool.  All of these fearsome females put on an explosive show, comprising of ultra-rocked-up originals from both artists and classic rock covers.  So yes, Toyah is more rock’n’roll than you (or I) will ever be.

To be fair, despite her pop pedigree, Toyah Willcox has always been more Bowie than Kylie.  And on this reissue of the 1980 live album, Cherry Red have presented us with a vibrant – even, dare I say it, rocking – bunch of post punk songs that show Toyah and her band in full flight.  The expanded deluxe CD set is packaged with a DVD featuring a contemporary documentary.  For this review though, we’re focussing purely on the music.

Happily, the production is top notch.  Remastered by Nick Watson from the original master tapes, the sound is formidable.  The instruments come through crisp and clear, and the vocals are excellent, as shown on ‘Victims of the Riddle’ where keyboards maintain a steady melody while lead guitar erupts with energy.  Likewise, bass and drums shine on ‘Love Me’ – it’s particularly impressive considering we’re dealing with a 40-year-old live album.

Highlights on “Toyah! Toyah! Toyah!” include ‘Bird in Flight’, ‘Danced’ (which reminded me of the Skids) and the occult war chant of ‘Ieya’.  Never truly dark enough to be goth, the songs here are more “Scary Monsters” with a generous helping of Hawkwind space rock, especially on ‘Race Through Space’.

Through it all, Toyah’s one-of-a-kind voice soars.  Toyah has never stopped writing and performing music, acting, presenting and so on; these days she’s famous for her lockdown YouTube videos performing kitchen-based rock covers with husband, King Crimson legend, Robert Fripp.  It’s great to hear “Toyah! Toyah! Toyah!” remastered and in pristine condition.  Even speaking as a vinyl purist, it looks like my ancient vinyl copy has had its day.

Check out Toyah on Facebook, Twitter, Instagram, YouTube or her own website thingy.

You can also investigate the many wonders offered by Cherry Red Records on Facebook, Instagram, Twitter, Bandcamp and their own webalicious site.

This review has been presented to you by Platinum Al and Ever Metal.

Singles Night at the Virtual Hot Tub #28

Well it’s been a while, but here we are back at Platinum Al’s Virtual Hot Tub enjoying some 45 rpm tunes. I can promise you another night of varied music spanning the musical genres – some well known, some obscure, some classic, some not so classic.

How does it work? It’s simple: I play my way through my (sometimes bizarre) collection of 7″ vinyl singles – both sides, one after the other. The result is a playlist of tunes and an evening captured in time. Drinking the booze often helps.

Here we go with this playlist:

  1. The Stranglers – “Walk on by” / “Old Codger” / “Tank”
  2. Anti Nowhere League – “Streets of London” / “So What”
  3. Public Image Limited – “Rise” / “Rise (Instrumental)”
  4. Fat Boys – “Wipeout” / “Crushin'”
  5. Creedence Clearwater Revival – “Up Around the Bend” / “Run Through the Jungle”
  6. Nazareth – “Shanghai’d in Shanghai” / “Love, Now You’re Gone”
  7. Nazareth – “This Flight Tonight” / “Called Her Name”
  8. Tiffany – “Could’ve Been” / “The Heart of Love”
  9. The Beach Boys – “Do It Again” / “Wake the World”
  10. The Hollies – “He Ain’t Heavy, He’s My Brother” / “‘Cos You Like to Love Me”
  11. Madonna – “Hanky Panky” / “More”
  12. The Beatmasters ft. The Cookie Crew – “”Rok Da House (Remix)” / “Rok Da House”
  13. Fuzzbox – “International Rescue” / “Raining Champagne”
  14. Thin Lizzy – “Rosalie (Cowgirl’s Song)” / “Me and the Boys”
  15. Thin Lizzy – “Whisky in the Jar” / “Black Boys on the Corner”
  16. Diana Ross – “Touch me in the Morning” / “Baby it’s Love”
  17. Diana Ross – “All of My Life” / “A Simple Thing Like Cry”
  18. Dian Ross & Marvin Gaye – “You Are Everything” / “Include Me in Your Life”
  19. Stevie Wonder – “Saturn” / “Ebony Eyes” / “All Day Sucker” / Easy Goin’ Evening (My Mama’s Call)”
  20. Stevie Nicks – “Stop Draggin’ My Heart Around” / “Kind of Woman”

A few notes on the records listed above: firstly, the Fat Boys A side is listed as “featuring The Beach Boys”, so that group have ended up with two mentions in this list, technically.

