Bring Your Own Vinyl Night #11

Bring Your Own Vinyl Night

The Queen’s Head, Mold

Friday 24th February 2017

It’s the first Bring Your Own Vinyl Night of the year!  It was great to be back in the Queen’s Head in Mold for another Vinyl Night, and nice to see all the familiar faces after the Christmas break.

Most of all, it was great to have a few pints and hear some great music, old and new.

To recap how this works (though I’m sure you know by now): everyone gets 15 minutes to play whatever music they like, so long as it’s on vinyl.

Here’s my playlist for the evening:

Professor Elemental – I’m British

For my first song of the set, I craved something a little different. So I decided on a track from Professor Elemental, a gentleman of some repute who is known to fashion extraordinary “chap hop” tunes.  That is, steam punk hip-hop (sort of).  I’ve seen the good Professor live a couple of times (at Sci-Fi Weekender) and was astonished at this marvellous mash-up from the get go.  A few months back I tracked down some vinyl via the Prof’s Bandcamp page; lo and behold it was a sonic delight.  Lively beats and unusual samples – more brass band than James Brown – meld with humorous, uniquely British rap topics to create a wonderful new hybrid.  This track was the perfect primer for the uninitiated, but it’s all good.  Get over to the Professor’s Bandcamp now, you won’t regret it.  And catch him live if you can!

B-52s – Planet Claire

Next up in my musical feast was a fine little song from those lovable, quirky scamps the B-52s.  “Planet Claire” is a perfect slice of sci-fi flavoured rock’n’roll, straight out of a B-movie and into your brain like Invasion of the Body Snatchers.  I love it.  This version is from the B side of the “Rock Lobster” 12″ single, which I was lucky enough to pick up at a record fair not long ago.

Thee Hypnotics – Come Down Heavy

In the late 80’s/early 90’s, just before Nirvana changed the world with “Nevermind”, I had discovered the Stooges via punk rock bands like the Damned and the Sex Pistols.  At the same time, there were bands coming out of the USA – such as Mudhoney – that utilised a very Stooges-like sound: fuzzed up guitars, wah wah pedals and so on.  Thee Hypnotics were a British garage band that followed a similar blueprint.  Though largely forgotten about now, they’re a fantastic historical anomaly and pre-cursor to the alt rock explosion of the early 90’s.  “Come Down Heavy” is from the album of the same name.  It seemed very popular on the night – highly recommended.

Iggy Pop – Cold Metal

I bought the Thee Hypnotics album from a Connah’s Quay record fair around 1990.  I also picked up Iggy Pop’s “Instinct” album at the same fair, as I’d heard the track “Cold Metal” on a Sounds sampler EP that a friend gave me.  I love – and still love – the amazing guitar riff.  I was instantly smitten; not just the riff but the incredible gritty yet finely produced guitar tone – courtesy of the one and only Steve Jones.  “Instinct” is a superb album – Iggy’s explored lots of sounds, but I do like it when he rocks out unashamedly.  A highlight of a varied and inspirational career.

And that was the end of the set – hope everyone enjoyed it as much as I did!  Looking forward to the next Bring Your Own Vinyl Night – it can never come too soon.

The Halcyon Dreams blogspot is here.

The Halcyon Dreams mixcloud page is here.

The Halcyon Dreams Facebook page is here.

The VOD music website is here.

Bring Your Own Vinyl Night #2

Bring Your Own Vinyl Night

Queen’s Head, Mold

Friday 29th May 2015

OK, you know the drill – it’s Bring Your Own Vinyl Night at the Queen’s Head pub in Mold.  It’s the same great deal as last time – everyone gets a fifteen minute slot to play whatever they want, as long as it’s vinyl.  Old or new, obvious or strange – any genre you like, bring along those wax platters and give them a spin.

As previous, it was a welcoming atmosphere in the pub, and it was great to hear the music played.  There’s always some old favourites, as well as a few that make you scratch your head, then go away determined to explore that sound more.

