John Carpenter’s Halloween Horror Fest

They Live (1988)

“I have come here to chew bubble gum and kick ass – and I’m all out of bubble gum!”

Yes, this legendary quote from Wrestling legend Rowdy Roddy Piper can be heard in They Live, another masterpiece from John Carpenter.  It’s a film I resisted watching for many years, as I labelled it just another dumb 80’s macho-man action flick.  Yet there is so much more to this film than that.

Piper plays an out of work drifter, scrabbling for employment and finding a home in a run-down shanty town.  The discovery of a special pair of sunglasses reveals to him that the world is under the control of grim looking aliens, who are using subliminal messaging to subdue the human race to their nefarious will.  So Roddy joins the underground and begins to fight back against the evil alien masters…

It might be more action/sci-fi than straight out horror, but there’s plenty in They Live to qualify it for Halloween Horror Fest.  The bad guys are pretty gruesome, and so is the nature of their plans for the human race.

But it’s the clever social commentary that makes this movie so great, and worth repeated viewings.  The evils of consumerism are revealed as methods to control the people.  Carpenter is attacking unrestrained capitalism, and the ways that media and society combine to keep us all oblivious to exploitation.

Only mildly successful on release, They Live has become a cult film and infiltrated popular culture.  Unsurprising, as the truths it exposes are still sadly prevalent today.  And that’s the scariest thing of all.

CONSUME.  CONFORM.  SUBMIT.  BUY.  NO IMAGINATION.  STAY ASLEEP.  OBEY.

9/10

The Incredible Halloween Horror Fest

Cujo (1983)

I’ve not read all of Stephen King’s books, but I’ve read a handful and enjoyed them all.  A great deal of his books translate into equally great movies.  Some, like Maximum Overdrive, do not (though I thought it was kinda fun, anyway).

In Cujo, a nice old dog gets bitten by a bat and becomes rabid.  He attacks a couple of people and traps bored suburban housewife Dee Wallace and her young son in their broken down car.  The pair are terrorised by Cujo whilst they wait for rescue, or some way to attempt an escape.

Admittedly, I’ve not read Cujo, so don’t have any background on the tale itself.  The film takes a fair old while to get moving, so much so that I was beginning to wish I’d watched the classic Zoltan – Hound of Dracula instead.  This movie was looking to become one of those unfortunate King stories that become mediocre movies.

Things start to rev up when Cujo starts maiming people, though it’s a long wait.  Yet when Wallace and her boy are trapped in their car, the tension mounts considerably.  Their fear and desperation are vivid, ensuring the slow burn is worth persevering with.

I’m sure the book would be a much more satisfying experience – King is so good at delving into the mind and motivations of his small town characters, that the detail always becomes riveting.  I didn’t find the movie as engrossing as others, but the final act of the film – with Wallace becoming more and more terrified – takes Cujo out of the “dud” category and into the “not bad at all”.

7/10

Halloween Horror Fest 2019

A lonely forest at night.  The full moon peaks through the gnarled branches, as the wind whistles a mournful lament.  In the distance, a wolf howls… and the hairs on the back of your neck stand on end, involuntarily.

It’s October, and that means it’s time for – Halloween Horror Fest!

For the last few years, I’ve spent the month of October watching a load of scary movies.  Some spooky; some creepy; some funny – and some shit-your-shoes-off horrifying.

And then I write a little review.  Like this…

The Frighteners (1996)

Okay – so The Frighteners isn’t a full-on horror film exactly, but it has plenty of supernatural elements that make it ideal viewing for this time of year.  And anyway, we needed to watch something that wouldn’t scare the little ‘un too much, if she overheard it while trying to get to sleep upstairs!

Michael J Fox stars as Frank Bannister, a one time architect turned dodgy psychic investigator.  Bannister can actually communicate with spirits, but chooses to employ his ghostly buddies to help him exploit customers with phoney exorcisms.