The Stevie Wonder single is the 7″ EP that originally came with the “Songs in the Key of Life” album. I already owned the album, but not the single, so that’s a great addition to my collection.

Also, the Stevie Nicks single features Tom Petty and the Heartbreakers.

A fine evening’s entertainment with that playlist. From the most obscene song in my entire record collection (ANL’s “So What”), covering some punk/new wave classics, hard rock and pop gems – it was a ton of fun. More soon.

Bring Your Own Vinyl Night #18

Bring Your Own Vinyl Night

The Queen’s Head, Mold

Friday 26th August 2022

Three years. It’s been nearly three years since the last Bring Your Own Vinyl Night at the Queen’s Head in Mold, north Wales. The pandemic put this event on hold for quite a while, but finally it was time for a triumphant return to the decks.

Let’s recap the concept: each participant gets a 15 minute slot to play whatever vinyl they like. That’s it. Very simple. And good fun. Have a few beers, chat about music, discover something new to listen to.

Here’s my ;playlist from the night:

Sweet Apple – Wish You Could Stay (A Little Longer)

I wanted to start my set up with this gorgeous, uplifting track by Sweet Apple. J Mascis (of Dinosaur Jr) is in the band, and Mark Lanegan guests on co-vocals. A sublime piece of melodic, alt rock pop. First song on their album “The Golden Age of Glitter”.

The Four Horsemen – Nobody Said It Was Easy

And then on to some early 90’s southern rock, courtesy of the Four Horsemen. This band were signed to Def American and produced by Rick Rubin. If you dig AC/DC tinged Skynyrd and ZZ Top, their wax is worth investing in. I have the album, but this was the 7 inch single version of this song.

Clutch – D.C. Sound Attack!

A stand out track from the “Earth Rocker” album by Clutch, a band I am somewhat obsessed with. I love this song, it’s energetic rock’n’roll with a funky riff – the instrumental is so good I could actually groove to it. D.C. Sound Attack!!!

Social Distortion – Dear Lover

What a band. The opening track from Social D’s “White Light White Heat White Trash” album, this is full of Mike Ness’s heartfelt angst in a pounding, mid paced punk rock’n’roller.

The Beatnix – Stairway to Heaven

The Beatnix are a Beatles cover band. Here, they’ve covered Led Zeppelin’s “Stairway to Heaven” in an early 60’s Beatles style. It’s actually really good and sounds authentic. I think this song raised a few eyebrows, starting off resembling an old Fab Four track but including the unmistakable lyrics. On the other side, there’s an Elvis impersonator called Neil Pepper, covering the same song – a great single, you need a copy.

I had a really enjoyable evening for Vinyl Night, in fact I’m sure everyone did! Thanks to Halcyon Dreams and VOD Music in Mold for hosting and organising everything. Hope to see you all again soon!

The Halcyon Dreams blogspot is here.

The Halcyon Dreams mixcloud page is here.

The Halcyon Dreams Facebook page is here.

The VOD music website is here.

Singles Night at the Virtual Hot tub #27

I promised we’d revisit Platinum Al’s Virtual Hot Tub for another Singles Night, so here we go! Another evening of playing 7 inch singles and having a few cocktails (or beers, or whatever you thirst for). There’s a massive pile of these 45 rpm records to get through, so prepare yourself!

As a quick recap for the uninitiated, I have a stack (or several) of singles that I haven’t played yet. Some have been gifts, some have been picked up – usually very cheaply – from record shops, record fairs, charity shops and carboot sales. The idea is to play through the stack of vinyl one at a time, A side the B side, and enjoy the tunes.

Now I present to you my latest playlist:

