Wax Mekanix – Album Review

Wax Mekanix – Mobocracy

Electric Talon Records (Dewar PR)

Release date: 20/11/2020

Running time: 30 mins approx

Review by: Alun Jones

9/10

“Who the fuck is Wax Mekanix?” You may well ask.  Who is this enigmatic troubadour, this mysterious master musician, who has concocted this art for us to absorb?  Well, I’m not sure I can answer those questions, but I have done some research.  A bit late, I know, as this album was first released back in November.  But hey, I can’t be cutting edge all of the time.  Sometimes a scribe such as I must admit that changes of seismic consequence occur without my usual omniscient vision.  Hard to believe, I know.

And yet here we are.  Six tracks of exploration and wonder that plough a beguiling path through musical genres, from classic hard rock to folky musings, with an added sprinkle of the unexpected and alternative.

If you want big full-on metal with groove, you’ll find it with “Blood in my eyes”.  Huge chants and choruses?  Try the gladiatorial detonation of “Victorious”, where you’ll also witness Brandon Yeagley and Chris Bishop of the very awesome Crobot playing the funky, infectious riffs that they’re famed for.

Wax himself is something of a renaissance man: writing, singing and playing on all tracks.  Possessing a voice that can change from a warm country croon to a caramel Maynard James Keenan earnestness to a classic Alice Cooper roar, Wax morphs easily from one to another.  He’s like Mike Patton with a folk fixation, but dressed even more dapper.

“Mad World” is one of my favourite tracks here, starting off with some Mexican guitars before erupting in a NWOBHM stampede that also recalls The Crue at their pop metal best.

The absolute highlight, though, is the final track “Black”.  This song is all eerie acoustic guitar and minimal percussion, with a catchy melody that creates something hypnotic and other worldly.  Despite also reminding me of Johnny Nice Painter form the Fast Show (do a Google) on the chorus, this song exudes atmosphere.

Although the album is a little short, there’s plenty to investigate.  Listeners will be rewarded with additional revelations each time they delve into it.    

When I first heard Mobocracy, I rated it as good.  After a couple of listens, I’ve upgraded it to GREAT.  A welcome amalgamation of styles and influences, as well as exemplary song writing and musicianship, don’t let the endeavours of Wax Mekanix pass you by.  Who is Wax Mekanix?  The real question should be: “What’s next?”

Speaking of wax, did I ever tell you about that time when Ozzy and me decided to do a séance with some candles he pilfered from some hippies?  That did not end well.  There’s a little B&B in Carlisle that still has scorch marks up the walls.  Tony was not impressed in the slightest.  And I still have a phobia of barbecues to this day.

You can check out Wax Mekanix on Facebook, Twitter and Bandcamp.

This review was brought to you by Platinum Al and Ever Metal.

Bloody Hammers – Album Review

Bloody Hammers – Songs of Unspeakable Terror

Napalm Records

Release date: 15/01/2021

Running time: 32 mins approx

Review by: Alun Jones

8.5/10

Outside, the nights are starting to get lighter and Spring is on its merry way.  The birds chirp merrily and warmth is returning to the land.  Which is completely inappropriate for a review of the new album by Bloody Hammers, “Songs of Unspeakable Terror”.  It should be Halloween instead: gloomy and dark with the bizarre and uncanny just outside your door.

Anders Manga (vocals, guitars, bass) and Devallia (keyboards/organ) are the Morticia and Gomez husband and wife team behind Bloody Hammers, a metal/rock/goth creation based in Transylvania County, North Carolina.  How’s that for an address?  Bet Glenn Danzig’s crying into his Count Chocula cereal. 

On this opus, Lily and Herman have left behind their previous established sound of Alice Cooper-style hard rock, crunchy metal and Sisters of Mercy atmos.  Entombed alive due to the pandemic, Bloody Hammers have exhumed the bloody corpse of horror punk, in a temporary tribute to the genre.

And it’s huge fun!  Fast and furious tracks like “Night to Dismember” and “Waking the Dead” rocket from the crypt like the hounds of hell are on their tail.  Huge “whoah-oh” Misfits choruses are of course present and correct.  Rousing and energetic, these songs are obvious but loving celebrations of influences that have only been hinted at on previous albums. 

