Halloween Horror Fest

Yes, it’s October – which means it’s time once again for Halloween Horror Fest!  Throughout the month on the run up to Halloween, Mrs Platinum Al and I watch some of the horror movies from our creepy collection, and I write a brief review of each for your evil entertainment.

It’s always out and out horror – so long as there’s a general spooky or paranormal element – or monsters! – then the movie is up for consideration.

This is the fifth year running we have attempted this mammoth task.  To keep everyone up to speed, here’s a list of the films that have been viewed over the last few years.

All are listed in alphabetical order.

28 Days Later
28 Weeks Later
30 Days of Night
The Addams Family
Alien
An American Werewolf in London
Big Tits Zombie
Bigfoot Wars
Blacula
Blood from the Mummy’s Tomb
Blood on Satan’s Claw
Bram Stoker’s Dracula
Captain Kronos – Vampire Hunter
Carrie
Carry on Screaming
Company of Wolves
The Corpse Bride
Countess Dracula
Creature from the Black Lagoon
Dark Shadows
Day of the Dead
Dead Snow
Dead Snow 2
The Devil Rides Out
Dracula AD 1972
Dracula Prince of Darkness
Ed Wood
Elvira, Mistress of the Dark
Evil Dead
The Fog
Frankenstein Meets the Wolfman
Friday the 13th
From Dusk Till Dawn
From Hell
Ghost Ship
Ghostbusters
Halloween
The House That Dripped Blood
Lost Boys
Night Watch
Oupost
Para Norman
Paranormal Activity
Paranormal Xperience
Pet Sematary
Pride and Prejudice and Zombies
The Raven
Rocky Horror Picture Show
Scream
Shadow of the Vampire
Shaun of the Dead
Silence of the Lambs
Sleepy Hollow
Taste the Blood of Dracula
Theatre of Blood
The Thing (1982)
Vampire Circus
The Vampire Lovers
The Wicker Man
The Wolfman (2010)
The Woman in Black
Zombie Strippers

The Halloween Horror Fest That Dripped Blood

The House That Dripped Blood (1971)

First off, The House That Dripped Blood is not a Hammer film.  It was, in fact, produced by rivals Amicus – though the film does share some familiar faces.  This is an anthology film, comprising of four short stories, wrapped up in to an overall narrative, concerning the spooky abandoned house of the title. thtdb

The first segment sees Denholm Elliott portray a writer, who slowly begins to lose his sanity whilst staying in the house.  Elliott gives a solid performance as he starts to crumble under the fear that his murderous creation has come to life.

Next up we have the story of two men – the always fantastic Peter Cushing and Joss Ackland – both obsessed with a waxwork dummy that resembles a lost love.  Both actors are great to watch, in a tale that seems fairly unbelievable but is probably the most gruesome of the four.

In the third instalment, the house is occupied by the legend that is Christopher Lee.  He lives with his young daughter and hired teacher (Nyree Dawn Porter).  The father’s strange, strict manner masks his daughter’s true heritage, and interest in witchcraft.  This is probably the best of the stories, with a stern Lee beginning to let fear get the better of him.  Genuinely creepy.

Finally, we have Jon Pertwee as a somewhat pompous horror movie actor, who acquires a cloak that bestows him with vampiric powers.  There’s a touch of comedy with this segment, plus some divine glamour in the form of Ingrid Pitt.  It’s all very enjoyable, and helps conclude the overall narrative in a suitably scary manner. ip

The House That Dripped Blood features a great cast and a fine writer in Robert Bloch, creator of Psycho.  On viewing, it’s surprisingly lacking in blood – however there are enough chills in each story to provide some frightful entertainment.  One of the best Amicus anthology movies, and well worth watching.

8/10.

Halloween Horror Fest the 13th

Blacula (1972)

Blacula updates the legend of Dracula, placing it’s protagonist in early 70’s California.  African Prince Mamuwalde (William Marshall) is visiting said Lord of the Undead, who curses him to become a vampire, known as Blacula.  After being entombed for a couple of hundred years, Mamuwalde is revived when his coffin is transported and opened in modern day USA. blacula

It’s a fun film, transposing many of the myths we’re familiar with from Hammer movies into a different setting.  As in other versions of the tale, Blacula is transfixed by Tina, who he sees as the reincarnation of his lost love.  Tina, played by the beautiful Vonetta McGee (dead ringer for Beyonce) falls for his deadly charms; whilst her friends attempt to stop the plague of vampirism from spreading.

Whilst undeniably dated, and wallowing in numerous stereotypes that are somewhat non-pc by today’s standards, Blacula offers some great entertainment.  There are a few scares, some incredibly groovy costumes and settings, and a cool funky score.  It’s a novelty rather  than an original, though transposing the Dracula story into the realm of Blaxploitation works a treat.

Recommended, especially for fans of Dracula AD 1972 and Dark Shadows.

