Tag Archives: Bram Stoker

Whitby Road Trip – On the Trail of Dracula

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Whitby Abbey

A family road trip to Whitby, England

Whitby is a beautiful seaside town in North Yorkshire, England. Facing the North Sea, the port is surrounded by streets of old buildings and framed by the church of St. Mary and the ancient, ruined abbey, over looking all that sits below. It’s a lively and welcoming town that offers a wealth of history and a vibrant atmosphere.

One of several claims to fame that Whitby can boast is it’s enduring connection to the story of Dracula. The book’s writer, Bram Stoker, visited Whitby and was inspired by the local scenery and folklore in creating his novel and the infamous character. With the Count now deeply entrenched in popular culture, it’s often a surprise that his original site of landing in England was this Yorkshire fishing port.

Whitby Harbour
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Of course, the Whitby Goth Weekends – which take place twice a year – celebrate the connection to the Lord of Vampires, but our trip wasn’t timed to coincide with those events. It was Mrs Platinum Al’s birthday trip to a place she’d wanted to visit for years, with or without Goths.

I’d been once before on a school trip in the early 1980s. Back then, the Dracula association wasn’t clear to me, though the memorial to explorer Captain James Cook was. Stoker’s Dracula is my favourite book, so that was the primary inspiration for both of us on this trip.

The town is full of old pubs, new yet stylish bars, cafes and bistros. We ate very well on our trip, particularly the fish & chips. The tantalising smell of fish & chips whilst exploring the streets was incredible – highly recommended to enjoy some on your visit. We ate in The Magpie, right on the harbour front, and the food was excellent.

There didn’t seem to be many big brand, typical high street shops. Instead, we found many small independent establishments, with lots of antique and curiosity shops that provided plenty of wonder. There were a handful of the usual seaside souvenir shops, plus several shops selling alternative/goth/rock gear of every imaginable variety. The Child was very impressed and spent a small fortune.

199 Steps
Graveyard

The highlight of our Whitby trip was appreciating some of the local features that famously appear in Dracula. We walked up the 199 steps to the graveyard – not easy, but less exhausting than it sounds. Naturally (for any Dracula fan, at least) we had a look round the graveyard, and St. Mary’s church as well.

Although in ruins, the Abbey at the very top of the headland is an ominous sight: it’s easy to imagine Stoker being inspired by the view. It was dark and foreboding on the day we visited – which was entirely appropriate – but fascinating never the less. We were also able to pick up some brilliant merch in the giftshop!

One final attraction I’ll mention was the Dracula Experience, which has a kind of Haunted House/Ghost Train at the funfair feel. It was there I saw a cape once worn by the legendary Christopher Lee when he played the Vampire Count. Other than that, we practically ran through the entire attraction, driven by the fear of whatever lurked in the dark and may jump out at us. Great fun!

Our Whitby roadtrip was pretty much perfect, with something for everyone. From the quaint and historic views, to the great food and warm welcome, we all thoroughly enjoyed our visit and will definitely return. Goth weekend next, maybe?

Visitwhitby.com

Whitby Abbey

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Halloween Horror Fest 2022

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Greetings, friends! Welcome to my abode. Don’t be afraid, open the door wide and step inside. It’s cold outside, the rain is lashing down and the wind is howling – come sit by my fire and warm your chilled bones. Pour a drink and relax. I have many stories to tell you this Halloween. Listen closely…

Here we go again with Platinum Al’s traditional Halloween Horror Fest, where I’ll be watching spooky movies and sharing my fetid thoughts on my viewing. I’m sure you’ll enjoy it. Here are the first of this year’s celluloid nightmares…

Driller Killer (1979)

Starting off, something different from my usual preferences – an infamous “video nasty”. Here we meet Reno, a troubled artist, struggling to create a masterpiece whilst living in poverty. As the stresses pile up in his everyday life, he resorts to viciously murdering local vagrants as his mental health suffers.

I’m no fan of “slasher” movies, and didn’t expect much from this film – other than being able to tick it off the list. It’s low budget and dated, but rather than a predictable slasher fest, the movie takes it’s time to develop the main character and examine his descent into murderous madness. This slow burn at least demonstrates the film makers grander ambitions, though on the other hand it does slow the movie down.

A surprising approach then, but this art house wannabe doesn’t really achieve much more. “Driller Killer” is worth a watch to – well, yeah – tick it off the list.

5/10

Nosferatu: A Symphony of Horror (1922)

One hundred undead years old this year, FW Murnau’s Dracula “homage” should need no introduction. Certainly, the appearance of Count Orlok – this film’s Drac substitute – has been magnificently influential, not to mention the many other magical innovations on screen.