There’s macabre melody on “We Are the Damned”, with a choir vocal effect to help power the camp horror feel.  “Hands of the Ripper” and “Not of This Earth” are slower, more metal sounding with a grinding riff.

Little of the occasional Andrew Eldritch explorations exist on “Songs of Unspeakable Terror”, though “Lucifers Light” unites guitar and keys into a moody Danzig like ballad.  A little more of this approach would still have fitted perfectly however.  I don’t know if Devallia can sing, but if she can this was a missed opportunity.   

The listener never feels too far removed from the original Bloody Hammers style, however.  Likewise this isn’t a simple, derivative rip-off of “Walk Among Us”, even though “The Brain That Wouldn’t Die” is a nice radioactive “Hatebreeders” mutation.  But whereas the Misfits took their inspiration from monochrome B-movies, Bloody Hammers have changed gears to a Kensington gore-drenched 60’s Technicolor horror fest. 

“Songs of Unspeakable Terror” is an album of pure enjoyment, which is just what we need right now.  With song titles taken directly from classic Hammer/Amicus movies, a warm rediscovery of horror punk style and some familiar Bloody Hammers rock, you can’t go wrong.  Go dig out your Halloween fancy dress, find your “Plan 9 From Outer Space” VHS cassette and get ready for a ghouls night in!   

Check out Bloody Hammers on Bandcamp, Facebook and Instagram.

This review was brought to you by Platinum Al and Ever Metal.

Here Lies Man – Album Review

Here Lies Man – Ritual Divination

RidingEasy Records (Us/Them Group)

Release date: 22/01/2021

Running time: 61 minutes

Review by: Alun Jones

8.5/10

OK: we have something very interesting here.  Something quite special.  Apparently, this is the fourth album from Here Lies Man, so I’ve got some catching up to do.  The bands unique selling point is their amalgamation of Black Sabbath with Afrobeat, and it’s a refreshing interpretation of a genre that continues to morph and bewitch the listener.

On this release, founding members Marcos Garcia (vocals/guitar) and Geoff Mann (drums) are joined by Doug Organ on keyboards and JP Maramba on bass.  Here Lies Man devoutly worship the riff in full-on Iommi style, but they’re piloting their space vessel on an exploratory course into previously uncharted galaxies.

Yes, there are chunky, heavy guitar riffs galore – but with a stroke of mad scientist genius the rhythms power the engine with a new force.  Tracks like “I Wander”, “Night Comes” and album highlight “Can’t Kill It” don’t just rock, they don’t just groove: there’s something – dare I say it – danceable in the songs on Ritual Divination.  So much so, that I might just have to go and shake my not inconsiderable booty right now.

There.  That’s better.  Just had to groove on out there, people – but I’m back now.  Here Lies Man have crafted something very infectious.  Snippets of 70s style heavy rock (“Collector of Vanities”), dizzy space rock (“In These Dreams”) and incessant beats (everywhere) create something that’s heavy AND fun.

If I have one criticism, it’s that the album feels slightly too long.  All this inventiveness is sometimes hard to keep up with, despite its addictive nature.  Over time, however, I’m guessing the additional length of the recording will probably deliver greater rewards.   

Ritual Divination by Here Lies Man: boldly rocking where no one has rocked before.

My old mates in Black Sabbath used to enjoy going off in random directions, too (usually because of the, er… substances).  One time, Bill Ward decided to play yet another prank on diminutive vocal god Ronnie James Dio by taking an axe to all the furniture in Ron’s hotel room and hacking off eight inches from the bottom of everything, to make it all smaller.  Chair legs, table legs, bed – the lot.  Moved the pictures – and the mirror on the wall – lower down by a foot, etc etc.

When Ronnie arrived, not only did he not get the joke, he really didn’t get the joke at all.  He thought it was a special room for the vertically challenged, congratulated the Hotel Manager and gave me a big cash bonus for booking him such a fabulous room.  Cheers, Bill!

Check out Here Lies Man website, on Bandcamp and Facebook.

Visit RidingEasy Records website and on Bandcamp.

This review was brought to you by Platinum Al and Ever Metal.

