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Sci-Fi Weekender part 2

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Sci-Fi Weekender 28th – 30th March 2014

Hafan Y Mor Holiday Park, Pwllheli

Day Two – and Adam, Greeny, Kurt and myself were up bright and early to see what the day would bring.  LIE.  We had a lie in, went to get s cooked breakfast, got some supplies at the Spar, and chilled out in the chalet for a while.  We decided to wander down to see what was going just a little after the action began at midday.  Although impressed with what we’d witnessed so far, we still didn’t know what to expect.

Exploring the set up, we soon found the events and had a good look around the merchandise area.  I picked up a couple of cool items – a Star Wars figure I needed and a Countess Dracula t-shirt.  I could’ve spent a fortune if I’d had the money.  There was quite a buzz as fans scouted around for bargains and highly desirable paraphernalia.

Yeah Baby! Black Widow and Austin Powers
K-9
Chimp Trooper
No idea, but great costume
Superman
Stilt babes
Hellboy – at the bar
Kick-Ass, Black Cat, Catwoman
They are not Ewoks!

There were numerous discussion panels, interviews and signings through out the afternoon.  Luckily I caught a very interesting talk with 2000AD creator Pat Mills, refreshingly anti-authoritarian even after all these years.  There was quite a 2000AD presence, with some of my favourite artists of all time – Glenn Fabry and Simon Bisley – in attendance.  Somebody really should make a film version of Slaine…

I also caught a very entertaining chat with The Hobbit actor Graham McTavish.  Although I’ve yet to see the film(s), his interview was still engaging; with many captivating stories from behind the scenes.

Classic Battlestar Galactica
Jack and Sally
Minion
Meeting Wonder Woman!
Doc Brown and DeLorean
The Comedian
Optimus Prime!
The Phantom
Colonial Warriors – BSG
Star Gate
The Riddler, The Joker, The Penguin
Wow

Of course, the main attraction for me (except for beer) was taking photos of all the various fans who’d taken the time and trouble to dress up as their favourite characters.  There were some amazing costumes, as shown here and in the previous post.  Again, fans were more than happy to pose for photos.  The atmosphere was friendly and welcoming with no bad vibes on display anywhere.

The highlight of the evening was the Cosplay final – those who entered the competition were judged on the best costume.  I forget who won, but the talent and care on display was highly commendable – as you can see from the photos.

Martian girl – awesome outfit!
She- Ra and pal
Green Lantern
Sorry this pic didnt turn out better guys…
Not a great pic sorry, cool bunch though!
Rorschach
Droog
Rogue and Ms Marvel
Xena – with Wonder Woman
Tony Stark – nice guy!
The Bride
Painful

There were several Cosplayers I either missed getting a photo of, or the pic turned out rubbish.  My apologies – again, I’m not a professional.  It is with great shame that I cannot present for you here Jar Jar Green Screen, General Zod, the Beast and sexy Six of Nine silver Star Trek girl.  Sorry.  But I think Silk Spectre (below) makes up for that.

Dungeons and Dragons!
Wonder Woman and Silk Spectre
Pat Sharp – no mullet
Darth Elvis
At the bar

Another late night ended with the “legendary” Pat Sharp spinning the wax for a packed dance floor.  All in all, a great day with a real sense of community.

Finally, I must thank Glyn again for providing not only tickets but our accommodation.  I hope these reports give you some idea of how the event was.  Cheers!

Visit the Sci-Fi Weekender site here.

Star Wars Episode VII – Why I’m not thrilled about the sequels

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Those of you who know me well, will know that I am a fan of Star Wars.  Just ever so slightly.  Oh alright then, I’ve been completely obsessed with that galaxy far, far away since I was five years old.  You may be surprised that this is my first Star Wars themed blog post on the Virtual Hot Tub, infact.  However, you may be more surprised about my feelings for the new Star Wars sequels.

I remember being sat at this very computer on that day in October 2012, when Disney announced it’s acquisition of Lucasfilm – and the planned seventh episode of the saga.  I was not impressed.

Not that Disney being the home of the saga bothered me.  At the end of the day, Star Wars is a kid’s film – and what better home for it than the House of Mouse?  I have no problem with that.

