Tag Archives: Halloween Hot Tub

Halloween Horror Fest, Vampire

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Pull up a chair, settle down, here’s the next batch of scary movie reviews…

Count Yorga, Vampire (1970)

Now this is more like it! Late 60s/early 70s vampire film on a budget, Count Yorga, Vampire is something of a cult classic. Just the sort of nonsense I love! Set in California, we meet Bulgarian aristocrat Count Yorga (Robert Quarry) as he conducts a seance for a bunch of groovy kids.

Afterward, a couple of the groovy kids, Erica and Paul, give the Count a lift home to his foreboding estate. On the way back, their van gets stuck in the mud, and they’re attacked by the Count in full vampire mode. The next day, they remember nothing, though Erica has lost blood and is examined by a doctor friend.

Erica succumbs to vampirism, and is whisked away by Count Yorga. The race is then on to rescue her and destroy the Count and his minions.

It’s a simple film, but effectively breathes new life into the old vampire legend. Quarry is enigmatic and powerful as Yorga, looking part Terence Stamp and part Christopher Lee. Count Yorga, Vampire is low budget, dated, and rambles on a bit, but it’s perfect for anyone who wants to explore the kitsch and uncanny.

8/10

Child’s Play (1988)

On the other hand, whilst retro cheapo vampire movies are always to my taste, Child’s Play was never something that appealed to me. I’ve never really had much interest in the more modern American horror/slasher movie. However, I’m often proved wrong in this regard, and Child’s Play proved me wrong again.

Serial killer Charles Lee Ray is reincarnated by Voodoo spells as Chucky, an innocent looking Good Guy doll. Young Andy is desperate for one of these dolls for his birthday, and his mother manages to scrape together some cash to buy a dodgy one. This of course is Chucky, and he’s out for revenge on his former partner and anyone else who gets in his way.

Murder ensues, and of course none of the adults believe Andy when he claims Chucky is to blame. Yet slowly, his mother (Catherine Hicks) begins to suspect the truth. The lead detective on the case (Chris Sarandon) eventually comes to realise what’s going on, too. They need to keep Andy out of harms way and stop Chucky from becoming human again…

After all this time, I finally watched Child’s Play a few years ago, and wouldn’t you just know it – old Chucky grew on me. It’s actually quite a fun, engaging supernatural horror with lots going on, and some neat observations on the furor caused by toys like Cabbage Patch Dolls. Forget your incredulity and enjoy!

8.5/10

The Evil of Halloween Horror Fest

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It’s time for more mini horror film reviews, as we celebrate spooky month! What have we got tonight?

The Evil of Frankenstein (1964)

What we have here is the first Hammer Horror for this years Festival of Fear! This is the third film in the Hammer series, again starring the legendary Peter Cushing as Baron Frankenstein.

This time around, the Baron and his assistant Hans (Sandor Eles) are on the run following some dastardly grave robbing antics, so they decide to go back to his hometown of Karlstaad, despite being banished. There they hope to use valuables from the old Frankenstein castle to fund more research. Instead, the Baron finds that his old home has been looted – by, it turns out – the local authorities.

On the run again, they’re aided by a local deaf-mute girl, and hide in the mountains. The Baron discovers his old creature, frozen in ice. After rescuing the creature, they’re unable to bring it back to life fully, so decide to seek the help of a carnival hypnotist, Zoltan (Peter Woodthorpe). Zoltan is successful, but jeopardises everything by using the creature to enact his own cruel revenge…

It’s a funny old hodgepodge of a film, this one. The first Hammer movie, Curse of Frankenstein, is recapped but reimagined – it’s re-done and is very different this time round. The whole thing feels like different elements thrown together to see if they stick. Although the creature, this time played by Kiwi Kingston not Christopher Lee, looks more like the classic Karloff version, the makeup looks strange and false. The excellent sets and another great performance from Cushing help save The Evil of Frankenstein from failure.

7/10

Twilight (2008)

Hey, it was my teenage daughter’s choice – so what?! We take turns to pick something to watch, and Daughtertron is very into this Twilight stuff at the moment. So fair’s fair, we gave it a go.

Twilight is about a young woman named Bella Swan (Kristen Stewart), who relocates from Arizona to the very different state of Washington, to live with her father. She attends the local school, makes some friends but gradually becomes intrigued by another classmate, Edward Cullen (Robert Pattinson).

