Tag Archives: David Bowie

Sci-Fi Weekender 2015 – part 2

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Sci-fi Weekender 19th – 22nd March 2015

Hafan Y Mor Holiday Park, Pwllheli

Welcome back to part 2 of my Sci-fi Weekender 2015 update!

Saturday began in the usual manner for for my intergalactic crew mates and I – fairly lazy hanging around the caravan.  The home comforts were pretty good t be fair; with a fridge stocked with beer, decent TV and plenty of space we had a good base for our weekend.

To be honest there was less of interest to me personally on this day.  The highlight though was a Q&A with Judge Dredd creators John Wagner and Carlos Ezquerra.  The two were escorted on to the stage by a squad of mean looking Judges, and proceeded to tell the audience about their many years working in comics.  All good stuff, though a bit less about the Dredd movies and more about the actual comics would’ve been preferable.  But I guess that serves me right for not asking my own questions.

Dazzling outfit!
Rogue and Bucky
Green Arrow and Daryl
Girl from Mars
He-Man and pals
Constantine and Zatanna
Ripley and pals
Spidey and Stormtrooper

One Man Lord of the Rings was next, and not being a Hobbit geek (unlike Star Wars) I was off.  I heard it was good though.  Time to mill about round the various merchandise stalls, though there less of a science fiction theme to this year’s traders.  With MCM Comic Con on the same weekend at Birmingham NEC, I guess most traders opted for that instead.

Another strange tweak to the event this year was that Hafan Y Mor was also hosting a Prog Rock event on the same weekend.  Hence the large number of music related items on sale, perhaps.  Though having these two events at the same time appeared to be a strange mutation at first, I decided to check a few bands out over the weekend and found some that were certainly worth hearing. IMG_4015

Back on Friday I witnessed the strange jazz prog of Knifeworld, which I enjoyed after my ears got used to it.  “I want this music out of my head!” was the view of one of my gang.

On Saturday afternoon, I witnessed Landskap.  They had an almost doom/stoner rock sound, with slow heavy guitar riffs – augmented by an almost Doors-like keyboard.  Very, very good – saw the whole set and loved it.

Captain America and Agent Carter
Hawkman
Joker
Futurama
Superman and friends
Zoidberg
No black and white filter needed!
Shredder!!!

Next it was back to the Sci-Fi Arena to see the Cosplay preliminaries.  As ever there were some amazing entries – well made, authentic, but also incredibly original.  The best part was spotting characters from film and television that you just weren’t expecting to see.  The Guardians of the Galaxy and Mad Max ensembles were both awesome.  Lego movie Batman, Futurama robots and more were just amazing.

You can see some of the photos here, but there were also dozens of fans who were dressed up, and hadn’t even entered the competition.  Plenty of people had obviously put a lot of thought and effort into their costumes, but were happy just to be part of the fun.

I did feel bad for one group, though – they were all in monochrome outfits (complete with make-up) to look like the old black & white Flash Gordon serial.  However, they’d missed registration through no fault of their own.

Hot Fuzz
Futurama gang
Dark Jedi – nice blokes, actually!
Kick Ass
The winners!
Macho Man Randy Savage
Wilma – awesome idea!
Ant Man and the Wasp

The Cosplay was again a real highlight od Sci-Fi Weekender this year.  So many fabulous and imaginative outfits, I couldn’t pick a favourite.  My thanks to all who agreed to me to take a photo – you’re all superstars!

In the late evening, I popped over to the Prog Rock arena to see Rick Wakeman.  Rick was performing on his own, with just a grand piano.  Instrumental versions didn’t really appeal at first, though it turned out to be a fantastic set of lush, almost Classical songs.  There was a Sci-Fi tie in with an absolutely wonderful recital of David Bowie’s “Life on Mars”, which Rick had preformed on originally.  Plus the between song banter was hilarious! IMG_4068

Black Widow
Jedi
Lion-O
This is amazingly cool!
Black Cat and Maleficent
Village of the Damned
General Kala
Logan

Back to the Sci-Fi arena for the Cosplay finals – which saw a hard fought contest eventually won by the young Tim Burton character family!  We ll done!  Then it was party time, with characters from all conceivable franchises across the genre seeing the weekend out in style.