7/10

Friday the 13th (1980)

We’re off to the realms of slasher movies next, for one of the all time classics of the genre.  I first saw this film when I was 17.  I’ve not been much of a fan of slasher flicks since. fr13

Friday the 13th knowingly raids all the cliches from the cupboard and displays them proudly on the wall.  Set at Crystal Lake summer camp, the young counsellors fit the required formula and are gruesomely picked off one by one in the classic manner.

And yet it works very well, with some genuinely well done gore (Tom Savini, take a bow) and real shocks that convince even after all these years.  This might not have been the first slasher flick,but it follows the Halloween blueprint faithfully and delivers with surprises and tension.

I’m still not a massive slasher movie fan, but this original Friday the 13th is well worth investigating.

7/10

Halloween Horror Fest 2016

Welcome to this year’s Halloween Horror Fest!  All through the month of October, I’ll be watching horror movies, monster flicks and general B-movie nonsense, and then sharing a short revue on this here blog.  Hope you enjoy!

First off this year it’s…

Countess Dracula (1971)

Loosely based on the true story of Countess Bathory, who bathed in the blood of virgins, this Hammer tale is suitably lurid and macabre.  It deals in all the classic (or stereotypical, if you prefer) Hammer traits, with gore and a dash of nudity – not to mention horse drawn carriages in the woods, castles and intrigue. countess

Here the widowed Countess is played by the legendary Ingrid Pitt, who makes a startling transformation from ancient crone to voluptuous young beauty when she discovers the restorative powers of virgin’s blood.  With this knowledge, the Countess embarks on a mission to ensnare her younger lover and keep the supply of comely wenches flowing.

There’s also plenty of plotting within the castle walls, leading to some duplicitous goings on and dastardly actions.  Chief amongst these scoundrels is Nigel Green as Dobi, keen to take the place of the Countess’s suitor (Sandor Eles).

Countess Dracula is one of the great Hammer films I remember seeing years ago, inded it was one of the first I ever bought – on VHS – for my collection!  It’s an entertaining film, aided by the deceitful twists and turns of the characters, that stops the film from becoming too run of the mill.

Unlike the real Countess Bathory story, and with this being Hammer, there is of course a supernatural element to the proceedings.  The Countess is magically rejuvenated; Ingrid Pitt at first made up to look old becomes miraculously young and seductive.  But this isn’t a historical docu-drama, it’s Hammer horror – and it’s all about entertainment.

Great fun and a worthy start to this years Halloween Horror Fest!

8/10 ingrid

Dead Halloween Horror Fest 2

Ghost Ship (2002)

Right: so this salvage crew led by Gabriel Byrne and Julianna Margulies take on a job to find a mysterious, lost ship out at sea.  Turns out that some nefarious deeds had taken place on the vessel long ago, and things are about to get spooky.  And deadly.  Will anyone make it back alive? ghost ship

There’s not much love for this film, though I find it hard to see why.  I’ve seen a lot worse.  The cast do a reasonable job, the sets are pretty good and there’s plenty of jumpy frights, helped along with dollops of gore.  Plus Ghost Ship also has a different and interesting concept, which should have delivered more to the finished product.

But the film suffers from too many ideas being thrown into the pot, some of which are beyond far fetched and sail into silly waters (even for this genre).  Although not a classic, I would definitely say that I enjoyed Ghost Ship – it’s almost a great film.  Worth renting or picking up cheap!

7/10

Dead Snow 2: Red vs Dead (2014)

Speaking of worse films that I’ve seen…

This sequel to the superb Dead Snow (2009) was nowhere near as good as the first film.  It picks up where the last film left off, with lone survivor Martin finding his way back to civilisation.  It’s not long however till Martin again crosses paths with the Nazi zombies, and he’s on a mission to thwart their evil plans.

Whereas the original film had plenty of shocks along with a moderately tongue in cheek approach, this second film is all out comedy.  Which is fine, but it’s a jarring change in tone.  There’s very little in the way of frights; there are some gross out scenes but it’s all for laughs.  Dead Snow 2-AGI-DVD-OCard-UK&Eire EAGLE.indd

Some of the elements work, some are just pure silly.  Herzog’s zombies have now reacquired their stolen loot, and are on a mission to do something evil to a town somewhere.  This all feels a bit forced, only more so when the Red Army zombies are resurrected – one assumes just as a contractual fulfilment with regard to the title.

Add in a group of annoying American stereotypes as zombie hunters and it all equals disappointment.  Dead Snow was such a cool film, I really wanted this to be as good.  There’s hardly even any snow after the first ten minutes…

Dead Snow 2 is indeed entertaining, don’t get me wrong – but don’t go in with your expectations as high as I did.

6/10

Here’s a handy link to my review of the first Dead Snow: click me.

Halloween Horror Fest from the Black Lagoon

Yes, you guessed it – more mini reviews of scary movies for the month of October.  As always Halloween is a big deal at the Virtual Hot Tub; we’ve started watching horror films already.  And why not?  Seeing as there’s already Christmas stuff in the shops, I want to (in the words of Alice Cooper) keep Halloween alive…

The Fog (1980)

The town of Antonio Bay is about to celebrate the one hundred year anniversary of its founding.  Yet the towns folk don’t know that their home was built with gold stolen from a ship that was deliberately wrecked.  The fog rolls in and the ghostly crew return, to seek revenge against those who conspired against them all those years ago.