After a frosty start, the two are slowly pulled together, and Bella discovers that Edward and his “family” are vampires. All is going well in a teen love story fashion, till a separate, wandering group of vampires happen upon the Cullen clan – and Bella – and there’s a big fall out during a baseball game.

Despite some bizarre ideas such as sparkling vampires and vampires playing baseball, the film wasn’t too bad. Twenty minutes too long and far too soppy, Twilight was still fairly watchable, even though I’m not the target audience. I’ve seen worse. I mean, it was better than Harry bloody Potter.

5/10

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Vault of Halloween Horror Fest

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Welcome back, horror fiends! Let’s take a look at a couple more spooky movies for Halloween Horror Fest…

Vault of Horror (1973)

For our first film tonight, we’ll venture into the Vault of Horror, a portmanteau film from Amicus. Like its predecessor Tales from the Crypt, the five short stories that compose Vault of Horror are inspired by the classic, notorious EC Comics of the same title.

In this movie, we journey to a vampire café, witness an obsessively neat bully get his comeuppance, and see a nasty stage magician mess with forces he should’ve left well alone. Then there’s the tale of an insurance scam gone wrong with the protagonist buried alive, and an impoverished artist resorting to voodoo to enact his revenge.

The stories vary in their effectiveness, but all have a charm and entertainment value. My favourite segment is probably the first, the bistro of the undead – but the last two have the more chilling narrative. Great performances from a cast including Terry-Thomas, Glynis Johns and Tom Baker keep everything on track.

Obviously I’m a huge fan of both the old EC Comics and Amicus films in general, so I enjoyed every second of Vault of Horror. It may be dated, but class like this never goes out of style.

8/10

Rec (2007)

Rec is a Spanish horror movie in the found footage genre. It follows a TV reporter and her cameraman filming a local crew of firefighters, who end up trapped in a residential block. They’re effectively quarantined inside the building with several residents, while an outbreak of some unknown disease starts to spread and the infected attack and kill survivors.

As the situation intensifies, Rec does a fine job of keeping the viewer on the edge, ramping up the scares as we go. The found footage approach works excellently to give a sense of realism and immerses the viewer in the confined surroundings.

Rec was remade in the US (as they do) as Quarantine, though I’ve never seen it. Don’t let the subtitles in this version put you off – if anything, it’s another effective way to make the viewer feel isolated. Like Blair Witch does 28 Days Later, Rec is a harrowing, unnerving film. Rec-ommended! Hahaha!

8/10

Halloween Horror Fest 2026

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Glowing strings of moonlight break softly through the canopy of trees above. The forest is otherwise almost completely dark. The call of an owl rings out through the night as you tread carefully in the shadows, eyes working hard to glimpse something, anything, that seems familiar. You try not to stumble, shuffling slowly to avoid perils littering the forest floor.

And then, from behind you, you hear something. A low, menacing growl…

Don’t worry kids, it’s just another Halloween Horror Fest at Platinum Al’s Virtual Hot tub! You know we dig the spooky movies round here, and every October we dial that appreciation right up with out our own festival of frightful films.

So let’s dive right in with our first film of the year…

Sinners (2025)

Our first film of 2026 is right up to date, with this highly regarded modern take on the vampire legend. Set in the Southern USA in 1932, the film focuses on two twin brothers, ex-gangsters who have retuned to their hometown to set up their own juke joint in the midst of the local black community.

Smoke and Stack (both played brilliantly by Michael B Jordan) gather their friends and family members around them as they work to create their dream. Recruiting staff and noted blues musicians, the venue appears to be on its way to a glorious first night. But they – and the bar patrons – are unaware of a supernatural evil that threatens everything.

Much has been made of the success of Sinners, and it’s not hard to see why. It won four Oscars at the Academy Awards including a well deserved Best Actor for Jordan – it took me a while to realise that the same actor was playing a dual role. And of course it’s highly unusual for a horror film to be recognised in this way, at all.

Sinners is a fantastic movie, that starts slowly and recreates an authentic time and place, before it races off in a very different direction. It is indeed a scary film, but not at the cost of character and world building. Beyond the visceral horror element, other themes of race and culture are explored by writer/director Ryan Coogler, providing the viewer with a pretty unique combination of thrills and food for thought. Oh, and the music – by Ludwig Goransson – is great.

Vampire films never die, they just keep coming back – and Sinners is a modern classic of the genre.

9/10

The Halloween Horror Fest Must Die

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Happy Halloween, folks! Here are a few more spooky movie reviews, hope you enjoy!