  1. Red Hot Chili Peppers – “Taste the Pain” / “Show Me Your Soul”
  2. The Stranglers – “European Female” / “Savage Breast”
  3. The Wee Papa Girl Rappers – “We Rule” / “Rebel Rap”
  4. Salt-n-Pepa – “Shake Your Thang” / “Spinderella’s Not a Fella”
  5. Vanilla Ice – “Ice Ice Baby” / “It’s a Party”
  6. Motley Crue – “Girls, Girls, Girls” / “Sumthin’ for Nothin'”
  7. Neil Pepper (Elvis) – “Stairway to Heaven” / “The Beatnix – “Stairway to Heaven”
  8. Sham 69 – “Hurry Up, Harry” / “No Entry”
  9. Kenny Everett – “Snot Rap” / “Snot Rap (Part 2)”
  10. The Turtles – “Happy Together” / “Like the Seasons”
  11. Aerosmith – “Janie’s Got a Gun” / “Voodoo Medicine Man”
  12. Don Fardon – “Indian Reservation” / “Hudson Bay”
  13. Cerrone – “Je Suis Music” / “Rocket in the Pocket”
  14. Marty Wilde – “It’s Been Nice” / “Bad Boy”
  15. Taja Seville – “Love is Contagious” / “Mama”
  16. B.A. Robertson & Maggie Bell – “Hold Me” / “Spring Greens”
  17. Fiddler’s Dram – “Daytrip to Bangor” / “The Flash Lad”
  18. Bob Geldof – “The Great Song of Indifference” / “Hotel 75”
  19. Gary Shearston – “I Get a Kick Out of You” / “Witnessing”
  20. Mr. Mister – “Kyrie” / “Kyrie (Extended)”

A note on disc number 7 above: Neil Pepper is an Elvis impersonator, and The Beatnix are a Beatles tribute band. On this record, both have covered the Led Zeppelin classic in the style of their inspirations.

The latter half of this playlist started to wander in to some strange, unknown territory – along with featuring some decidedly dodgy songs. A while back, I purchased a box of about 100 singles at a carboot sale for a fiver, quite a lot of which was quality music. Here though, some of the dregs have started to float to the surface.

It’s not all bad though, and there’s a fair spread of awesome tracks scattered through out the list to make it a fun listen. Plus a lot of variety too, from The Crue’s dumb party metal, to classic 60’s pop from the Turtles, 80’s pop with Mr. Mister and some great old school hip hop.

I’m favouring Sham 69 and The Stranglers as particularly fine songs. And of course the Red Hot Chili Peppers, which I bought because although the A side I have on an album, I wanted the B side to add to my collection.

Singles Nights are always a cool way to spend an evening. I’ll update you with another killer playlist soon.

White City Graves – Album Review

White City Graves – One Of Us

Self-Released (MDPR)

Release date: 20/08/2021

Running Time: 29 minutes

Review by: Alun Jones

8.5/10

White City Graves released this album back in August, but I’m reviewing it in October.  Not because I’m a slacker, but because this album is totally appropriate for the Spookiest Month of the Year.  That’s right folks, we’ve jumped on the Horror Punk ghost train again, so buckle up and be prepared for a rollicking roll on the tracks to hell.

To be fair, there’s definitely a Misfits/Danzig influence with “One Of Us”, but White City Graves cast a wider net than just horror punk.  Aggressive as it is, and with the undoubted splash of melody from those aforementioned bands, these songs also owe a big debt to ugly metal bands like Motorhead, Venom and Mercyful Fate.

Like Tad jacked up on speed and Monster Energy whiskey cocktails, it’s furious and frightening.  We’re only one motel stop from chainsaw killers and rabid werewolf bikers – all of which makes Al rub his hands with glee.

“Bump in the Night” starts with a sample of an obscure B-movie (of course) and proceeds in the manner we’d expect: punk’n’roll at 200mph and snarling vocals.  “Lights Out” is a frenzied rocker with the hugest chorus on the album – think the Anti-Nowhere League partying in a haunted house and you’ll be there.      

The band give a nod to their Seattle roots with an exemplary cover of Soundgarden’s “Hunted Down”, a surprising song choice, but it makes perfect sense.  WCG take the original and inject even more brutality, but retain a little of the psychedelic feel of the original.

I’ve no idea who Brooks is, but “Brooks is Here” features a helluva fast, almost psychobilly freak out.  “Make My Blood Boil” and “Day in the Death” have a similar feel, though “Deeper” takes a more metallic approach with some added Sisters of Mercy atmos.

“One of Us” is fast and nasty, unafraid to have some fun with the horror punk cliches, but adding a ruthless heavy rock influence.  Like the best of Seattle bands, it’s an irresistible collision of punk and metal that’s fun and makes the listener beg for more.  Why aren’t more bands like this? 

My old mate Ronnie James Dio used to love Halloween.  He had fantastic costumes too: demons, zombies, imps.  I used to have to take him out Trick or Treating every year, acting as his minder.  Of course, I looked more like his parent, and most of the people thought little Ron, knocking on their door, was a child.  He got loads of candy though, and he always shared it with me.  Happy days.