Final Episode

What bothers me is setting the new films after Return of the Jedi.  The sixth episode has been the final episode for a long time.  Sure, I wanted to see more films back in 1983, when I was a kid.  But as I’ve grown older, I’ve been happy with the conclusion of the series.  It’s an upbeat ending.  The Empire is defeated, the Alliance is victorious – peace and freedom from oppression is restored to the galaxy.  It’s exactly what the story needs, and it’s perfect in it’s intention (if not always it’s execution).

But if that’s not the end, then what’s next?  If the battle against evil goes on, then to some extent the sacrifices and hardships of the “middle” trilogy lose some of the potency.  Of course, in a real world, conflicts and rivalries continue.  But this isn’t the real world, it’s a fairy tale – a big, outer space fairy tale.  And there was no “Snow White 2” or “Revenge of the Wicked Step Mother” when that story arc came to an end.

EU-rrghh

I guess I’m most afraid of the horrors of the Star Wars Expanded Universe taking hold in the film versions.  I did read a lot of EU stories – novels and comics – before Episode I was released.  After that, I gave up on non-canon works as they often featured contradictions to what was appearing on screen, such as the origins of the Death Star.

Much worse than any slight inconsistencies, however, were some of the bafflingly bad concepts splurged onto the page by EU creators.  A criticism of the Star Wars EU is a topic for a whole blog post of it’s own – and I admit it’s not all bad.  I was never a huge fan of the Thrawn trilogy (too much of Zahn’s own creations with ridiculous names, not enough film characters), though other series were much worse.  The big problem I had with the EU though, was the lame device of bringing back the bad guys – Emperor Palpatine returns!  Boba Fett didn’t die!

Oh, come on.

I enjoyed many of the comics and the books set within the time frame of the original movies.  And I think this is where the big problem lies: all those brilliantly dastardly bad guys are dead.  How are they going to replace them?  One thing’s for sure – the new writers have a hell of a lot of work to do.  Let’s hope they steer clear of the EU for inspiration.  I don’t even want any sly nods to keep the fans happy.

New Talent

So talking of the new talent: is JJ Abrams up to the job? To be honest, I have never seen anything that the guy has done, so I can’t comment.  The good news is Lawrence Kasdan, who scripted Episodes V and VI, is back onboard. Thank God.  Why was he never involved in the Star Wars prequels?  Any help with answering that conundrum much appreciated.

Another interesting rumour (or more-than-rumour, these days) is the return of the original cast.  There’s been a huge amount of interest in the return of Hamill, Ford and Fisher to the saga.  I’m not sure about this either, sorry.  Baby Darth Vader in Episode I was hard enough to accept – do I really need to see a 65 year old Luke Skywalker?  I’m not sure about seeing my childhood heroes as old people.  I’d sooner they were timeless and forever as they were at the end of Jedi.

Who else will we see return?  R2-D2 will return, it has been reported.  So what about C3PO?  If we have Luke, Leia and Han, then surely we will need to have Chewie and Lando?  Please bring Chewie along, Lucasfilm – you can’t let him die in one of those awful books!

A New Hope

I don’t want to be totally negative about this new venture.  One thing that does excite me is the news of stand alone movies, possibly featuring lesser characters.  These stories could – and should – occur within the time frame (or immediately preceeding) of the earlier six films.  Again, Episode VI should be the end, but I’d love to see the early years of the Rebel Alliance.  That would be very cool.  More on this in another blog post…

Whatever adventures we experience with Episodes VII to IX, I want to be optimistic.  I’m a Star Wars fan, and I hope my fears above are wrong.  I have my doubts, though I would love them to be cast aside.  Will that happen?  In the words of one wise being: “Difficult to see.  Always in motion is the future.”

Let’s hope the Force is with us.

Captain Blood (1935)

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After a long while, I finally added this film to my DVD collection.  Originally released in 1935, Captain Blood is black and white, no CGI – switch off now if this isn’t your thing.  But you’ll be missing something special if you do.

This is the story of a doctor, Peter Blood, who through misfortune and circumstance finds himself a slave in the West Indies.  From here he escapes with his trusty comrades and commandeers a Spanish ship, his only option now a life of piracy.  We follow Captain Blood and his crew’s adventures on the seas. captainblood1

Warner Brothers took a gamble in casting the unknown Errol Flynn in the lead role.  The risk paid off – Flynn lights up the screen from the start.  A star is not so much born as presented fully formed for the audience to adore.  Olivia de Havilland, as Arabella Bishop, also found herself become an established name.  There is real on screen chemistry between the two (they’d go on to star in many other films together); both Flynn and de Havilland captivating throughout.