It was a long trip back to the real world.  We met some awesome people, saw a few familiar faces from last year, and had a great time.  Here’s to next year.  If only I had a Tardis, I could do it all again…

I have dozens of photos left.  I’ll do a bonus section as per last year in the coming weeks.

The Sci-Fi Weekender website is here.

You can find Sci-Fi Weekender on Facebook or follow on Twitter: @scifiweekender

The Prog Rock website is here.

Essential Tracks – Nirvana

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“Essential Tracks” is a new Music section at the Virtual Hot Tub.  In this ongoing series, I’ll be picking my favourite tracks from a particular artist.  Here’s the very first instalment.

Nirvana – the Top 20 Songs

Sadly, 5th April marks twenty years since the death of Kurt Cobain.  It seems somewhat unreal that so much time has passed.  I remember buying Nevermind as soon as it came out in 1991.  I remember hearing about Kurt’s death when it was announced.  Such a great artist and unique, complex music.  This is a list of my favourite Nirvana songs.

20. Come As You Are

A great song, over familiarity has probably knocked this track down the table.  Find it on Nevermind.  As a point of interest, my old band used to cover this.  We performed it live on the second anniversary of Kurt’s death; it received a warm response.  At that point (in the pre-internet) we hadn’t realised the significance of the date, it had been a coincidence.

19. You Know You’re Right

From the Nirvana compilation.  Awesome song – classic Nirvana soft/heavy dynamic.

18. Been A Son

My version of this song is from the Incesticide album.  Fast paced, a catchy melody – and lyrics worth the time to listen to.

17. Lithium

One of the classic Nevermind songs, this has a fantastic sing a long chorus that shows Kurt’s ear for a fine tune.

16. Serve the Servants

Opening track from the superb In Utero album, I’ve surprised myself that I haven’t placed this song higher in my own list.  Love it.  “Teenage angst has paid off well, now I’m bored and old”.

15. Negative Creep

Absolutely brutal riff.  One of the heaviest, punkiest songs in the Nirvana catalogue.  Perhaps something of an early Melvins influence here, probably some Black Flag too.  You can find it on Bleach.

14. Molly’s Lips

Out-standing cover version of a Vaselines song, on the Incesticide album.  Unbelievably  poppy despite buzzing guitars, it’s a blueprint that Cobain adopted and mastered.

13. Territorial Pissings

Another hardcore punk attack, though Territorial Pissings still retains a melody despite the speed and fury.  Awesome instrumental break and reliably quotable lyrics.  Nevermind again.

12. On A Plain

It’s really hard to select the best songs from an album as indispensible as Nevermind, but I remember this track always stood out for me.

11. All Apologies

This gem doesn’t get in the Top Ten?  I know, ridiculous, right?  It’s on In Utero and there’s a pretty cool version on the MTV Unplugged set, too.

10. Sliver

We start the Top Ten with a great pop tune that, incredibly, wasn’t on the major releases.  You can pick it up though, on Incesticide – and I suggest you do.

9. Something In The Way

This song and Polly offer some quieter, haunting moments on Nevermind.  When we get to the chorus and the cello comes in, it’s heart break time.

8. Pennyroyal Tea

Like quite a few of Kurt’s songs, Pennyroyal Tea sneaks in quietly before launching into different territory.  Brilliant song from In Utero that demonstrates perfectly the melding of melody and mayhem in the best Nirvana tunes.

7. About A Girl

An early hint of Kurt Cobain’s ability to create a beautiful pop song; it’s no surprise that he was a huge Beatles fan.  Find it on Bleach, there’s also a killer version on MTV Unplugged.

6. Francis Farmer Will Have Her Revenge on Seattle

“I miss the comfort in being sad”, quiet/loud/quiet/loud; great riff.  Wonderful track from In Utero, complete with scathing lyrics.

