Pentre Fest 2020
McLean’s Pub, Pentre Deeside
I’m sure everyone who was there will agree that this year’s Pentre Fest was the best yet. The bands were fantastic; the were more people; the vibe was magnificent.
Held at McLean’s in Pentre, Deeside, North Wales, this festival features underground, unsigned rock and metal from near and far.
I attended the full two days this year, and saw most of the acts performing. I only wrote up a few though, so if you want to read the full review, visit the Ever Metal website here.
There were many highlights. Witchtripper had been on my “must see” list for a while – they didn’t disappoint. Old favourites Impavidus and Lullaby for a Unicorn were superb as always. Cry for Mercy, Stormrider and Womenowar were some of the newly viewed bands that I was very impressed by.
The whole weekend was unmissable and I was genuinely sad when it was all over. A brilliant, positive experience – well done to Fozzy, Beany, Frank and all the McLean’s staff.
You have to be there next year!
Ryuko presented a couple of surprises on Friday night’s acoustic stage. First off, they were fully plugged in and electric. Second, they play more of an alternative rock sound, which was something of a contrast to the majority of other Pentre Fest bands. Readers may not be aware, though, that I am in fact King of Grunge, with my 90’s credentials well proven. Ryuko’s set included some melody and even jangly pop along with heavier riffs, which was an enjoyable diversion in a Dinosaur Jr/Nirvana style. Well performed, Ryuko just need to test their audience further and throw in additional surprises in either a “Negative Creep” or “About a Girl” vein.
Rhiannon and Rachel
Sadly Pentre Fest suffered a few casualties this year. One such example was on the acoustic stage, where half of duo Rhiannon and Rachel was hospitalised and (obviously) unable to perform. But the show must go on: and Rhiannon performed a short but enjoyable set on the acoustic stage. Admittedly out of her comfort zone, playing guitar as well as singing, she soldiered on and won plaudits for her effort. Only a few minor mistakes were noticed – and easily forgiven. A beautiful singing voice that even managed to add a ghostly, ethereal sheen to a cover of Michael Jackson’s “Bad” – making it sound good for the first time ever.
If the connection between metal and outlaw country isn’t obvious to any readers, I can only pity you. I’ve never witnessed Mike West before, but his amalgamation of southern rock, dusty country and swampy blues was a delight to my old whiskey-soaked soul. Mike delivers his songs with a hard rockin’ swagger, as if he’s just busted out of Tombstone jail and is riding across the plains, lamenting women and fortunes lost. A great voice and an outstanding presence, Mike is one to catch when you can. Has anyone done a “Wild West” gag yet? If not, there’s a headline for us there!
On the main stage, OMV entered dressed like a bunch of West Coast gangsters in masks and bandanas. Introduced as “hardcore street metal”, these guys definitely showed some great musical skills and energy. Somewhere between Bodycount, Suicidal Tendencies and Biohazard is where I’d stack them. Either way, OMV delivered some brutal songs and bounced around with massive crossover riffs. OMV were very entertaining, although hugely confrontational onstage – I wasn’t sure if they actually were going to pistol whip the audience into submission. The music has enough intensity and power to speak for itself.
A really fantastic set was delivered by Mr Luke Appleton on the acoustic stage. In truth, this was a duo performance with Rishi Mehta (of Babylon Fire) playing too, and it was a genuine highlight of Pentre Fest 2020. Dubbed “acoustic metal”, the songs were both suitably laidback, yet delivered with a metal edge. Expertly performed, we had tunes from Luke’s solo “Snake Eyes” project, plus of course some Iced Earth and Absolva numbers. Not to mention a bit of Dio and Tenacious D for good measure! A real class act in every sense of the word, and both very talented and down-to-earth gentlemen.
Son of Boar
They have a cool name, and they looked pretty cool on stage in matching denim battle-vests. And from the very first notes of the bass rumbling on the very first song, I had a feeling that Son of Boar would be something special. I wasn’t wrong. These Bradford bruisers have everything in spades: they’re unfeasibly heavy; they have slow, doomy riffs with a Sabbath-like infectiousness; they have a sludgy, swampy groove that can pack an aggressive punk punch. The best band of Pentre Fest 2020 as far as I was concerned, Son of Boar were superb. I even bought a t-shirt.
Pentre Fest on Facebook.
N.E.W Metal Productions on Facebook.
Goodfor Audio Entertainment on Facebook
Mcleans Pub Live on Facebook.