Except townspeople are dying from fatal heart attacks, and Frank suspects that the ghost of a deranged killer is behind it all.  Unable to convince the law that his supernatural powers are genuine, Bannister becomes the chief suspect – and must clear his name and stop the killer.

Directed by Peter Jackson, this film makes a decent attempt at being spooky, funny and entertaining all in one go.  Quality performances from Fox and the cast (including a small role for the great John Astin) – combined with the directors flair and skill – keep the film rolling along enjoyably.

The special effects were state of the art in 1996, and still hold up well today – with several creepy moments realised with CGI that is actually tastefully done.

The Frighteners just manages to steer away from becoming silly, and remains good fun.  Ideal for a Halloween movie that won’t cause nightmares, it’s like Most Haunted with a plot and (more) laughs.

7/10

More macabre movies soon…

Halloween Horror Fest

Yes, it’s October – which means it’s time once again for Halloween Horror Fest!  Throughout the month on the run up to Halloween, Mrs Platinum Al and I watch some of the horror movies from our creepy collection, and I write a brief review of each for your evil entertainment.

It’s always out and out horror – so long as there’s a general spooky or paranormal element – or monsters! – then the movie is up for consideration.

This is the fifth year running we have attempted this mammoth task.  To keep everyone up to speed, here’s a list of the films that have been viewed over the last few years.

All are listed in alphabetical order.

28 Days Later
28 Weeks Later
30 Days of Night
The Addams Family
Alien
An American Werewolf in London
Big Tits Zombie
Bigfoot Wars
Blacula
Blood from the Mummy’s Tomb
Blood on Satan’s Claw
Bram Stoker’s Dracula
Captain Kronos – Vampire Hunter
Carrie
Carry on Screaming
Company of Wolves
The Corpse Bride
Countess Dracula
Creature from the Black Lagoon
Dark Shadows
Day of the Dead
Dead Snow
Dead Snow 2
The Devil Rides Out
Dracula AD 1972
Dracula Prince of Darkness
Ed Wood
Elvira, Mistress of the Dark
Evil Dead
The Fog
Frankenstein Meets the Wolfman
Friday the 13th
From Dusk Till Dawn
From Hell
Ghost Ship
Ghostbusters
Halloween
The House That Dripped Blood
Lost Boys
Night Watch
Oupost
Para Norman
Paranormal Activity
Paranormal Xperience
Pet Sematary
Pride and Prejudice and Zombies
The Raven
Rocky Horror Picture Show
Scream
Shadow of the Vampire
Shaun of the Dead
Silence of the Lambs
Sleepy Hollow
Taste the Blood of Dracula
Theatre of Blood
The Thing (1982)
Vampire Circus
The Vampire Lovers
The Wicker Man
The Wolfman (2010)
The Woman in Black
Zombie Strippers

Evil Hallowe’en Horror Fest

The Evil Dead (1981)

This is one of those Video Nasties then, is it?  Banned in the early 80’s for being so horrific it could warp the mind…

The Evil Dead is the first film of Sam Raimi, and it was fairly infamous many years ago.  So much so that I was very wary when watching it the first time. evildead

Five friends visit a remote cabin in the woods.  There, they discover an ancient Book of the Dead and taped recordings of readings from it.  The recordings are played, awakening evil demons that trap the group and pick them off one by one.  There’s no escape – even the forest itself seems alive…

This film is somewhat dated now, the low budget not helping disguise the fairly unconvincing effects.  The story too is fairly basic, performances are basic too – except for Bruce Campbell who actually does a good job as Ash.  No surprises that The Evil Dead was a first time picture, then.

Raimi manages to create a great atmosphere, though.  Even after all these years, there are some extremely creepy moments, and some genuine shocks that will make you shit your shoes off.  Whereas the gore deflates the picture, the isolation and hopelessness are convincing.  Not my favourite ever film, but certainly a movie that demands to be seen.

8/10