It’s been a long time since I wrote a Classic Albums post. Nearly four years, sadly. But now it’s time to get back to the heart of what this blog was supposed to be all about in the first place.
Ladies and gentlemen, welcome to my Classic Albums.
3. Metallica – Master of Puppets
Metallica’s third album, released in 1986, has long been regarded as the probably the best recording the band ever made. Not only that, but one of the greatest metal albums of all time. “Master of Puppets” is a monolithic album with an immense scope; hugely varied and still surprisingly experimental.
At the time I first heard this record, around 1987, I was listening to bands like Van Halen, Queen and Def Leppard. A friend lent me a cassette of “Master of Puppets”; I was keen to try it out as there was such a buzz about this band.
Every time I hear the opening guitars of “Battery”, I’m transported back to that first listen. And I remember how extreme it sounded to me at the time – I’d never heard anything this brutal before.
Following that was the title track, which was the most complex heavy composition I’d experienced. A melodic instrumental section lulled me into a false sense of security before the relentless riff attack recommenced.
It was third track, “The Thing That Should Not Be”, that opened my eyes though. A massive, monstrous riff that hooked me straight away. That song was heavy and eerie all at once; it became a favourite that I still love and slowly, yet with growing confidence, I began to explore this album.
“Welcome Home (Sanitarium)” begins with a mellower introduction and as such it’s one of the easier songs to appreciate on first listen. Repeated plays over the years has dulled the impact of this track, for me personally – though it surprises me how good it actually is when revisited.
Side Two of the album Kicks off with “Disposable Heroes”, is an anti war song that is intense and powerful. One of my favourite tracks. Then there’s “Leper Messiah”, a monster riff that incorporates faster sections as it proceeds.
The absolute highlight of the album is “Orion”, a fantastic prog-metal instrumental spanning over eight minutes. This epic track proves beyond all others just why Metallica were – and still are – light years ahead of other thrash bands.
Finally, the last track – “Damage, Inc.” – is a violent berzerker of a song that might just take your face off.
With “Master of Puppets”, Metallica challenged themselves and their fans, as they expanded their sound and manifesto further than ever before. If you want fast thrash, you’ve got it here. Want heavy, down-tuned Sabbath riffs? You’ve got that too. There are even melodic sections that are actually enjoyable – and still uncompromising.
Metallica were utterly fearless in writing and recording this album, unafraid to try new ideas and never rest on past glories. It’s not as heavy to my ears as it was on first listen thirty years ago, but every new spin of this record still has the power to thrill.
“Master of Puppets” is a timeless metal masterpiece. It’s one of the essential records in my collection; it’s status a massively influential rock album – metal or otherwise – is assured for all time.
Metallica – Master of Puppets (1986)
- Master of Puppets
- The Thing That Should Not Be
- Welcome Home (Sanitarium)
- Disposable Heroes
- Leper Messiah
- Damage, Inc.
Best tracks: The Thing That Should Not Be, Orion, Battery, Master of Puppets, Disposable Heroes.
Other cool points: seriously great cover – you also need the t-shirt.