Director Michael Curtiz employs everything he has to create a spectacle on screen, though surprisingly most of the scenes were shot on sound stages.  Flynn’s sword fight with Basil Rathbone is energetic and deadly.  The final swing-across-the-cavern ship to ship battle is still exciting even now.

Curtiz takes his time telling the back story before we get to the piracy on the high seas.  On first viewing you may wonder when the film will actually get to the pirate part, yet the tale is told well with engaging characters and action.

Captain Blood is golden era Hollywood.  It has escapism, adventure and above all, fun.  Even without a single “Garrrrgh!”, it’s still full of pirate-y goodness.

8/10 

Hallowe’en Horror Fest Must Be Destroyed

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Ed Wood (1994)

OK – so Ed Wood doesn’t have any shocks or frights.  Nor does it contain anything remotely supernatural.  Yet it does have Bela Lugosi, Vampira, a Hallowe’en scene and references to some of the worst horror B-movies of all time.

This film charts the career lows (and more lows) of Ed Wood, a man whose movies are largely considered absolute disasters.  Played by Johnny Depp, Wood and his band of misfits blunder from one production to another, with far more enthusiasm than talent.  Thus we see a dramatised version of Wood’s life behind the scenes of such turkeys as Bride of the Monster and Plan 9 From Outer Space. ed_wood_ver2

Bela Lugosi is played fantastically by Martin Landau, in a role that elicits great sympathy from the audience.  The film also stars Sarah Jessica Parker, the legendary Bill Murray, Patricia Arquette and Lisa Marie as the aforementioned Vampira.  Depp, too, does a riveting job, making Wood likeable – a failed hero the audience can root for.

Directed by Tim Burton, this is a film that I can watch again and again.  You don’t have to be familiar with the works of Wood, but it does add another dimension if you are.  It’s a wonderful film that has, at it’s core, a story of succeeding against the odds.  Sort of.

Not a horror film then, as such, but the fact that Ed Wood features such icons of early horror makes this film an unmissable Hallowe’en treat.

10/10

Day of the Dead (1985)

So it’s post apocalypse and there are zombies everywhere.  There are these survivors holed up in an underground mine/storage facility.  Tensions mount between the survivors –  some being scientists and some military – as they each have their own agendas.  Eventually everything goes belly up and it’s zombie attack time.

I don’t think that gives away too many spoilers – you weren’t expecting anything else, were you?

Director George A Romero was also responsible for the completely thrilling Night of the Living Dead.  He also made Dawn of the Dead, a very fine sequel.  However, for me, Day of the Dead doesn’t quite reach the heights of the two earlier films.  Don’t get me wrong, there’s plenty to get your teeth into here, and there are a few genuinely innovative moments.  It’s just harder to relate to people stuck in an underground cavern than it is a shopping mall.

I won’t mention the zombie Bub, a character that I definitely thought was too much.  But check it out, certainly if you’ve seen the other Dead films.

7/10

Son of Hallowe’en Horror Fest

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28 Days Later (2002)

When Mrs Platinum Al and I went on our very first date, this was the film she wanted to see.  I’d heard it was good, and being a fan of the Director Danny Boyle’s earlier works (Shallow Grave, Trainspotting) agreed it would be a good choice.  What followed was one of the most extreme cinematic experiences I’ve ever had.  You’ve heard stories about people walking out of the cinema?  I saw that during this screening.  Audience members were getting up and leaving.  I’m sure that it wasn’t because the film was bad – it was because 28 Days Later is utterly terrifying. MV5BNzM2NDYwNjM3OF5BMl5BanBnXkFtZTYwNDYxNzk5._V1._SX337_SY500_ (1)

Jim (Cillian Murphy) wakes up in hospital after being in an accident.  Slowly he finds that the world he knew has crumbled, as an infectious virus called “Rage” has decimated the population by turning the victims into violent, mindless killers.  Jim meets other survivors, and together they begin a journey to find a cure for Rage, and safe refuge from the Infected.