Check out the fantastic White City Graves on Bandcamp, Spotify, Facebook, YouTube, Twitter and Instagram.

This review is presented to you by Platinum Al and Ever Metal.

Brown Acid: The Twelfth Trip – Album Review

Various Artists – Brown Acid: The Twelfth Trip

RidingEasy Records

Release date: 20/04/2020

Running time: 33 minutes

Review by: Alun Jones

8.5/10

Well, who’d have thought it?  Here’s the twelfth instalment of the Brown Acid series from RidingEasy Records, their ongoing exploration of rare, lost and forgotten treasures from the late 60s and early seventies.  These proto-metal, hard rock and heavy psych riches are continuing to turn up, thankfully curated and shared with a new, wider audience.  They still haven’t run out of steam, which is very good news.   

This time, the Professors of Rock (“Prockfessors”, anyone?  Nah, never mind) have released ten more crazily good tracks from the past.  As can be expected, the bands are deep fried and the guitars are fuzzier than a Macdonalds burger-flipper’s chin.

And so, we commence with “Mother Samwell” by The Waters: a blinding, acid-drenched rocker from 1969.  How can this have been lost for so long?  Up next is “Vibrations” by Village S.T.O.P.; featuring Hendrix style guitar in another pacey rocker.  Though very much of their time, these songs pack a ton of energy – you’re gonna want to freak out.  Right out.

“1930” was quite a year, claim White Lightning, with a funky, chunky marauder of a tune that’s like Grand Funk, on the rare occasions GF got it right.  Shane serves up some proper skronky organ with “Woman (Don’t You Go)”, reminiscent of a shrieky, early Purple.  Then the keyboards get even skronkier with Ace Song Service’s “Persuasion”, though the attack is harsher.

Opus Est really kick out the jams with “Bed”, which has a killer riff that would please Gibbons or Page.  The Mopptops have a terrible band name (maybe that’s why they disappeared), but their song “Our Lives” is one of the heavier, more vicious sounding tracks here.  It’s a punk rock bruiser that seems totally out of time – surely this can’t be 1968?

A bland band name, but Artist inject their song “Every Lady Does It” with enough hip-shaking Hendrix raunch to raise the roof.  Great chorus too; this is faultless.  Then it’s more great lo-fi garage ZZ Top with “Comin’ Home” by Stagefright, before we finish with Dickens (great name!) and their weird fuzz metal with minimal production, “Don’t Talk About My Music”.

Whether they’re discovering hidden gems in dusty tombs, or exhuming abandoned corpses and bringing them back to life – pick your metaphor: the RidingEasy Forensics Department have managed to surprise yet again.  Their quest seems never ending, but we can be thankful that these dedicated scholars continue to discover hitherto abandoned sonic delights.

It’s harder to pick out gems which shine brighter than the others this time around, but “Brown Acid: the Twelfth Trip” manages to reach a high standard across the board.  Very enjoyable, and recommended listening for when Jimi and Janis pop round for some mushroom tea.

Why not do some internets with RidingEasy records on their website, Bandcamp, Facebook, Twitter, YouTube, or Insta?

This review was proudly presented by Platinum Al in association with Ever Metal.

Lugosi – Album Review

Lugosi – Video Nasty

Self-released (BJF PR)

Release date: 12/03/2021

Running time: 27 minutes

Review by: Alun Jones

8.5/10

OK, here we go!  The clue’s in the title, folks – you can probably figure out where we’re headed with a band called Lugosi straight off the (vampire) bat.  If not, let me give you some pointers…

To get to Lugosi’s haunted house, depart from the Ramones’ basement, travel up Misfits Avenue, take a left at Danzig Drive, head on past Lemmy’s Bar’n’Grill till you get to 1313 Mockingbird Lane.  And you’ve arrived: horror themed punk’n’roll with fast’n’furious tunes and daft lyrics about dodgy old horror and sci-fi movies.  In other words, exactly the kind of goth rock Halloween shindig that your ol’ Uncle Al loves to crash.

Let’s get the devil-locked elephant in the room dealt with first: ‘cos there’s going to be a Misfits reference in nearly every sentence I write of this review!  To be fair, although there’s an undoubted Misfits influence in Lugosi’s work, it’s more in the lyrical content: songs about vampires, Dawn of the Dead and devil worship are aplenty, but in a tongue in cheek, Hammer horror style rather than any serious Satanic pretence.  This is music made by fans of cheesy, campy horror classics for other fans of the same.