The Beast Must Die (1974)

A departure from the more familiar horror anthology tales produced by Amicus, The Beast Must Die is an interesting curiosity. We meet a millionaire big game hunter, keen to bag himself the prize of a lifetime: a werewolf. Hence he invites a group of guests, all of whom could be suspected to be a lycanthrope, to his sprawling mansion with its high security.

Only one of them is a werewolf – can you guess which one in the “Werewolf Break”?

The break is a thirty second countdown, allowing a brief pause for the audience to decide for themselves which of the guests is the werewolf, before all is revealed. And yes, it actually appears in the film. An odd gimmick, but there you go.

The film actually plays more like a detective story, or episode of a 1970s television thriller. As such, there are plenty of opportunities for some real suspense and jumpy horror that are squandered. But with a great cast including Peter Cushing, Charles Gray and Michael Gambon, this is still worth checking out. The Beast Must Die is a definite watch for any fan of 70’s British horror, like me.

8/10

Wolf Creek (2005)

Now if the snakes, spiders, sharks and God knows what else aren’t enough to put you off visiting Australia, then there’s always the deranged Outback serial killers.

In Wolf Creek, some typically annoying young studenty backpackers are travelling across the mundane wasteland when they run into some psycho called Mick Taylor (John Jarratt). Although he promises to help them with a broken down car, turns out Mick isn’t really very nice. What follows is a shocking and disturbing account of what can only be termed torture porn, as the kids try desperately to escape the clutches of the cork hat maniac.

Wolf Creek is actually a well made film, featuring some very good performances. It’s extremely tense and downright nasty. If you can deal with that, this film is definitely worth a watch. The viewer can’t help but empathise with the kids and imagine themselves being in such a horrific situation. But the plot is kinda obvious and unfulfilling in the end, a bit like an episode of Neighbours.

So, what’s the moral of this particular story? Don’t go to Australia.

7.5/10

The Fly (1958)

Not the crappy David Cronenberg remake, this is the original 1958 classic sci-fi horror starring the legendary Vincent Price. The story unfolds of Price’s brother, Andre (David Hedison), a scientific genius, and his sadly disastrous experiment with matter transferral.

After some initial success, Andre eventually goes too far in his explorations, as a rogue house fly enters the matter transmitter with him. The result is a gruesome hybrid of the human being and a fly, and the race is on to try to reverse the process before the scientist loses all trace of humanity.

This brilliantly clever film is also very touching, as the brilliant scientist and his family are subjected to terrible events that they cannot escape. Great performances, of course, and a bizarre twist in the tale make this first version of The Fly the definitive version. Absolutely unmissable.

9.5/10

Halloween Horror Fest Out of Space

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More Halloween friendly movies for your enjoyment – here’s Part 2 of our 2025 reviews!

Color Out Of Space (2019)

Based on the H.P. Lovecraft short story The Color Out of Space, this film attempts to create an authentic retelling in modern times. While it’s not totally derived from the source material, it makes a decent job of reimagining it for a new audience.

Nicholas Cage plays Nathan Gardner, who has relocated with his family from the city to his father’s farm in a remote New England area.  One night, a mysterious meteorite falls from the sky, bathing everything in a strange, indescribable colour. 

Very soon afterwards, things start to get weird for the Gardner family.  Unusual plants and insects begin to appear, electronic devices go haywire, and the family begin to lose the plot.  And with daughter Lavinia playing around with the dreaded book, the Necronomicon, things can only get worse…

I can’t decide if Color Out of Space is just “good” or really excellent.  As events spiral out of control, the film goes from unsettling to downright grotesque.  Cage’s performance is vintage Cage, crashing into an unhinged state.

But the sound design, music score and glorious photography make this film an unnerving experience.  Add in some nods to Lovecraft’s existential cosmic horror and you get a very disturbing, nihilistic film.  You’ll either love this film or be completely unmoved by it.  I loved it.

8.5/10

Scooby Doo (2002)

After the warped intensity of Lovecraft, it’s time for a change of pace!  And what could be better than some Scooby Doo?  The old Hanna  Barbera cartoon was a childhood gateway to all things spooky for me and many, many others – so Scoob and the gang are totally appropriate Halloween viewing.

This live action film sees the animation come vividly to life.  Though the human characters are actors, Scooby Doo is CGI so everything feels like the cartoon transposed into the real world.