We missed the last Vinyl Night, the gang and me, but this time we came fully stocked and prepared.  So after a few beers, here’s what my set-list looked like:

Nirvana – Do You Love Me

This is a cover by the Seattle Grunge mega lords of a KISS tune, found on the Hard to Believe tribute album.  This record featured several then-underground, independent punk rock groups covering KISS songs.  Also on this disc you’ll hear such bands as the Melvins, All and the Hard-Ons (I love ’em all) – but it’s Kurt Cobain’s crew that are the novelty factor here.  Pre-dating Nevermind, this isn’t the best Nirvana song (not by a long way) but it’s kinda cool to hear them cover some classic glam rock.  I picked this up fairly recently at a Manchester jumble sale; I played it ‘cos it’s rare (apparently) and unexpected (very).

Butthole Surfers – The Wooden Song

No, I didn’t play this song because of the shock/comedy nature of the band’s name.  I played because the album Independent Worm Saloon, which birthed this tune, is a work of under-appreciated genius.  The album roams from full-on punk noise; to psychedelic eruptions; to folky, melodious charm.  The Wooden Song   fits in the last category, with a nice added dose of weird.

Jimi Hendrix Experience – The Stars That Play with Laughing Sam’s Dice

Taken from the Smash Hits album which I picked up on reissue around 1990.  This song was always a favourite, I chose to play it as it’s a different (and better) mix than the one found on the South Saturn Delta CD.  I love how the song’s funky little riff rolls on, as Jimi’s voice and a wall of guitar noise threaten to throw the whole thing overboard.  Beautiful chaos.

Black Sabbath – Planet Caravan

This is one of my late at night, chill-out jams.  You can find this track on Paranoid.  I chose it to showcase just how great Black Sabbath were, the variety and depth of composition going far beyond what the trendy elite give them credit for.  A mellow jazz trip into outer space, this song elegantly portrays the grandeur of the mighty Sabbath.  ALL HAIL SABBATH.

So that was it from me.  I thoroughly enjoyed myself, hope others liked it too.  I was more confident this time with the turntables and felt that the whole experience was a step up from my previous effort.

Next up was Adam, with some gems from his ever expanding vinyl collection.  It was Adam’s first tenure on the decks, he mastered it like a pro:

  • Guns’n’Roses – Bad Obsession
  • Prodigy – Poison
  • Beach Boys – God Only Knows

The final member of our crew was Ben the Swede, who travelled from far off Chester with his lady Janice to play some vinyl.  Ben went for a Ritchie Blackmore theme with his choices, and damn fine they were:

  • Rainbow – Jealous Lover
  • Glen Hughes and Chad Smith – Maybe I’m a Leo
  • Deep Purple – You Can’t Do It Right By The One You Love

Thank you and good night – till the next Bring Your Own Vinyl Night!

The Halcyon Dreams blog is here, where you can find listed (very helpfully) all the songs played on the night.

The Halcyon Dreams Facebook page is herevinyl3

Essential Tracks – Nirvana

“Essential Tracks” is a new Music section at the Virtual Hot Tub.  In this ongoing series, I’ll be picking my favourite tracks from a particular artist.  Here’s the very first instalment.

Nirvana – the Top 20 Songs

Sadly, 5th April marks twenty years since the death of Kurt Cobain.  It seems somewhat unreal that so much time has passed.  I remember buying Nevermind as soon as it came out in 1991.  I remember hearing about Kurt’s death when it was announced.  Such a great artist and unique, complex music.  This is a list of my favourite Nirvana songs.

20. Come As You Are

A great song, over familiarity has probably knocked this track down the table.  Find it on Nevermind.  As a point of interest, my old band used to cover this.  We performed it live on the second anniversary of Kurt’s death; it received a warm response.  At that point (in the pre-internet) we hadn’t realised the significance of the date, it had been a coincidence.

19. You Know You’re Right

From the Nirvana compilation.  Awesome song – classic Nirvana soft/heavy dynamic.

18. Been A Son

My version of this song is from the Incesticide album.  Fast paced, a catchy melody – and lyrics worth the time to listen to.