28 Days Later was never billed as a zombie flick originally, at least not as I remember it.  Although obviously inspired by zombie movies and other post apocalyptic films, it was promoted as a film exploring what could happen following the outbreak of a pandemic.  Scenes of an abandoned London created emotions of despair that were related, in the press, to the aftermath of 9/11.  Psychologically, the audience is submitted to a world of sheer desperation that pervades every minute.

As a result, 28 Days Later gives us much more than a zombie re-hash.  It has shocks and creates tension in the viewer unlike any other film I have ever seen.  But it also asks questions: how far away are any of us, in a world of road rage and social unrest, from mindless uncontrolled violence?

Quite simply a superb film on every level, 28 Days Later horrifies beyond belief.

10/10

Hammer Glamour

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Through out its illustrious career, the Hammer film studio became synonymous with two things: horror and sex.  The studio’s reputation encompassed both the lurid Technicolor gore; and the heaving cleavages of its female stars.

To say that’s all Hammer movies were does them a great disservice, yet the two key elements of horror and glamour have become the trademarks for which the company was known.  Alongside the great Peter Cushing and Christopher Lee, numerous beauties also  graced these fine films. raquel-welch-one-million-years-de

There’s a great book, “Hammer Glamour” by Marcus Hearn (Titan Books, 2009).  If this topic is of interest to you, I recommend you pick it up.  I’ve been lucky to meet some of the female stars of classic Hammer movies at fan events, and they’ve been kind enough to autograph my copy of the book for me.

It’s no easy task, but here are my favourite ten Hammer actresses.  It’s been a pain-staking process analysing the contribution of each of these ladies, but my selection is below.

10. Martine Beswicke

Appearing in three Hammer movies (One Million Years BC, Prehistoric Women and Dr Jekyll & Sister Hyde), Martine Beswicke’s career with Hammer covered both gothic horror and dinosaur movies.  Dr Jekyll & Sister Hyde is her greatest contribution, where in a novel twist on the traditional tale, she plays the evil “sister” transformed from Dr Jekyll (Ralph Bates).  She also appeared in two Bond movies – From Russia with Love and Thunderball. I’ve met Martine and she happily signed my copy of “Hammer Glamour”.

9. Barbara Shelley

The lovely Barbara Shelley appeared in more Hammer movies than anyone else on this list.  Her films include The Gorgon, Rasputin the Mad Monk and Quatermass & the Pit.  Barbara’s best role, however, was in Dracula Prince of Darkness, where she is transformed from Victorian lady to vampiric creature of the night.  She also appeared in the great Village of the Damned.  Again, Ms Shelley has signed the book, I’m very happy to say – she was extremely nice, for a vampire.

8. Stephanie Beacham

I remember Stephanie Beacham from numerous television appearances growing up, notably Dynasty.  She appears in Dracula AD 1972 as Jessica Van Helsing, granddaughter of Peter Cushing’s Professor.  A great camp classic, this is one of my favourites, and Stephanie looks ravishing.  I’ve yet to meet Stephanie to ask her to sign the book, I’ve got my fingers crossed.

7. Veronica Carlson

Starring in three Hammer horror films, Veronica holds the distinction of having starred alongside two different Baron Frankensteins: Peter Cushing (in Frankenstein Must Be Destroyed) and Ralph Bates (The Horror of Frankenstein).  She also appeared in Dracula Has Risen From the Grave – all great films.  Ms Carlson was lovely when I met her not too long ago. proxy

6. Valerie Leon

Although she appeared in just one Hammer film, Blood From the Mummy’s Tomb, Valerie Leon makes a fantastic impression in it.  A great film and a beautiful actress.  She also appeared in Carry On and Bond movies, making her a true 70’s film sensation.  You can read more here.  Very charming and another welcome signature for the book. Countess-Dracula

5. Ingrid Pitt

No-one encapsulates Hammer Glamour more than Ingrid Pitt.  She seems synonymous with horror movies.  Classic films she starred in include the brilliant The Vampire Lovers and Countess Dracula, alluring as the evil Countess.  She also starred in genre classics for other studios, such as The House That Dripped Blood and The Wicker Man.  Sadly, Ingrid passed away in 2010.  A true legend. HAMMER GLAMOUR CARLSON OMARA 10

4. Kate O’Mara

Gorgeous Kate O’Mara appeared in The Vampire Lovers and Horror of Frankenstein.  Prim in the former and sexy in the latter, Kate’s contribution to Hammer is excellent.  Her exotic looks have been a regular on-screen ever since, I remember her well in Dynasty.  I’ve not met Kate, but would love her to sign my Hammer Glamour book.

