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Hallowe’en Horror Fest Must Be Destroyed

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Ed Wood (1994)

OK – so Ed Wood doesn’t have any shocks or frights.  Nor does it contain anything remotely supernatural.  Yet it does have Bela Lugosi, Vampira, a Hallowe’en scene and references to some of the worst horror B-movies of all time.

This film charts the career lows (and more lows) of Ed Wood, a man whose movies are largely considered absolute disasters.  Played by Johnny Depp, Wood and his band of misfits blunder from one production to another, with far more enthusiasm than talent.  Thus we see a dramatised version of Wood’s life behind the scenes of such turkeys as Bride of the Monster and Plan 9 From Outer Space. ed_wood_ver2

Bela Lugosi is played fantastically by Martin Landau, in a role that elicits great sympathy from the audience.  The film also stars Sarah Jessica Parker, the legendary Bill Murray, Patricia Arquette and Lisa Marie as the aforementioned Vampira.  Depp, too, does a riveting job, making Wood likeable – a failed hero the audience can root for.

Directed by Tim Burton, this is a film that I can watch again and again.  You don’t have to be familiar with the works of Wood, but it does add another dimension if you are.  It’s a wonderful film that has, at it’s core, a story of succeeding against the odds.  Sort of.

Not a horror film then, as such, but the fact that Ed Wood features such icons of early horror makes this film an unmissable Hallowe’en treat.

10/10

Day of the Dead (1985)

So it’s post apocalypse and there are zombies everywhere.  There are these survivors holed up in an underground mine/storage facility.  Tensions mount between the survivors –  some being scientists and some military – as they each have their own agendas.  Eventually everything goes belly up and it’s zombie attack time.

I don’t think that gives away too many spoilers – you weren’t expecting anything else, were you?

Director George A Romero was also responsible for the completely thrilling Night of the Living Dead.  He also made Dawn of the Dead, a very fine sequel.  However, for me, Day of the Dead doesn’t quite reach the heights of the two earlier films.  Don’t get me wrong, there’s plenty to get your teeth into here, and there are a few genuinely innovative moments.  It’s just harder to relate to people stuck in an underground cavern than it is a shopping mall.

I won’t mention the zombie Bub, a character that I definitely thought was too much.  But check it out, certainly if you’ve seen the other Dead films.

7/10

Son of Hallowe’en Horror Fest

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28 Days Later (2002)

When Mrs Platinum Al and I went on our very first date, this was the film she wanted to see.  I’d heard it was good, and being a fan of the Director Danny Boyle’s earlier works (Shallow Grave, Trainspotting) agreed it would be a good choice.  What followed was one of the most extreme cinematic experiences I’ve ever had.  You’ve heard stories about people walking out of the cinema?  I saw that during this screening.  Audience members were getting up and leaving.  I’m sure that it wasn’t because the film was bad – it was because 28 Days Later is utterly terrifying. MV5BNzM2NDYwNjM3OF5BMl5BanBnXkFtZTYwNDYxNzk5._V1._SX337_SY500_ (1)

Jim (Cillian Murphy) wakes up in hospital after being in an accident.  Slowly he finds that the world he knew has crumbled, as an infectious virus called “Rage” has decimated the population by turning the victims into violent, mindless killers.  Jim meets other survivors, and together they begin a journey to find a cure for Rage, and safe refuge from the Infected.

28 Days Later was never billed as a zombie flick originally, at least not as I remember it.  Although obviously inspired by zombie movies and other post apocalyptic films, it was promoted as a film exploring what could happen following the outbreak of a pandemic.  Scenes of an abandoned London created emotions of despair that were related, in the press, to the aftermath of 9/11.  Psychologically, the audience is submitted to a world of sheer desperation that pervades every minute.

As a result, 28 Days Later gives us much more than a zombie re-hash.  It has shocks and creates tension in the viewer unlike any other film I have ever seen.  But it also asks questions: how far away are any of us, in a world of road rage and social unrest, from mindless uncontrolled violence?

