Brown Acid: The Fourteenth Trip – Album Review

Various Artists – Brown Acid: The Fourteenth Trip

RidingEasy Records

Release date: 20/04/2022

Running time: 34 minutes (approx.)

Review by: Alun Jones

7.5/10

Well, that’s it, it’s over – I thought to myself on first perusing this latest entry in the Brown Acid series.  The well has finally run dry.  The RidingEasy Records archaeologists have eventually reached the end of their previously rich vein of rare, obscure and undiscovered proto-metal and vintage hard rock.  How had I arrived at this conclusion?  There are only eight songs, compared to the usual ten; with a running time of just 26 minutes. 

Then I realised that the final track, an 8-minute-long number by a band called Raven, was missing from the press review download I had.  So that extra track would even things out nicely, with a decent longer running time.  Though I wouldn’t be able to review every song, at least the existential crisis of NO MORE ROCK had been avoided!

Volume 14 starts of with the great ‘Fever Games’ by The Legends: it’s a rampant, rollicking late 60’s ode to Blue Cheer, Hendrix and Cream.  Despite aping Jimi a little too closely, this song is a lively opener.  Next up is Mijal & White with ‘I’ve Been You’.  This track sounds like the Monkees cutting a particularly noisy song by The Who, which should encourage you to definitely give it a whirl on your gramophone. 

I don’t know who Henry is, but thanks to the chunky blues rock of Liquid Blue, I know that ‘Henry Can’t Drive’.  This is a more traditional heavy rock number, and as an album highlight it keeps the engine speeding along on a straight track.  There’s a fast rock’n’roll MC5 vibe to ‘Signs’ by San Francisco Trolly Co. This energetic song is followed by Blue Creed’s ‘Need a Friend’, a raw and rough brawler.  It’s a contrast to ‘Play It Cool’ by Transfer, which reminds me of a revved-up surf track. 

‘You’re Not the Only Girl (I’m Out to Get)’ by Appletree finally ushers in some much-needed cowbell.  Reminiscent of Grand Funk Railroad and – gasp – even early Kiss, it’s another quality highlight.  Ideal for playing in an old, rusty’n’trusty Camaro.

Cox’s Army gives us another Hendrix inspired number with ‘I’m Tired’, which bops along in a true groovy manner.  And that, for me, is my last track on my version of “Brown Acid: The Fourteenth Trip”, though as mentioned above, there is another song called

Check out RidingEasy Records at various site webs, such as their own, BandcampFacebooksTwidderChewTube and Insta.

This review was presented to you by Platinum Al in association with Ever Metal.

Toyah – Album Review

Toyah – Toyah! Toyah! Toyah! (2021 Remaster)

Cherry Red Records

Release date: 13/05/2022

Running time: 61 mins

Review by: Alun Jones

8.5/10

Now, your first question may well be: “How did Platinum Al manage to slip a Toyah review onto a Rock/Metal website?”  Well, dear reader, let me tell you a story.  The first time I ever saw Toyah live was at a local club, where the dynamic lady herself was backed by the mighty Girlschool.  All of these fearsome females put on an explosive show, comprising of ultra-rocked-up originals from both artists and classic rock covers.  So yes, Toyah is more rock’n’roll than you (or I) will ever be.

To be fair, despite her pop pedigree, Toyah Willcox has always been more Bowie than Kylie.  And on this reissue of the 1980 live album, Cherry Red have presented us with a vibrant – even, dare I say it, rocking – bunch of post punk songs that show Toyah and her band in full flight.  The expanded deluxe CD set is packaged with a DVD featuring a contemporary documentary.  For this review though, we’re focussing purely on the music.

Happily, the production is top notch.  Remastered by Nick Watson from the original master tapes, the sound is formidable.  The instruments come through crisp and clear, and the vocals are excellent, as shown on ‘Victims of the Riddle’ where keyboards maintain a steady melody while lead guitar erupts with energy.  Likewise, bass and drums shine on ‘Love Me’ – it’s particularly impressive considering we’re dealing with a 40-year-old live album.

Highlights on “Toyah! Toyah! Toyah!” include ‘Bird in Flight’, ‘Danced’ (which reminded me of the Skids) and the occult war chant of ‘Ieya’.  Never truly dark enough to be goth, the songs here are more “Scary Monsters” with a generous helping of Hawkwind space rock, especially on ‘Race Through Space’.