John Carpenter created another horror classic with this film.  Although knocking on a bit, this movie still has some jumps, some gore and oodles of atmosphere.  The concept itself is great, and executed superbly as the fog – and the gruesome undead – take over the small town.

 fog

There’s not much character development or background, but decent performances from Jamie Lee Curtis and her mum, Janet Leigh.  Not to mention Adrienne Barbeau as honey voiced DJ Stevie; watching helplessly from a lighthouse as the mist creeps in towards her home in the distance, her young son waiting…

I hadn’t seen this film for a few years, and forgotten a lot of the detail.  It was refreshing to view it again and appreciate just how good it is.  Not quite up there with The Thing or Halloween, but definitely another cracker from Carpenter.  The Fog is worth your time.

8/10

Creature from the Black Lagoon (1954)

Universal unleashed their last classic monster on the silver screen with this gem.  Originally filmed as a 3D feature, Creature from the Black Lagoon gives us the first appearance of the iconic Gill Man.  This genuine old school monochrome piece of art has it all – adventure, mystery, murder and mayhem.

A team of scientists in the Amazon discover some strange fossils, and explore a remote lagoon to learn more.  There they encounter the Creature of the title, a long lost evolutionary throw back – a fish man from another time.  The expedition’s encounter leads to an attempt to capture the Gill Man, who has developed a crush on the sole female in their team (Julie Adams).  The scientific interlopers are bumped off one by one, the tables are turned and the Gill Man claims his prize…

cfbl

This movie really is a blast from the past.  The story is gripping and retains the viewers attention throughout.  Some of the sequences are still very creepy, in particular when the Creature is gliding through the water, observing but unseen by the swimming girl above.  It’s these scenes where the humans are out of their natural element, and in the domain of their nemesis, that still hold the most power.

If you’re a fan of monster movies, like me, then you must see this film (if you haven’t already).  The Creature from the Black Lagoon has cool photography, is well written, and has that brilliant creature design.  It’s B-movie heaven.

8/10

In Memoriam – Sir Christopher Lee

Lee

Sir Christopher Lee

27.05.1922 – 07.06.2015

I was genuinely saddened to hear that Sir Christopher Lee had passed away.  Over the years Lee had become one of my favourite actors.  Perhaps my absolute favourite.  I certainly own more DVDs of his work than any other star.

My first encounter with Lee’s films would have been the brilliant, still unsurpassed The Three Musketeers (1973).  Or perhaps his turn as one of the best Bond villains ever – in one the best Bond films – Scaramanga, in The Man with the Golden Gun.

It wasn’t until my teens that I was able to catch up with his work for Hammer (and Amicus), when ITV started showing old horror films way past the witching hour with the advent of all night television.  I stayed up late, or recorded them all on the VCR to ensure I saw them all.  Those classic British horror movies captivated me – and still do. Whether playing Frankenstein’s Creature, Dracula, The Mummy – Lee was central to their success.

Monsters had always fascinated me.  I remember drawing them from an early age, though I wasn’t old enough to watch the films.  My early horror experiences came from Marvel comics, and a few movies such as King Kong and Boggy Creek.  Oh, yes – and the series of Fu Manchu movies shown on BBC2; again starring Christopher Lee.

The link to Hammer came from Star Wars.  I loved the cantina scene – still do – with its bizarre creatures; after all, I loved monsters.  Later, a connection from Star Wars would lead me to Hammer – I discovered that Peter Cushing wasn’t just Grand Moff Tarkin.  It was inevitable that I would explore the Gothic creations of the great British horror studio.  So I was understandably thrilled to find out that Christopher Lee would become part of the Star Wars family, as Count Dooku in Attack of the Clones.

Lee had something of a resurgence from the late 1990s.  He started to work with Tim Burton and seemed like he’d found a new home.  Sleepy Hollow (1999) was Burton’s love letter to the old Hammer movies, and Lee would return again and again to participate in the Director’s dark tales.

The fact that Christopher Lee found a new audience over the last decade and a half – with the Lord of the Rings films, even a return to Hammer with The Resident (2011) – is wonderful.  And gratifying for those, like me, who’ve admired his work for a long time.

Let’s not forget the many other talents Lee displayed.  How about releasing Heavy Metal albums in his nineties?  Check them out – they’re great.  And his wartime exploits (Google it) are worthy of a film in their own right.  A life time of incredible achievement.

I had hoped, as people often do, to one day meet my hero in person.  Unrealistic, I know – but Christopher Lee was always the top of my list for the old “three people you would invite to dinner” game.  I would have loved to tell him how big a fan I am of the films he’s helped create.  Alas, that will never happen now.  It’s sad that tiny bit of a dream will never come true.

Thank you Sir Christopher Lee.  Your constant creative progression is an inspiration.  The impact you have had on our imagination – both dreams and nightmares – is your greatest gift.