Quite simply a superb film on every level, 28 Days Later horrifies beyond belief.

10/10

Hammer Glamour

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Through out its illustrious career, the Hammer film studio became synonymous with two things: horror and sex.  The studio’s reputation encompassed both the lurid Technicolor gore; and the heaving cleavages of its female stars.

To say that’s all Hammer movies were does them a great disservice, yet the two key elements of horror and glamour have become the trademarks for which the company was known.  Alongside the great Peter Cushing and Christopher Lee, numerous beauties also  graced these fine films. raquel-welch-one-million-years-de

There’s a great book, “Hammer Glamour” by Marcus Hearn (Titan Books, 2009).  If this topic is of interest to you, I recommend you pick it up.  I’ve been lucky to meet some of the female stars of classic Hammer movies at fan events, and they’ve been kind enough to autograph my copy of the book for me.

It’s no easy task, but here are my favourite ten Hammer actresses.  It’s been a pain-staking process analysing the contribution of each of these ladies, but my selection is below.

10. Martine Beswicke

Appearing in three Hammer movies (One Million Years BC, Prehistoric Women and Dr Jekyll & Sister Hyde), Martine Beswicke’s career with Hammer covered both gothic horror and dinosaur movies.  Dr Jekyll & Sister Hyde is her greatest contribution, where in a novel twist on the traditional tale, she plays the evil “sister” transformed from Dr Jekyll (Ralph Bates).  She also appeared in two Bond movies – From Russia with Love and Thunderball. I’ve met Martine and she happily signed my copy of “Hammer Glamour”.

9. Barbara Shelley

The lovely Barbara Shelley appeared in more Hammer movies than anyone else on this list.  Her films include The Gorgon, Rasputin the Mad Monk and Quatermass & the Pit.  Barbara’s best role, however, was in Dracula Prince of Darkness, where she is transformed from Victorian lady to vampiric creature of the night.  She also appeared in the great Village of the Damned.  Again, Ms Shelley has signed the book, I’m very happy to say – she was extremely nice, for a vampire.

8. Stephanie Beacham

I remember Stephanie Beacham from numerous television appearances growing up, notably Dynasty.  She appears in Dracula AD 1972 as Jessica Van Helsing, granddaughter of Peter Cushing’s Professor.  A great camp classic, this is one of my favourites, and Stephanie looks ravishing.  I’ve yet to meet Stephanie to ask her to sign the book, I’ve got my fingers crossed.

7. Veronica Carlson

Starring in three Hammer horror films, Veronica holds the distinction of having starred alongside two different Baron Frankensteins: Peter Cushing (in Frankenstein Must Be Destroyed) and Ralph Bates (The Horror of Frankenstein).  She also appeared in Dracula Has Risen From the Grave – all great films.  Ms Carlson was lovely when I met her not too long ago. proxy

6. Valerie Leon

Although she appeared in just one Hammer film, Blood From the Mummy’s Tomb, Valerie Leon makes a fantastic impression in it.  A great film and a beautiful actress.  She also appeared in Carry On and Bond movies, making her a true 70’s film sensation.  You can read more here.  Very charming and another welcome signature for the book. Countess-Dracula

5. Ingrid Pitt

No-one encapsulates Hammer Glamour more than Ingrid Pitt.  She seems synonymous with horror movies.  Classic films she starred in include the brilliant The Vampire Lovers and Countess Dracula, alluring as the evil Countess.  She also starred in genre classics for other studios, such as The House That Dripped Blood and The Wicker Man.  Sadly, Ingrid passed away in 2010.  A true legend. HAMMER GLAMOUR CARLSON OMARA 10

4. Kate O’Mara

Gorgeous Kate O’Mara appeared in The Vampire Lovers and Horror of Frankenstein.  Prim in the former and sexy in the latter, Kate’s contribution to Hammer is excellent.  Her exotic looks have been a regular on-screen ever since, I remember her well in Dynasty.  I’ve not met Kate, but would love her to sign my Hammer Glamour book.