Tensions are high within Mystery Inc, leading to the gang going their separate ways.  Shaggy (perfectly played by Matthew Lillard) is still paired with Scoob, and they find themselves invited to a tropical resort to solve a mystery.  Their erstwhile comrades have also been asked to attend, so slowly Fred (Freddie Prinze Jr.), Daphne (Sarah Michelle Gellar) and Velma (Linda Cardellini) find themselves working together again.

The casting is spot on for this film, though some of the character’s foibles have been exaggerated from the original cartoon depictions.  The Scooby Doo film is silly, but its great fun for kids of all ages – if the older “kids” can just go with the flow and enjoy it.

7/10

Son of Halloween Horror Fest 2024

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Delivering another deadly double dose of Halloween Horror Fest, can you take it??!

Saw (2004)

Saw is a very clever twist on the serial killer tale. Here, two dudes – strangers to each other – wake up in a grotty bathroom, chained up, not knowing how they got there, or why. Clue: they’re not on a stag night. One is Dr Lawrence Gordon (Cary Elwes), and both men are trapped, taunted by the Jigsaw Killer with a series of clues. Jigsaw is a killer who likes to test his victims tenacity – their very will to survive – in a series of “games”.

It’s very difficult to explain the plot of Saw without giving too much away. Suffice to say that the back story is revealed through glimpses, as slowly the narrative falls into place – like a jigsaw – and the mysteries of circumstances and survival are resolved.

Usually I like my horror supernatural, but I’m not adverse to a good old psycho killer story. Saw is an ingenious film, with twists and turns coming from everywhere, as the viewer pieces everything together. It’s gruesome, it’s harrowing, but over all Saw is absolutely enthralling. If you’ve not seen it, make sure you see Saw.

Everyone does the ‘see saw’ gag, right?

Note: I met Cary Elwes once, and he was one of the nicest, most down to earth people you could meet. A genuine gentleman.

8.5/10

Son of Dracula (1943)

Although the 1930s are often considered the golden days of Universal horror, the studio was still delivering classics in the 40s, as far as I’m concerned. Only the third in Universal’s Dracula series, there’s no Bela Lugosi here, but it’s a well plotted and inventive film.

The vampire of the title is played here by Lon Chaney Jr. He plays Count Alucard, an Eastern European nobleman visiting the United States as a guest of Katherine Caldwell (Louise Allbritton). Katherine, a keen student of the occult, is engaged to Frank Stanley (Robert Paige), though obviously captivated by the Count.

Following the unexpected death of their father, Katherine and her sister Claire (Evelyn Ankers) are his benefactors. Katherine opts to take just their mansion “Dark Oaks”, after which she marries Alucard and rejects Frank. The local doctor, aiding Frank, has become suspicious. Eventually they conclude that Alucard is a vampire, and decide to deal with the situation appropriately…

Chaney’s casting isn’t quite right for this role, but he makes a fair attempt. What makes Son of Dracula an intriguing watch cunning plot twists, and how cleverly the story creates a new spin on an old tale, evading the obvious. I really enjoyed this film and happily recommend it.

8.5/10

Return of the Living Halloween Horror Fest

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Two horror reviews for you this time, friends! Read on, if you dare…

The Revenge of Frankenstein (1958)

The second instalment in a series of Frankenstein films produced by Hammer, The Revenge of Frankenstein followed hot on the heels of its predecessor. The Curse of Frankenstein had been released the previous year, and was such a hit that a sequel was demanded. Despite, of course, the fact that the evil Baron had been executed at the finale last time.

No matter, Baron Victor Frankenstein (Peter Cushing, of course) is saved from death with a fairly sneaky twist, and is soon practicing medicine in a far off town. Going by the name of Doctor Stein (no one’s gonna figure that out, right?), the doc sets up a successful practice for wealthy patients, whilst also looking after the poor at a hospital.

Joined by a younger doctor, Hans Kleve (Francis Matthews) – who learns Dr Stein’s true identity and wants to learn from him – Frankenstein is soon up to his old tricks. This time around, his creation (Michael Gwynn) at least looks normal, if only at first. It isn’t long before the inevitable happens and everything goes downhill, big time.

The production looks quality and performances are great, in particular Cushing who brilliantly darts between menace and a steely charm. Some gory surgery provides the bloody horror required and The Revenge of Frankenstein admirably fulfils its role as gruesome entertainment. We just know that another sequel will be along soon!