The plot is almost directly cloned from Stoker’s novel (indeed my copy even uses the original character names) – a problem which led to the writer’s heirs suing over the unauthorised adaptation. As a result, all copies were to be destroyed. Thankfully, not all prints were extinguished.

Here, our Jonathon Harker (or Hutter) travels to meet Count Orlok (Dracula, obvs) in order to procure property for the nobleman. Orlok is of course a vampire, and after sidestepping Harker/Hutter, travels back to the hero’s home town via a pleasant cruise on a ship called the Demeter.

You don’t really need to know any more. Put it this way, if you’ve never seen this film – you need to watch it. Yes, it’s a silent movie and obviously that dates the picture considerably, but there’s still so much to enjoy. Cinematic vampire lore is being built before our eyes, as well as the language of cinema being explored and developed. These experiments don’t always work, but it’s always fascinating.

Max Schreck as Orlok is still one of the creepiest sights in movies, ever. The rat-like visage, the menacing shadow climbing the stairs – still truly ghastly, all these years later. I doubt this vampire will ever die.

10/10

Halloween Horror Fest 2020

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Good evening, guys and ghouls! Enter, my friends, sit down near the fire and warm yourselves from the cold outside. It’s dark, and many strange things are afoot this night. Listen closely, and I will tell you of them…

Yes, it’s October – and time for another Halloween Horror Fest! Many of you may be feeling that 2020 has been horrible enough, but I’m going to press on anyway. Regular readers will remember that every October, I try to watch a load of spooky or creepy films. Not all of the films may be true horror, but there will always be an element of the bizarre or supernatural that will make them appropriate for this time of year.

Here we go with the first Horror Fest movie of the year…

Dracula (1958)

What could be better than starting the proceedings with a Hammer classic? Titled Horror of Dracula in the US to differentiate this film from the 1931 Universal version, Hammer films followed up the success of The Curse of Frankenstein with another venture into Gothic horror.

Sadly, the plot of this film veers away from the original novel a great deal, something that always bothered me from first viewing many years ago. I guess the viewer just has to accept that this isn’t a faithful rendering of Bram Stoker’s tale, rather a condensed and re-engineered take on the story.

We still begin with Jonathan Harker (John Van Eyssen), arriving at Castle Dracula, where he is to take up employment as the Count’s librarian. In reality, Harker is there to destroy Dracula (a superb Christopher Lee) and end the counts reign of vampiric terror. Sadly this is not to be, and Harker meets his end at the fangs of the vampire count. Shortly thereafter, Harker’s vampire hunting colleague Dr Van Helsing (Peter Cushing – also excellent) is on the trail, and realises that Dracula is on his way to Harker’s home town, to enact revenge and turn the heroes friends and relatives into the undead.

Despite changing the story and confusing characters from the book, this film becomes a hugely enjoyable accomplishment. The sets are superb, James Bernard’s score is iconic and Director Terence Fisher masterfully keeps the suspense and action mounting. Although the gore and erotic undertone were restrained by the censor (something Hammer would deliver more of in the future), it’s a lush colour production that is simply gorgeous to watch.

Michael Gough as Arthur Holmwood, and Melissa Stribling as Mina Holmwood, provide great performances, as do all the cast. But Cushing and Lee elevate the film to mythic status – Lee in particular becoming the embodiment of Dracula with a power and menace that makes his role unforgettable.

Hammer’s Dracula may not be definitive, if you’re a fan of the source novel, but it’s bloody good entertainment.

8/10

A Symphony of Halloween Horror Fest

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King Kong (1933)

Halloween is, for me, all about monster movies.  You can keep the gore-fests, jumpy scares and cheep thrills – monsters are where it’s at.  And you don’t get a better creature feature than King Kong.

Released way back in 1933, this monochrome marvel is still pure excellence.

Daring filmmaker Carl Denham (Robert Armstrong) leads a crew to a long lost island in the middle of nowhere.  There, leading lady Ann Darrow (the legendary Fay Wray) is kidnapped by locals as an offering to their god, Kong.  Kong turns out to be a giant ape, who goes gooey-eyed for the blonde bombshell and fights off numerous prehistoric rivals to keep her safe.

The crew attempt a rescue, but only Jack Driscoll (Bruce Cabot) survives to rescue his sweetheart from her captor.  Denham decides that Kong should be central to his new venture; hatching a plan to capture the ape and take him back to civilisation as his star attraction.

It’s incredible that this film isn’t far off being a century old.  King Kong has a fantastic story and superb special effects that still hold up to this day.  It’s full on entertainment – and one of my favourite films of all time.

But is King Kong horror?  Well, Kong features in my old Horror Top Trumps set – so that qualifies as a definite YES.