Through it all, Toyah’s one-of-a-kind voice soars.  Toyah has never stopped writing and performing music, acting, presenting and so on; these days she’s famous for her lockdown YouTube videos performing kitchen-based rock covers with husband, King Crimson legend, Robert Fripp.  It’s great to hear “Toyah! Toyah! Toyah!” remastered and in pristine condition.  Even speaking as a vinyl purist, it looks like my ancient vinyl copy has had its day.

Check out Toyah on Facebook, Twitter, Instagram, YouTube or her own website thingy.

You can also investigate the many wonders offered by Cherry Red Records on Facebook, Instagram, Twitter, Bandcamp and their own webalicious site.

This review has been presented to you by Platinum Al and Ever Metal.

Singles Night at the Virtual Hot Tub #28

Well it’s been a while, but here we are back at Platinum Al’s Virtual Hot Tub enjoying some 45 rpm tunes. I can promise you another night of varied music spanning the musical genres – some well known, some obscure, some classic, some not so classic.

How does it work? It’s simple: I play my way through my (sometimes bizarre) collection of 7″ vinyl singles – both sides, one after the other. The result is a playlist of tunes and an evening captured in time. Drinking the booze often helps.

Here we go with this playlist:

  1. The Stranglers – “Walk on by” / “Old Codger” / “Tank”
  2. Anti Nowhere League – “Streets of London” / “So What”
  3. Public Image Limited – “Rise” / “Rise (Instrumental)”
  4. Fat Boys – “Wipeout” / “Crushin'”
  5. Creedence Clearwater Revival – “Up Around the Bend” / “Run Through the Jungle”
  6. Nazareth – “Shanghai’d in Shanghai” / “Love, Now You’re Gone”
  7. Nazareth – “This Flight Tonight” / “Called Her Name”
  8. Tiffany – “Could’ve Been” / “The Heart of Love”
  9. The Beach Boys – “Do It Again” / “Wake the World”
  10. The Hollies – “He Ain’t Heavy, He’s My Brother” / “‘Cos You Like to Love Me”
  11. Madonna – “Hanky Panky” / “More”
  12. The Beatmasters ft. The Cookie Crew – “”Rok Da House (Remix)” / “Rok Da House”
  13. Fuzzbox – “International Rescue” / “Raining Champagne”
  14. Thin Lizzy – “Rosalie (Cowgirl’s Song)” / “Me and the Boys”
  15. Thin Lizzy – “Whisky in the Jar” / “Black Boys on the Corner”
  16. Diana Ross – “Touch me in the Morning” / “Baby it’s Love”
  17. Diana Ross – “All of My Life” / “A Simple Thing Like Cry”
  18. Dian Ross & Marvin Gaye – “You Are Everything” / “Include Me in Your Life”
  19. Stevie Wonder – “Saturn” / “Ebony Eyes” / “All Day Sucker” / Easy Goin’ Evening (My Mama’s Call)”
  20. Stevie Nicks – “Stop Draggin’ My Heart Around” / “Kind of Woman”

A few notes on the records listed above: firstly, the Fat Boys A side is listed as “featuring The Beach Boys”, so that group have ended up with two mentions in this list, technically.

The Stevie Wonder single is the 7″ EP that originally came with the “Songs in the Key of Life” album. I already owned the album, but not the single, so that’s a great addition to my collection.

Also, the Stevie Nicks single features Tom Petty and the Heartbreakers.

A fine evening’s entertainment with that playlist. From the most obscene song in my entire record collection (ANL’s “So What”), covering some punk/new wave classics, hard rock and pop gems – it was a ton of fun. More soon.

Bring Your Own Vinyl Night #18

Bring Your Own Vinyl Night

The Queen’s Head, Mold

Friday 26th August 2022

Three years. It’s been nearly three years since the last Bring Your Own Vinyl Night at the Queen’s Head in Mold, north Wales. The pandemic put this event on hold for quite a while, but finally it was time for a triumphant return to the decks.

Let’s recap the concept: each participant gets a 15 minute slot to play whatever vinyl they like. That’s it. Very simple. And good fun. Have a few beers, chat about music, discover something new to listen to.

Here’s my ;playlist from the night:

Sweet Apple – Wish You Could Stay (A Little Longer)

I wanted to start my set up with this gorgeous, uplifting track by Sweet Apple. J Mascis (of Dinosaur Jr) is in the band, and Mark Lanegan guests on co-vocals. A sublime piece of melodic, alt rock pop. First song on their album “The Golden Age of Glitter”.

