Tag Archives: Don’t Be Cruel

Miami Supercops – Album Review

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Jamie Spilsbury – Miami Supercops

Self released

Last September, I reviewed the debut album by a gentleman by the name of Jamie Spilsbury. Jamie is a multi-talented individual with a wide range of skills and hobbies – from author, artist, photographer to musician. Seriously, this guy puts most of us to shame. Previously I reviewed the album “Don’t Be Cruel”, an avant-garde mixture of musical genres and spoken word pieces that intrigues and thrills in equal measure. This time, something completely different is on offer.

‘Miami Suopercops’ is a tribute to the 1980’s movie of the same name, and is steeped in electronica of the time. It’s like an imaginary soundtrack for the film, with separate movements and styles to conjure the action on screen. Now I’ve never seen this particular movie, but I’ve seen many similar television programmes and movies from the time back in my youth. If you’ve ever seen Miami Vice, or heard the music of Vangelis or John Carpenter, you’ll feel right at home here in seconds.

‘Devil’s Reef’ starts us off with a throbbing bass and energetic rhythm (very Miami Vice) and sets an ominous tone. It’s totally evocative of themes from the era. The tracks are mostly instrumental, which adds to the authenticity that Jamie is striving for. ‘Morals’ is a more laidback, reflective number. whilst in ‘Sudden Impact’, the listener can feel the tension rise as the plot thickens.

‘Sunrise’ is another pleasantly moody piece, while ‘Target Locked’ is again a more action-orientated song. What’s great is you can imagine the “movie” in your mind’s eye as you listen along! On ‘Streets with no name’ I can just see the cops cruising the Miami highways in the dead of night, their Ferrari illuminated by the omnipresent neon. ‘Stealth’ begins just like a stakeout, and features some rare, but excellent female vocals. The credits roll with ‘Ghetto Blaster’ and the story is nearly over.

With an apt cover of Jan Hammer’s ‘Crockett’s Theme’ from Miami Vice added as a bonus track of sorts, we reach the end of “Miami Supercops”. I may not be the most knowledgeable when it comes to electronica, but I grew up watching films and TV shows of this type back in the day, and this work sounds completely authentic and immersive. Full marks Jamie, you’ve managed to recreate a time and genre with skill and an easily recognised affection.

Follow Jamie Spilsbury on X/Twitter for more info, and a link to “Miami Supercops”.

Don’t Be Cruel – Album Review

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Jamie Spilsbury – Don’t Be Cruel

Self released

Every now and again, some thing lands on my desk that I’m compelled to write about. Something out of the ordinary and different. Unexpected, even. And it doesn’t need to be something from a well known artist, or from a genre I’m familiar with. Sometimes, something arrives completely out of the blue and demands attention.

“Don’t Be Cruel” by Jamie Spilsbury is in that category. Jamie is a man of many interests, though I had no idea that he’d made an album. This album, wrenched from Jamie’s creative impulses and filtered through numerous pop culture references and electronica, can only be a document of his journeys through multiple realities and dimensions…

Some of what you will hear is music, some of it spoken word, dramatisations and skits – but all of it is experimental and different. It’s a journey into the abstract that takes in dozens of reference points. Starting with ‘The Letter M Song’ the listener is taken by surprise with a pleasant little tune that sounds like a long lost Sesame Street excerpt, but backwards. ‘Ballroom Memories’ is a delightful, relaxed big band/swing number that’s like a missing Glenn Miller track.

‘Stayin’ Together’ is a clever tribute to 80’s synth pop movie tunes, it’s Debbie Gibson at the Mall playing arcade games. The best song here is no doubt ‘Voidness’, a quite lovely piece of ambient electronica that’s perfect to chill out to.

Surrounding these musical adventures are the comedic skits, which range from spoof news bulletins to a genuinely creepy spoken word Lovecraft piece. There’s weird science fiction, Pulp Fiction style armed robbery, and Indiana Jones – literally nothing can be predicted here, it’s a startlingly varied mix of influences and ideas.

Jamie spent only a small amount of time putting this album together, in what must have been a fever of activity. And it’s the ingenious assortment of thoughts and concepts that really makes an impact here. I’m not sure I understand everything that’s going on (yet), but the sheer exuberance and commitment to create is very impressive. Strap on your ear goggles and get ready for a crazy adventure. You might be inspired to make your own musical journey…

Follow Jamie on X for more info, and a link to “Don’t Be Cruel”.