10/10

Nosferatu (1922)

More black and white thrills next, with another magnificent movie that really should not be missed.  F W Murnau’s Nosferatu is a chilling piece of early horror cinema, even after all these years.

The film follows the plot of the book Dracula, with a few alterations to (unsuccessfully) avoid claims of plagiarism.  Our hero, Jonathan Harker (or whatever name is used in whichever version you see) is sent to deal with some real estate for the mysterious Count Orlok.  The Count, however, is a vampire – who traps the hero in his castle and makes his way back to Harker’s home town, bringing death with him.

In 1922, the art and language of cinema was still being developed, leading to some strange visuals this movie – such as a ghostly horse and carriage speeding along in a bizarre manner.  Yet the final film is filled with startling, shadowy imagery that maintains a sense of unease, thanks to some genuinely innovative work.

Murnau manages to create some masterful moments of suspense, and Max Schreck as Orlok – whether rising from his grave, or shadow rising eerily up the staircase (a true iconic moment) – is spellbinding.

An early classic of cinema, Nosferatu helped develop cinematic vampire folklore – and still delivers a sense of dread with its uncanny visuals.

10/10

Bram Stoker’s Halloween Horror Fest

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Dracula (1992)

A difficult one, this.  Undeniably stunning to watch, this version of the classic tale from Director Francis Ford Coppola has many positives.  Unfortunately it also has some screamingly bad inconsistencies, too.

I won’t dwell too long on the plot, as the narrative manages to follow the source novel for the most part.  Suffice to say that Jonathan Harker (Keanu Reeves) is despatched to Transylvania to arrange some London real estate for a certain Count Dracula (a brilliant Gary Oldman).  Dracula then relocates to Victorian England, where his cult of vampirism is destined to grow.

Despite following many of the key scenes from Stoker’s original book, and indeed managing to correctly include most of the characters for a change, this isn’t the definitive movie version it claims to be.  Rather, Coppola’s film is scuppered by introducing a ridiculous love story between Dracula and Mina (Winona Ryder) that wasn’t in the book.  So for every brilliantly shot tribute to the novel that Coppola makes, there’s a stake through the heart thanks to the silly romance aspect. drac

The performances vary from superb (Oldman) to annoying (Sadie Frost as Lucy).  Then there’s Anthony Hopkins as Van Helsing, who can’t decide how far to ram his tongue in his own cheek.

Poor old Keanu always comes under heavy criticism for his work here, and yes, his British accent is truly abominable.  In his defence, however, I would say that he looks exactly as I always imagined Jonathan Harker to look.  So give him a break.  For me, Winona Ryder is much worse – her acting and accent are both wrong, and she also looks totally out of place.

Thank heavens for some authenticity with appearances for much loved characters Dr Seward (Richard E Grant, great job); Arthur Holmwood (perfectly cast as Cary Elwes) and the vampire hunter who was always my favourite, Quincey Morris (Bill Campbell).

If I ignore the stupid desecration that is the Oldman/Ryder romance, then there’s plenty to enjoy.  The sets, costume designs and cinematography are simply beautiful.  There are some ingenious ideas where the laws of physics just do not apply – such as shadows roaming randomly – which create a supernatural world.  And there is enough respect for the novel in various other ways that Coppola’s Dracula is irresistible to watch.  Not to mention plenty of blood and dismemberment, and some true horror.

So despite holding my head in my hands and screaming “WHY?!” to the heavens, Dracula is still a must see.  But please folks, read the book.  Repressed Victorian sexuality and fears of the outsider may be present there, but “Dracula” is no love story.

8/10

Hallowe’en Horror Fest part 2

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The clock strikes, darkness descends and it’s time for more movies from Hallowe’en Horror Fest!

Blood from the Mummy’s Tomb (1971) 220px-Bloodmummytomb

This is what we want!  Hammer Horror – with all the trappings.  This gem from 1971, based on a story by Bram Stoker, offers all the trademarks we expect.  The very lovely Valerie Leon plays Margaret, who seems to be a reincarnation of an Ancient Egyptian Queen of evil named Tera.  Her Egyptologist father (Andrew Keir) and his comrades excavated Tera’s tomb many years before, and now are faced with the return of the sorceress and several dastardly, supernatural murders.

The narrative begins very well and is spiced up with some fairly gruesome imagery.  However, the last third of the film seems to drag a little when it should really deliver more thrills.  Never the less, this Hammer movie features dependable performances and impressive sets that make it a movie well worth catching.  A clever concept with some definite moments that make the film stand out from similar fare. tumblr_lx2w6mr6Wk1r18pefo1_500

Of course, the real event here is Valerie Leon, who can be summed up alliteratively with words such as voluptuous and VA VA VOOM!!!

7/10

More Hallowe’en Horror Fest reviews coming very soon…