3. Madeline Smith

madeline-smith-hammer-horrorAppearing very briefly in Taste the Blood of Dracula, Madeline Smith looks absolutely dazzling in The Vampire Lovers and Frankenstein and the Monster From Hell.  She also appeared briefly in Theatre of Blood and was a Bond girl in Live and Let Die, as well as numerous other film and TV credits.  Ms Smith has signed the book and was very nice too.

2. Raquel Welch

Possibly the most beautiful woman to ever walk the planet, Raquel Welch became a screen icon when she appeared in One Million Years BC.  Unfortunately, she never appeared in any more Hammer movies (hence she only reaches number two in this list).  Raquel has made many other great films in a pretty fabulous career, since her debut in that “silly dinosaur movie” (her words, not mine!). caroline-munro-dracula-a-d-1972-publicity-shot

1. Caroline Munro

The stunning Caroline Munro appeared in two of my favourite Hammer films, Captain Kronos: Vampire Hunter and Dracula AD 1972.  She’s also appeared in many other cult classics – try At the Earth’s Core and Starcrash, for starters.  Ms Munro is probably most famous for her role as Naomi in The Spy Who Loved Me.  With her beautiful, long brunette hair, I’ve been smitten with Caroline for a long time.  She’s also a very lovely person with plenty of time for her fans, as I found out when I met her.  Caroline Munro is a Queen of classic cult cinema, and top of the Hammer Glamour list!

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Meeting Caroline Munro at NEC Memorabilia

A special mention should be made to some of the lovely ladies who didn’t make the top ten, including Joanna Lumley (Satanic Rites of Dracula); Catherina Von Schell (Moon Zero Two); Julie Ege (The Legend of the 7 Golden Vampires) and Ursula Andress (She).  There are many more, of course.

If you’d like to buy a copy of “Hammer Glamour”, you can find it here.

www.hammerfilms.com

The Bride of Hallowe’en Horror Fest

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The Vampire Lovers (1970) THE-VAMPIRE-LOVERS

It’s Hammer time!  And though it might not be a popular opinion to express, this film is, for me, classic Hammer.  With the dawn of the 1970’s the studio started to put out films that featured more explicit gore and nudity.  In The Vampire Lovers, there are some fairly gruesome decapitations and some totally gratuitous nakedness.  Brilliant.

Based on Sheridan Le Fanu’s novel Carmilla, The Vampire Lovers stars the late, great Ingrid Pitt as Mircalla/Carmilla.  She charms her way into the houses of well-to-do families and seduces their daughters with her vampiric powers.  Peter Cushing – total hero – makes a cameo appearance and we even get to see George (Minder) Cole in a substantial role.  vampirelovers2

The sets are quite lush and the atmosphere is archetypal Hammer Gothic fare.  But the real stars here are the lovely ladies – Ingrid, plus Kate O’Mara and one of my all time favourites, the beautiful Madeline Smith.  Maddy looks wonderful in this film and plays the doe-eyed innocent perfectly.

The Vampire Lovers ticks all the Hammer boxes.  And with a line-up that includes Pitt, Smith and O’Mara, offers possibly the greatest Hammer Glamour cast for a single film of all.

9/10

Alien (1979)

“Alien isn’t a horror film – it’s science fiction!”  Nonsense.  Despite the sci-fi setting, this film is pure horror – and one of the all time greats.  It still has the power to shock all these years later, not to mention some very gruesome scenes.  Gripping and shit-your-shoes off scary.

The design is faultless – both H. R. Giger’s creature and the lived in space ship sets.  The film looks great and the viewer is totally immersed in the world on-screen.  I don’t need to add more, just watch it and be mesmerised.

9/10

Earth vs. Hallowe’en Horror Fest

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The Thing (1982)

I’m not going to preach on about this film, let’s just say it’s pure genius.  John Carpenter’s The Thing is an excellent film – not just an excellent horror (or sci-fi) film, but an excellent film outright.

