Public Image Ltd – Gig Review

PIL

Public Image Ltd + The Hexmen

Saturday 26th September 2015

The Tivoli, Buckley

Well it’s been an amazing couple of weeks for gigs.  And what’s that?  Public Image Ltd playing up the road at the Buckley Tivoli?  Featuring the living legend that is John Lydon?  There’s absolutely no way this extravaganza can be missed!

It was England vs Wales in the Rugby World Cup that night, and the Tiv had decided to show the game on a large projector screen above the stage.  A bizarre idea but it worked out OK – happily Wales won.  Had they lost that could’ve put a right downer on the evening.

Support band The Hexmen are a non-stop R’n’B party.  And by R’nB I mean as in Rhythm and Blues, not as in Kanye West.  They’re a solid band with an unmissable skill in abstract between song banter.  Solid rhythm section, stellar guitar and soaring harmonica.  Pretty damn good.  They appear to play in these parts quite often, so check ’em out.

The Tiv was packed out for Public Image Ltd.  I think most of the punters were in a daze, unbelieving that the band would actually appear.  But lo and behold PiL did appear – the real PiL, not a tribute act featuring some Johnny Rotten wannabe.  The reception was warm, but the crowd really revved up when the third song in the set turned out to be the masterpiece that is “This Is Not a Love Song”.

There was a fair mix of tracks old and new, with “Death Disco” and “Warrior” standing out from the well known singles.  I’ve not got the new album yet (hangs head in shame), but the tracks of that and This is PiL (got that one) were all extremely impressive.  The massive bass groove of Scott Firth and precision drums of Bruce Smith created a throbbing tribal rhythm that brought these songs to life.

Lydon himself seemed to be having a good time, for the most part.  I couldn’t always tell.  He definitely got stuck in and delivered some quite stunning vocals.  His style is almost operatic; combined with his commanding presence at the front of the stage we are given a captivating performance.

I should also mention guitar maestro and all round talented bloke Lu Edmonds – he played a blazing gig.  I have no idea how he made all those sounds.  It was very hard to believe that there were only four people on stage.

The encore provides the songs “Public Image” and “Rise”, two fantastic songs that the audience were thrilled with.  I still remember seeing “Rise” performed on Top of the Pops when I were a lad.  That was my first experience of PiL.  The other kids thought Lydon was weird; I thought he looked cool.  It’s a perfect end to the chapter.

Oh, and I WILL go and buy the new album – promise.

The Public Image Ltd website is here.

The Hexmen website is here.

The Tivoli website is here.

Classic Albums

I was aiming to do one of these Classic Album posts every month.  This is February’s…  These posts are dedicated to the timeless, irreplaceable classics of my music collection.

2. Sex Pistols – “Never Mind the Bollocks, Here’s the Sex Pistols”

By 1988 I was looking for something new, music wise.  I had trawled through loads of heavy metal, thrash metal and hardcore, and a lot of it was getting somewhat stale.  The next step to explore was looking like Motley Crue and WASP.  Luckily, something else came along instead.

I’d heard a Sex Pistols song on a late night rock show on the radio.  I’ve never been one to listen to the radio much.  However, when I heard “Anarchy in the UK”, I thought – that sounds great!  Guitars right up front screaming in your face and tons of energy.  The song stayed in my head and I considered saving up a few quid and making the Sex Pistols album my next purchase.  It would be quite a departure from a great deal of my other music; but with punk rock all over Thrasher magazine and skateboarding generally, it seemed the obvious choice. 136184.jpg SP

So I went into Penny Lane Records in Chester a couple of weeks later, and I bought the cassette.  The cassette!  Unbelievable.  One advantage was I had my Sony Walkman with me and could listen to it straight away.  What should I expect though?  My research had yielded a huge amount of scorn for the group – they couldn’t play, couldn’t sing, they were offensive.  Would the tape just be a horrid cacophony of unlistenable noise?  I pressed play.

I heard the jackboot march intro of first track “Holidays in the Sun” and then the music began.  Far from the despicable noise I’d been warned about, I found (much like “Anarchy…”) a sound that was thrilling, exciting, new.  It was rock music, but it was fast and intense and I knew this was what I had been looking for.

“Bodies” followed, and that song is even more exhilarating than the first.  A few rude words though, so don’t play this without headphones.  “God Save the Queen” was a total revelation – anti-establishment hatred wrapped up in the greatest rock riff ever.  Pure genius.  I’d never heard sentiments like that expressed in any form of popular culture before, and I loved it.  “Pretty Vacant” was actually very catchy, not in the least bit talentless noise.  And “Submission” was a change of pace – showing again that the Pistols were not one trick conmen.

Not all of “Never Mind the Bollocks…” is perfect.  I’ve never been a huge fan of “Seventeen”, for example.  Still that song is better than most bands manage in an entire career.

The music doesn’t sound shocking in this day and age, but lyrically we’re dealing with some raw stuff.  What a joy to behold in a Simon Cowell possessed world.

I ended up getting rid of the cassette and buying the album on vinyl later on.  I’ve still got it.  Of course, I then had the CD also.  I listened to it recently on my iPod and it still sounds fantastic.  Quite simply, every home should have a copy of this record.  “Never Mind the Bollocks…” is still, quite possibly, my favourite album of all time.  It opened my eyes (as well as ears) to something different.  It taught me that exploring music, even music that you might be concerned isn’t for you, will provide great results.

Don’t be afraid, try something new.  And listen to the Sex Pistols with the sound cranked up.  Because we still need to think differently, develop our own opinions, and be open minded.  That, ladies and gentlemen, is punk rock.

Sex Pistols – Never Mind the Bollocks, Here’s the Sex Pistols

  1. Holidays in the Sun
  2. Bodies
  3. No Feelings
  4. Liar
  5. God Save the Queen
  6. Problems
  7. Seventeen
  8. Anarchy in the UK
  9. Submission
  10. Pretty Vacant
  11. New York
  12. EMI

Best tracks: God Save the Queen, Pretty Vacant, Holidays in the Sun, Bodies, Submission, Anarchy in the UK

Other cool points: one of the most iconic album covers of all time.

Buy this classic album here.