Adam (Alec Baldwin) and Barbara (Geena Davis) are a happily married couple, living in their dream house. They wind up dead, due to an unfortunate accident, and haunting their old home.
When a new family move in, who turn out to be less than ideal inhabitants, Adam and Barbara attempt to scare the new householders away. After all their attempts fail, they’re left with no other choice than to recruit Beetlegeuse (Michael Keaton) to do the job for them.
Keaton is manically brilliant as sleazoid Beetlegeuse; a deranged, disreputable “bio-exorcist” with a seedy demeanour.
Burton manages to keep the film entertaining and lighthearted in his own goofy way. Beetlejuice never becomes morbid or grim, instead it’s a fun (though dark) fantasy that oozes creativity.
Dracula Has Risen from the Grave (1968)
This time around, Drac is out for revenge when is castle is exorcised by the Monsignor (Rupert Davies). Not having anywhere to hang out, the Count is somewhat peeved and decides to enact his vengeance on the Monsignor’s virginal niece, played by lovely Veronica Carlson.
Hammer courageously attempt to avoid re-treading the same old formula in this film, though in reality the blueprint is never cast too far away. The actors all do a fine job, including Davies, Carlson and Barry Andrews as Paul, the token heroic figure.
Lee is fantastic of course, with commanding presence and evil red eyes creating a powerful Lord of Vampires. And the sets look great, like Kiss of the Vampire, bigger and more realistic than earlier efforts.
Dracula Has Risen from the Grave isn’t a completely successful entry in the series, but it’s a professionally produced and entertaining film in the Gothic Hammer horror tradition. Well worth a look.