Tag Archives: classic movie

MCM Birmingham Comic Con 2017 – Part 1

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NEC Birmingham

18/19 November 2017

And yes, it’s a long awaited return to the fantastic Comic Con that is MCM Birmingham!  Held every March and November at the NEC, this event is huge – and one of my favourites.  All Comic Cons are fun, but MCM Birmingham has a feel and flavour all of it’s own.

Part of that reputation is down to the pure spectacle of size.  The events halls in the NEC that house this function are truly huge – like aircraft hangers.  They seem big enough to hold the S.H.I.E.L.D. Heli-carrier, never mind an Avengers quinjet.

Ahoy there!
Cruella
Jason
Wonderful couple
Alien

But the main reason that MCM Birmingham is so much fun is the people – specifically, the amazing, talented cosplayers that travel from far and wide to show their genius costumes.

Whether it’s little kids in store-bought superhero outfits or full fledged cosplay supremos spending months perfecting their craft, the whole extravaganza is awesome.

When you add in the myriad replica film props, models and paraphernalia, it all adds up to a thrilling day out.

Supergirl
Gremlin girl

The scale of this event seems to ramp up every time I visit it.  There a vast number of stalls, as previous, selling all manner of items.  This years hot pieces appeared to be pocket watches (want) and Funko Pops.

I resisted the joy of Funkos for a long time.  Now I wish I hadn’t, as I’ve missed several that I would’ve loved.  I started collecting them earlier this year, have a few cool ones, and want so many more.  Funko Pops seemed to be everywhere at this years Comic Con.  Which makes me happy.

Lanterns
Sweet

There were also loads of interesting guests to meet, though due to budgetary issues I didn’t get any autographs this time.  In particular, I wanted to add the signature of Pauline Peart, who appeared in The Satanic Rites of Dracula, to my Hammer Glamour book.

Never mind, hopefully we’ll cross paths again.

Lara
Steam punk chest burster
Xena
Probably my favourite of the day!
Cap and Batman

We arrived early at the event, having early bird tickets.  This allowed us early entry, and it was a little quieter to begin with.

It was also a bit quieter on the Cosplay front till later that morning.  I guess that makes sense; if you’re a cosplay afficianado, you’re more likely to be perfecting your stunning costume rather than getting in line early doors.

 

So it was a bit slow on the photo front at first, things soon got going though!  There were costumed characters of every possible description literally all over the place by midday.  I got some great pictures of as many as I could – you can see the results on this page.

As I always state, I’m by no means a professional photographer.  Luckily the camera seemed to be on form on this day (not sure I was) so I captured some pretty good images.

Obi-Wan and Padme
Judge
Gladiator and Pirate
Harley
Disney Princesses

The results are to the credit of the cosplay enthusiasts however, not any photographic skills on my part.  My thanks to everyone of you that posed graciously for me, I hope these photos do some justice to your creative skills.  All of you were friendly and enthusiastic, my respect to you all.

And with that, we’ll conclude part 1 of this MCM Birmingham blog.  Part 2 soon – with more photos – plus anything else I can remember about the day!

Supergirl
Emma Frost
Chewie
Jedi and pilots

Halloween Horror Fest Has Risen from the Grave (again)

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Beetlejuice (1988)

Time for a change of pace for this year’s Halloween Horror Fest.  Tim Burton’s Beetlejuice is a spooky comedy horror, showcasing more of the Director’s trademark bizarre imagination. 

Adam (Alec Baldwin) and Barbara (Geena Davis) are a happily married couple, living in their dream house.  They wind up dead, due to an unfortunate accident, and haunting their old home.

When a new family move in, who turn out to be less than ideal inhabitants, Adam and Barbara attempt to scare the new householders away.  After all their attempts fail, they’re left with no other choice than to recruit Beetlegeuse (Michael Keaton) to do the job for them.

Keaton is manically brilliant as sleazoid Beetlegeuse; a deranged, disreputable “bio-exorcist” with a seedy demeanour.

Burton manages to keep the film entertaining and lighthearted in his own goofy way.  Beetlejuice never becomes morbid or grim, instead it’s a fun (though dark) fantasy that oozes creativity.

8/10

Dracula Has Risen from the Grave (1968)

In which good old Christopher Lee returns as Dracula, in his third outing as the Count for Hammer. 

This time around, Drac is out for revenge when is castle is exorcised by the Monsignor (Rupert Davies).  Not having anywhere to hang out, the Count is somewhat peeved and decides to enact his vengeance on the Monsignor’s virginal niece, played by lovely Veronica Carlson.

Hammer courageously attempt to avoid re-treading the same old formula in this film, though in reality the blueprint is never cast too far away.  The actors all do a fine job, including Davies, Carlson and Barry Andrews as Paul, the token heroic figure.

Lee is fantastic of course, with commanding presence and evil red eyes creating a powerful Lord of Vampires.  And the sets look great, like Kiss of the Vampire, bigger and more realistic than earlier efforts.

Dracula Has Risen from the Grave isn’t a completely successful entry in the series, but it’s a professionally produced and entertaining film in the Gothic Hammer horror tradition.  Well worth a look.

7/10

Halloween Horror Fest House of Horrors

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Ring (1998)

OK: so here, we’re talking about the Japanese original movie, Ring (or Ringu) – not the Hollywood remake.  I’m not making any kind of elitist statement, I’ve just never seen the American version. 

Mrs Platinum Al introduced me to this creep-fest some years ago; I’m only surprised it’s not been viewed as part of our Halloween Horror Fest sooner.