5. Scentless Apprentice

Dun-dun-der-der! D-der der d-der d-der!  Do I really need to say more?  So heavy.  It must have scared the Indie scenesters to death.  Run for the hills, Indie scenesters!

4. Where Did You Sleep Last Night

A cover of the Leadbelly song, found on the MTV Unplugged album.  Kurt sounds truly agonised on this exceptional song, though it retains it’s beauty.

3. Dive

Apparently written as a Soundgarden style song, in an effort to appeal to their label Sub Pop and get signed.  It should come as no surprise, however, that Kurt – a huge Black Sabbath fan – would be able to create a riff as heavy as this.  Heavy like a brontosaurus breaking rocks.  With a big fucking hammer.

2. Smells Like Teen Spirit

This is the big one.  Iconic, revolutionary – but Nirvana’s best song?  I don’t think so.  Not to deny it’s power, maybe I’ve just heard it a little too much.  Still great though.  It’s on Nevermind, but you knew that, right?

1. Heart Shaped Box

Allegedly, Courtney Love heard Kurt writing this song, loved the immortal riff, and asked if he would donate it to her.  Kurt declined, and apparently locked himself in a cupboard to finish it off.  The quintessential quiet/loud dynamic.  Utterly unforgettable.  This, for me, is Nirvana’s best song.

So there you go – my Top 20 Essential Nirvana songs.  And I didn’t mention the word “grunge” once.

Compiling this list was much more difficult than I anticipated.  I was forced to leave out some absolutely classic songs; like In Bloom, Rape Me, Aneurysm and Nirvana’s amazing cover of David Bowie’s The Man Who Sold The World.  There are others, too.

I reserve the right, in all Essential Tracks posts, to revise my thoughts at a later date.  Already, I’m thinking that Scentless Apprentice should’ve been number 1.

Dun-dun-der-der! D-der der d-der d-der!

The Return of the Random Bike Ride Playlist

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It’s back!  Yesterday  I went for a bike ride, the first of the year.  The weather was good and I was ready to roll.  For old times sake, I decided to hit “shuffle” and let Ipodicus decide what the soundtrack to the morning’s adventure would be.

Just over ten miles.  Not bad.

  1. Smashing Pumpkins – “Real Love”
  2. Jello Biafra & The Melvins – “Those Dumb Punk Kids (Will Buy Anything)”
  3. Queens of the Stone Age – “Quick & to the Pointless”
  4. Sleigh Bells – “Comeback Kid”
  5. Bob Marley – “You Can’t Do That to Me”
  6. Blondie – “Contact on Red Square”
  7. David Bowie – “Little Wonder”
  8. Lieutenant Pigeon – “Mouldy Old Dough”
  9. Hector Martignon – “Colombaiao”
  10. Therapy? – “Stay Happy”
  11. Viking Skull – “Double or Quits”
  12. Samantha Fox – “I Only Wanna Be With You”
  13. A Tribe Called Quest – “If The Papes Come”
  14. The Melvins – “In the Army Now”
  15. Bad Brains – “Jam”
  16. Orange Goblin – “Lothlorian”
  17. Muddy Waters – “I Want to Be Loved”
  18. 2Pac ft. Anthony Hamilton – “Thugz Mansion”
  19. The Who – “Please, Please, Please”
  20. Jello Biafra & The Melvins – “Enchanted Thoughtfist (Enchanted Al Remix)”
  21. Neil Young & Pearl Jam – “Downtown”
  22. Roni Size – “Trust Me”
  23. Tiny Masters of Today – “Hologram World”

This particular playlist reminded me just how great the Jello Biafra and The Melvins collaborations are.  I haven’t listened to them for a while, so cranked ’em today.

Hallowe’en Playlist

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All these posts about horror movies, it’s about time there was a post devoted to music for Hallowe’en!