17. Lithium

One of the classic Nevermind songs, this has a fantastic sing a long chorus that shows Kurt’s ear for a fine tune.

16. Serve the Servants

Opening track from the superb In Utero album, I’ve surprised myself that I haven’t placed this song higher in my own list.  Love it.  “Teenage angst has paid off well, now I’m bored and old”.

15. Negative Creep

Absolutely brutal riff.  One of the heaviest, punkiest songs in the Nirvana catalogue.  Perhaps something of an early Melvins influence here, probably some Black Flag too.  You can find it on Bleach.

14. Molly’s Lips

Out-standing cover version of a Vaselines song, on the Incesticide album.  Unbelievably  poppy despite buzzing guitars, it’s a blueprint that Cobain adopted and mastered.

13. Territorial Pissings

Another hardcore punk attack, though Territorial Pissings still retains a melody despite the speed and fury.  Awesome instrumental break and reliably quotable lyrics.  Nevermind again.

12. On A Plain

It’s really hard to select the best songs from an album as indispensible as Nevermind, but I remember this track always stood out for me.

11. All Apologies

This gem doesn’t get in the Top Ten?  I know, ridiculous, right?  It’s on In Utero and there’s a pretty cool version on the MTV Unplugged set, too.

10. Sliver

We start the Top Ten with a great pop tune that, incredibly, wasn’t on the major releases.  You can pick it up though, on Incesticide – and I suggest you do.

9. Something In The Way

This song and Polly offer some quieter, haunting moments on Nevermind.  When we get to the chorus and the cello comes in, it’s heart break time.

8. Pennyroyal Tea

Like quite a few of Kurt’s songs, Pennyroyal Tea sneaks in quietly before launching into different territory.  Brilliant song from In Utero that demonstrates perfectly the melding of melody and mayhem in the best Nirvana tunes.

7. About A Girl

An early hint of Kurt Cobain’s ability to create a beautiful pop song; it’s no surprise that he was a huge Beatles fan.  Find it on Bleach, there’s also a killer version on MTV Unplugged.

6. Francis Farmer Will Have Her Revenge on Seattle

“I miss the comfort in being sad”, quiet/loud/quiet/loud; great riff.  Wonderful track from In Utero, complete with scathing lyrics.

5. Scentless Apprentice

Dun-dun-der-der! D-der der d-der d-der!  Do I really need to say more?  So heavy.  It must have scared the Indie scenesters to death.  Run for the hills, Indie scenesters!

4. Where Did You Sleep Last Night

A cover of the Leadbelly song, found on the MTV Unplugged album.  Kurt sounds truly agonised on this exceptional song, though it retains it’s beauty.

3. Dive

Apparently written as a Soundgarden style song, in an effort to appeal to their label Sub Pop and get signed.  It should come as no surprise, however, that Kurt – a huge Black Sabbath fan – would be able to create a riff as heavy as this.  Heavy like a brontosaurus breaking rocks.  With a big fucking hammer.

2. Smells Like Teen Spirit

This is the big one.  Iconic, revolutionary – but Nirvana’s best song?  I don’t think so.  Not to deny it’s power, maybe I’ve just heard it a little too much.  Still great though.  It’s on Nevermind, but you knew that, right?

1. Heart Shaped Box

Allegedly, Courtney Love heard Kurt writing this song, loved the immortal riff, and asked if he would donate it to her.  Kurt declined, and apparently locked himself in a cupboard to finish it off.  The quintessential quiet/loud dynamic.  Utterly unforgettable.  This, for me, is Nirvana’s best song.

So there you go – my Top 20 Essential Nirvana songs.  And I didn’t mention the word “grunge” once.

Compiling this list was much more difficult than I anticipated.  I was forced to leave out some absolutely classic songs; like In Bloom, Rape Me, Aneurysm and Nirvana’s amazing cover of David Bowie’s The Man Who Sold The World.  There are others, too.

I reserve the right, in all Essential Tracks posts, to revise my thoughts at a later date.  Already, I’m thinking that Scentless Apprentice should’ve been number 1.

Dun-dun-der-der! D-der der d-der d-der!