3. Madeline Smith

madeline-smith-hammer-horrorAppearing very briefly in Taste the Blood of Dracula, Madeline Smith looks absolutely dazzling in The Vampire Lovers and Frankenstein and the Monster From Hell.  She also appeared briefly in Theatre of Blood and was a Bond girl in Live and Let Die, as well as numerous other film and TV credits.  Ms Smith has signed the book and was very nice too.

2. Raquel Welch

Possibly the most beautiful woman to ever walk the planet, Raquel Welch became a screen icon when she appeared in One Million Years BC.  Unfortunately, she never appeared in any more Hammer movies (hence she only reaches number two in this list).  Raquel has made many other great films in a pretty fabulous career, since her debut in that “silly dinosaur movie” (her words, not mine!). caroline-munro-dracula-a-d-1972-publicity-shot

1. Caroline Munro

The stunning Caroline Munro appeared in two of my favourite Hammer films, Captain Kronos: Vampire Hunter and Dracula AD 1972.  She’s also appeared in many other cult classics – try At the Earth’s Core and Starcrash, for starters.  Ms Munro is probably most famous for her role as Naomi in The Spy Who Loved Me.  With her beautiful, long brunette hair, I’ve been smitten with Caroline for a long time.  She’s also a very lovely person with plenty of time for her fans, as I found out when I met her.  Caroline Munro is a Queen of classic cult cinema, and top of the Hammer Glamour list!

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Meeting Caroline Munro at NEC Memorabilia

A special mention should be made to some of the lovely ladies who didn’t make the top ten, including Joanna Lumley (Satanic Rites of Dracula); Catherina Von Schell (Moon Zero Two); Julie Ege (The Legend of the 7 Golden Vampires) and Ursula Andress (She).  There are many more, of course.

If you’d like to buy a copy of “Hammer Glamour”, you can find it here.

www.hammerfilms.com

The Bride of Hallowe’en Horror Fest

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The Vampire Lovers (1970) THE-VAMPIRE-LOVERS

It’s Hammer time!  And though it might not be a popular opinion to express, this film is, for me, classic Hammer.  With the dawn of the 1970’s the studio started to put out films that featured more explicit gore and nudity.  In The Vampire Lovers, there are some fairly gruesome decapitations and some totally gratuitous nakedness.  Brilliant.

Based on Sheridan Le Fanu’s novel Carmilla, The Vampire Lovers stars the late, great Ingrid Pitt as Mircalla/Carmilla.  She charms her way into the houses of well-to-do families and seduces their daughters with her vampiric powers.  Peter Cushing – total hero – makes a cameo appearance and we even get to see George (Minder) Cole in a substantial role.  vampirelovers2

The sets are quite lush and the atmosphere is archetypal Hammer Gothic fare.  But the real stars here are the lovely ladies – Ingrid, plus Kate O’Mara and one of my all time favourites, the beautiful Madeline Smith.  Maddy looks wonderful in this film and plays the doe-eyed innocent perfectly.

The Vampire Lovers ticks all the Hammer boxes.  And with a line-up that includes Pitt, Smith and O’Mara, offers possibly the greatest Hammer Glamour cast for a single film of all.

9/10

Alien (1979)

“Alien isn’t a horror film – it’s science fiction!”  Nonsense.  Despite the sci-fi setting, this film is pure horror – and one of the all time greats.  It still has the power to shock all these years later, not to mention some very gruesome scenes.  Gripping and shit-your-shoes off scary.

The design is faultless – both H. R. Giger’s creature and the lived in space ship sets.  The film looks great and the viewer is totally immersed in the world on-screen.  I don’t need to add more, just watch it and be mesmerised.

9/10

Earth vs. Hallowe’en Horror Fest

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The Thing (1982)

I’m not going to preach on about this film, let’s just say it’s pure genius.  John Carpenter’s The Thing is an excellent film – not just an excellent horror (or sci-fi) film, but an excellent film outright.