I have a couple of Hallowe’en compilation CDs, this playlist puts together various songs not on those collections.  Some of the choices are obvious horror themes (“The Number of the Beast”, “Nasty”); others are more tenuous (“Devil in Disguise”, “Hotter Than Hell”).  Other selections are related, directly or not, to great scary movies: you know where “Bad Moon Rising” is from, right?

Either way, there’s a variety of styles here – suitable for (most) Hallowe’en gatherings…

  1. Creedence Clearwater Revival – “Bad Moon Rising”
  2. The Damned – “Nasty”
  3. Elvis Presley – “(You’re the) Devil in Disguise”
  4. Ramones – “Pet Semetary”
  5. Motorhead – “Hellraiser”
  6. Johnny Cash – “(Ghost) Riders in the Sky”
  7. Iron Maiden – “The Number of the Beast”
  8. The Misfits – “Vampira”
  9. Kiss – “Hotter Than Hell”
  10. Rolling Stones – “Sympathy for the Devil”
  11. Zombina & The Skeletones – “Nobody Loves You (When You’re Dead)”
  12. Ozzy Osbourne – “Mr Crowley”
  13. Screamin’ Jay Hawkins – “I Put a Spell on You”
  14. GBH – “Horror Story”
  15. Van Halen – “Runnin’ with the Devil”
  16. David Bowie – “Scary Monsters (and Super Creeps)”
  17. The Cult – “The Witch”
  18. Jimi Hendrix Experience – “Voodoo Child (Slight Return)”
  19. Alice Cooper – “I Love the Dead”

Why the United Kingdom doesn’t win Eurovision

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A short opinion piece concerning the UK’s lack of success in the international song contest

The Eurovision song contest – that cacophony of the beautiful, the unusual, and the downright bizarre.  Where reactions go from “This is pleasant,” to “What just happened?  Did I really hear that?” in the space of a few minutes.  Sometimes in the same song.  It’s all in the name of entertainment, and often the strange moments are the best.

The United Kingdom has had it’s share of winners over the years, and in contrast to most people’s opinion has been very successful.  These days, however, we constantly hear the public decrying the contest and complaining about the mutual voting of  sympathetic countries.  “That’s why we don’t win anymore,” the voices say, “all those countries voting for each other.”

Other reasons commonly championed as to why the UK hasn’t been successful include “No-one in Europe likes us”; and theories about the change in rules regarding singing in the national language.

So how is it possible that the nation that gave the world The Beatles, the Rolling Stones, Pink Floyd, Led Zeppelin, Bowie, the Clash (and on and on) – don’t win this contest hands down every year?

It’s because we don’t take it seriously.

I don’t mean we don’t take it seriously in a tongue-in-cheek, this is crap but what the hell post modern kind of way.  That’s fine.  Be ironic, have a laugh at the strange sounds and mangling of English phrases – that’s part of the fun.

No, by not taking it seriously I refer to the artists above.  We don’t win Eurovision because every year the rest of Europe wants to see the UK field a superstar.  A living legend like Bowie or Sir Paul, to lend their talents to the Greatest Music Competition in the World.  They want to see some of the musical geniuses that have sprung from these shores show the rest of Europe what pop music is all about.

We know that’s never going to happen.  Great fun as Eurovision is, it doesn’t have the cultural importance to tempt the like of Elton or Mick Jagger.  Not going to happen.

But just imagine if we did?  Imagine, if you will, a gleaming supergroup with Brian May on guitar, Roger Taylor on drums, Sir Paul on bass.  Elt on the old joanna, and vocals from some one like Jessie J, or Adele, or Tom Jones.  That’s what Europe want to see, and that’s what we need to win.

There was a rumour a few years ago (and I think it was just a rumour), of Morrissey being the United Kingdom’s entry for Eurovision.  Now I’m no Morrissey fan, but maybe that would do the job?  In the meantime, we have Bonnie Tyler to represent the country this year.  A woman with considerable fame and success across Europe, not to mention her undoubted talent.  Let’s see if she can do it.

Whoever wins, ignore the nay sayers and the whingers who complain because the UK doesn’t win.  Enjoy the fun and the spectacle, whoever the winner is.