The music itself has less of the big “WOAH” Danzig choruses and a more Motorhead inspired punk’n’roll sound, like Supersuckers  or Zeke.  There’s even a really cool instrumental in the middle of “They Came from Outer Space” that has an Iron Maiden feel.  The riffs not too far from Clutch, and – is that a Thin Lizzy influence?  Well, I was surprised to learn that Lugosi are from Dublin – I imagined they were from a remote cabin in the Texas backwoods somewhere…

“Late Night Slasher Movie” starts things off perfectly, in the speedy rockin’ style I mentioned, with hilarious lyrics!  “We’re Here to Drink Blood” is one of the punkier paced, Ramones tracks – and it’s catchier than a zombie plague.  Then there’s “Soylent Green”, which reminds me of Jerry Only era Misfits (this is a good thing).  A heavier, Sabbath feel rocks right out of the grave on “The Vampyre” and “Hellfire Club”.  There’s an almost doom sound to “1313”, augmented by high-pitched, theremin like weirdness.  I think you get the idea.

“Video Nasty” is a great album, thoroughly enjoyable in many ways: a successful Frankenstein bolting together of B-movies, punk and heavy metal – ideal for your next gathering on All Hallows Eve.  Kitsch, ridiculous, over the top – and FUN.  Lugosi have really reanimated the corpse of horror punk, and – it’s alive!!!

Check out Lugosi on Facebook and Bandcamp.

This review was proudly presented by Platinum Al and Ever Metal.

Singles Night at the Virtual Hot tub #25

Yes, that’s right: it’s time for another Singles Night! This is no crappy Channel 4 dating show featuring halfwit Instagram influencers, no sir. The type of single we’re talking about here is the vinyl kind – 45 rpm records, beautiful black plastic discs. Seven inches of pure joy!

For the newcomers, I have a pile of unplayed vinyl singles, which I listen to consecutively (A side, then B side). Accompanied by a few drinkies, it’s a most excellent evening of entertainment.

Here’s the latest playlist, featuring some total bangers:

  1. AC/DC – “Touch Too Much” / “Live Wire” / “Shot Down in Flames”
  2. The Piranhas – “Tom Hark” / “Getting Beaten Up” / “Boyfriend”
  3. Judas Priest – “Evening Star” / “Beyond the Realms of Death”
  4. Hollywood Beyond – “South Africa” / “The Cocteau Twins – “Orange Appled” / The Fall – “Lucifer Over Lancashire” / Zodiac Mindwarp & The Love Reaction – “High Priest of Love”
  5. Pretenders – “Brass in Pocket” / “Swinging London” / “Nervous But Shy”
  6. Billy Idol – “Rebel Yell” / “(Do Not) Stand in the Shadows”
  7. Television – “Prove It” / “Venus”
  8. Def Leppard – “Rocket” / “Release Me”
  9. U2 – “The Unforgettable Fire” / “A Sort of Homecoming”
  10. Pet Shop Boys – “Always On My Mind” / “Do I Have to?”
  11. A Flock of Seagulls – “Wishing (I Had a Photograph of You)” / “Committed”
  12. Frankie Goes to Hollywood – “Relax” / “One September Monday”
  13. Big Country – “Chance” / “The Tracks of My Tears”
  14. Duran Duran – “Wild Boys” / “(I’m Looking for) Cracks in the Pavement (1984)”
  15. GB Band – “Smasheroo” / “Long Distance Calling”
  16. Petula Clark – “Downtown” / “You’d Better Love Me”
  17. Paula Abdul – “Straight Up” / “Straight Up Power Mix”
  18. Slade – “All Join Hands” / “Here’s to…”
  19. Foreigner – “Say You Will” / “A Night to Remeber”
  20. Chuck Berry – “Reelin’ and Rockin'” / “I Will Not Let You Go”

Whoa, a lot of EPs and mulitple B sides, there!

There you go: another twenty top quality tunes that I enjoyed rocking out to in the Virtual Hot Tub. Well, except maybe Foreigner. But at least Chuck Berry saved the day!

That playlist spans the years and the genres, with some of my favourite artists like AC/DC, Billy Idol and Zodiac Mindwarp rubbing shoulders with pop legends and underground classics. Which ones are you a fan of?

See you soon for another Singles Night at the Virtual Hot Tub!