8/10

The Return of the Living Dead (1985)

So this is the film that establishes the concept of zombies eating brains, yeah? OK. One thing is for sure, this comedy-horror is not a sequel to Romero’s brilliant Night of the Living Dead. The Return of The living Dead is a very different beast, though still in a cult league of its own as a horror punk classic.

At a medical supply warehouse, two employees accidentally release a load of toxic gas which reanimates a cadaver and causes all kinds of health and safety high jinks. The morgue over the road has a crematorium, which seems ideal for permanently destroying the undead evidence. Until the escaping gas contaminates the clouds above, and rainfall on the nearby cemetery causes the dead to rise…

Oh, did I mention the gang of punks in the cemetery, waiting for their friend to finish work at the medical supply place? No? Well they are, and you can guess the rest.

This mid eighties movie is not something I’d usually watch. In fact, the main reason I wanted to watch this film is because of the legendary soundtrack, which features a load of awesome horror related punk bands like The Cramps, The Damned and TSOL. A vinyl copy has been on my shopping list for a long time, but I wanted to see the film first so I didn’t feel like too much of a fraud.

The film is pretty good fun, though. It’s fairly dumb and only occasionally does the black humour raise a smile, but The Return of the Living Dead was certainly worth a watch. It’s over the top – unapologetically so – but that’s part of it’s success. Disengage brain and go for it. The soundtrack is bloody great, by the way. I’ve got it on clear with red blood splattered vinyl. AT LAST!!!

7.5/10

Halloween Horror Fest Express

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Horror Express (1972)

All aboard! Take your seats please, ladies and gentlemen, for a ride of the Horror Express! This early seventies sci-fi horror features a familiar plot and a fine cast, so jump onboard and have your tickets ready…

It’s 1906, and British anthropologist/explorer Professor Saxton (Christopher Lee) is making his way back to Europe via the Trans Siberian Express from Shanghai to Moscow. Saxton has discovered the remains of an ancient missing link, frozen in the snow. A rival, Dr Wells (Peter Cushing) is also on the journey – and he’s curious just what Saxton has locked up in a huge wooden crate.

The humanoid begins to defrost and returns to life, escapes, and starts a murderous campaign aboard the train. The creature is a host for an extra-terrestrial intelligence, frozen for millions of years, but now keen to return to the stars. To accomplish this, the creature kills and absorbs the knowledge of it’s victims, taking on their appearance as well.

Wells, Saxton and other passengers deduce the nature of the creature’s plans, but can they destroy something that can assume the identity of its victims?

Horror Express is based on the novella Who Goes There? by John W Campbell, as was The Thing from Another World and of course, John Carpenter’s The Thing. Though not a patch on the later Carpenter film, Horror Express is a fascinating variation on the story, and manages to raise the tension capably. Telly Savalas is seen only fleetingly as a brutal Cossack, sadly, but the two leads are as dependable as ever.

A great film in it’s own right, and recommended for any fan who can’t get enough of Carpenter’s masterpiece.

8/10

Twins of Halloween Horror Fest

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Twins of Evil (1971)

You can’t go wrong with some good old fashioned Hammer Horror! Here we have Twins of Evil, the third and final part of Hammer’s Karnstein Trilogy, based on Carmilla by Sheridan Le Fanu. We’ve already viewed the preceding movies – The Vampire Lovers and Lust For A Vampire – during previous Halloween Horror Fests, so let’s finish off the series.

Mary and Madeleine Collinson play two identical twin sisters, who are sent to live with their uncle and aunt after they become orphaned. Uncle Gustav – played with menace by the one and only Peter Cushing – is a puritanical zealot, keen on burning local young women at the stake. Gusatv’s stern attitude alienates both sisters, but Frieda in particular is keen to break away. She falls in with local wicked aristocrat Count Karnstein (Damien Thomas), who has become a vampire through his dabbling in black magic.

Soon Frieda follows the Count’s descent into vampirism. Will the witch hunting Brotherhood be able to destroy this evil? Will anyone be able to tell good sister from bad?

Regular readers will know I’m a huge Hammer fan. Whilst Twins of Evil is, for me, the weakest of the Karnstein Trilogy, it’s still great. The witch hunting angle lends a new and particularly horrific edge here (sad to see Judy Matheson exit so quickly) and Cushing is formidable in this role. Vampires, sorcery and some cheeky decolletage tick all the necessary boxes, and despite a rushed (but gruesome) ending, this is another Hammer triumph.

8/10