The Curse of Hallowe’en Horror Fest

An American Werewolf in London (1981)

I first saw this film when I was about ten years old.  Or rather, I saw the first ten minutes.  When the initial attack occurs on the moors, my Mum switched it off.  And I’m not surprised.  Just those first few minutes were enough to make me shit my shoes off.  It would be many years later before I would actually watch the movie all the way through.

An American Werewolf in London begins with two backpacking young Americans finding their way to a mysterious village somewhere in Yorkshire.  They are attacked on the moors by a werewolf – one is killed and one survives, thus carrying on the werewolf’s curse.  Recovering in a London hospital, the survivor, David (David Naughton) is cared for by nurse Alex (Jenny Agutter).  His nightmares soon erupt into vicious attacks as he transforms, under the full moon, into a werewolf. american_werewolf_in_london_poster_04

This film is an absolute classic of the genre.  There are genuine jump-out-of-your-seat shocks, moments of bloody gore and a tragic love story that combine into a thrilling experience.  The special effects make-up (by Rick Baker) is still out standing today, particularly the transformation scene.

Often described as a “horror comedy”, there is a humorous tone in moments throughout the film which helps create the light and dark shades.  Director John Landis, however, has stated that An American Werewolf… is not a comedy, it just uses the lighter shades to create impact for the more horrible scenes.  Landis blends the moods superbly.  There are also numerous nods to the werewolf movies of the past; both verbally (The Wolfman and Curse of the Werewolf both get a nod) and in the structure of the film.

I’ve seen this film many, many times since Mum first switched channels after ten minutes. I’ve even seen it on the big screen, for a special late night showing a couple of years ago. The film’s ability to shock is now lost on me somewhat – I know when every scare is due to happen.  But I still enjoy watching this film and absorb every incredibly clever touch that Landis utilises.  It’s made a massive impression on me – I still remember the first time I was way down deep on the London underground, and gained an appreciation of the loneliness and isolation in one particular scene.

An American Werewolf In London: if you’ve not seen it, see it now.  But not in a dodgy theatre in Piccadilly Circus, obviously.

10/10

Hallowe’en Horror Fest part 2

The clock strikes, darkness descends and it’s time for more movies from Hallowe’en Horror Fest!

Blood from the Mummy’s Tomb (1971) 220px-Bloodmummytomb

This is what we want!  Hammer Horror – with all the trappings.  This gem from 1971, based on a story by Bram Stoker, offers all the trademarks we expect.  The very lovely Valerie Leon plays Margaret, who seems to be a reincarnation of an Ancient Egyptian Queen of evil named Tera.  Her Egyptologist father (Andrew Keir) and his comrades excavated Tera’s tomb many years before, and now are faced with the return of the sorceress and several dastardly, supernatural murders.

The narrative begins very well and is spiced up with some fairly gruesome imagery.  However, the last third of the film seems to drag a little when it should really deliver more thrills.  Never the less, this Hammer movie features dependable performances and impressive sets that make it a movie well worth catching.  A clever concept with some definite moments that make the film stand out from similar fare. tumblr_lx2w6mr6Wk1r18pefo1_500

Of course, the real event here is Valerie Leon, who can be summed up alliteratively with words such as voluptuous and VA VA VOOM!!!

7/10

More Hallowe’en Horror Fest reviews coming very soon…

Hallowe’en Horror Fest

It’s October!  Which means it’s not long till Hallowe’en.  Which also means that I’ve started my annual Hallowe’en Horror Fest – watching scary movies and listening to horror rock!

The festival of Hallowe’en is a big deal at the Virtual Hot Tub.  Not only will I be decorating the place and having a fancy dress party for all my fiends, I’ll update you on other cultural happenings throughout the month.  Starting now.

A big part of Hallowe’en Horror Fest is the films.  Horror movies old and new, whether they’re real shit-your-shoes off jumpy, or just have some supernatural element to them.  My aim is to watch as many as possible before we get to November.   Here’s the scoop on the first two.

The Raven (2012)

A serial killer is committing terrible murders inspired by the writings of Edgar Allan Poe.  Poe (John Cusack) must turn detective to put an end to the grisly crimes before his betrothed becomes the next victim.

I was intrigued to see this film as I’ve read many of Poe’s stories over the years, and enjoyed them immensely.  Whether you enjoy the movie will depend on if you can accept the fictionalised account including the real Edgar Allan Poe as a protagonist.  For me, this twist was a great idea and worth exploring.

Not truly “Horrific”, but nonetheless creating a suitably dark, brooding atmosphere with a fair dose of gore, I enjoyed the film very much.  Very good, though shock factor is not too high.

7/10

From Dusk Till Dawn (1996)

A hybrid of Tarantino gangster movie and splatter crazy vampire fest, I wasn’t a big fan of this film the first time I saw it.  The juxtaposition of the two styles jarred.  However the exploding, gloopy vampires – acting more like zombies in their mass attack on the humans – grated on me even more.  They didn’t resemble enough the vampires of folklore I was familiar with.  I actually enjoyed the gritty realism of the first part of the film rather than the horror element.

Repeated viewings have proved me wrong.  The more I see this film, the more I admire the ingenuity, creativity and enthusiasm thrown onto the screen like an exploding blood pack by Director Robert Rodriguez.  Great performances from everyone, including George Clooney, Juliette Lewis, Harvey Keitel and Tarantino himself.  Watching it again now, the disparate elements really serve to create a sense of bewilderment when the vampires show themselves.

Highly recommended, if you’ve not seen this film, get on it now.  And not forgetting Salma Hayek makes one of the sexiest vampires ever as Santanico Pandemonium.

8/10