The Four Horsemen – Nobody Said It Was Easy

And then on to some early 90’s southern rock, courtesy of the Four Horsemen. This band were signed to Def American and produced by Rick Rubin. If you dig AC/DC tinged Skynyrd and ZZ Top, their wax is worth investing in. I have the album, but this was the 7 inch single version of this song.

Clutch – D.C. Sound Attack!

A stand out track from the “Earth Rocker” album by Clutch, a band I am somewhat obsessed with. I love this song, it’s energetic rock’n’roll with a funky riff – the instrumental is so good I could actually groove to it. D.C. Sound Attack!!!

Social Distortion – Dear Lover

What a band. The opening track from Social D’s “White Light White Heat White Trash” album, this is full of Mike Ness’s heartfelt angst in a pounding, mid paced punk rock’n’roller.

The Beatnix – Stairway to Heaven

The Beatnix are a Beatles cover band. Here, they’ve covered Led Zeppelin’s “Stairway to Heaven” in an early 60’s Beatles style. It’s actually really good and sounds authentic. I think this song raised a few eyebrows, starting off resembling an old Fab Four track but including the unmistakable lyrics. On the other side, there’s an Elvis impersonator called Neil Pepper, covering the same song – a great single, you need a copy.

I had a really enjoyable evening for Vinyl Night, in fact I’m sure everyone did! Thanks to Halcyon Dreams and VOD Music in Mold for hosting and organising everything. Hope to see you all again soon!

The Halcyon Dreams blogspot is here.

The Halcyon Dreams mixcloud page is here.

The Halcyon Dreams Facebook page is here.

The VOD music website is here.

Trouble – Album Review

Trouble – One for the Road/Unplugged

Hammerheart Records

Release date: 11/02/2022

Running time: 67 mins

Review by: Alun Jones

9/10

The mighty Trouble!  A release from these titans of doom metal is always worth celebration, and this is no exception.  Back in the early 90s, this cult band were verged on the edge of a mainstream breakthrough, with two albums on the Rick Rubin helmed Def American Records (also home to Slayer, Danzig, Black Crowes and others).  Alas, it was not to be: this eternal underground favourite was to remain just that. 

“One for the Road” followed the second, self-titled Def American album, as a limited-edition European tour EP.  This re-release bundles that with a full length “unplugged” album: remastered to provide a fully upgraded compilation.

The first five songs comprise that “One for the Road” EP, with first track ‘Goin’ Home’ bursting from the speakers with exactly the kind of exciting hard rock you’d expect as a Trouble opener.  ‘Window Pain’ offers a pulsating, mid paced doom rocker, whilst ‘Requiem’ brings the tempo down further with a melancholy, gloomy metal dirge.  The Black Sabbath influence is most obvious on ‘Another Day’, whilst ‘Doom Box’ raises the tempo a little but still holds a candle to Dio era Sabs.  Some of these songs would turn up in different form on later albums, but this EP brings together an excellent capsule that fits neatly into that mid 90s period.

Back in the early/mid 90’s, “unplugged” albums were all the rage.  Like others of that era, this Trouble entry into that genre isn’t always stripped down totally to just vocals and acoustic guitar: there’s still electric guitar, drums and more to embellish the tracks were necessary.  The strings added to this second version of ‘Requiem’ are exceptionally orchestrated and serve the mood of the piece brilliantly.  That said, ‘7.00 AM’ is a remarkably restrained and beautiful song, recalling Sabbath and also Trouble worshippers Soundgarden. 

Those songs – and the other tracks comprising the “Unplugged” part of this release – offer a relaxed side of the band that explores more of their psychedelic, sixties interests (see their cover of The Yardbirds’ ‘Heartful of Soul’).  It’s a release that even my eleven-year-old daughter appreciated.  The only mis-step is the jaunty jig of ‘Smile’, which is just too jangly and nice.  Yet have no fear, the version of ‘Misery’ showcased here (released as ‘The Misery Shows’ on the eponymous Def American release) reminds us just how great this band were.   

My only major issue is the cover art.  That may seem petty when this is a review of the band’s music, but as a long-term Trouble fan, I’m considering buying the vinyl copy for my collection.  And that vile cover may well deter me from doing so.  Trouble has a great logo, but the cover squanders this with nothing other than the title, in what looks like – GASP! – Comic Sans MS!  A font that should only be used by primary school teaching assistants, it dates and also ridicules the stature of the music.  It’s a truly vile and lazy cover – seemingly thrown together by a Johnny-No-Stars work experience boy on his lunchbreak.  Awful.  Couldn’t someone have redesigned it?