Singles Night at the Virtual Hot Tub #22

Time for another twenty slices of 7 inch vinyl goodness, with Singles Night at Platinum Al’s Virtual Hot Tub!

You know what that means: an evening of me playing through a stack of vinyl singles, one after the other, whilst imbibing the booze. It’s more fun than it sounds, honest! There are untold treasures in my pile of records waiting to be rediscovered – plus a few duds that should be consigned to the pop junk pile.

Join me now, on yet another daring voyage into my vinyl collection…

  1. Paul Simon – “You Can Call Me Al” / “Gumboots”
  2. Steppenwolf – “Hey Lawdy Mama” / “Twisted”
  3. Steppenwolf – “Born to be Wild” / “The Pusher”
  4. Iggy Pop – “Livin’ on the Edge of the Night” / “The Passenger”
  5. C.W. McCall – “Convoy” / “Long Lonesome Road”
  6. Belinda Carlisle – “Do You Feel Like I Feel?” / “Do You Feel Like I Feel? (Dance Mix)”
  7. The Dave Clark Five – “Glad All Over” / “I Know You”
  8. Chris Montez – “Let’s Dance” / Lonnie Mack – “Memphis”
  9. Dion & The Belmonts – “A Teenager in Love” / “I Can’t Go On (Rosalie)”
  10. Hank Williams – “Honky Tonk Blues” / “I’ll Never Get Out of This World Alive” / “My Bucket’s Got a Hole in it” / “Baby, We’re Really in Love”
  11. Slade – “Skweeze Me, Pleeze Me” / “Kill ‘Em at the Hot Club Tonite”
  12. M – “Pop Muzik” / “M Factor”
  13. Nancy Sinatra & Frank Sinatra – “Somethin’ Stupid” / Frank Sinatra – “Call Me”
  14. Kylie Minogue – “What Do I Have to do” / “What Do I Have to do (Instrumental)”
  15. Queen – “You’re My Best Friend” / “’39”
  16. 10cc – “I’m not in Love” / “Good News”
  17. Rod Stewart – “Ain’t Love a Bitch” / “Scarred and Scared”
  18. David Bowie – “Sound and Vision” / “A New Career in a New Town”
  19. Eagles – “Witchy Woman” / “Earlybird”
  20. The Sweet – “Hell Raiser” / “Burning”

Well, I had to own a copy of that Paul Simon classic, right? And the Slade B-side is tantalisingly close to hot tub, though I wouldn’t want Noddy and pals murdering anyone in my Virtual Hot Tub.

A couple of Steppenwolf killers there: look at that Easy Rider style double A side! One of the most underrated bands ever. I was lacking an Iggy single in my collection, hence that purchase – but didn’t realise that “The Passenger” was on the B-side. That’s definitely going in my jukebox, when I get one.

Regular readers will know how much I adore the lovely Belinda Carlisle. That single is a picture disc, with a bonus photo and frame (see pic) – not bad for a 50p charity shop purchase. On the other hand, I’ve never rated Kylie (I much prefer her sister, phwooar!) – but that tune’s not bad.

With some legendary country and pop – not to mention awesome tunes from Queen, Bowie and Sweet – that’s a pretty damn fine playlist. “Convoy” was one of my earliest favourite songs, by the way.

I’ll be back soon with another Singles Night – stay tuned!

Endoscopy Playlist

Last year was a nightmare. The worst part for me, beyond the pandemic, was my Farmer Giles playing up. I was in absolute agony, for months. The previously pleasant experience of seeing a friend to the coast became torture.

Over the years I’ve had several tattoos; fallen off a ramp whilst skateboarding and landed forehead first; fallen through a neighbours loft, shredding my foot in the process – plus many more ridiculous episodes of pain. None of them have ever hurt like the Emma Freuds giving you trouble, I can tell you. God bless all the mothers out there, because I have no doubt child birth is worse than a cat-arse-trophy like mine and I respect you all the more for going through with it.

After several weeks and months of treatment and examination by wonderful NHS staff, my ailment had been diagnosed as an anal fissure and I was mostly cured. I still pray every night that I have beaten this terrible affliction.

Part of the healing process was a visit to hospital for an endoscopy examination, i.e: a camera up the bum. The problem was determined, and thus, this was purely a precautionary measure.

