Miami Supercops – Album Review

Jamie Spilsbury – Miami Supercops

Self released

Last September, I reviewed the debut album by a gentleman by the name of Jamie Spilsbury. Jamie is a multi-talented individual with a wide range of skills and hobbies – from author, artist, photographer to musician. Seriously, this guy puts most of us to shame. Previously I reviewed the album “Don’t Be Cruel”, an avant-garde mixture of musical genres and spoken word pieces that intrigues and thrills in equal measure. This time, something completely different is on offer.

‘Miami Suopercops’ is a tribute to the 1980’s movie of the same name, and is steeped in electronica of the time. It’s like an imaginary soundtrack for the film, with separate movements and styles to conjure the action on screen. Now I’ve never seen this particular movie, but I’ve seen many similar television programmes and movies from the time back in my youth. If you’ve ever seen Miami Vice, or heard the music of Vangelis or John Carpenter, you’ll feel right at home here in seconds.

‘Devil’s Reef’ starts us off with a throbbing bass and energetic rhythm (very Miami Vice) and sets an ominous tone. It’s totally evocative of themes from the era. The tracks are mostly instrumental, which adds to the authenticity that Jamie is striving for. ‘Morals’ is a more laidback, reflective number. whilst in ‘Sudden Impact’, the listener can feel the tension rise as the plot thickens.

‘Sunrise’ is another pleasantly moody piece, while ‘Target Locked’ is again a more action-orientated song. What’s great is you can imagine the “movie” in your mind’s eye as you listen along! On ‘Streets with no name’ I can just see the cops cruising the Miami highways in the dead of night, their Ferrari illuminated by the omnipresent neon. ‘Stealth’ begins just like a stakeout, and features some rare, but excellent female vocals. The credits roll with ‘Ghetto Blaster’ and the story is nearly over.

With an apt cover of Jan Hammer’s ‘Crockett’s Theme’ from Miami Vice added as a bonus track of sorts, we reach the end of “Miami Supercops”. I may not be the most knowledgeable when it comes to electronica, but I grew up watching films and TV shows of this type back in the day, and this work sounds completely authentic and immersive. Full marks Jamie, you’ve managed to recreate a time and genre with skill and an easily recognised affection.

Follow Jamie Spilsbury on X/Twitter for more info, and a link to “Miami Supercops”.

Entombed – Clandestine Live Album Review

Entombed – Clandestine Live

Threeman Records

Release date: 17/05/2019

Running Time: 56 mins

Review by: Alun Jones

8/10

 

Live albums, as I’ve stated before, are something of an issue for me.  They should be devoured ravenously, but sometimes, like vegetable pizza, they just don’t live up to expectations.

Too often, live albums suffer with poor sound, ruining the immersive experience.  Other times, they’re just a cynical cash-in to milk fans of more money, when there’s no new product to flog.

Occasionally, a live recording will deliver the goods – and even I have to admit that this album from Entombed is pretty damn impressive.

What we have here is Entombed celebrating the 25th anniversary of their classic “Clandestine” album with a performance of the work in full, from start to finish.  Original members Nicke Andersson (drums), Uffe Cederlund (guitar) and Alex Hellid (guitar) are joined by Robert Andersson (vocals) and Edvin Aftonfalk (bass) – both from Morbus Chron.  These five musicians recreate a mighty masterpiece which is both exciting and vital.

“Clandestine” was Entombed’s second album, and followed in the footsteps of its predecessor to help breathe life into Death Metal.  With this concert performance, the sound is great – those buzzsaw guitars really attack the senses – showing the band are on top form.  Audience noise is present, but not intrusive, actually helping put the record in context nicely.

The songs are still just as savage, just as brutal – serving as a fine reminder of just how great “Clandestine” was.  Or is.  All of the tracks are meticulously recreated, but it sounds as intended – as a tribute and celebration, not a cash in.  “Left Hand Path” (from the debut album), tagged on at the end, makes the listener crave more.

Great live recordings should enable the listener to feel like they were actually there.  The performance and sound must be both representative of the studio material, yet also have the power to immerse the listener in the experience.  Entombed have succeeded in capturing a great performance and atmosphere with “Clandestine Live”.  Fans will be rabid for this; for the uninitiated it’s well worth investigating.

Still, I can only award 8 out of 10 – because as good as this is, I can’t help wishing we had new material from Entombed to gorge on.

Fun live album fact: if you play Iron Maiden’s “Live After Death” backwards, you’ll hear Bruce Dickinson rehearsing voice-overs for Lucozade adverts.  FACT!

The Entombed website is here.

You can reach Entombed on Twitter here and on Facebook here.

Oh, and they’re on YouTube too, here.

Finally, don’t forget to check out Ever Metal, which is where this review first appeared.