I’m docking points for that, ‘cos the cover mocks all I hold holy.  Beyond that, fantastic music and a must for any Trouble fan.

RIP Eric Wagner

For more info, check out the Trouble website, their Facebook page or Bandcamp page.

Hammerheart Records also have a website, Facebook and Bandcamp.

This review has been brought to you by Platinum Al in partnership with Ever Metal.

Scrap Metal Vol 1 – Album Review

Various Artists – Scrap Metal Volume 1

RidingEasy Records

Release date: 12/11/221

Running time: 34 mins

Review by: Alun Jones

9/10

Recently I’ve been razzing around this rundown town in Platinum Al’s Pimp Mobile (a 1980 Chrysler Cordoba, of course), blasting out this new compilation from those hard rockin’ duderinos at RidingEasy records.  And I haven’t had this much honest-to-rockness fun in goddamn ages!

You may recall RidingEasy’s previous comps, as reviewed by yours truly, from their Brown Acid collections of long lost proto-metal/stoner rock artifacts of the late 60s/early 70s.  Well, with Scrap Metal, they’ve taken the same approach (unearthing long-forgotten rare tracks, and releasing a carefully restored sonic document of said tunes) – but this time, applied it to the age of 70s/80s classic Heavy Metal. 

Listeners will discover a variety of styles of HM here, as the genre splits into numerous offshoots.  So, we get to hear the blossoming styles of NWOBHM, thrash, doom and glam at a time when they all still share a generous amount of DNA.  It’s classic metal, folks – and to be honest, I didn’t find that much difference between the “styles” on offer.  What I did find was ten blinding tracks of fun (and slightly dumb) rock’n’roll monsters.

Witness, for example, the wonder of “Headbang” by Rapid Tears.  Fast paced, dumb ass, dingus brained heavy rock for you to race to the chippy in a Trans-Am.  It’s glorious.  Then, with barely a rest, we’re assaulted by Air Raid’s “69 in a 55”: like early Maiden (even down to the Paul Di’Anno vocals) but with a cucumber stuffed down the spandex pants.

And the surprises keep on coming.  Hades are simply brilliant, their track “Girls Will Be Girls” venturing toward speed metal.  Resless have a crap name, but “The Power” is a Priest like power-thon that is bound to excite.  “Enemy Ace” by The Beast is a definite unrefined highlight; almost in the realms of crossover, it’s a particularly aggressive track that’s totally unsuitable for polite tea parties with grandma.

The compilation isn’t perfect: Don Cappa’s “Steel City Metal” ticks all the cliché boxes, but plods.  Yet adrenaline infused, urgent rockers like “Can’t Stop” by Dead Silence, “Iron Curtain” by Czar and “Viking Queen” by Real Steel keep the fists punching the air and a grin on the face.    

As with the Brown Acid series, it’s bewildering how at least some of the bands on Scrap Metal Volume 1 didn’t get any further.  I’ve heard a lot worse.  However, careers are built on consistently great song writing and performance – we only have one (admittedly brilliant) song by each band to testify here.

The lyrics and themes may wallow in the murky depths of the tired and obvious, but I challenge any of you to not enjoy the music on offer.  Park any pretentions of sophistication you may hold, the energy to be heard on these tracks is pure pleasure.  Pull on your super tight jeans, bullet belt and patch covered battle vest, let your hair down (if you still can), and rejoice in a simpler time.  Scrap Metal Vol 1 is a full on, beer swilling triumph of an album.  HEADBANG!!!

Visit the RidingEasy Records website here.

Or check them out on Facebook, Twitter, YouTube, Insta or Bandcamp.

Today’s review is brought to you by Platinum Al in association with Ever Metal.