My examination was held at the Nuffield hospital in Chester, who were helping the local NHS heroes in a dire time. I was somewhat apprehensive, but was very well looked after by the nurses and doctors there. I had fasted for hours. Then, I had to wait in a rather grand, clean white room, wearing my surgical gown.

Whilst waiting for the exam, I was entertained by music playing around the hospital ward. It was a mixture of classic pop, rock and disco, mostly from the Seventies, and I enjoyed every second. Tapping my fingers and singing along, I was relaxed and optimistic for the procedure. I was so happy, I made a mental note of as many songs as I could remember and created this playlist.

Here is the playlist, which I recommend to lighten your spirits in adverse moments!

  • ABBA – “Take a Chance on Me”
  • Rainbow – “Since You’ve Been Gone”
  • Toto – “Hold the Line”
  • Blondie – “One Way or Another”
  • Buggles – “Video Killed the Radio Star”
  • Rod Stewart – “Do Ya Think I’m Sexy”
  • Yvonne Elliman – “If I Can’t Have You”
  • Bee Gees – “Jive Talkin'”
  • Stevie Wonder – “Superstition”
  • Wild Cherry – “Play That Funky Music”
  • Boston – “More Than a Feeling”
  • Kiss – “I Was Made for Loving You”
  • T-Rex – “Get It On”
  • The O’Jays – “Love Train”
  • Hues Corporation – “Rock the Boat”
  • Genesis – “Follow You, Follow Me”
  • Boney M – “Daddy Cool”
  • The Nolans – “I’m in the Mood for Dancing”

Those are all the songs I could remember (the gas they gave me may have blurred some of my memory). But what a great selection of songs! I’ll bet anyone would feel ecstatic with tunes like those to cheer you up.

One thing that made me laugh, was waiting for the doctor to visit me with a camera to go up the nether eye whilst “Do Ya Think I’m Sexy” was blaring out. That song was so inappropriate I couldn’t help but chortle.

This blog was brought to you in association with the Viz Profanisaurus, a modern work of literary genius.

Singles Night at the Virtual Hot Tub #21

I promised you lucky readers more Singles Night fun soon – and here you go. Another twenty 7″ vinyl singles, played one after the other, to create this sensational playlist.

Pour yourself a drink and join me, as we delve into the deep recesses of my thus far unplayed record collection for a night of rock’n’roll mayhem. Prepare to have your socks well and truly rocked…

  1. Chris Cornell – “Patience” / “Nothing Compares ” U”
  2. Sweet Apple – “I’ve Got a Feeling (That Won’t Change)” / “Dead Moon (Demo Version)”
  3. ABBA – “The Winner Takes It All” / “Elaine”
  4. The Knack – “My Sharona” / “Let Me Out”
  5. Free – “Wishing Well” / “Let Me Show You”
  6. Thin Lizzy – “The Boys Are Back in Town” / “Emerald”
  7. Cheap Trick – “I Want You to Want Me” / “Clock Strikes Ten”
  8. The Who – “5.15” / “Water”
  9. Bachman Turner Overdrive – “You Ain’t Seen Nothing Yet” / “Free Wheelin'”
  10. The Beach Boys – “Break Away” / “Celebrate the News”
  11. Stakker – “Humanoid” / “Humanoid (Part 2)”
  12. Flying Lizards – “Money” / “TV”
  13. Faith No More – “Anne’s Song” / “Greed”
  14. Hi Tek 3 ft. Ya Kid K – “Spin That Wheel (Turtles Get Real) 7″ Pizza Mix” / “7” Pizza Dub Mix”
  15. Phil Collins – “In the Air Tonight” / “The Roof is Leaking”
  16. Forrest – “Rock the Boat” / “Loving You”
  17. Stan Ridgway – “Camouflage” / “Rio Greyhound”
  18. Ella Fitzgerald – “Desafinado” / “Stardust (Bossa Nova)”
  19. Creedence Clearwater Revival – “Green River” / “Commotion”
  20. Python Lee Jackson – “In a Broken Dream” / “Boogie Woogie Joe”

Boom! What a great collection. My favourite Who song, Thin Lizzy’s best (?), BTO and Free. That Knack song is, of course, a classic – as is the Cheap Trick track. All were from a record fair (remember those?) if I recall correctly.