A cursed video tape is being passed around; whoever views it dies a week later.  A reporter is investigating the story, and finds that the video isn’t just an urban myth when it strikes close to home.  With time running out, she must determine the origin of the tape and find a way to stop it.

Ingeniously creepy, Ring takes a novel idea – that sounds like exactly the type of urban legend that could be out there – and capitalises on it.  Watching the English subtitled version ads to the sense of mystery, as the viewer slowly pieces the facts together along with the protagonist.

Recommended for its imaginative premise and macabre scenes, you won’t want to watch Ring alone!

8/10

The Exorcist (1973)

I first saw The Exorcist as a student, when I was about 19.  This was in the days when the film wasn’t on video or allowed on TV, and thus it held a reputation beyond all others as the scariest film anyone would see, ever. 

A late night showing after a week of anticipation left me, at the time, convinced that this notoriety was justified.  I slept with the light on for several nights after.

But then a year later, I persuaded some other friends to go and see the movie too.  They found The Exorcist amusing more than anything, and I too was wondering what had frightened me so much.

I’ve not seen the film since then, other than catching parts of it whilst showing on TV (times have changed).  I was unsure what I would make of it.  Surely, its ability to horrify would have decreased still further after all these years?

Whilst I wasn’t terrified watching the movie again, I was greatly impressed by the whole spectacle.  The Exorcist is scary, but it’s also a very engaging and brilliantly told tale.  The acting is top quality and believable, and most of those infamous scenes still have the ability to shock.

Film critic Mark Kermode reckons this is the best film ever made.  I wouldn’t agree with that rating, but The Exorcist is a terrifically thrilling film.

William Friedkin, the Director, succeeds in making a movie which seems horribly realistic – and thus very believable.  Still powerful after all these years.  Essential viewing!

9.5/10

From Beyond the Halloween Horror Fest

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The Omen (1976)

Widely regarded as a classic of the horror genre, I was never a huge fan of this movie when I first viewed it as a teen in the late 80’s.  Despite the high regard that The Omen was held in by my peers, I just didn’t find it that scary.

Watching the film again now, though, I was much more impressed by the clever story and formidable performances. 

Gregory Peck plays Robert Thorn, a US Ambassador in Italy.  When his wife, played by Lee Remick, has a stillborn child, Thorn is approached by a priest to adopt another baby as their own.  They name the child Damien, and following the family’s move to London strange things begin to happen.

A priest (Patrick Troughton) warns Thorn that the boy is the Antichrist.  Though sceptical at first, Thorn begins to investigate with a photo journalist (David Warner) also caught up in the case.  Death and destruction is always on their heels, but is it deadly coincidence or evil incarnate?

Excellent performances and a tight, fast paced narrative made The Omen far more interesting this time around.  The Director, Richard Donner, does a good job of creating a malevolent atmosphere and the chills keep coming.

Creepy rather than jump-out-of-your-skin scary, never the less The Omen stays in the mind long after the finale.  Far better than I’d given it credit for.

8/10

From Beyond the Grave (1974)

I remember first seeing this film years ago – a late night showing on TV when I got home from the pub!

From Beyond the Grave is another Amicus anthology movie.  Featuring four short stories, they are linked together by Peter Cushing’s antiques and curiosity shop, Temptations Ltd – which bookends all the events.

In the first segment, David Warner (again) buys an old mirror that brings an uninvited, murderous guest to his home.  The second, and best story, features Donald Pleasence and daughter in a weird tale of witchcraft.

The third instalment is more comedic, as a medium is involved in exorcising a demon from a business man’s life.

Finally, Ian Ogilvy and Lesley-Anne Down are confronted with a time travelling satanist in what is a far fetched, but very tense tale.

It’s all great campy 70’s horror fun, and I have a lot of love for this film.  There are several great British actors, all doing a fine job – and plenty of atmospheric chills. From Beyond the Grave is slightly dated but immensely entertaining.

7/10

Bride of Halloween Horror Fest (Revisited)

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Bride of Frankenstein (1935)

It was an absolute pleasure to re-watch this total classic of a monster movie.  Bride of Frankenstein features not one, but two iconic Universal creatures; in a multi faceted story directed by James Whale.

As the original movie had been such a success, this sequel shines with a commitment to match it and create something even better – which it does.

Henry Frankenstein (Colin Clive) has survived the events of the first film, and vows never to return to his ghastly experiments.  The creature (a fantastic Boris Karloff) has also survived, and begins to explore his surroundings and grow in experience.  Of course, these adventures inevitably lead to mayhem.

An old tutor of Frankenstein, Dr Pretorius – played with a camp menace by Ernest Thesiger – has a proposition for Henry.  Together, they can combine their skill to create a new monster, a mate for the first.  Events transpire to force Frankenstein to enter into this hell bound, yet inevitable partnership. 

Universal obviously invested heavily in this second Frankenstein movie, the sets are more grand and the special effects really surprisingly good for the time.  Whale is on fine form and the whole film is a real spectacle – I remember being thrilled to see this revered movie for the first time.

Performance wise, Clive is melodramatic in the extreme and his acting appears somewhat dated.  The rest of the cast are magnificent though, Thesiger is delightfully wicked and Elsa Lanchester is unforgettable as the monster’s bride.

The best though is the legendary Karloff, here given much more to do (even being allowed to develop speech, a little like the novel).  His ability to convey emotion and make the audience empathise with a giant, re-animated corpse is astounding.

All in all, Bride of Frankenstein is a classic of the genre.

10/10