Brown Acid: The Thirteenth Trip – Album Review

Various Artists – Brown Acid: The Thirteenth Trip

RidingEasy Records

Release date: 31/10/2021

Running time: 35 minutes

Review by: Alun Jones

8.5/10

Back in early 1970, I was in LA working for Jim Morrison, singer of the Doors.  Morrison was a pretentious, drunken bore – but we did have a few old laughs.  This one time, Jimbo was mid-liaison with a young lady in her upstairs apartment, and I had to pick him up in his new car before the pair were interrupted by her husband.  Parked in a gleaming white Dodge Challenger under the first-floor window, there was no fire escape and Jim had to jump out of the window onto the roof of his car.  It was a hard top, not a cabriolet, and Jim’s fat arse flattened it like an egg box when he hit it.  He wasn’t in the best shape at that point.  Wrecked that beautiful car, too.  Luckily, I could still see out of the window, and drove off in hysterics, while chubby Jim tried to squeeze into his tiny leather trousers.

Great days, indeed.  And the memories of that time always come flooding back when I spin one of these Brown Acid compilations from RidingEasy Records.  Yet again, the guys have dug out some long-lost treasures of the early hard rock and proto metal variety, to return phoenix like from the netherworld.

Things get underway splendidly with “Run Run” by Max, a funky riff rocker that will light up your lava lamp straight away.  It’s probably my favourite on another strong collection.  Next is “Dark Street” by Ralph Williams and the Wright Brothers – fuzzy guitars and great vocal melodies with a faint air of menace.  Geyda provide “Third Side”, another pacey rocker, reminiscent of the MC5.

Following that, there’s Gary Del Vecchio, who’s apparently “Buzzin’”.  But then, who wasn’t in those days?!  It’s party time blues rock in the vein of early Zep.  John Kitko is suffering from “Indecision”, as proven by the psychedelic jam of the start contrasting with the speedy, aggressive main body of the song – with Alice Cooper-like vocals.   

“Hope” by Bacchus reminded me of old Jimbo’s band doing “Roadhouse Blues”.  Master Danse are up next with a very heavy blues number, “Feelin’ Dead”.  It’s a slow, ponderous song with a melancholy vibe – which I’ll swear was stolen by The Cult for their obscure B-side “Wolf Child’s Blues”.

Orchid offer up the weakest track on the album, “Go Big Red”, a fairly unexceptional garage rock number.  It’s fun and still has some charm, though.  Then you’ve got Dry Ice and “Don’t Munkey with the Funky Skunky”, a crazy fast paced number that’s like The Monkees and Jimi Hendrix jamming a Eurovision novelty song.  On drugs.  Finally, a strong final track from Good Humore, “Detroit” – a catchy tribute with a sprinkling of MC5 at their most rock’n’roll.

And there we have it: another fine collection of rock fossils unearthed and displayed for our enjoyment, never to be forgotten again.  It may be “the Thirteenth Trip”, but this ain’t unlucky for some – it’s gold all the way.

Remember that World Wide Web thing? Well, you can check out RidingEasy Records at various site webs, such as their own, Bandcamp, Facebooks, Twidder, ChewTube and Insta.

This review was presented to you by Platinum Al in association with Ever Metal.

Scarecrow – Album Review

Scarecrow – Scarecrow II

Wise Blood Records

Release date: 22/10/2021

Running Time: 44 mins

Review by: Alun Jones

8.5/10

You could say I was a little confused when I first heard “The Endless Ocean Overture”, the opening track on this second album from Scarecrow.  I know the clue’s in the song title, but this really is a big, full on orchestral piece – complete with moody storm sounds and crashing waves.  I thought the Ever Metal Delivery Monkey had sent me one of those symphonic metal monstrosities by mistake – there are NO GUITARS here.  At least not on the first song.

Not that it’s a bad track – it’s actually very atmospheric and very bloody clever.  Just a bit of a surprise, that’s all.

Scarecrow are a Russian doom rock band, taking their inspirations from the classic seventies masters like Sabbath and Zeppelin.  When track 2 – “Blizzard” – kicked in, I realised my mistake.  Yes, here we have it: blues based heavy rock that could have easily been produced in 1973.  Groovy riffs, batteringly good drum breaks, high pitched wailing vocals – all the tropes are present and correct.  “Blizzard” has all these, plus relentless changes of pace which means the listener can bang their head or swing their bell bottom jeans all in one song.

“Magic Flower” has a slower, doom blues sound with some mouth organ for additional retro stylings.  There’s even a folky mid-section with some Plant-esque banshee screams.  Up next is “Spirit Seducer”, a rocker that’s more of the Iommi sound already hinted at, and some pounding rhythm. 

Scarecrow are nothing if not ambitious.  “The Moors” is a hell of an epic: warm acoustic guitar intro; doom laden heavy riff, ethereal keys: all the ingredients are here, and happily we reach another Sabbath like peak in the middle of the song.  Some of the orchestral feel of the opener makes a well-judged return here, adding to the bombast. 