An isolated team of American scientists in the Antarctic are infiltrated by a shape changing creature from outer space.  As the mystery unfolds, the team have no idea who has been taken over by the thing and who is still human.  The tension mounts as the men’s suspicion of each other increases. title the thing

Great special effects (no CGI here) and believable performances (Kurt Russell as Mac) help, but it’s Carpenter’s ability to squeeze every ounce of unease, mistrust and anxiety out of the cast that makes it work.  A classic.

10/10

Paranormal Activity (2007)

When I first saw this film, the initial twenty minutes or so didn’t impress me.  It was like watching a feature length version of Most Haunted.  Not that there’s anything wrong with Most Haunted (great show), I just don’t want to watch a dramatised version of vaguely strange happenings when I can watch the TV show any time.  Plus, Paranormal Activity was another from the “found footage” genre, and while Blair Witch was OK I wasn’t a huge fan.

Where this film works though, is in tapping into a very primal fear – the fear of what goes on when we’re asleep.  There are some very scary moments where the viewer can’t help but wonder if anything strange occurs when they’re sleeping.  Sure, the hokum is ladled on mercilessly (frightened psychics, demonic possession) but there are genuinely hair-raising sequences that are really creepy.

The film works best when it’s low key, and plays on our fear of what goes bump in the night.  Definitely worth a watch, just don’t expect to be convinced that the “found footage” is real…

8/10 

The Revenge of Hallowe’en Horror Fest

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Shadow of the Vampire (2000)

An interesting one, this – not exactly a shocker, but undeniably creepy.  Shadow of the Vampire proposes that the classic silent film Nosfertu (1922) employed an actual vampire to portray it’s evil protaganist, Count Orlock.  Set during the production of the film, Director F. W. Murnau (John Malkovich) decides that only a real undead creature can portray the villain of his story.  As a result, the production is plagued by catastrophe as the vampire’s natural urges threaten to derail the project. shadow-of-the-vampire-poster

Willem Dafoe is almost unrecognisable as Max Shreck, the vampire playing a vampire.  He gives a fantastically eerie performance, superbly impersonating the Orlock of the original movie and also bringing his own air of barely contained menace.  Malkovich shows his skills as the driven perfectionist trying to keep together a production that is teetering on the brink of collapse.

To truly get the most from Shadow of the Vampire, the audience needs to be familiar with the source material.  But then, if you’ve never seen Nosferatu – you should be ashamed of yourself.

8/10

The Curse of Hallowe’en Horror Fest

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An American Werewolf in London (1981)

I first saw this film when I was about ten years old.  Or rather, I saw the first ten minutes.  When the initial attack occurs on the moors, my Mum switched it off.  And I’m not surprised.  Just those first few minutes were enough to make me shit my shoes off.  It would be many years later before I would actually watch the movie all the way through.

An American Werewolf in London begins with two backpacking young Americans finding their way to a mysterious village somewhere in Yorkshire.  They are attacked on the moors by a werewolf – one is killed and one survives, thus carrying on the werewolf’s curse.  Recovering in a London hospital, the survivor, David (David Naughton) is cared for by nurse Alex (Jenny Agutter).  His nightmares soon erupt into vicious attacks as he transforms, under the full moon, into a werewolf. american_werewolf_in_london_poster_04

This film is an absolute classic of the genre.  There are genuine jump-out-of-your-seat shocks, moments of bloody gore and a tragic love story that combine into a thrilling experience.  The special effects make-up (by Rick Baker) is still out standing today, particularly the transformation scene.

Often described as a “horror comedy”, there is a humorous tone in moments throughout the film which helps create the light and dark shades.  Director John Landis, however, has stated that An American Werewolf… is not a comedy, it just uses the lighter shades to create impact for the more horrible scenes.  Landis blends the moods superbly.  There are also numerous nods to the werewolf movies of the past; both verbally (The Wolfman and Curse of the Werewolf both get a nod) and in the structure of the film.