That Faith No More song is their very worst, by an otherwise spectacular band. I’m no Phil Collins fan really, but that track is pretty good, admit it. Throw in Flying Lizards and The Beach Boys and you’ve got a helluva playlist. And if you don’t love “Camouflage” there must be something wrong with you.

The Chris Cornell was a Record Store Day special which I picked up from VOD records in Mold. Great shop who also organised the record fair I mentioned above. Check them out here.

Till next time – keep rockin’!

Moths/The Stone Eye – EP Review

Moths/The Stone Eye – Split

Self-released (Dewar PR)

Release date: 21/08/2020

Running time: 26 minutes

Review by: Alun Jones

8/10

Variety, as they say, is the spice of life.  Which is why I like to mix my drinks.  And my strippers.   Why stick to just one, when you can explore everything life has to offer?  This split EP offers two bands and four tracks in total, showcasing a considerable amount of musical diversity and talent.

First up is Puerto Rican band Moths, with their track “Intervention”.  Beginning deceptively calm, restrained and quite beautiful, it soon builds and descends from a chunky stoner riff.  And then, at pretty much the halfway mark, “Intervention” erupts into a full-on aggressive growl fest, though still portraying an adept progressive spirit.  

The meandering intrigue of the opening track is followed by a less surprising cover of the Black Sabbath classic “Hand of Doom”.  A great song, but I was hoping for more original material or an unusual cover.  No fear though, Moths inject the Sabs tune with plenty of atmosphere, the powerhouse vocals of Damaris Rodriguez helping to make their own mark on the song.  Not easy with a genuine metal standard like this, Moths have the class to pull it off.

Then it’s over to The Stone Eye, for their track “Prescence of the Mind”.  These guys are from Philadelphia, PA in the USA.  A little harder to pin a style on, they journey on a stoner path that adds in psychedelic detours akin to some of the best 90s alternative rock – but never abandoning a gutsy garage rock swagger.

A cover of the old trad ballad “Wayfaring Stranger” is next from The Stone Eye.  Delivered in a bluesy style, it contrasts nicely with the other songs.  It both delights and begs for another play.

And there you have it: four songs, different in style but each displaying a sound that seems to well define both bands.  An excellent endeavour from both Moths and The Stone Eye, you’d be well rewarded in tracking this down.

And while we’re on the subject of moths: Glenn Danzig – remember him?  Singer/visionary with the Misfits, Samhain, and of course, Danzig.  Body builder, martial arts master and expert on the occult.  Scared to death of moths, I shit you not.  Always running around with his hands over his face, hiding under tables if there was one around.  Eventually, I learned to calm Glenn down by telling him that moths were simply goth butterflies.  Amazingly, it worked.

Check out Moths on Facebook, Twitter and Bandcamp.

Check out The Stone Eye on Facebook, Twitter and Bandcamp.

This review was brought to you by Platinum Al’s Virtual Hot Tub in association with Ever Metal.

Singles Night at the Virtual Hot Tub #20

Here we go with the first Singles Night of 2021! The Virtual Hot Tub is ecstatic with anticipation for the return of these playlists.

What’s it all about? Well, I’m glad you asked. The singles in question are 45rpm vinyl singles, which I have accumulated over time from various sources. The plan: listen to the records, side A then side B, one after the other without skipping any in the pile. Whilst drinking booze.