When I heard the intro to “The Golden Times”, it was easy to make the comparison to Sabbath tracks like “Orchid” and “Fluff”.  This song flows along serenely, with the vocals making me think I’d started listening to a new Wolfmother recording.  Another multi part piece, best to just mellow out and enjoy the ride – till the increasing pace runs off with your ears.

The range and scope of this album really is very impressive.  “Scarecrow II” is an accurate love letter to the giants of yester year, whilst firmly placing the bands feet alongside contemporaries like Uncle Acid and Graveyard.  Scarecrow has delivered an album that features new spins on the old ideas co-existing with brave, surprising augmentations.     

Check out Scarecrow on Bandcamp and Facebook.

You can find Wise Blood Records on Bandcamp, Facebook and the interweb.

This review has been brought to you by Platinum Al in association with Ever Metal.

Singles Night at the Virtual Hot tub #27

I promised we’d revisit Platinum Al’s Virtual Hot Tub for another Singles Night, so here we go! Another evening of playing 7 inch singles and having a few cocktails (or beers, or whatever you thirst for). There’s a massive pile of these 45 rpm records to get through, so prepare yourself!

As a quick recap for the uninitiated, I have a stack (or several) of singles that I haven’t played yet. Some have been gifts, some have been picked up – usually very cheaply – from record shops, record fairs, charity shops and carboot sales. The idea is to play through the stack of vinyl one at a time, A side the B side, and enjoy the tunes.

Now I present to you my latest playlist:

  1. Red Hot Chili Peppers – “Taste the Pain” / “Show Me Your Soul”
  2. The Stranglers – “European Female” / “Savage Breast”
  3. The Wee Papa Girl Rappers – “We Rule” / “Rebel Rap”
  4. Salt-n-Pepa – “Shake Your Thang” / “Spinderella’s Not a Fella”
  5. Vanilla Ice – “Ice Ice Baby” / “It’s a Party”
  6. Motley Crue – “Girls, Girls, Girls” / “Sumthin’ for Nothin'”
  7. Neil Pepper (Elvis) – “Stairway to Heaven” / “The Beatnix – “Stairway to Heaven”
  8. Sham 69 – “Hurry Up, Harry” / “No Entry”
  9. Kenny Everett – “Snot Rap” / “Snot Rap (Part 2)”
  10. The Turtles – “Happy Together” / “Like the Seasons”
  11. Aerosmith – “Janie’s Got a Gun” / “Voodoo Medicine Man”
  12. Don Fardon – “Indian Reservation” / “Hudson Bay”
  13. Cerrone – “Je Suis Music” / “Rocket in the Pocket”
  14. Marty Wilde – “It’s Been Nice” / “Bad Boy”
  15. Taja Seville – “Love is Contagious” / “Mama”
  16. B.A. Robertson & Maggie Bell – “Hold Me” / “Spring Greens”
  17. Fiddler’s Dram – “Daytrip to Bangor” / “The Flash Lad”
  18. Bob Geldof – “The Great Song of Indifference” / “Hotel 75”
  19. Gary Shearston – “I Get a Kick Out of You” / “Witnessing”
  20. Mr. Mister – “Kyrie” / “Kyrie (Extended)”

A note on disc number 7 above: Neil Pepper is an Elvis impersonator, and The Beatnix are a Beatles tribute band. On this record, both have covered the Led Zeppelin classic in the style of their inspirations.

The latter half of this playlist started to wander in to some strange, unknown territory – along with featuring some decidedly dodgy songs. A while back, I purchased a box of about 100 singles at a carboot sale for a fiver, quite a lot of which was quality music. Here though, some of the dregs have started to float to the surface.

It’s not all bad though, and there’s a fair spread of awesome tracks scattered through out the list to make it a fun listen. Plus a lot of variety too, from The Crue’s dumb party metal, to classic 60’s pop from the Turtles, 80’s pop with Mr. Mister and some great old school hip hop.

I’m favouring Sham 69 and The Stranglers as particularly fine songs. And of course the Red Hot Chili Peppers, which I bought because although the A side I have on an album, I wanted the B side to add to my collection.

Singles Nights are always a cool way to spend an evening. I’ll update you with another killer playlist soon.

