Public Image Ltd – Gig Review

PIL

Public Image Ltd + The Hexmen

Saturday 26th September 2015

The Tivoli, Buckley

Well it’s been an amazing couple of weeks for gigs.  And what’s that?  Public Image Ltd playing up the road at the Buckley Tivoli?  Featuring the living legend that is John Lydon?  There’s absolutely no way this extravaganza can be missed!

It was England vs Wales in the Rugby World Cup that night, and the Tiv had decided to show the game on a large projector screen above the stage.  A bizarre idea but it worked out OK – happily Wales won.  Had they lost that could’ve put a right downer on the evening.

Support band The Hexmen are a non-stop R’n’B party.  And by R’nB I mean as in Rhythm and Blues, not as in Kanye West.  They’re a solid band with an unmissable skill in abstract between song banter.  Solid rhythm section, stellar guitar and soaring harmonica.  Pretty damn good.  They appear to play in these parts quite often, so check ’em out.

The Tiv was packed out for Public Image Ltd.  I think most of the punters were in a daze, unbelieving that the band would actually appear.  But lo and behold PiL did appear – the real PiL, not a tribute act featuring some Johnny Rotten wannabe.  The reception was warm, but the crowd really revved up when the third song in the set turned out to be the masterpiece that is “This Is Not a Love Song”.

There was a fair mix of tracks old and new, with “Death Disco” and “Warrior” standing out from the well known singles.  I’ve not got the new album yet (hangs head in shame), but the tracks of that and This is PiL (got that one) were all extremely impressive.  The massive bass groove of Scott Firth and precision drums of Bruce Smith created a throbbing tribal rhythm that brought these songs to life.

Lydon himself seemed to be having a good time, for the most part.  I couldn’t always tell.  He definitely got stuck in and delivered some quite stunning vocals.  His style is almost operatic; combined with his commanding presence at the front of the stage we are given a captivating performance.

I should also mention guitar maestro and all round talented bloke Lu Edmonds – he played a blazing gig.  I have no idea how he made all those sounds.  It was very hard to believe that there were only four people on stage.

The encore provides the songs “Public Image” and “Rise”, two fantastic songs that the audience were thrilled with.  I still remember seeing “Rise” performed on Top of the Pops when I were a lad.  That was my first experience of PiL.  The other kids thought Lydon was weird; I thought he looked cool.  It’s a perfect end to the chapter.

Oh, and I WILL go and buy the new album – promise.

The Public Image Ltd website is here.

The Hexmen website is here.

The Tivoli website is here.

Reef – Gig Review

Reef1

Reef + Tax The Heat

Thursday 24th September 2015

The Live Rooms, Chester

One thing I’ll tell you about Reef: they’ve got the tallest fans ever.  I’m only five foot eight on a good day, so I was dwarfed by this crowd.  I have no idea how come Reef can command such an audience of giants.  Perhaps there’s something mystical in the music of these West Country rock wizards that attracts the giants from the hills, mesmerised.

Tonight I managed to see the entire support set, which made a nice change.  Better time management on my part.  And I’m glad I did, as opening act Tax The Heat were great.  Splendidly dressed in sharp suits, they cranked out some classic rock riffs and looked to be having a hell of a good time.  Definitely good enough to see headline their own gig, Tax The Heat compliment old school rocking chops with a modern sheen.

I’d been hoping that Reef would turn up in my neck of the woods for some time.  Previously I had witnessed part of their set at Wakestock some years ago, unfortunately having to leave early.  That wasn’t enough for me – I felt I was due the full Reef pie, with all the trimmings.

There was quite a good time vibe amongst the crowd – you could feel the anticipation in the Live Rooms.  Reef entered the stage in a relaxed and unassuming manner, though they immediately unleashed some magical sounds with opener “Higher Vibration”.  Conner MacLeod was on vocals, doing a top quality job as Gary Stringer.  To his right is new(ish) guitarist Jesse Wood, who fits in perfectly: he’s confident yet laid back; masterful playing and not overly flamboyant.

A great deal of the set was culled, unsurprisingly, from Reef’s hugely popular second album, Glow.  So we get gems such as “Consideration”, “Come Back Brighter”, “Place Your Hands” (of course) and my personal favourite – the absolutely megalithic stomp of “I Would Have Left You”.  Songs that sum up Reef’s ability to meld Zeppelin sized riffery with tuneful, tender moments.

There’s also some songs from Rides and the sole song from debut album Replenish, “Naked”.  Jack Bessant, looking like Rob Zombie’s Dad but much, much cooler – unleashed another monstrous bass line for “New Bird”.  It’s no mere greatest hits set though, as Reef throw in some well placed new material.  The new songs are quality stuff, sounding like old time soul classics played by seventies blues rock behemoths.  Drummer Dominic Greensmith looks to be having a great time as he smashes his kit into a parallel dimension.

My only complaint is that there’s nothing from their fourth album, Getaway.  I love that album, it’s a real forgotten masterpiece.  It would’ve been great to hear “Set the Record Straight” or “All I Want”, a song that’s so good it brings a tear to my eye every time.

I always wondered how Reef got lumbered in with the whole Britpop thing.  To me, their music is classic old school 1970’s British ROCK, with a nice spoonful of laid back soul.  They put on a great, relaxed and yet commanding show – full of the warmth of the last days of summer.  A great atmosphere with songs that climb to Gandalf sized epicness.  And I guess that’s how you tame the giants.

The Reef website is here.

The Live Rooms website is here.