An isolated team of American scientists in the Antarctic are infiltrated by a shape changing creature from outer space.  As the mystery unfolds, the team have no idea who has been taken over by the thing and who is still human.  The tension mounts as the men’s suspicion of each other increases. title the thing

Great special effects (no CGI here) and believable performances (Kurt Russell as Mac) help, but it’s Carpenter’s ability to squeeze every ounce of unease, mistrust and anxiety out of the cast that makes it work.  A classic.

10/10

Paranormal Activity (2007)

When I first saw this film, the initial twenty minutes or so didn’t impress me.  It was like watching a feature length version of Most Haunted.  Not that there’s anything wrong with Most Haunted (great show), I just don’t want to watch a dramatised version of vaguely strange happenings when I can watch the TV show any time.  Plus, Paranormal Activity was another from the “found footage” genre, and while Blair Witch was OK I wasn’t a huge fan.

Where this film works though, is in tapping into a very primal fear – the fear of what goes on when we’re asleep.  There are some very scary moments where the viewer can’t help but wonder if anything strange occurs when they’re sleeping.  Sure, the hokum is ladled on mercilessly (frightened psychics, demonic possession) but there are genuinely hair-raising sequences that are really creepy.

The film works best when it’s low key, and plays on our fear of what goes bump in the night.  Definitely worth a watch, just don’t expect to be convinced that the “found footage” is real…

8/10 

The Revenge of Hallowe’en Horror Fest

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Shadow of the Vampire (2000)

An interesting one, this – not exactly a shocker, but undeniably creepy.  Shadow of the Vampire proposes that the classic silent film Nosfertu (1922) employed an actual vampire to portray it’s evil protaganist, Count Orlock.  Set during the production of the film, Director F. W. Murnau (John Malkovich) decides that only a real undead creature can portray the villain of his story.  As a result, the production is plagued by catastrophe as the vampire’s natural urges threaten to derail the project. shadow-of-the-vampire-poster

Willem Dafoe is almost unrecognisable as Max Shreck, the vampire playing a vampire.  He gives a fantastically eerie performance, superbly impersonating the Orlock of the original movie and also bringing his own air of barely contained menace.  Malkovich shows his skills as the driven perfectionist trying to keep together a production that is teetering on the brink of collapse.

To truly get the most from Shadow of the Vampire, the audience needs to be familiar with the source material.  But then, if you’ve never seen Nosferatu – you should be ashamed of yourself.

8/10

The Curse of Hallowe’en Horror Fest

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An American Werewolf in London (1981)

I first saw this film when I was about ten years old.  Or rather, I saw the first ten minutes.  When the initial attack occurs on the moors, my Mum switched it off.  And I’m not surprised.  Just those first few minutes were enough to make me shit my shoes off.  It would be many years later before I would actually watch the movie all the way through.

An American Werewolf in London begins with two backpacking young Americans finding their way to a mysterious village somewhere in Yorkshire.  They are attacked on the moors by a werewolf – one is killed and one survives, thus carrying on the werewolf’s curse.  Recovering in a London hospital, the survivor, David (David Naughton) is cared for by nurse Alex (Jenny Agutter).  His nightmares soon erupt into vicious attacks as he transforms, under the full moon, into a werewolf. american_werewolf_in_london_poster_04

This film is an absolute classic of the genre.  There are genuine jump-out-of-your-seat shocks, moments of bloody gore and a tragic love story that combine into a thrilling experience.  The special effects make-up (by Rick Baker) is still out standing today, particularly the transformation scene.

Often described as a “horror comedy”, there is a humorous tone in moments throughout the film which helps create the light and dark shades.  Director John Landis, however, has stated that An American Werewolf… is not a comedy, it just uses the lighter shades to create impact for the more horrible scenes.  Landis blends the moods superbly.  There are also numerous nods to the werewolf movies of the past; both verbally (The Wolfman and Curse of the Werewolf both get a nod) and in the structure of the film.

I’ve seen this film many, many times since Mum first switched channels after ten minutes. I’ve even seen it on the big screen, for a special late night showing a couple of years ago. The film’s ability to shock is now lost on me somewhat – I know when every scare is due to happen.  But I still enjoy watching this film and absorb every incredibly clever touch that Landis utilises.  It’s made a massive impression on me – I still remember the first time I was way down deep on the London underground, and gained an appreciation of the loneliness and isolation in one particular scene.

An American Werewolf In London: if you’ve not seen it, see it now.  But not in a dodgy theatre in Piccadilly Circus, obviously.

10/10