Live in the Mojave Desert – Album Review

Various Artists – Live in the Mojave Desert

Heavy Psych Sounds Records

Release date: Various

Running time: Various

Review by: Alun Jones

Rating: see below

Hello there!  Remember me?  It’s me, that bloke who occasionally reviews albums for Ever Metal and spins ropey old yarns about rock’n’roll.  Yeah, him.  Sorry I’ve been absent for a while, had a few things on my all-you-can-eat buffet plate recently.  More about that another time (if the lawyers allow me).  For now, recline in your favourite easy chair, and let’s review.  With me?  Good.

Right then, bit of a mammoth task, this one.  “Live in the Mojave Desert” is actually a series of five albums, each recorded live (of course) amongst the sand and rocks of the Californian desert.  It’s probably like Star Trek, when Kirk and crew are roaming around the cliffs and valleys – but in the dark, and with guitars and lights and stuff – and no one dies (hopefully).

Up first in my sequence of albums is the legendary Earthless, a band who should need no introduction.  I listened to their offering whilst on a trip to North Wales; sadly the surf was flat, but the sonic musings of this three piece fitted perfectly the rolling roads between green valleys and big skies.  In the land of druids and standing stones, witches and warriors, this was a perfect soundtrack.  The songs are a journey in themselves, awash with psychedelic Hendrix style explorations.  Only three songs, but they’re plenty lengthy and offer huge scope.  It’s actually quite beautiful. (9/10)

Next on the list was Mountain Tamer, a band I’m not familiar with previously, but a cool name.  And a cool name goes a long way with me.   The Mountain Tamer sound is raw and in-your-face, with mighty, meaty riffs that clunk around in full-on doom style.  There’s also a mind expanding, trippy element to their music, leaving me with the impression of Black Flag in a collision with Hawkwind.  This unique approach is best exemplified by stand out tracks “Black Noise” and “Scorched Earth”, but it’s all damn fine. (8/10)

An offering in this series from my old buddies Nebula was very welcome, their brand of psych drenched sci-fi hard rock being something I’m somewhat partial to.  This is the album with the most obviously “live” feel – not that it’s sloppy at all, the very occasional tiny imperfections and wall of fuzz give a genuine and celebratory vibe.  Opening track “To the Centre” is a feedback drenched, blistering explosion.  “Giant” is another standout track with a bouncing, crazy gonzo riff. (8/10)

Spirit Mother are another band I’ve not heard before, and they were a real surprise.  Their first song, “Tonic (Exodus Inc)” is straight off the soundtrack of some forgotten Italian/Turkish 1970s horror movie.  The band take the standard desert/doom rock and add violin, and everything veers off in a totally unexpected direction.  From mournful 70s rock on “Ether” to creating their own genre of gothic Spaghetti Western (“Dead Cells”), it’s like Morricone on peyote orchestrating The Exorcist.  Strangely beguiling. (8.5/10)

The album I listened to last in the collection was the debut release of STÖNER, the very aptly named stoner rock “supergroup” which features Brant Bjork (Kyuss, Fu Manchu, solo etc) and Nick Oliveri (Kyuss, QOTSA, Mondo Generator etc etc).  With Brant’s drummer, Ryan Güt whacking the tubs.  As a fan of these rogues’ other bands, I was definitely curious about this release.  No fear here: this is exactly what I hoped it would be: desert rock royalty.  “Rad is Rad” features a relentless, rolling bassline that drags the listener along on a head-nodding journey whilst Brant croons in his laid-back manner.  The big, groovy bass continues in “The Older Kids”, and the tracks develop a trancelike vibe as it progresses.  And strap yourself in for the final song, “Tribe/Fly Girl” – over 13 minutes that will melt your eyeballs.  Definitive. (9/10)

That’s it: five albums, five bands, and a mind-blowing excursion into the remote desert valleys.  Whether showcasing how it should be done, or abducting the listener in a smoke-filled UFO to be probed in new realms, these live collections are a trip.

Here’s a ton of links! Click away for more info on this awesome music…

Start with Heavy Psych Sounds, they have a website, Bandcamp, Facebook and Instagram.

Earthless do the web thing here, with some Facebook and Twitter.

Mountain Tamer kick in the sky with Facebook and Bandcamp.

Go crazy with Nebula via Facebook.

Spirit Mother have you covered with some weberation, Facebook, Bandcamp and Insta.

Finally, have a look at Stoner’s web presence here and Facebook it too.

This review was brought to you by Platinum Al in association with Ever Metal.