Let’s see how I got on this time…

  1. The Temptations – “Psychedelic Shack” / “That’s the Way Love Is”
  2. Queen – “Killer Queen” / “Flick of the Wrist”
  3. Buzzcocks – “I Don’t Mind” / “Autonomy”
  4. The Clash – “Bankrobber” / “Rockers Galore… UK Tour”
  5. The Clash – “Complete Control” / “City of the Dead”
  6. The Damned – “History of the World Part 1” / “I Believe the Impossible” / “Sugar & Spite”
  7. Skids – “Sweet Suburbia” / “Open Sound”
  8. The Beach Boys – “Mona” / “Rock and Roll Music” / “Sail on Sailor” / “Marcella”
  9. ABBA – “Head Over Heels” / “The Visitors”
  10. Bananarama – “Cheers Then” / “Girl About Town”
  11. The Belle Stars – “Sign of the Times” / “Madness”
  12. Chicory Tip – “Son of My Father” / “Pride Comes Before a Fall”
  13. John Farnham – “You’re the Voice” / “Going, Going, Gone”
  14. Stevie Wonder – “My Cherie Amour” / “Don’t Know Why I Love You”
  15. Bardo – “One Step Further” / “Lady of the Night”
  16. The Motors – “Love and Loneliness” / “Time for Make-Up”
  17. Hot Chocolate – “So You Win Again” / “A Part of Being with You”
  18. Elton John – “Goodbye Yellow Brick Road” / “Screw You”
  19. Blondie – “The Tide is High” / “Susie and Jeffrey”
  20. Slade – “We’ll Bring the House Down” / “Hold on to Your Hats”

Twenty – count ’em – twenty great tracks. Well, mostly. A solid offering from the world of punk rock in that collection, with the Buzzcocks, Clash, Damned and Skids singles all being salvaged from a local charity shop. Lucky day.

I had a great night spinning these discs, there are some really awesome records to add to the collection there. Time for more soon. Stay tuned!

Ryuko Interview

In February last year, I interviewed Chester based punk/grunge band Ryuko at Pentre Fest. Due to numerous unavoidable issues – not least this blasted pandemic – the piece was unfinished till recently. Not long ago, this post finally appeared on Ever Metal, and I thought I’d republish it here too. Enjoy!

“Grandpa, what’s a gig?”

“Well son, a gig was what we used to call a band playing live music, in front of an audience.”

“What, people watching musicians play their instruments?  Crazy!”

“I know it seems like a strange idea to you youngsters, but it used to be a fantastic experience.  Actually being able to gather with friends and strangers to enjoy hearing music.  It was another world.”

That’s what the situation seems like right now: no gigs, no gatherings for entertainment – the old days sometimes feel like a lifetime ago.  At least it seemed a whole different world back in February 2020, before the pandemic, when I caught up with Chester based band Ryuko at Pentre Fest.

The three piece – comprising The Bobfather (guitars/vocals), Captain Andy (bass) and MattMan (drums) were something of an anomaly at the metal-centric Pentre Fest.  Not that Ryuko don’t rock out, but their brand of punky, alternative rock was a little different from the other bands on show.  I found their style of honest, yet far from pretentious rock’n’roll refreshing and it added a vital tone to the proceedings.

Post gig, I caught up with the band to pose some questions and contemplate the meaning of life.

First off, the cliched yet crucial discussion on influences:

Bob: It’s weird, ‘cos we’ve got influences from all over.  If you listen to one of our sets, it has stages: it starts off punky, then it goes alternative rock.  Then it goes a little metal/grungy, then back to punk at the end.

Matt: Drop D then back to punk!  I’m a huge fan of Motorhead and Metallica, the list goes on, so me being the drummer, I was always doing these thrash beats.  To go from that to stepping into this, this was more fun to me.  I really enjoy myself when I’m behind the kit with these guys.

Bob: When I write the songs, I listen to quite a broad variety of music, so I think that becomes apparent in my songs.  I don’t like to write the same song twice.  As far as when I started out, I would say when I was a teenager, I first started listening to Nirvana, Carter USM.  I also drew influences from a lot of electro – The Prodigy and stuff like that – so sometimes I’d try and work out how to play dance songs on a guitar.  And then that would give me the influence to write more interesting songs.  I like to try and fuse a bunch of different genres together, make it more interesting.

Andy: I listen to a lot of Neil Young, I think he’s a very diverse artist.  He’s done folk, he’s also done electric stuff.

How do you promote yourselves?

Matt: I’m more into social media than these guys are.  We’re promoting ourselves on Facebook, we’re gonna make a new YouTube account.  That’s kind of going up and down at the moment…

Bob: We don’t know how to work it!

Where does the name Ryuko come from?

Bob: I’m really into anime and all things Japanese, Japanese music… At the time I was watching an anime called Kill la Kill.  The main character is called Ryuko Matoi and I just thought it was a really cool name.  Some really fun facts: Ryuko is one of the least popular names in Japan.  It basically means “rebirth”, start over.  So I thought, we’re starting again, it’s a really cool name.