I’ve seen this film many, many times since Mum first switched channels after ten minutes. I’ve even seen it on the big screen, for a special late night showing a couple of years ago. The film’s ability to shock is now lost on me somewhat – I know when every scare is due to happen.  But I still enjoy watching this film and absorb every incredibly clever touch that Landis utilises.  It’s made a massive impression on me – I still remember the first time I was way down deep on the London underground, and gained an appreciation of the loneliness and isolation in one particular scene.

An American Werewolf In London: if you’ve not seen it, see it now.  But not in a dodgy theatre in Piccadilly Circus, obviously.

10/10

Hallowe’en Horror Fest part 2

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The clock strikes, darkness descends and it’s time for more movies from Hallowe’en Horror Fest!

Blood from the Mummy’s Tomb (1971) 220px-Bloodmummytomb

This is what we want!  Hammer Horror – with all the trappings.  This gem from 1971, based on a story by Bram Stoker, offers all the trademarks we expect.  The very lovely Valerie Leon plays Margaret, who seems to be a reincarnation of an Ancient Egyptian Queen of evil named Tera.  Her Egyptologist father (Andrew Keir) and his comrades excavated Tera’s tomb many years before, and now are faced with the return of the sorceress and several dastardly, supernatural murders.

The narrative begins very well and is spiced up with some fairly gruesome imagery.  However, the last third of the film seems to drag a little when it should really deliver more thrills.  Never the less, this Hammer movie features dependable performances and impressive sets that make it a movie well worth catching.  A clever concept with some definite moments that make the film stand out from similar fare. tumblr_lx2w6mr6Wk1r18pefo1_500

Of course, the real event here is Valerie Leon, who can be summed up alliteratively with words such as voluptuous and VA VA VOOM!!!

7/10

More Hallowe’en Horror Fest reviews coming very soon…

Hallowe’en Horror Fest

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It’s October!  Which means it’s not long till Hallowe’en.  Which also means that I’ve started my annual Hallowe’en Horror Fest – watching scary movies and listening to horror rock!

The festival of Hallowe’en is a big deal at the Virtual Hot Tub.  Not only will I be decorating the place and having a fancy dress party for all my fiends, I’ll update you on other cultural happenings throughout the month.  Starting now.

A big part of Hallowe’en Horror Fest is the films.  Horror movies old and new, whether they’re real shit-your-shoes off jumpy, or just have some supernatural element to them.  My aim is to watch as many as possible before we get to November.   Here’s the scoop on the first two.

The Raven (2012)

A serial killer is committing terrible murders inspired by the writings of Edgar Allan Poe.  Poe (John Cusack) must turn detective to put an end to the grisly crimes before his betrothed becomes the next victim.

I was intrigued to see this film as I’ve read many of Poe’s stories over the years, and enjoyed them immensely.  Whether you enjoy the movie will depend on if you can accept the fictionalised account including the real Edgar Allan Poe as a protagonist.  For me, this twist was a great idea and worth exploring.

Not truly “Horrific”, but nonetheless creating a suitably dark, brooding atmosphere with a fair dose of gore, I enjoyed the film very much.  Very good, though shock factor is not too high.

7/10

From Dusk Till Dawn (1996)

A hybrid of Tarantino gangster movie and splatter crazy vampire fest, I wasn’t a big fan of this film the first time I saw it.  The juxtaposition of the two styles jarred.  However the exploding, gloopy vampires – acting more like zombies in their mass attack on the humans – grated on me even more.  They didn’t resemble enough the vampires of folklore I was familiar with.  I actually enjoyed the gritty realism of the first part of the film rather than the horror element.

Repeated viewings have proved me wrong.  The more I see this film, the more I admire the ingenuity, creativity and enthusiasm thrown onto the screen like an exploding blood pack by Director Robert Rodriguez.  Great performances from everyone, including George Clooney, Juliette Lewis, Harvey Keitel and Tarantino himself.  Watching it again now, the disparate elements really serve to create a sense of bewilderment when the vampires show themselves.

Highly recommended, if you’ve not seen this film, get on it now.  And not forgetting Salma Hayek makes one of the sexiest vampires ever as Santanico Pandemonium.

8/10