Andy: Well it’s not a cool name in Japan, is it?

Bob: It’s cool to me!  I think it’s cool!

Andy: I do wish we’d chosen a name that’s easier to spell and pronounce.

Bob: People can never say it.

Your cover of the Madness classic “Baggy Trousers” tonight was a surprising choice, but great!

Matt: We decided to spruce that up to make it ours.  The original is completely different to how I play it, I add extra little bits just to make it more funky.

Do you feel you’ve got the right band dynamic between the three of you?

Bob: We’re pretty good as we are.  More people add more complications cos you’ve got to think – are they free; do they drive, are they going to be available…

Matt: I’ve got a son, he’s 9, we discuss upcoming gigs before we agree to it.  If I’ve got my son and he comes along with us, if he’s allowed in the venue we play – he’s got his little ear defenders, he just sits in the corner and watches us or plays his game.

Bob: I’ve got three jobs…

Sounds like a positive environment to work in.

It’s got to be positive, if it’s not it just doesn’t work.  If no-one’s happy, nothing gets done.

So, what’s next?  What are your plans?

Bob: World domination!  One step at a time…

Andy: We’ve been working on re-doing our EP, we’ve been recording on and off.  Recording, playing as many gigs as we can.

And there you have it: an enjoyable chat with the gentlemen of Ryuko.  Make sure you check them out live, as and when we can return to the experience of live music.  If grungy, punky alt rock with some metallic crunch is your thing, then Ryuko will be just the antidote you need in these dreary times.

With apologies to Ryuko, who have waited months for this interview to see the light of day.

Check out Ryuko on Bandcamp and Facebook. Plus you can follow this link to listen to the interview on YouTube – yes, you can admire my fantastic interviewing skills for real!

And don’t forget to pay a visit to Ever Metal!

Wino – Forever Gone Album Review

WINO – Forever Gone

Ripple Music (Purple Sage PR)

Release date: 26/06/2020

Running time: 46 mins

Review by: Alun Jones

8/10

Who remembers that old TV programme, The Fall Guy?  You know, the one where the Six Million Dollar Man becomes a stuntman/bounty hunter, getting into all kinds of daredevil scrapes whilst pursuing the bad guys?  At the end of every episode, old Lee Majors (for it was he) would be seen chilling in his backyard hot tub, mulling over events whilst drinking a cold beer and smoking a big, fat cigar.

Well let it be known that I, too, like to relax in the tub with a beer after a long, hard day of whatever-the-fuck-it-is-I-do.  None of your business, really.  Just take it from me, I need to unwind in a mass of bubble bath, with candles and refreshment.  And of course, some music, just to add to the ambience.

This might not sound very metal to you, but let me tell ya: this new album from doom metal originator Scott “Wino” Weinrich would make ideal tunes for chilling in the tub.  Or pondering lost loves and fortunes in a dusty bar.  Or sound tracking a lonely drive across the desert, escaping an inevitable encounter.  But to be honest, I like the bathtub metaphor best, ‘cos I’ve not used it before.

“Forever Gone” is stripped down and intimate; the title song itself is just Wino the man, plus acoustic guitar.  Beautifully melancholic, the listener can really get lost in this.  “Taken” also ploughs a lonesome path, with Wino’s voice revealing a soulfulness that I’d never appreciated before.  

For any fans of The Obsessed or Saint Vitus who were hoping for something louder and more aggressive, there’s not too much of a leap from familiar ground really.  Other than the sonics, the emotions of loss and despair are what unifies Wino’s other output to this endeavour.  “Dark Ravine” brings a more Americana style to the proceedings, but it’s all still intense as hell, whether the guitars are turned right up or not.    

It’s not all gloom, though: “You’re So Fine” introduces a laid back, country blues number that sounds almost boogie-ish.  Throw in a great cover of Joy Division’s “Isolation” and this is an album that’s certainly full of surprises.

Great music can create images in your head for your own movie; “Forever Gone” is one of those.  Melodic yet mournful, intense and introspective, there are dozens of stories to be told within the grooves of this record. 

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